The Many Saints of Newark (2021)

The Many Saints of Newark
Theatrical Performance
Domestic Box Office $8,237,403Details
International Box Office $4,494,636Details
Worldwide Box Office $12,732,039
Home Market Performance
Est. Domestic DVD Sales $494,040 Details
Est. Domestic Blu-ray Sales $631,964 Details
Total Est. Domestic Video Sales $1,126,004
Further financial details...

Synopsis

Young Anthony Soprano is growing up in one of the most tumultuous eras in Newark’s history, becoming a man just as rival gangsters begin to rise up and challenge the all-powerful DiMeo crime family’s hold over the increasingly race-torn city. Caught up in the changing times is the uncle he idolizes, Dickie Moltisanti, who struggles to manage both his professional and personal responsibilities—and whose influence over his nephew will help make the impressionable teenager into the all-powerful mob boss we’ll later come to know: Tony Soprano.

Metrics

Opening Weekend:$4,651,571 (56.5% of total gross)
Legs:1.77 (domestic box office/biggest weekend)
Domestic Share:64.7% (domestic box office/worldwide)
Production Budget:$50,000,000 (worldwide box office is 0.3 times production budget)
Theater counts:3,181 opening theaters/3,181 max. theaters, 2.0 weeks average run per theater
Infl. Adj. Dom. BO $8,731,487

Latest Ranking on Cumulative Box Office Lists


Watch Now On

Amazon VOD:Amazon 4K UHD EST, Amazon EST
iTunes:iTunes
Google Play:Google Play
Vudu:Vudu
Netflix:Netflix

Movie Details

Domestic Releases: October 1st, 2021 (Wide) by Warner Bros.
International Releases: September 24th, 2021 (Wide) (United Kingdom)
October 1st, 2021 (Wide) (Argentina)
October 1st, 2021 (Wide) (Israel)
October 4th, 2021 (Wide) (Australia)
October 8th, 2021 (Wide) (Saudi Arabia)
... Show all releases
Video Release: October 1st, 2021 by Max
MPAA Rating: R for strong violence, pervasive language, sexual content and some nudity.
(Rating bulletin 2662 (cert #53032), 1/6/2021)
Running Time: 120 minutes
Comparisons: vs. Cry Macho
Create your own comparison chart…
Keywords: Set in New Jersey, 1960s, Mafia, African Americans, Riots, Prequel, Crime Drama, Twins, Death of a Sibling, Relationships Gone Wrong, Death of a Twin, Same Actor, Multiple Roles, Ensemble
Source:Based on TV
Genre:Drama
Production Method:Live Action
Creative Type:Historical Fiction
Production/Financing Companies: New Line Cinema, HBO Entertainment, Chase Films
Production Countries: United States
Languages: English

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Oct 1, 2021 4 $4,651,571   3,181 $1,462   $4,651,571 1
Oct 8, 2021 5 $1,419,474 -69% 3,181 $446   $7,376,526 2
Oct 22, 2021 - $23,132   102 $227   $8,201,441 4
Oct 29, 2021 - $7,069 -69% 41 $172   $8,216,892 5

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Oct 29, 2021 - $1,877     41 $46   $8,211,700 29
Oct 30, 2021 - $3,189 +70%   41 $78   $8,214,889 30
Oct 31, 2021 - $2,003 -37%   41 $49   $8,216,892 31
Nov 1, 2021 - $574 -71%   41 $14   $8,217,466 32
Nov 2, 2021 - $1,084 +89%   41 $26   $8,218,550 33
Nov 3, 2021 - $1,051 -3%   41 $26   $8,219,601 34
Nov 4, 2021 - $1,002 -5%   41 $24   $8,220,603 35

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Oct 1, 2021 4 $5,957,052   3,181 $1,873   $5,957,052 1
Oct 8, 2021 5 $1,981,051 -67% 3,181 $623   $7,938,103 2
Oct 15, 2021 - $240,206 -88% 502 $478   $8,178,309 3
Oct 22, 2021 - $31,514 -87% 102 $309   $8,209,823 4
Oct 29, 2021 - $10,780 -66% 41 $263   $8,220,603 5

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 10/1/2021 $0 0 0 0 $28,000 10/20/2022
Australia 10/4/2021 $0 0 233 671 $608,483 10/20/2022
France 11/3/2021 $77,000 86 86 86 $77,000 10/20/2022
Germany 11/4/2021 $69,000 222 222 222 $69,000 10/20/2022
Israel 10/1/2021 $0 0 0 0 $76,000 10/20/2022
Italy 11/4/2021 $81,737 0 0 0 $81,737 10/20/2022
Netherlands 11/11/2021 $86,381 76 76 198 $197,432 11/30/2021
New Zealand 11/4/2021 $13,910 40 42 140 $33,549 10/20/2022
Saudi Arabia 10/8/2021 $0 0 0 0 $147,000 10/20/2022
Slovakia 10/8/2021 $3,941 23 23 29 $6,230 10/20/2022
Spain 11/5/2021 $76,965 161 161 271 $128,800 11/23/2021
United Arab Emirates 10/8/2021 $0 0 0 0 $54,000 10/11/2021
United Kingdom 9/24/2021 $1,293,363 628 628 1,629 $2,750,939 10/20/2021
 
Rest of World $236,466
 
International Total$4,494,636 10/20/2022

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Dec 26, 20211813,351 13,351$200,131$200,13113

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Lead Ensemble Members

Alessandro Nivola    Dickey Moltisanti
Leslie Odom Jr.    Harold McBrayer
Vera Farmiga    Livia Soprano
Jon Bernthal    Johnny Soprano
Corey Stoll    Junior Soprano
Ray Liotta    “Hollywood Dick” Moltisanti / Salvatore “Sally” Moltisanti
Michael Gandolfini    Teenage Tony Soprano
Billy Magnussen    Paulie Walnuts
John Magaro    Silvio Dante
Samson Moeakiola    Pussy Bonpensiero

Supporting Cast

Michela De Rossi    Giuseppina Moltisanti
Joey Coco Diaz    Buddha
Germar Terrell Gardner    Cyril
Alexandra Intrator    Teenage Janice Soprano
Gabriella Piazza    Joanne Moltisanti
Mason Bleu    Leon Overall
Aaron Joshua    Jaleel
Lesli Margherita    Iris Balducci
Talia Balsam    Mrs. Jarecki
Kathryn Kates    Angie DeCarlo
Nick Vallelonga    Carmine Cotuso
Ed Marinaro    Jilly Ruffalo
William Ludwig    Young Tony Soprano
Mattea Conforti*    Young Janice Soprano
Matteo Russo    Young Artie Bucco
Robert Vincent Montano    Teenage Artie Bucco
Chase Vacnin    Teenage Jackie Aprile
Patina Miller    Queen Isola
Rob Colletti    Julie DeRogatis
De'Jon Watts    Landers
Nick DeMatteo    Guitarist
Matt Grossman    Drummer
Chris LaPanta    Army Recruiter
Pat Squire    Old Auntie
Amelia Fowler    Candy Store Nurse
Prema Cruz    Wynetta
Maliq Johnson    Kevin
Sam Labovitz    Bruno
Daryl Edwards    Julius
Matthew Elam    Ray Ray
Anthony Angelo Pizza, Jr.    Catholic School Boy
Audrey Bennett    Catholic School Girl
Nicola Gabriele    Club Waiter
Spenser Granese    Man In The Cowboy Hat
Michael Zegarski    Funeral Director
Michael Kaves    Funeral Wiseguy #1
Vinnie Costanza    Teenage Boy
Ian Unterman    Softball Parent #1
Lizzy Plimpton    Softball Parent #2
Erik Weiner    Teacher
Alex Morf    Police HQ Copper
Bryce Burke    Ice Cream Truck Driver
Joel Boyd    Activist on Stage
William Youmans    Judge Lambert
Andrew Polk    Taxi Passenger
Ohene Cornelius    Taxi Driver
Craig Geraghty    Soprano Kids Copper
Nygel Bush    Fallen Son
Carrie Compere    Crying Mother
Oberon K. Adjepong    Frank Lucas
Lexie Foley    Barbara Soprano
Phyllis Pastore    Aunt Concetta
Tatienne Hendricks-Tellefsen    Paulie’s Goomar
Ayodele Olatunji    Tabernacle Band #1
CJ Fly    Tabernacle Band #2
Dessy Hinds    Tabernacle Band #3
Laurie Sheppard    Building Manager
Marianne Ferrari    Female Neighbor
Julian Lerner    Rico (Tony’s Friend)
Stella Chivee    Frank Lucas’ Daughter
Louis Vanaria    Wise Guy
Latoya Edwards    Frank Lucas’ Girlfriend
John Borras    Bishop
Jodi Capeless    Aunt Gemma
Lauren DiMario    Teenage Carmela De Angelis

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Alan Taylor    Director
Lawrence Konner    Screenwriter
David Chase    Screenwriter
Lawrence Konner    Producer
David Chase    Producer
Nicole Lambert    Producer
Michael Disco    Executive Producer
Marcus Viscidi    Executive Producer
Toby Emmerich    Executive Producer
Richard Brener    Executive Producer
Kramer Morgenthau    Director of Photography
Bob Shaw    Production Designer
Christopher Tellefsen    Editor
Susan Jacobs    Music Supervisor
Dan Schrecker    Visual Effects Supervisor
Amy Westcott    Costume Designer
Douglas Aibel    Casting
Marcus Viscidi    Unit Production Manager
Samantha Dyer    Unit Production Manager
Atilla Salih Yucer    First Assistant Director
Kamen Velkovsky    Second Assistant Director
Laura Ballinger Gardner    Supervising Art Director
Ann Bartek    Art Director
Regina Graves    Set Decorator
Jan McLaughlin    Sound Mixer
Rebecca Breckel    Script Supervisor
Tom Fleischman    Re-recording Mixer
Paul Urmson    Re-recording Mixer
Paul Urmson    Supervising Sound Editor
Lidia Tamplenizza    Supervising Dialogue Editor
Mitsuko Alexandra Yabe    Music Editor
Annette Kudrak    Music Editor
Jac Rubenstein    Dialogue Editor
Alexa Zimmerman    Dialogue Editor
Wyatt Sprague    Sound Effects Editor
Pat Cicero*    Sound Effects Editor
Igor Nikolic    Foley Editor
Goro Koyama    Foley Recordist
Sandra Fox    Foley Recordist
Kevin Schultz    Foley Mixer
Jack Heeren    Foley Mixer
Audra Gorman    Location Manager
Amy Burt    Costume Supervisor
Jessica S. Smith    Costume Supervisor
Nicki Ledermann    Makeup Department Head
Mike Marino    Prosthetics Makeup Designer
Sean Flanigan    Hair Department Head
Beatrice Kruger    Casting (Italy)
George A. Aguilar*    Stunt Coordinator
George A. Aguilar*    Second Unit Director

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Weekend estimates: Venom delivers pandemic-era-record $90 million as No Time to Die and Dune both top $100m internationally

October 3rd, 2021

Venom: Let There Be Carnage

Venom: Let There Be Carnage will set a new pandemic-era benchmark this weekend, with Sony Pictures projecting a stellar $90-million opening weekend as of Sunday morning, easily eclipsing the $80-million debut of Black Widow back in July. That number also represents a very solid 7.8 times the movie’s Thursday-evening preview number, which suggests good word of mouth. The good news doesn’t stop there, with this weekend’s other domestic openers, The Addams Family 2 and The Many Saints of Newark both doing better than predicted, No Time to Die opening with spectacular (for the pandemic era) numbers internationally, and Dune continuing to do well around the world.

First, here’s how the domestic numbers look this morning… More...

Weekend predictions: Venom headed to excellent opening weekend

October 1st, 2021

Venom: Let There Be Carnage

A critical month for the theatrical industry has started with some promising news: Venom: Let There Be Carnage posted a very solid $11.6 million from “preview” screenings on Thursday evening, the second-best result from previews during the pandemic, and not far behind Black Widow’s $13.2 million. Sony Pictures, while presumably very happy with how things are going so far, are urging caution when extrapolating that number out to the whole weekend. Their current projection for the weekend is towards the high end of the $50 million to $60 million range, with a preview-to-weekend multiplier around five.

Here’s what our model has to say about Venom’s prospects, along with this weekend’s other new wide releases and returning films… More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

Young Anthony Soprano is growing up in one of the most tumultuous eras in Newark’s history, becoming a man just as rival gangsters begin to rise up and challenge the all-powerful DiMeo crime family’s hold over the increasingly race-torn city. Caught up in the changing times is the uncle he idolizes, Dickie Moltisanti, who struggles to manage both his professional and personal responsibilities—and whose influence over his nephew will help make the impressionable teenager into the all-powerful mob boss we’ll later come to know: Tony Soprano.

Metrics

Opening Weekend:$4,651,571 (56.5% of total gross)
Legs:1.77 (domestic box office/biggest weekend)
Domestic Share:64.7% (domestic box office/worldwide)
Production Budget:$50,000,000 (worldwide box office is 0.3 times production budget)
Theater counts:3,181 opening theaters/3,181 max. theaters, 2.0 weeks average run per theater
Infl. Adj. Dom. BO $8,731,487

Latest Ranking on Cumulative Box Office Lists


Watch Now On

Amazon VOD:Amazon 4K UHD EST, Amazon EST
iTunes:iTunes
Google Play:Google Play
Vudu:Vudu
Netflix:Netflix

Movie Details

Domestic Releases: October 1st, 2021 (Wide) by Warner Bros.
International Releases: September 24th, 2021 (Wide) (United Kingdom)
October 1st, 2021 (Wide) (Argentina)
October 1st, 2021 (Wide) (Israel)
October 4th, 2021 (Wide) (Australia)
October 8th, 2021 (Wide) (Saudi Arabia)
... Show all releases
Video Release: October 1st, 2021 by Max
MPAA Rating: R for strong violence, pervasive language, sexual content and some nudity.
(Rating bulletin 2662 (cert #53032), 1/6/2021)
Running Time: 120 minutes
Comparisons: vs. Cry Macho
Create your own comparison chart…
Keywords: Set in New Jersey, 1960s, Mafia, African Americans, Riots, Prequel, Crime Drama, Twins, Death of a Sibling, Relationships Gone Wrong, Death of a Twin, Same Actor, Multiple Roles, Ensemble
Source:Based on TV
Genre:Drama
Production Method:Live Action
Creative Type:Historical Fiction
Production/Financing Companies: New Line Cinema, HBO Entertainment, Chase Films
Production Countries: United States
Languages: English

Lead Ensemble Members

Alessandro Nivola    Dickey Moltisanti
Leslie Odom Jr.    Harold McBrayer
Vera Farmiga    Livia Soprano
Jon Bernthal    Johnny Soprano
Corey Stoll    Junior Soprano
Ray Liotta    “Hollywood Dick” Moltisanti / Salvatore “Sally” Moltisanti
Michael Gandolfini    Teenage Tony Soprano
Billy Magnussen    Paulie Walnuts
John Magaro    Silvio Dante
Samson Moeakiola    Pussy Bonpensiero

Supporting Cast

Michela De Rossi    Giuseppina Moltisanti
Joey Coco Diaz    Buddha
Germar Terrell Gardner    Cyril
Alexandra Intrator    Teenage Janice Soprano
Gabriella Piazza    Joanne Moltisanti
Mason Bleu    Leon Overall
Aaron Joshua    Jaleel
Lesli Margherita    Iris Balducci
Talia Balsam    Mrs. Jarecki
Kathryn Kates    Angie DeCarlo
Nick Vallelonga    Carmine Cotuso
Ed Marinaro    Jilly Ruffalo
William Ludwig    Young Tony Soprano
Mattea Conforti*    Young Janice Soprano
Matteo Russo    Young Artie Bucco
Robert Vincent Montano    Teenage Artie Bucco
Chase Vacnin    Teenage Jackie Aprile
Patina Miller    Queen Isola
Rob Colletti    Julie DeRogatis
De'Jon Watts    Landers
Nick DeMatteo    Guitarist
Matt Grossman    Drummer
Chris LaPanta    Army Recruiter
Pat Squire    Old Auntie
Amelia Fowler    Candy Store Nurse
Prema Cruz    Wynetta
Maliq Johnson    Kevin
Sam Labovitz    Bruno
Daryl Edwards    Julius
Matthew Elam    Ray Ray
Anthony Angelo Pizza, Jr.    Catholic School Boy
Audrey Bennett    Catholic School Girl
Nicola Gabriele    Club Waiter
Spenser Granese    Man In The Cowboy Hat
Michael Zegarski    Funeral Director
Michael Kaves    Funeral Wiseguy #1
Vinnie Costanza    Teenage Boy
Ian Unterman    Softball Parent #1
Lizzy Plimpton    Softball Parent #2
Erik Weiner    Teacher
Alex Morf    Police HQ Copper
Bryce Burke    Ice Cream Truck Driver
Joel Boyd    Activist on Stage
William Youmans    Judge Lambert
Andrew Polk    Taxi Passenger
Ohene Cornelius    Taxi Driver
Craig Geraghty    Soprano Kids Copper
Nygel Bush    Fallen Son
Carrie Compere    Crying Mother
Oberon K. Adjepong    Frank Lucas
Lexie Foley    Barbara Soprano
Phyllis Pastore    Aunt Concetta
Tatienne Hendricks-Tellefsen    Paulie’s Goomar
Ayodele Olatunji    Tabernacle Band #1
CJ Fly    Tabernacle Band #2
Dessy Hinds    Tabernacle Band #3
Laurie Sheppard    Building Manager
Marianne Ferrari    Female Neighbor
Julian Lerner    Rico (Tony’s Friend)
Stella Chivee    Frank Lucas’ Daughter
Louis Vanaria    Wise Guy
Latoya Edwards    Frank Lucas’ Girlfriend
John Borras    Bishop
Jodi Capeless    Aunt Gemma
Lauren DiMario    Teenage Carmela De Angelis

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Alan Taylor    Director
Lawrence Konner    Screenwriter
David Chase    Screenwriter
Lawrence Konner    Producer
David Chase    Producer
Nicole Lambert    Producer
Michael Disco    Executive Producer
Marcus Viscidi    Executive Producer
Toby Emmerich    Executive Producer
Richard Brener    Executive Producer
Kramer Morgenthau    Director of Photography
Bob Shaw    Production Designer
Christopher Tellefsen    Editor
Susan Jacobs    Music Supervisor
Dan Schrecker    Visual Effects Supervisor
Amy Westcott    Costume Designer
Douglas Aibel    Casting
Marcus Viscidi    Unit Production Manager
Samantha Dyer    Unit Production Manager
Atilla Salih Yucer    First Assistant Director
Kamen Velkovsky    Second Assistant Director
Laura Ballinger Gardner    Supervising Art Director
Ann Bartek    Art Director
Regina Graves    Set Decorator
Jan McLaughlin    Sound Mixer
Rebecca Breckel    Script Supervisor
Tom Fleischman    Re-recording Mixer
Paul Urmson    Re-recording Mixer
Paul Urmson    Supervising Sound Editor
Lidia Tamplenizza    Supervising Dialogue Editor
Mitsuko Alexandra Yabe    Music Editor
Annette Kudrak    Music Editor
Jac Rubenstein    Dialogue Editor
Alexa Zimmerman    Dialogue Editor
Wyatt Sprague    Sound Effects Editor
Pat Cicero*    Sound Effects Editor
Igor Nikolic    Foley Editor
Goro Koyama    Foley Recordist
Sandra Fox    Foley Recordist
Kevin Schultz    Foley Mixer
Jack Heeren    Foley Mixer
Audra Gorman    Location Manager
Amy Burt    Costume Supervisor
Jessica S. Smith    Costume Supervisor
Nicki Ledermann    Makeup Department Head
Mike Marino    Prosthetics Makeup Designer
Sean Flanigan    Hair Department Head
Beatrice Kruger    Casting (Italy)
George A. Aguilar*    Stunt Coordinator
George A. Aguilar*    Second Unit Director

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Weekend estimates: Venom delivers pandemic-era-record $90 million as No Time to Die and Dune both top $100m internationally

October 3rd, 2021

Venom: Let There Be Carnage

Venom: Let There Be Carnage will set a new pandemic-era benchmark this weekend, with Sony Pictures projecting a stellar $90-million opening weekend as of Sunday morning, easily eclipsing the $80-million debut of Black Widow back in July. That number also represents a very solid 7.8 times the movie’s Thursday-evening preview number, which suggests good word of mouth. The good news doesn’t stop there, with this weekend’s other domestic openers, The Addams Family 2 and The Many Saints of Newark both doing better than predicted, No Time to Die opening with spectacular (for the pandemic era) numbers internationally, and Dune continuing to do well around the world.

First, here’s how the domestic numbers look this morning… More...

Weekend predictions: Venom headed to excellent opening weekend

October 1st, 2021

Venom: Let There Be Carnage

A critical month for the theatrical industry has started with some promising news: Venom: Let There Be Carnage posted a very solid $11.6 million from “preview” screenings on Thursday evening, the second-best result from previews during the pandemic, and not far behind Black Widow’s $13.2 million. Sony Pictures, while presumably very happy with how things are going so far, are urging caution when extrapolating that number out to the whole weekend. Their current projection for the weekend is towards the high end of the $50 million to $60 million range, with a preview-to-weekend multiplier around five.

Here’s what our model has to say about Venom’s prospects, along with this weekend’s other new wide releases and returning films… More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Oct 1, 2021 4 $4,651,571   3,181 $1,462   $4,651,571 1
Oct 8, 2021 5 $1,419,474 -69% 3,181 $446   $7,376,526 2
Oct 22, 2021 - $23,132   102 $227   $8,201,441 4
Oct 29, 2021 - $7,069 -69% 41 $172   $8,216,892 5

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Oct 29, 2021 - $1,877     41 $46   $8,211,700 29
Oct 30, 2021 - $3,189 +70%   41 $78   $8,214,889 30
Oct 31, 2021 - $2,003 -37%   41 $49   $8,216,892 31
Nov 1, 2021 - $574 -71%   41 $14   $8,217,466 32
Nov 2, 2021 - $1,084 +89%   41 $26   $8,218,550 33
Nov 3, 2021 - $1,051 -3%   41 $26   $8,219,601 34
Nov 4, 2021 - $1,002 -5%   41 $24   $8,220,603 35

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Oct 1, 2021 4 $5,957,052   3,181 $1,873   $5,957,052 1
Oct 8, 2021 5 $1,981,051 -67% 3,181 $623   $7,938,103 2
Oct 15, 2021 - $240,206 -88% 502 $478   $8,178,309 3
Oct 22, 2021 - $31,514 -87% 102 $309   $8,209,823 4
Oct 29, 2021 - $10,780 -66% 41 $263   $8,220,603 5

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 10/1/2021 $0 0 0 0 $28,000 10/20/2022
Australia 10/4/2021 $0 0 233 671 $608,483 10/20/2022
France 11/3/2021 $77,000 86 86 86 $77,000 10/20/2022
Germany 11/4/2021 $69,000 222 222 222 $69,000 10/20/2022
Israel 10/1/2021 $0 0 0 0 $76,000 10/20/2022
Italy 11/4/2021 $81,737 0 0 0 $81,737 10/20/2022
Netherlands 11/11/2021 $86,381 76 76 198 $197,432 11/30/2021
New Zealand 11/4/2021 $13,910 40 42 140 $33,549 10/20/2022
Saudi Arabia 10/8/2021 $0 0 0 0 $147,000 10/20/2022
Slovakia 10/8/2021 $3,941 23 23 29 $6,230 10/20/2022
Spain 11/5/2021 $76,965 161 161 271 $128,800 11/23/2021
United Arab Emirates 10/8/2021 $0 0 0 0 $54,000 10/11/2021
United Kingdom 9/24/2021 $1,293,363 628 628 1,629 $2,750,939 10/20/2021
 
Rest of World $236,466
 
International Total$4,494,636 10/20/2022

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Dec 26, 20211813,351 13,351$200,131$200,13113

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.