Maria (2024)
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| Theatrical Performance | ||
| Domestic Box Office | $20,024 | Details |
| International Box Office | $39,042 | Details |
| Worldwide Box Office | $59,066 | |
| OpusData ID: 678930100 More info... | ||
| Further financial details... | ||
Synopsis
Maria Schneider is a promising young French actress. When she gets the lead in a feature film directed by an acclaimed Italian filmmaker and starring one of America’s most beloved actors, it seems like the opportunity of a lifetime. Her collaborators, director Bernardo Bertolucci and star Marlon Brando seem to be bringing out the best in Maria, sharing a warm rapport and mentorship with the 19-year old girl. Until one day, when the men conspire to shoot a crucial sex scene as a harrowing assault without letting Maria in on the plan. The film goes on to be lauded as a fearless artistic breakthrough, but for Maria, it’s the beginning of a living hell.
Metrics
| Opening Weekend: | $5,822 (29.1% of total gross) |
| Legs: | 3.44 (domestic box office/biggest weekend) |
| Domestic Share: | 33.9% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/8 max. theaters, 2.9 weeks average run per theater |
| Infl. Adj. Dom. BO | $20,024 |
Movie Details
| Domestic Releases: | March 21st, 2025 (Limited) by Kino Lorber, released as Being Maria |
| International Releases: | June 19th, 2024 (Limited) (France)
June 19th, 2024 (Limited) (Belgium) August 8th, 2024 (Limited), released as Maria (Быть Марией) (Russia (CIS)) November 22nd, 2024 (Limited), released as Maria Olmak (Turkey) January 2nd, 2025 (Limited) (Mexico) ... Show all releases |
| Video Release: | April 29th, 2025 by Kino Lorber, released as Being Maria |
| MPA Rating: | Not Rated |
| Running Time: | 102 minutes |
| Subgenre: | Biographical Drama |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Les Films de Mina, StudioCanal, Moteur S'll Vous Plait, Cinema Inutile, OCS., Cine Plus, La Region Bretagne, CNC, Procirep, Angoa Intl, Creative Europe, Cofimage 34 |
| Production Countries: | France |
| Languages: | French |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 21, 2025 | - | $5,822 | 1 | $5,822 | $7,822 | 1 | |
| Mar 28, 2025 | - | $2,984 | -49% | 2 | $1,492 | $11,860 | 2 |
| Apr 4, 2025 | - | $2,328 | -22% | 8 | $291 | $15,134 | 3 |
| Apr 11, 2025 | - | $508 | -78% | 3 | $169 | $16,362 | 4 |
| Apr 18, 2025 | - | $175 | -66% | 3 | $58 | $16,551 | 5 |
| Apr 25, 2025 | - | $723 | +313% | 2 | $362 | $17,367 | 6 |
| May 2, 2025 | - | $231 | -68% | 1 | $231 | $17,742 | 7 |
| May 16, 2025 | - | $166 | 1 | $166 | $17,974 | 9 | |
| May 23, 2025 | - | $244 | +47% | 2 | $122 | $20,024 | 10 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 21, 2025 | 50 | $6,876 | 1 | $6,876 | $8,876 | 1 | |
| Mar 28, 2025 | 56 | $3,930 | -43% | 2 | $1,965 | $12,806 | 2 |
| Apr 4, 2025 | 55 | $3,048 | -22% | 8 | $381 | $15,854 | 3 |
| Apr 11, 2025 | 62 | $522 | -83% | 3 | $174 | $16,376 | 4 |
| Apr 18, 2025 | 70 | $268 | -49% | 3 | $89 | $16,644 | 5 |
| Apr 25, 2025 | 66 | $867 | +224% | 3 | $289 | $17,511 | 6 |
| May 2, 2025 | 75 | $231 | -73% | 1 | $231 | $17,742 | 7 |
| May 9, 2025 | 78 | $66 | -71% | 1 | $66 | $17,808 | 8 |
| May 16, 2025 | 68 | $1,972 | +2,888% | 4 | $493 | $19,780 | 9 |
| May 23, 2025 | 59 | $244 | -88% | 2 | $122 | $20,024 | 10 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Finland | 12/19/2025 | $2,581 | 31 | 31 | 31 | $23,275 | 4/4/2026 | |||
| Portugal | 4/3/2025 | $5,239 | 13 | 13 | 15 | $7,922 | 4/4/2026 | |||
| Turkey | 11/22/2024 | $3,985 | 24 | 24 | 27 | $7,845 | 12/5/2024 | |||
| International Total | $39,042 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Anamaria Vartolomei | Maria Schneider | |
| Matt Dillon | Marlon Brando | |
| Yvan Attal | Daniel Gélin |
Supporting
| Giuseppe Maggio | Bernardo Bertolucci | |
| Celeste Brunnquell | Noor |
Production and Technical Credits
| Jessica Palud | Director | |
| Jessica Palud | Screenwriter | |
| Laurette Polmanss | Screenwriter | |
| Vanessa Schneider | Story by | |
| Sebastien Buchmann | Director of Photography | |
| Thomas Marchand | Editor | |
| Valerie Valero | Set Designer | |
| Alexia Crisp-Jones | Costume Designer | |
| Louise Albon | Script Supervisor | |
| Nathalie Nouaili | First Assistant Director | |
| Jean-Marie Blondel | Sound Designer | |
| Rym Debbarh-Mounir | Sound Designer | |
| Vincent Verdoux | Sound Designer | |
| Stéphanie Doncker | Casting Director | |
| Patrick Armisen | Production Manager | |
| Benjamin Biolay | Composer | |
| Marielle Duigou | Producer | |
| Alex C. Lo | Co-Producer | |
| Kristina Zimmerman | Co-Producer | |
| Christie Molia | Co-Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Maria Schneider is a promising young French actress. When she gets the lead in a feature film directed by an acclaimed Italian filmmaker and starring one of America’s most beloved actors, it seems like the opportunity of a lifetime. Her collaborators, director Bernardo Bertolucci and star Marlon Brando seem to be bringing out the best in Maria, sharing a warm rapport and mentorship with the 19-year old girl. Until one day, when the men conspire to shoot a crucial sex scene as a harrowing assault without letting Maria in on the plan. The film goes on to be lauded as a fearless artistic breakthrough, but for Maria, it’s the beginning of a living hell.
Metrics
| Opening Weekend: | $5,822 (29.1% of total gross) |
| Legs: | 3.44 (domestic box office/biggest weekend) |
| Domestic Share: | 33.9% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/8 max. theaters, 2.9 weeks average run per theater |
| Infl. Adj. Dom. BO | $20,024 |
Movie Details
| Domestic Releases: | March 21st, 2025 (Limited) by Kino Lorber, released as Being Maria |
| International Releases: | June 19th, 2024 (Limited) (France)
June 19th, 2024 (Limited) (Belgium) August 8th, 2024 (Limited), released as Maria (Быть Марией) (Russia (CIS)) November 22nd, 2024 (Limited), released as Maria Olmak (Turkey) January 2nd, 2025 (Limited) (Mexico) ... Show all releases |
| Video Release: | April 29th, 2025 by Kino Lorber, released as Being Maria |
| MPA Rating: | Not Rated |
| Running Time: | 102 minutes |
| Subgenre: | Biographical Drama |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Les Films de Mina, StudioCanal, Moteur S'll Vous Plait, Cinema Inutile, OCS., Cine Plus, La Region Bretagne, CNC, Procirep, Angoa Intl, Creative Europe, Cofimage 34 |
| Production Countries: | France |
| Languages: | French |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 21, 2025 | - | $5,822 | 1 | $5,822 | $7,822 | 1 | |
| Mar 28, 2025 | - | $2,984 | -49% | 2 | $1,492 | $11,860 | 2 |
| Apr 4, 2025 | - | $2,328 | -22% | 8 | $291 | $15,134 | 3 |
| Apr 11, 2025 | - | $508 | -78% | 3 | $169 | $16,362 | 4 |
| Apr 18, 2025 | - | $175 | -66% | 3 | $58 | $16,551 | 5 |
| Apr 25, 2025 | - | $723 | +313% | 2 | $362 | $17,367 | 6 |
| May 2, 2025 | - | $231 | -68% | 1 | $231 | $17,742 | 7 |
| May 16, 2025 | - | $166 | 1 | $166 | $17,974 | 9 | |
| May 23, 2025 | - | $244 | +47% | 2 | $122 | $20,024 | 10 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 21, 2025 | 50 | $6,876 | 1 | $6,876 | $8,876 | 1 | |
| Mar 28, 2025 | 56 | $3,930 | -43% | 2 | $1,965 | $12,806 | 2 |
| Apr 4, 2025 | 55 | $3,048 | -22% | 8 | $381 | $15,854 | 3 |
| Apr 11, 2025 | 62 | $522 | -83% | 3 | $174 | $16,376 | 4 |
| Apr 18, 2025 | 70 | $268 | -49% | 3 | $89 | $16,644 | 5 |
| Apr 25, 2025 | 66 | $867 | +224% | 3 | $289 | $17,511 | 6 |
| May 2, 2025 | 75 | $231 | -73% | 1 | $231 | $17,742 | 7 |
| May 9, 2025 | 78 | $66 | -71% | 1 | $66 | $17,808 | 8 |
| May 16, 2025 | 68 | $1,972 | +2,888% | 4 | $493 | $19,780 | 9 |
| May 23, 2025 | 59 | $244 | -88% | 2 | $122 | $20,024 | 10 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Finland | 12/19/2025 | $2,581 | 31 | 31 | 31 | $23,275 | 4/4/2026 | |||
| Portugal | 4/3/2025 | $5,239 | 13 | 13 | 15 | $7,922 | 4/4/2026 | |||
| Turkey | 11/22/2024 | $3,985 | 24 | 24 | 27 | $7,845 | 12/5/2024 | |||
| International Total | $39,042 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Anamaria Vartolomei | Maria Schneider | |
| Matt Dillon | Marlon Brando | |
| Yvan Attal | Daniel Gélin |
Supporting
| Giuseppe Maggio | Bernardo Bertolucci | |
| Celeste Brunnquell | Noor |
Production and Technical Credits
| Jessica Palud | Director | |
| Jessica Palud | Screenwriter | |
| Laurette Polmanss | Screenwriter | |
| Vanessa Schneider | Story by | |
| Sebastien Buchmann | Director of Photography | |
| Thomas Marchand | Editor | |
| Valerie Valero | Set Designer | |
| Alexia Crisp-Jones | Costume Designer | |
| Louise Albon | Script Supervisor | |
| Nathalie Nouaili | First Assistant Director | |
| Jean-Marie Blondel | Sound Designer | |
| Rym Debbarh-Mounir | Sound Designer | |
| Vincent Verdoux | Sound Designer | |
| Stéphanie Doncker | Casting Director | |
| Patrick Armisen | Production Manager | |
| Benjamin Biolay | Composer | |
| Marielle Duigou | Producer | |
| Alex C. Lo | Co-Producer | |
| Kristina Zimmerman | Co-Producer | |
| Christie Molia | Co-Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.