Maps to the Stars (2015)
| Theatrical Performance | ||
| Domestic Box Office | $350,741 | Details |
| International Box Office | $533,395 | Details |
| Worldwide Box Office | $884,136 | |
| OpusData ID: 147430100 More info... | ||
| Further financial details... | ||
Synopsis
Meet the Weiss family, who are making their way in Hollywood rife with money, fame, envy, and relentless hauntings. Stafford Weiss is a famed TV self-help therapist with an A-list celebrity clientele. Meanwhile, Cristina Weiss has her work cut out managing the career of their disaffected child-star son, Benjie, a fresh graduate of rehab at age 13. Yet unbeknownst to them, another member of the Weiss family has arrived in town - mysteriously scarred and tormented Agatha, just released from a psych ward and ready to start again. She soon works her way into a friendship with a limo driver and becomes personal assistant to unraveling actress Havana Segrand, who is beset by the ghost of her legendary mother, Clarice. But Agatha is on a quest for redemption - and even in this realm of the artificial, and the unearthly, she's determined to find it, no matter what it takes.
Metrics
| Opening Weekend: | $143,422 (40.9% of total gross) |
| Legs: | 2.45 (domestic box office/biggest weekend) |
| Domestic Share: | 39.7% (domestic box office/worldwide) |
| Theater counts: | 66 opening theaters/66 max. theaters, 2.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $497,608 |
Movie Details
| Domestic Releases: | February 27th, 2015 (Limited) by Focus Features |
| International Releases: | January 9th, 2015 (Wide) (Turkey)
March 6th, 2015 (Wide) (Spain) March 20th, 2015 (Wide) (Brazil) April 10th, 2015 (Wide) (Hong Kong) July 31st, 2015 (Wide) (Venezuela) ... Show all releases |
| Video Release: | February 27th, 2015 by Focus World |
| MPA Rating: | R for strong disturbing violence and sexual content, graphic nudity, language and some drug material. (Rating bulletin 2304, 1/8/2014) |
| Running Time: | 111 minutes |
| Cast, crew, or production detail: | Ensemble |
| Geographical setting: | Hollywood |
| Plot point: | Addiction, Dysfunctional Family, Film Actor, Mental Illness, Rehab / Former Addict |
| Release detail: | Early / Simultaneous Video-on-Demand release |
| Social setting: | Movie Business |
| Source: | Original Screenplay |
| Genre: | Black Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Starmaps Productions, SBS Productions, Integral Productions, Telefilm Canada, Ontario Media Development Corporation, Harold Greenberg Fund |
| Production Countries: | United States, Canada |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 27, 2015 | 32 | $143,422 | 66 | $2,173 | $143,422 | 1 | |
| Mar 6, 2015 | 47 | $64,479 | -55% | 61 | $1,057 | $264,607 | 2 |
| Mar 13, 2015 | 60 | $23,906 | -63% | 17 | $1,406 | $318,631 | 3 |
| Mar 20, 2015 | 70 | $7,069 | -70% | 6 | $1,178 | $338,609 | 4 |
| Mar 27, 2015 | 75 | $4,886 | -31% | 8 | $611 | $347,648 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 27, 2015 | - | $40,848 | 66 | $619 | $40,848 | 1 | ||
| Feb 28, 2015 | - | $64,309 | +57% | 66 | $974 | $105,157 | 2 | |
| Mar 1, 2015 | - | $38,265 | -40% | 66 | $580 | $143,422 | 3 | |
| Mar 2, 2015 | - | $14,267 | -63% | 66 | $216 | $157,689 | 4 | |
| Mar 3, 2015 | - | $15,623 | +10% | 66 | $237 | $173,312 | 5 | |
| Mar 4, 2015 | - | $14,427 | -8% | 66 | $219 | $187,739 | 6 | |
| Mar 5, 2015 | - | $12,389 | -14% | 66 | $188 | $200,128 | 7 | |
| Mar 6, 2015 | - | $17,637 | +42% | -57% | 61 | $289 | $217,765 | 8 |
| Mar 7, 2015 | - | $28,615 | +62% | -56% | 61 | $469 | $246,380 | 9 |
| Mar 8, 2015 | - | $18,227 | -36% | -52% | 61 | $299 | $264,607 | 10 |
| Mar 9, 2015 | - | $6,643 | -64% | -53% | 61 | $109 | $271,250 | 11 |
| Mar 10, 2015 | - | $7,735 | +16% | -50% | 61 | $127 | $278,985 | 12 |
| Mar 11, 2015 | - | $8,308 | +7% | -42% | 61 | $136 | $287,293 | 13 |
| Mar 12, 2015 | - | $7,432 | -11% | -40% | 61 | $122 | $294,725 | 14 |
| Mar 13, 2015 | - | $6,269 | -16% | -64% | 17 | $369 | $300,994 | 15 |
| Mar 14, 2015 | - | $10,665 | +70% | -63% | 17 | $627 | $311,659 | 16 |
| Mar 15, 2015 | - | $6,972 | -35% | -62% | 17 | $410 | $318,631 | 17 |
| Mar 16, 2015 | - | $3,097 | -56% | -53% | 17 | $182 | $321,728 | 18 |
| Mar 17, 2015 | - | $2,767 | -11% | -64% | 17 | $163 | $324,495 | 19 |
| Mar 18, 2015 | - | $3,157 | +14% | -62% | 17 | $186 | $327,652 | 20 |
| Mar 19, 2015 | - | $3,888 | +23% | -48% | 17 | $229 | $331,540 | 21 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 27, 2015 | 33 | $200,128 | 66 | $3,032 | $200,128 | 1 | |
| Mar 6, 2015 | 46 | $94,597 | -53% | 61 | $1,551 | $294,725 | 2 |
| Mar 13, 2015 | 59 | $36,815 | -61% | 17 | $2,166 | $331,540 | 3 |
| Mar 20, 2015 | 71 | $11,222 | -70% | 6 | $1,870 | $342,762 | 4 |
| Mar 27, 2015 | 76 | $7,979 | -29% | 8 | $997 | $350,741 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Brazil | 3/20/2015 | $63,442 | 33 | 33 | 53 | $93,085 | 11/6/2018 | |||
| Hong Kong | 4/10/2015 | $13,354 | 6 | 6 | 10 | $20,990 | 11/26/2018 | |||
| Spain | 3/6/2015 | $80,811 | 63 | 63 | 235 | $263,249 | 11/27/2018 | |||
| Turkey | 1/9/2015 | $21,294 | 22 | 22 | 37 | $43,582 | 12/30/2018 | |||
| Venezuela | 7/31/2015 | $48,389 | 7 | 7 | 11 | $112,489 | 8/11/2015 | |||
| International Total | $533,395 | 12/30/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Julianne Moore | Havana Segrand | |
| Mia Wasikowska | Agatha Weiss | |
| John Cusack | Dr. Stafford Weiss | |
| Robert Pattinson | Jerome Fontana |
Supporting
| Olivia Williams | Weiss | |
| Evan Bird Cristina* | Benjie Weiss | |
| Sarah Gadon | Clarice Taggart | |
| Niamh Wilson | Sam | |
| Dawn Greenhalgh | Genie | |
| Kiara Glasco | Cammy | |
| Jonathan Watton | Sterl Carruth | |
| Jennifer Gibson | Starla Gent | |
| Gord Rand | Damien Javitz | |
| Justin Kelly | Rhett | |
| Clara Pasieka | Gretchen Voss | |
| Emilia McCarthy | Kayla | |
| Allegra Fulton | Harriet | |
| Domenic Ricci | Micah | |
| Jayne Heitmeyer | Azita Wachtel | |
| Sean Robertson | Roy | |
| Ari Cohen | Jeb | |
| Joe Pingue | Arnold | |
| Christian Lloyd | Stu | |
| Donald Burda | Hank |
Cameo
| Carrie Fisher | Herself |
Supporting
| Amanda Brugel | Star! Channel Interviewer | |
| Alden Adair | 2nd AD (Blue Matrix) | |
| David Amito | PA (Blue Matrix) | |
| Dan Lett | Talkshow Host | |
| Sandra Battaglini | Havana's Housekeeper | |
| Joanne Reece | Nurse | |
| Chris Anton | Rusty | |
| George Kolitsopoulos | Dispatcher | |
| Joseph Murray | Young Intern | |
| Adrienne Wilson | Wife | |
| Murray Furrow | Husband | |
| Neil Girvan | Bad Babysitter 2 Director |
Production and Technical Credits
| David Cronenberg | Director | |
| Bruce Wagner | Screenwriter | |
| Martin Katz | Producer | |
| Said Ben Said | Producer | |
| Michel Merkt | Producer | |
| Alfred Hurmer | Co-Producer | |
| Renee Tab | Executive Producer | |
| Patrice Theroux | Executive Producer | |
| Benedict Carver | Executive Producer | |
| Deirdre Bowen | Casting Director | |
| Joseph Boccia | Line Producer | |
| Howard Shore | Composer | |
| Denise Cronenberg | Costume Designer | |
| Ronald Sanders | Editor | |
| Carol Spier | Production Designer | |
| Peter Suschitzky | Director of Photography | |
| Walter Gasparovic | Co-Producer | |
| Joseph Boccia | Unit Production Manager | |
| Walter Gasparovic | First Assistant Director | |
| Jack Boem | Second Assistant Director | |
| Melissa Girotti | Production Supervisor | |
| Lori Waters | Post-Production Supervisor | |
| Elinor Rose Galbraith | Art Director | |
| Peter Nicolakakos | Set Decorator | |
| Caitlin Cronenberg | Stills Photographer | |
| Douglas Rotstein | Script Supervisor | |
| Nicolas Cantin | Sound Mixer | |
| Lou Decampo | Assistant Costume Designer/Costume Supervisor | |
| Chris Bridges | Special Make-up Effects | |
| Cliona Furey | Hairstylist | |
| Warren Appleby | Special Effects Coordinator | |
| Michael O'Farrell | Supervising Sound Editor | |
| Alastair Gray | Dialogue Editor | |
| Robert Bertola | Sound Effects Editor | |
| Jennifer Dunnington | Music Editor | |
| Orest Sushko | Re-recording Mixer | |
| Christian T. Cooke | Re-recording Mixer | |
| Itsuko Kurono | Set Designer | |
| Jamie Jones | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Meet the Weiss family, who are making their way in Hollywood rife with money, fame, envy, and relentless hauntings. Stafford Weiss is a famed TV self-help therapist with an A-list celebrity clientele. Meanwhile, Cristina Weiss has her work cut out managing the career of their disaffected child-star son, Benjie, a fresh graduate of rehab at age 13. Yet unbeknownst to them, another member of the Weiss family has arrived in town - mysteriously scarred and tormented Agatha, just released from a psych ward and ready to start again. She soon works her way into a friendship with a limo driver and becomes personal assistant to unraveling actress Havana Segrand, who is beset by the ghost of her legendary mother, Clarice. But Agatha is on a quest for redemption - and even in this realm of the artificial, and the unearthly, she's determined to find it, no matter what it takes.
Metrics
| Opening Weekend: | $143,422 (40.9% of total gross) |
| Legs: | 2.45 (domestic box office/biggest weekend) |
| Domestic Share: | 39.7% (domestic box office/worldwide) |
| Theater counts: | 66 opening theaters/66 max. theaters, 2.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $497,608 |
Movie Details
| Domestic Releases: | February 27th, 2015 (Limited) by Focus Features |
| International Releases: | January 9th, 2015 (Wide) (Turkey)
March 6th, 2015 (Wide) (Spain) March 20th, 2015 (Wide) (Brazil) April 10th, 2015 (Wide) (Hong Kong) July 31st, 2015 (Wide) (Venezuela) ... Show all releases |
| Video Release: | February 27th, 2015 by Focus World |
| MPA Rating: | R for strong disturbing violence and sexual content, graphic nudity, language and some drug material. (Rating bulletin 2304, 1/8/2014) |
| Running Time: | 111 minutes |
| Cast, crew, or production detail: | Ensemble |
| Geographical setting: | Hollywood |
| Plot point: | Addiction, Dysfunctional Family, Film Actor, Mental Illness, Rehab / Former Addict |
| Release detail: | Early / Simultaneous Video-on-Demand release |
| Social setting: | Movie Business |
| Source: | Original Screenplay |
| Genre: | Black Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Starmaps Productions, SBS Productions, Integral Productions, Telefilm Canada, Ontario Media Development Corporation, Harold Greenberg Fund |
| Production Countries: | United States, Canada |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 27, 2015 | 32 | $143,422 | 66 | $2,173 | $143,422 | 1 | |
| Mar 6, 2015 | 47 | $64,479 | -55% | 61 | $1,057 | $264,607 | 2 |
| Mar 13, 2015 | 60 | $23,906 | -63% | 17 | $1,406 | $318,631 | 3 |
| Mar 20, 2015 | 70 | $7,069 | -70% | 6 | $1,178 | $338,609 | 4 |
| Mar 27, 2015 | 75 | $4,886 | -31% | 8 | $611 | $347,648 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 27, 2015 | - | $40,848 | 66 | $619 | $40,848 | 1 | ||
| Feb 28, 2015 | - | $64,309 | +57% | 66 | $974 | $105,157 | 2 | |
| Mar 1, 2015 | - | $38,265 | -40% | 66 | $580 | $143,422 | 3 | |
| Mar 2, 2015 | - | $14,267 | -63% | 66 | $216 | $157,689 | 4 | |
| Mar 3, 2015 | - | $15,623 | +10% | 66 | $237 | $173,312 | 5 | |
| Mar 4, 2015 | - | $14,427 | -8% | 66 | $219 | $187,739 | 6 | |
| Mar 5, 2015 | - | $12,389 | -14% | 66 | $188 | $200,128 | 7 | |
| Mar 6, 2015 | - | $17,637 | +42% | -57% | 61 | $289 | $217,765 | 8 |
| Mar 7, 2015 | - | $28,615 | +62% | -56% | 61 | $469 | $246,380 | 9 |
| Mar 8, 2015 | - | $18,227 | -36% | -52% | 61 | $299 | $264,607 | 10 |
| Mar 9, 2015 | - | $6,643 | -64% | -53% | 61 | $109 | $271,250 | 11 |
| Mar 10, 2015 | - | $7,735 | +16% | -50% | 61 | $127 | $278,985 | 12 |
| Mar 11, 2015 | - | $8,308 | +7% | -42% | 61 | $136 | $287,293 | 13 |
| Mar 12, 2015 | - | $7,432 | -11% | -40% | 61 | $122 | $294,725 | 14 |
| Mar 13, 2015 | - | $6,269 | -16% | -64% | 17 | $369 | $300,994 | 15 |
| Mar 14, 2015 | - | $10,665 | +70% | -63% | 17 | $627 | $311,659 | 16 |
| Mar 15, 2015 | - | $6,972 | -35% | -62% | 17 | $410 | $318,631 | 17 |
| Mar 16, 2015 | - | $3,097 | -56% | -53% | 17 | $182 | $321,728 | 18 |
| Mar 17, 2015 | - | $2,767 | -11% | -64% | 17 | $163 | $324,495 | 19 |
| Mar 18, 2015 | - | $3,157 | +14% | -62% | 17 | $186 | $327,652 | 20 |
| Mar 19, 2015 | - | $3,888 | +23% | -48% | 17 | $229 | $331,540 | 21 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 27, 2015 | 33 | $200,128 | 66 | $3,032 | $200,128 | 1 | |
| Mar 6, 2015 | 46 | $94,597 | -53% | 61 | $1,551 | $294,725 | 2 |
| Mar 13, 2015 | 59 | $36,815 | -61% | 17 | $2,166 | $331,540 | 3 |
| Mar 20, 2015 | 71 | $11,222 | -70% | 6 | $1,870 | $342,762 | 4 |
| Mar 27, 2015 | 76 | $7,979 | -29% | 8 | $997 | $350,741 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Brazil | 3/20/2015 | $63,442 | 33 | 33 | 53 | $93,085 | 11/6/2018 | |||
| Hong Kong | 4/10/2015 | $13,354 | 6 | 6 | 10 | $20,990 | 11/26/2018 | |||
| Spain | 3/6/2015 | $80,811 | 63 | 63 | 235 | $263,249 | 11/27/2018 | |||
| Turkey | 1/9/2015 | $21,294 | 22 | 22 | 37 | $43,582 | 12/30/2018 | |||
| Venezuela | 7/31/2015 | $48,389 | 7 | 7 | 11 | $112,489 | 8/11/2015 | |||
| International Total | $533,395 | 12/30/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Julianne Moore | Havana Segrand | |
| Mia Wasikowska | Agatha Weiss | |
| John Cusack | Dr. Stafford Weiss | |
| Robert Pattinson | Jerome Fontana |
Supporting
| Olivia Williams | Weiss | |
| Evan Bird Cristina* | Benjie Weiss | |
| Sarah Gadon | Clarice Taggart | |
| Niamh Wilson | Sam | |
| Dawn Greenhalgh | Genie | |
| Kiara Glasco | Cammy | |
| Jonathan Watton | Sterl Carruth | |
| Jennifer Gibson | Starla Gent | |
| Gord Rand | Damien Javitz | |
| Justin Kelly | Rhett | |
| Clara Pasieka | Gretchen Voss | |
| Emilia McCarthy | Kayla | |
| Allegra Fulton | Harriet | |
| Domenic Ricci | Micah | |
| Jayne Heitmeyer | Azita Wachtel | |
| Sean Robertson | Roy | |
| Ari Cohen | Jeb | |
| Joe Pingue | Arnold | |
| Christian Lloyd | Stu | |
| Donald Burda | Hank |
Cameo
| Carrie Fisher | Herself |
Supporting
| Amanda Brugel | Star! Channel Interviewer | |
| Alden Adair | 2nd AD (Blue Matrix) | |
| David Amito | PA (Blue Matrix) | |
| Dan Lett | Talkshow Host | |
| Sandra Battaglini | Havana's Housekeeper | |
| Joanne Reece | Nurse | |
| Chris Anton | Rusty | |
| George Kolitsopoulos | Dispatcher | |
| Joseph Murray | Young Intern | |
| Adrienne Wilson | Wife | |
| Murray Furrow | Husband | |
| Neil Girvan | Bad Babysitter 2 Director |
Production and Technical Credits
| David Cronenberg | Director | |
| Bruce Wagner | Screenwriter | |
| Martin Katz | Producer | |
| Said Ben Said | Producer | |
| Michel Merkt | Producer | |
| Alfred Hurmer | Co-Producer | |
| Renee Tab | Executive Producer | |
| Patrice Theroux | Executive Producer | |
| Benedict Carver | Executive Producer | |
| Deirdre Bowen | Casting Director | |
| Joseph Boccia | Line Producer | |
| Howard Shore | Composer | |
| Denise Cronenberg | Costume Designer | |
| Ronald Sanders | Editor | |
| Carol Spier | Production Designer | |
| Peter Suschitzky | Director of Photography | |
| Walter Gasparovic | Co-Producer | |
| Joseph Boccia | Unit Production Manager | |
| Walter Gasparovic | First Assistant Director | |
| Jack Boem | Second Assistant Director | |
| Melissa Girotti | Production Supervisor | |
| Lori Waters | Post-Production Supervisor | |
| Elinor Rose Galbraith | Art Director | |
| Peter Nicolakakos | Set Decorator | |
| Caitlin Cronenberg | Stills Photographer | |
| Douglas Rotstein | Script Supervisor | |
| Nicolas Cantin | Sound Mixer | |
| Lou Decampo | Assistant Costume Designer/Costume Supervisor | |
| Chris Bridges | Special Make-up Effects | |
| Cliona Furey | Hairstylist | |
| Warren Appleby | Special Effects Coordinator | |
| Michael O'Farrell | Supervising Sound Editor | |
| Alastair Gray | Dialogue Editor | |
| Robert Bertola | Sound Effects Editor | |
| Jennifer Dunnington | Music Editor | |
| Orest Sushko | Re-recording Mixer | |
| Christian T. Cooke | Re-recording Mixer | |
| Itsuko Kurono | Set Designer | |
| Jamie Jones | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.