The Manor (2018)
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| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| OpusData ID: 310380100 More info... | ||
| Further financial details... | ||
Synopsis
A family goes on vacation to a manor where there have been many murders. Probably not one of the best decisions they’ve ever made but hey, what could go wrong, the past is past, isn’t it? It isn’t? It’s here today in all its grisly glory? Cue bloodshed.
Metrics
Movie Details
| Domestic Releases: | May 18th, 2018 (Limited) by Lionsgate |
| Video Release: | May 15th, 2018 by Lionsgate Home Entertainment |
| MPA Rating: | R for horror violence, language including sexual references, and some drug use. (Rating bulletin 2501 (Cert #51315), 11/8/2017) |
| Running Time: | 90 minutes |
| Plot point: | Mental Illness |
| Release detail: | Early / Simultaneous Video-on-Demand release |
| Subgenre: | Isolation Horror |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Dawn’s Light |
| Production Countries: | United States |
| Languages: | English |
Leading
| Christina Robinson | Amy Hunter | |
| Kevin Nash | Reverend Thomas | |
| Tandi Tugwell | Eva Clarke |
Supporting
| Allie Marshall | True Believer | |
| Rachel True | Doctor Tryvniak | |
| Armen Garo | Robert Anders | |
| Mike Messier | Ole Bayton | |
| Tanja Melendez Lynch | Jane Hunter | |
| Sully Erna | Brett Bayton | |
| Danielle Guldin | Blaire Clarke |
Production and Technical Credits
| Jonathon Schermerhorn | Director | |
| Tom DeNucci | Screenwriter | |
| Glenn Jeffrey | Screenwriter | |
| Mike Messier | Screenwriter | |
| Matt O’Connor | Screenwriter | |
| Talia Ascher | Producer | |
| Jason Cherubini | Producer | |
| Leslie Cimino | Producer | |
| Tom DeNucci | Producer | |
| Alexander Ferguson | Producer | |
| John Ferraioli | Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
A family goes on vacation to a manor where there have been many murders. Probably not one of the best decisions they’ve ever made but hey, what could go wrong, the past is past, isn’t it? It isn’t? It’s here today in all its grisly glory? Cue bloodshed.
Metrics
Movie Details
| Domestic Releases: | May 18th, 2018 (Limited) by Lionsgate |
| Video Release: | May 15th, 2018 by Lionsgate Home Entertainment |
| MPA Rating: | R for horror violence, language including sexual references, and some drug use. (Rating bulletin 2501 (Cert #51315), 11/8/2017) |
| Running Time: | 90 minutes |
| Plot point: | Mental Illness |
| Release detail: | Early / Simultaneous Video-on-Demand release |
| Subgenre: | Isolation Horror |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Dawn’s Light |
| Production Countries: | United States |
| Languages: | English |
Leading
| Christina Robinson | Amy Hunter | |
| Kevin Nash | Reverend Thomas | |
| Tandi Tugwell | Eva Clarke |
Supporting
| Allie Marshall | True Believer | |
| Rachel True | Doctor Tryvniak | |
| Armen Garo | Robert Anders | |
| Mike Messier | Ole Bayton | |
| Tanja Melendez Lynch | Jane Hunter | |
| Sully Erna | Brett Bayton | |
| Danielle Guldin | Blaire Clarke |
Production and Technical Credits
| Jonathon Schermerhorn | Director | |
| Tom DeNucci | Screenwriter | |
| Glenn Jeffrey | Screenwriter | |
| Mike Messier | Screenwriter | |
| Matt O’Connor | Screenwriter | |
| Talia Ascher | Producer | |
| Jason Cherubini | Producer | |
| Leslie Cimino | Producer | |
| Tom DeNucci | Producer | |
| Alexander Ferguson | Producer | |
| John Ferraioli | Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.