Marlowe (2023)
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| Theatrical Performance | ||
| Domestic Box Office | $4,350,243 | Details |
| International Box Office | $1,486,198 | Details |
| Worldwide Box Office | $5,836,441 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $1,190,545 | |
| Blu-ray Sales (estimated) | $410,617 | |
| Total | $1,601,162 | |
| OpusData ID: 383680100 More info... | ||
| Further financial details... | ||
Synopsis
In late 1930's Los Angeles, a street-wise, down on his luck detective, Philip Marlowe, is hired to find the ex-lover of a glamorous heiress, the daughter of a well-known movie star. The disappearance unearths a web of lies, and soon Marlowe is involved in a dangerous, deadly investigation where everyone involved has something to hide.
Metrics
| Opening Weekend: | $1,811,549 (41.6% of total gross) |
| Legs: | 2.40 (domestic box office/biggest weekend) |
| Domestic Share: | 74.5% (domestic box office/worldwide) |
| Theater counts: | 2,281 opening theaters/2,281 max. theaters, 2.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $4,755,846 |
Movie Details
| Domestic Releases: | February 15th, 2023 (Wide) by Open Road |
| International Releases: | February 15th, 2023 (Limited) (France)
February 24th, 2023 (Limited), released as Marlowe (Марлоу) (Russia (CIS)) March 16th, 2023 (Limited) (Netherlands) March 17th, 2023 (Wide) (United Kingdom) March 30th, 2023 (Limited), released as Sombras de Um Crime (Brazil) ... Show all releases |
| Video Release: | March 7th, 2023 by Universal Home Entertainment |
| MPA Rating: | R for language, violent content, some sexual material and brief drug use. (Rating bulletin 2752 (cert #54050), 10/5/2022) |
| Running Time: | 110 minutes |
| Geographical setting: | Los Angeles |
| Plot point: | Missing Person, Private Investigator |
| Social setting: | Film Noir |
| Subgenre: | Crime Thriller |
| Time period setting: | 1930s |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Nickel City Pictures, Storyboard Media, Aperture Media Partners, Federal Films , Elipsis Capital, Jeff Rice Films, FIS Eireann, Screen Ireland, Parallel Films, Hills Productions, Davis Films, H2L Media Group |
| Production Countries: | United States, Ireland, Spain, France |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 17, 2023 | 8 | $1,811,549 | 2,281 | $794 | $2,570,889 | 1 | |
| Feb 24, 2023 | 12 | $577,115 | -68% | 2,281 | $253 | $4,011,466 | 2 |
| Mar 3, 2023 | - | $41,230 | -93% | 227 | $182 | $4,326,168 | 3 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 15, 2023 | 6 | $548,215 | 2,281 | $240 | $548,215 | 1 | ||
| Feb 16, 2023 | 8 | $208,580 | -62% | 2,281 | $91 | $756,795 | 2 | |
| Feb 17, 2023 | 8 | $540,660 | +159% | 2,281 | $237 | $1,297,455 | 3 | |
| Feb 18, 2023 | 8 | $761,742 | +41% | 2,281 | $334 | $2,059,197 | 4 | |
| Feb 19, 2023 | 9 | $511,692 | -33% | 2,281 | $224 | $2,570,889 | 5 | |
| Feb 20, 2023 | 10 | $280,121 | -45% | 2,281 | $123 | $2,851,010 | 6 | |
| Feb 21, 2023 | 7 | $300,041 | +7% | 2,281 | $132 | $3,151,051 | 7 | |
| Feb 22, 2023 | 8 | $157,971 | -47% | -71% | 2,281 | $69 | $3,309,022 | 8 |
| Feb 23, 2023 | 9 | $125,329 | -21% | -40% | 2,281 | $55 | $3,434,351 | 9 |
| Feb 24, 2023 | 12 | $158,113 | +26% | -71% | 2,281 | $69 | $3,592,464 | 10 |
| Feb 25, 2023 | 13 | $256,979 | +63% | -66% | 2,281 | $113 | $3,849,443 | 11 |
| Feb 26, 2023 | 12 | $162,023 | -37% | -68% | 2,281 | $71 | $4,011,466 | 12 |
| Feb 27, 2023 | 12 | $56,086 | -65% | -80% | 2,281 | $25 | $4,067,552 | 13 |
| Feb 28, 2023 | 10 | $101,243 | +81% | -66% | 2,281 | $44 | $4,168,795 | 14 |
| Mar 1, 2023 | 11 | $64,914 | -36% | -59% | 2,281 | $28 | $4,233,709 | 15 |
| Mar 2, 2023 | - | $51,229 | -21% | -59% | 2,281 | $22 | $4,284,938 | 16 |
| Mar 3, 2023 | - | $11,535 | -77% | -93% | 227 | $51 | $4,296,473 | 17 |
| Mar 4, 2023 | - | $18,243 | +58% | -93% | 227 | $80 | $4,314,716 | 18 |
| Mar 5, 2023 | - | $11,452 | -37% | -93% | 227 | $50 | $4,326,168 | 19 |
| Mar 6, 2023 | - | $4,838 | -58% | -91% | 227 | $21 | $4,331,006 | 20 |
| Mar 7, 2023 | - | $9,791 | +102% | -90% | 227 | $43 | $4,340,797 | 21 |
| Mar 8, 2023 | - | $5,604 | -43% | -91% | 227 | $25 | $4,346,401 | 22 |
| Mar 9, 2023 | - | $3,842 | -31% | -93% | 227 | $17 | $4,350,243 | 23 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 10, 2023 | 14 | $756,795 | 2,281 | $332 | $756,795 | 1 | |
| Feb 17, 2023 | 8 | $2,677,556 | +254% | 2,281 | $1,174 | $3,434,351 | 2 |
| Feb 24, 2023 | 12 | $850,587 | -68% | 2,281 | $373 | $4,284,938 | 3 |
| Mar 3, 2023 | 35 | $65,305 | -92% | 227 | $288 | $4,350,243 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 5/18/2023 | $44,149 | 72 | 72 | 257 | $138,246 | 10/16/2023 | |||
| Croatia | 4/14/2023 | $15,541 | 35 | 35 | 66 | $32,067 | 5/12/2023 | |||
| Mexico | 3/30/2023 | $188,627 | 0 | 0 | 0 | $303,281 | 4/11/2023 | |||
| Netherlands | 3/16/2023 | $20,070 | 27 | 27 | 27 | $25,990 | 3/20/2023 | |||
| New Zealand | 4/27/2023 | $12,503 | 37 | 37 | 133 | $38,046 | 6/28/2023 | |||
| Portugal | 6/8/2023 | $39,305 | 32 | 32 | 61 | $75,098 | 7/11/2023 | |||
| Russia (CIS) | 2/24/2023 | $298,126 | 599 | 599 | 930 | $417,394 | 3/9/2023 | |||
| South Korea | 3/21/2024 | $51,355 | 183 | 183 | 233 | $101,673 | 4/3/2024 | |||
| Spain | 5/12/2023 | $126,053 | 146 | 151 | 370 | $348,455 | 6/1/2023 | |||
| United Kingdom | 3/17/2023 | $5,948 | 17 | 17 | 17 | $5,948 | 3/22/2023 | |||
| International Total | $1,486,198 | 4/3/2024 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Liam Neeson | Philip Marlowe | |
| Diane Kruger | Clare Cavendish | |
| Jessica Lange | Dorothy Cavendish | |
| Adewale Akinnuoye-Agbaje | Cedric |
Supporting
| Ian Hart | Joe Green | |
| Colm Meaney | Bernie Ohls | |
| Daniela Melchior | Lynn Peterson |
Lead Ensemble Member
| Francois Arnaud | Nico Peterson |
Supporting
| Seána Kerslake | Amanda Toxteh |
Lead Ensemble Member
| Danny Huston | Floyd Hanson | |
| Alan Cumming | Lou Hendricks |
Supporting
| Patrick Muldoon | Richard Cavendish | |
| Jose Manuel Maciá | López | |
| Roberto Peralta Maya | Gómez |
Production and Technical Credits
| Neil Jordan | Director | |
| William Monahan | Screenwriter | |
| Neil Jordan | Screenwriter | |
| John Banville | Based on the Novel by | |
| Raymond Chandler | Character by | |
| Alan Moloney | Producer | |
| Gary Levinsohn | Producer | |
| Mark Fasano | Producer | |
| Billy Hines | Producer | |
| Philip Kim | Producer | |
| Patrick Hibler | Producer | |
| Colette Aguilar | Spanish Producer | |
| Victor Hadida | French Producer | |
| Elisabeth Costa de Beauregard Segel* | Executive Producer | |
| Patrick Muldoon | Executive Producer | |
| Harris Tulchin | Executive Producer | |
| Tobias Weymar | Executive Producer | |
| Michael Mullner | Executive Producer | |
| Christopher Hines | Executive Producer | |
| Steven Sims | Executive Producer | |
| Jeff Rice | Executive Producer | |
| Juan Antonio García Peredo | Executive Producer | |
| Alberto Burgueño | Executive Producer | |
| Andreas Wentz | Executive Producer | |
| Celine Haddad | Executive Producer | |
| Monte Lipman | Executive Producer | |
| Dana Sano | Executive Producer | |
| Jared D. Underwood | Executive Producer | |
| Andrew C. Robinson | Executive Producer | |
| Slava Vladimirov | Executive Producer | |
| Peter M. Lenkov | Executive Producer | |
| A.J. Buckley | Executive Producer | |
| James Masciello | Executive Producer | |
| Matthew Sidari | Executive Producer | |
| Tom Ortenberg | Executive Producer | |
| Mitchell Zhang | Executive Producer | |
| Redmond Morris | Co-Producer | |
| Susan Mullen | Co-Producer | |
| Xavi Gimenez | Director of Photography | |
| John Beard | Production Designer | |
| Mick Mahon | Editor | |
| David Holmes | Composer | |
| Betsy Heimann | Costume Designer | |
| Steve Fanagan | Sound Designer | |
| Dan Hubbard | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
In late 1930's Los Angeles, a street-wise, down on his luck detective, Philip Marlowe, is hired to find the ex-lover of a glamorous heiress, the daughter of a well-known movie star. The disappearance unearths a web of lies, and soon Marlowe is involved in a dangerous, deadly investigation where everyone involved has something to hide.
Metrics
| Opening Weekend: | $1,811,549 (41.6% of total gross) |
| Legs: | 2.40 (domestic box office/biggest weekend) |
| Domestic Share: | 74.5% (domestic box office/worldwide) |
| Theater counts: | 2,281 opening theaters/2,281 max. theaters, 2.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $4,755,846 |
Movie Details
| Domestic Releases: | February 15th, 2023 (Wide) by Open Road |
| International Releases: | February 15th, 2023 (Limited) (France)
February 24th, 2023 (Limited), released as Marlowe (Марлоу) (Russia (CIS)) March 16th, 2023 (Limited) (Netherlands) March 17th, 2023 (Wide) (United Kingdom) March 30th, 2023 (Limited), released as Sombras de Um Crime (Brazil) ... Show all releases |
| Video Release: | March 7th, 2023 by Universal Home Entertainment |
| MPA Rating: | R for language, violent content, some sexual material and brief drug use. (Rating bulletin 2752 (cert #54050), 10/5/2022) |
| Running Time: | 110 minutes |
| Geographical setting: | Los Angeles |
| Plot point: | Missing Person, Private Investigator |
| Social setting: | Film Noir |
| Subgenre: | Crime Thriller |
| Time period setting: | 1930s |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Nickel City Pictures, Storyboard Media, Aperture Media Partners, Federal Films , Elipsis Capital, Jeff Rice Films, FIS Eireann, Screen Ireland, Parallel Films, Hills Productions, Davis Films, H2L Media Group |
| Production Countries: | United States, Ireland, Spain, France |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 17, 2023 | 8 | $1,811,549 | 2,281 | $794 | $2,570,889 | 1 | |
| Feb 24, 2023 | 12 | $577,115 | -68% | 2,281 | $253 | $4,011,466 | 2 |
| Mar 3, 2023 | - | $41,230 | -93% | 227 | $182 | $4,326,168 | 3 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 15, 2023 | 6 | $548,215 | 2,281 | $240 | $548,215 | 1 | ||
| Feb 16, 2023 | 8 | $208,580 | -62% | 2,281 | $91 | $756,795 | 2 | |
| Feb 17, 2023 | 8 | $540,660 | +159% | 2,281 | $237 | $1,297,455 | 3 | |
| Feb 18, 2023 | 8 | $761,742 | +41% | 2,281 | $334 | $2,059,197 | 4 | |
| Feb 19, 2023 | 9 | $511,692 | -33% | 2,281 | $224 | $2,570,889 | 5 | |
| Feb 20, 2023 | 10 | $280,121 | -45% | 2,281 | $123 | $2,851,010 | 6 | |
| Feb 21, 2023 | 7 | $300,041 | +7% | 2,281 | $132 | $3,151,051 | 7 | |
| Feb 22, 2023 | 8 | $157,971 | -47% | -71% | 2,281 | $69 | $3,309,022 | 8 |
| Feb 23, 2023 | 9 | $125,329 | -21% | -40% | 2,281 | $55 | $3,434,351 | 9 |
| Feb 24, 2023 | 12 | $158,113 | +26% | -71% | 2,281 | $69 | $3,592,464 | 10 |
| Feb 25, 2023 | 13 | $256,979 | +63% | -66% | 2,281 | $113 | $3,849,443 | 11 |
| Feb 26, 2023 | 12 | $162,023 | -37% | -68% | 2,281 | $71 | $4,011,466 | 12 |
| Feb 27, 2023 | 12 | $56,086 | -65% | -80% | 2,281 | $25 | $4,067,552 | 13 |
| Feb 28, 2023 | 10 | $101,243 | +81% | -66% | 2,281 | $44 | $4,168,795 | 14 |
| Mar 1, 2023 | 11 | $64,914 | -36% | -59% | 2,281 | $28 | $4,233,709 | 15 |
| Mar 2, 2023 | - | $51,229 | -21% | -59% | 2,281 | $22 | $4,284,938 | 16 |
| Mar 3, 2023 | - | $11,535 | -77% | -93% | 227 | $51 | $4,296,473 | 17 |
| Mar 4, 2023 | - | $18,243 | +58% | -93% | 227 | $80 | $4,314,716 | 18 |
| Mar 5, 2023 | - | $11,452 | -37% | -93% | 227 | $50 | $4,326,168 | 19 |
| Mar 6, 2023 | - | $4,838 | -58% | -91% | 227 | $21 | $4,331,006 | 20 |
| Mar 7, 2023 | - | $9,791 | +102% | -90% | 227 | $43 | $4,340,797 | 21 |
| Mar 8, 2023 | - | $5,604 | -43% | -91% | 227 | $25 | $4,346,401 | 22 |
| Mar 9, 2023 | - | $3,842 | -31% | -93% | 227 | $17 | $4,350,243 | 23 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 10, 2023 | 14 | $756,795 | 2,281 | $332 | $756,795 | 1 | |
| Feb 17, 2023 | 8 | $2,677,556 | +254% | 2,281 | $1,174 | $3,434,351 | 2 |
| Feb 24, 2023 | 12 | $850,587 | -68% | 2,281 | $373 | $4,284,938 | 3 |
| Mar 3, 2023 | 35 | $65,305 | -92% | 227 | $288 | $4,350,243 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 5/18/2023 | $44,149 | 72 | 72 | 257 | $138,246 | 10/16/2023 | |||
| Croatia | 4/14/2023 | $15,541 | 35 | 35 | 66 | $32,067 | 5/12/2023 | |||
| Mexico | 3/30/2023 | $188,627 | 0 | 0 | 0 | $303,281 | 4/11/2023 | |||
| Netherlands | 3/16/2023 | $20,070 | 27 | 27 | 27 | $25,990 | 3/20/2023 | |||
| New Zealand | 4/27/2023 | $12,503 | 37 | 37 | 133 | $38,046 | 6/28/2023 | |||
| Portugal | 6/8/2023 | $39,305 | 32 | 32 | 61 | $75,098 | 7/11/2023 | |||
| Russia (CIS) | 2/24/2023 | $298,126 | 599 | 599 | 930 | $417,394 | 3/9/2023 | |||
| South Korea | 3/21/2024 | $51,355 | 183 | 183 | 233 | $101,673 | 4/3/2024 | |||
| Spain | 5/12/2023 | $126,053 | 146 | 151 | 370 | $348,455 | 6/1/2023 | |||
| United Kingdom | 3/17/2023 | $5,948 | 17 | 17 | 17 | $5,948 | 3/22/2023 | |||
| International Total | $1,486,198 | 4/3/2024 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Liam Neeson | Philip Marlowe | |
| Diane Kruger | Clare Cavendish | |
| Jessica Lange | Dorothy Cavendish | |
| Adewale Akinnuoye-Agbaje | Cedric |
Supporting
| Ian Hart | Joe Green | |
| Colm Meaney | Bernie Ohls | |
| Daniela Melchior | Lynn Peterson |
Lead Ensemble Member
| Francois Arnaud | Nico Peterson |
Supporting
| Seána Kerslake | Amanda Toxteh |
Lead Ensemble Member
| Danny Huston | Floyd Hanson | |
| Alan Cumming | Lou Hendricks |
Supporting
| Patrick Muldoon | Richard Cavendish | |
| Jose Manuel Maciá | López | |
| Roberto Peralta Maya | Gómez |
Production and Technical Credits
| Neil Jordan | Director | |
| William Monahan | Screenwriter | |
| Neil Jordan | Screenwriter | |
| John Banville | Based on the Novel by | |
| Raymond Chandler | Character by | |
| Alan Moloney | Producer | |
| Gary Levinsohn | Producer | |
| Mark Fasano | Producer | |
| Billy Hines | Producer | |
| Philip Kim | Producer | |
| Patrick Hibler | Producer | |
| Colette Aguilar | Spanish Producer | |
| Victor Hadida | French Producer | |
| Elisabeth Costa de Beauregard Segel* | Executive Producer | |
| Patrick Muldoon | Executive Producer | |
| Harris Tulchin | Executive Producer | |
| Tobias Weymar | Executive Producer | |
| Michael Mullner | Executive Producer | |
| Christopher Hines | Executive Producer | |
| Steven Sims | Executive Producer | |
| Jeff Rice | Executive Producer | |
| Juan Antonio García Peredo | Executive Producer | |
| Alberto Burgueño | Executive Producer | |
| Andreas Wentz | Executive Producer | |
| Celine Haddad | Executive Producer | |
| Monte Lipman | Executive Producer | |
| Dana Sano | Executive Producer | |
| Jared D. Underwood | Executive Producer | |
| Andrew C. Robinson | Executive Producer | |
| Slava Vladimirov | Executive Producer | |
| Peter M. Lenkov | Executive Producer | |
| A.J. Buckley | Executive Producer | |
| James Masciello | Executive Producer | |
| Matthew Sidari | Executive Producer | |
| Tom Ortenberg | Executive Producer | |
| Mitchell Zhang | Executive Producer | |
| Redmond Morris | Co-Producer | |
| Susan Mullen | Co-Producer | |
| Xavi Gimenez | Director of Photography | |
| John Beard | Production Designer | |
| Mick Mahon | Editor | |
| David Holmes | Composer | |
| Betsy Heimann | Costume Designer | |
| Steve Fanagan | Sound Designer | |
| Dan Hubbard | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.