A Map of the World (1999)
| Theatrical Performance | ||
| Domestic Box Office | $544,538 | Details |
| OpusData ID: 66540100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $14,017 (2.6% of total gross) |
| Legs: | 15.43 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/19 max. theaters, 9.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $1,211,118 |
Movie Details
| Domestic Releases: | December 3rd, 1999 (Limited) by USA Films |
| MPA Rating: | R for some sexuality and language. |
| Running Time: | 127 minutes |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | The Kennedy/Marshall Company |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 3, 1999 | 75 | $14,017 | 2 | $7,009 | $14,017 | 1 | |
| Jan 21, 2000 | 65 | $21,321 | 3 | $7,107 | $42,199 | 8 | |
| Jan 28, 2000 | 62 | $30,390 | +43% | 9 | $3,377 | $73,862 | 9 |
| Feb 4, 2000 | 66 | $34,825 | +15% | 9 | $3,869 | $126,145 | 10 |
| Feb 11, 2000 | 68 | $35,300 | +1% | 10 | $3,530 | $171,518 | 11 |
| Feb 18, 2000 | 77 | $18,051 | -49% | 6 | $3,009 | $199,168 | 12 |
| Mar 3, 2000 | 79 | $20,067 | 6 | $3,345 | $242,374 | 14 | |
| Mar 10, 2000 | 76 | $18,099 | -10% | 10 | $1,810 | $67,779 | 15 |
| Mar 17, 2000 | 85 | $10,564 | -42% | 8 | $1,321 | $294,165 | 16 |
| Mar 24, 2000 | 78 | $18,629 | +76% | 17 | $1,096 | $322,765 | 17 |
| Apr 7, 2000 | 83 | $11,824 | 14 | $845 | $369,464 | 19 | |
| Apr 21, 2000 | 80 | $16,296 | 19 | $858 | $421,440 | 21 | |
| Apr 28, 2000 | 90 | $8,437 | -48% | 10 | $844 | $436,006 | 22 |
| May 5, 2000 | 77 | $11,693 | +39% | 14 | $835 | $450,545 | 23 |
| May 12, 2000 | 86 | $12,015 | +3% | 12 | $1,001 | $469,300 | 24 |
| May 26, 2000 | 77 | $13,091 | 6 | $2,182 | $494,640 | 26 | |
| Jun 2, 2000 | 74 | $13,797 | +5% | 7 | $1,971 | $506,307 | 27 |
| Jun 9, 2000 | 85 | $10,109 | -27% | 4 | $2,527 | $521,087 | 28 |
| Jun 16, 2000 | 89 | $7,409 | -27% | 4 | $1,852 | $532,001 | 29 |
| Jun 23, 2000 | 91 | $5,121 | -31% | 3 | $1,707 | $539,845 | 30 |
| Jun 30, 2000 | 107 | $1,428 | -72% | 3 | $476 | $543,574 | 31 |
| Jul 7, 2000 | 112 | $447 | -69% | 3 | $149 | $544,538 | 32 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 3, 1999 | 76 | $20,878 | 2 | $10,439 | $20,878 | 1 | |
| Jan 21, 2000 | 67 | $22,594 | 3 | $7,531 | $43,472 | 8 | |
| Jan 28, 2000 | 62 | $47,848 | +112% | 9 | $5,316 | $91,320 | 9 |
| Feb 4, 2000 | 68 | $44,898 | -6% | 9 | $4,989 | $136,218 | 10 |
| Feb 11, 2000 | 69 | $44,899 | n/c | 10 | $4,490 | $181,117 | 11 |
| Mar 10, 2000 | 34 | $233,921 | 10 | $23,392 | $283,601 | 15 | |
| Mar 17, 2000 | 80 | $20,535 | -91% | 8 | $2,567 | $304,136 | 16 |
| Apr 21, 2000 | 83 | $22,425 | 19 | $1,180 | $427,569 | 21 | |
| Apr 28, 2000 | 94 | $11,283 | -50% | 10 | $1,128 | $438,852 | 22 |
| May 5, 2000 | 75 | $18,433 | +63% | 14 | $1,317 | $457,285 | 23 |
| May 26, 2000 | 81 | $10,961 | 6 | $1,827 | $492,510 | 26 | |
| Jun 2, 2000 | 76 | $18,468 | +68% | 7 | $2,638 | $510,978 | 27 |
| Jun 9, 2000 | 83 | $13,614 | -26% | 4 | $3,404 | $524,592 | 28 |
| Jun 16, 2000 | 89 | $10,132 | -26% | 4 | $2,533 | $534,724 | 29 |
| Jun 23, 2000 | 93 | $7,422 | -27% | 3 | $2,474 | $542,146 | 30 |
| Jun 30, 2000 | 102 | $1,945 | -74% | 3 | $648 | $544,091 | 31 |
| Jul 7, 2000 | 112 | $447 | -77% | 3 | $149 | $544,538 | 32 |
Leading
| Sigourney Weaver | Alice Goodwin | |
| Julianne Moore | Theresa Collins |
Supporting
| David Strathairn | Howard Goodwin | |
| Arliss Howard | Paul Reverdy | |
| Chloë Sevigny | Carole Mackessy | |
| Louise Fletcher | Nellie Goodwin | |
| Ron Lea | Dan Collins | |
| Dara Perlmutter | Emma Goodwin | |
| Kayla Perlmutter | Claire Goodwin | |
| Marc Donato | Robbie Mackessy | |
| Deborah Lobban | Wilma Becker | |
| Richard McMillan | Lloyd | |
| Hayley Lochner | Audrey Collins | |
| Victoria Rudiak | Lizzy Collins | |
| Brenda Robins | Mrs. Bowman | |
| Colleen Williams | Nurse | |
| Sarah Rosen Fruitman | Little Alice | |
| Peter Haworth | Priest | |
| Lisa Hynes | Chruchwoman | |
| Kathryn Kirkpatrick | Churchwoman | |
| Elva Mai Hoover | Superintendent | |
| Nancy McAlear | Detective Grogan | |
| Gerry Quigley | Officer Melby | |
| Jim Warren | Policeman | |
| Timm Zemanek | Edgar Becker | |
| Lorin Raine | Guard | |
| Shakura S'Aida | Guard | |
| Michael Cameron | Tommy Giddings | |
| Maria Ricossa | Realtor | |
| John Bourgeois | Judge Patterson | |
| Robert Eaton | Jim Perkins | |
| Eve Crawford | Mrs. Shepard |
Production and Technical Credits
| Elliot Scott | Director | |
| Peter Hedges | Screenwriter | |
| Polly Platt | Screenwriter | |
| Kathleen Kennedy | Producer | |
| Frank Marshall | Producer | |
| Willi Bar | Executive Producer | |
| Lisa Niedenthal | Co-Producer | |
| Seamus McGarvey | Director of Photography | |
| Craig McKay | Editor | |
| Naomi Geraghty | Editor | |
| Richard Toyon | Production Designer | |
| Pat Metheny | Composer | |
| Reiner Beinger | Associate Producer | |
| Sandra Cunningham | Production Manager | |
| Kei | Art Director | |
| Megan Less | Set Decorator | |
| Michael Kohnhorst | Second Unit Camera | |
| Timothy Good | Special Effects Coordinator | |
| Suzette Daigle | Costume Designer | |
| Ann Steal | Costume Designer | |
| Claude La Haye | Sound Mixer | |
| Reilly Steele | Re-recording Mixer | |
| Fred Rosenberg | Supervising Sound Editor | |
| Lewis Goldstein | Sound Effects Editor | |
| Sean Garnhart | Sound Effects Editor | |
| Nicholas Renbeck | Dialogue Editor | |
| Kathleen Graham | Makeup | |
| Elaine Offers | Julianne Moore Makeup | |
| * | Makeup Sigourney Weaver | |
| G.E. Freddie Godden | Make-up and Hair Designer | |
| Jane Hamilton | Story Creator | |
| Avy Kaufman | Casting Director | |
| Marco Blanco | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Opening Weekend: | $14,017 (2.6% of total gross) |
| Legs: | 15.43 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/19 max. theaters, 9.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $1,211,118 |
Movie Details
| Domestic Releases: | December 3rd, 1999 (Limited) by USA Films |
| MPA Rating: | R for some sexuality and language. |
| Running Time: | 127 minutes |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | The Kennedy/Marshall Company |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 3, 1999 | 75 | $14,017 | 2 | $7,009 | $14,017 | 1 | |
| Jan 21, 2000 | 65 | $21,321 | 3 | $7,107 | $42,199 | 8 | |
| Jan 28, 2000 | 62 | $30,390 | +43% | 9 | $3,377 | $73,862 | 9 |
| Feb 4, 2000 | 66 | $34,825 | +15% | 9 | $3,869 | $126,145 | 10 |
| Feb 11, 2000 | 68 | $35,300 | +1% | 10 | $3,530 | $171,518 | 11 |
| Feb 18, 2000 | 77 | $18,051 | -49% | 6 | $3,009 | $199,168 | 12 |
| Mar 3, 2000 | 79 | $20,067 | 6 | $3,345 | $242,374 | 14 | |
| Mar 10, 2000 | 76 | $18,099 | -10% | 10 | $1,810 | $67,779 | 15 |
| Mar 17, 2000 | 85 | $10,564 | -42% | 8 | $1,321 | $294,165 | 16 |
| Mar 24, 2000 | 78 | $18,629 | +76% | 17 | $1,096 | $322,765 | 17 |
| Apr 7, 2000 | 83 | $11,824 | 14 | $845 | $369,464 | 19 | |
| Apr 21, 2000 | 80 | $16,296 | 19 | $858 | $421,440 | 21 | |
| Apr 28, 2000 | 90 | $8,437 | -48% | 10 | $844 | $436,006 | 22 |
| May 5, 2000 | 77 | $11,693 | +39% | 14 | $835 | $450,545 | 23 |
| May 12, 2000 | 86 | $12,015 | +3% | 12 | $1,001 | $469,300 | 24 |
| May 26, 2000 | 77 | $13,091 | 6 | $2,182 | $494,640 | 26 | |
| Jun 2, 2000 | 74 | $13,797 | +5% | 7 | $1,971 | $506,307 | 27 |
| Jun 9, 2000 | 85 | $10,109 | -27% | 4 | $2,527 | $521,087 | 28 |
| Jun 16, 2000 | 89 | $7,409 | -27% | 4 | $1,852 | $532,001 | 29 |
| Jun 23, 2000 | 91 | $5,121 | -31% | 3 | $1,707 | $539,845 | 30 |
| Jun 30, 2000 | 107 | $1,428 | -72% | 3 | $476 | $543,574 | 31 |
| Jul 7, 2000 | 112 | $447 | -69% | 3 | $149 | $544,538 | 32 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 3, 1999 | 76 | $20,878 | 2 | $10,439 | $20,878 | 1 | |
| Jan 21, 2000 | 67 | $22,594 | 3 | $7,531 | $43,472 | 8 | |
| Jan 28, 2000 | 62 | $47,848 | +112% | 9 | $5,316 | $91,320 | 9 |
| Feb 4, 2000 | 68 | $44,898 | -6% | 9 | $4,989 | $136,218 | 10 |
| Feb 11, 2000 | 69 | $44,899 | n/c | 10 | $4,490 | $181,117 | 11 |
| Mar 10, 2000 | 34 | $233,921 | 10 | $23,392 | $283,601 | 15 | |
| Mar 17, 2000 | 80 | $20,535 | -91% | 8 | $2,567 | $304,136 | 16 |
| Apr 21, 2000 | 83 | $22,425 | 19 | $1,180 | $427,569 | 21 | |
| Apr 28, 2000 | 94 | $11,283 | -50% | 10 | $1,128 | $438,852 | 22 |
| May 5, 2000 | 75 | $18,433 | +63% | 14 | $1,317 | $457,285 | 23 |
| May 26, 2000 | 81 | $10,961 | 6 | $1,827 | $492,510 | 26 | |
| Jun 2, 2000 | 76 | $18,468 | +68% | 7 | $2,638 | $510,978 | 27 |
| Jun 9, 2000 | 83 | $13,614 | -26% | 4 | $3,404 | $524,592 | 28 |
| Jun 16, 2000 | 89 | $10,132 | -26% | 4 | $2,533 | $534,724 | 29 |
| Jun 23, 2000 | 93 | $7,422 | -27% | 3 | $2,474 | $542,146 | 30 |
| Jun 30, 2000 | 102 | $1,945 | -74% | 3 | $648 | $544,091 | 31 |
| Jul 7, 2000 | 112 | $447 | -77% | 3 | $149 | $544,538 | 32 |
Leading
| Sigourney Weaver | Alice Goodwin | |
| Julianne Moore | Theresa Collins |
Supporting
| David Strathairn | Howard Goodwin | |
| Arliss Howard | Paul Reverdy | |
| Chloë Sevigny | Carole Mackessy | |
| Louise Fletcher | Nellie Goodwin | |
| Ron Lea | Dan Collins | |
| Dara Perlmutter | Emma Goodwin | |
| Kayla Perlmutter | Claire Goodwin | |
| Marc Donato | Robbie Mackessy | |
| Deborah Lobban | Wilma Becker | |
| Richard McMillan | Lloyd | |
| Hayley Lochner | Audrey Collins | |
| Victoria Rudiak | Lizzy Collins | |
| Brenda Robins | Mrs. Bowman | |
| Colleen Williams | Nurse | |
| Sarah Rosen Fruitman | Little Alice | |
| Peter Haworth | Priest | |
| Lisa Hynes | Chruchwoman | |
| Kathryn Kirkpatrick | Churchwoman | |
| Elva Mai Hoover | Superintendent | |
| Nancy McAlear | Detective Grogan | |
| Gerry Quigley | Officer Melby | |
| Jim Warren | Policeman | |
| Timm Zemanek | Edgar Becker | |
| Lorin Raine | Guard | |
| Shakura S'Aida | Guard | |
| Michael Cameron | Tommy Giddings | |
| Maria Ricossa | Realtor | |
| John Bourgeois | Judge Patterson | |
| Robert Eaton | Jim Perkins | |
| Eve Crawford | Mrs. Shepard |
Production and Technical Credits
| Elliot Scott | Director | |
| Peter Hedges | Screenwriter | |
| Polly Platt | Screenwriter | |
| Kathleen Kennedy | Producer | |
| Frank Marshall | Producer | |
| Willi Bar | Executive Producer | |
| Lisa Niedenthal | Co-Producer | |
| Seamus McGarvey | Director of Photography | |
| Craig McKay | Editor | |
| Naomi Geraghty | Editor | |
| Richard Toyon | Production Designer | |
| Pat Metheny | Composer | |
| Reiner Beinger | Associate Producer | |
| Sandra Cunningham | Production Manager | |
| Kei | Art Director | |
| Megan Less | Set Decorator | |
| Michael Kohnhorst | Second Unit Camera | |
| Timothy Good | Special Effects Coordinator | |
| Suzette Daigle | Costume Designer | |
| Ann Steal | Costume Designer | |
| Claude La Haye | Sound Mixer | |
| Reilly Steele | Re-recording Mixer | |
| Fred Rosenberg | Supervising Sound Editor | |
| Lewis Goldstein | Sound Effects Editor | |
| Sean Garnhart | Sound Effects Editor | |
| Nicholas Renbeck | Dialogue Editor | |
| Kathleen Graham | Makeup | |
| Elaine Offers | Julianne Moore Makeup | |
| * | Makeup Sigourney Weaver | |
| G.E. Freddie Godden | Make-up and Hair Designer | |
| Jane Hamilton | Story Creator | |
| Avy Kaufman | Casting Director | |
| Marco Blanco | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.