Mary Magdalene (2018)
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| Theatrical Performance | ||
| Domestic Box Office | $124,958 | Details |
| International Box Office | $11,870,042 | Details |
| Worldwide Box Office | $11,995,000 | |
| OpusData ID: 285520100 More info... | ||
| Further financial details... | ||
Synopsis
She is one of the most transformative yet misunderstood women in history, alternately vilified as a sinner and canonized as a saint. For the first time, the incredible story of Mary Magdalene is told through her own eyes. In the first century A.D., the free-spirited Mary flees the marriage her family has arranged for her, finding refuge and a sense of purpose in a radical new movement led by the charismatic, rabble-rousing preacher Jesus. The sole woman among his band of disciples, Mary defies the prejudices of a patriarchal society as she undergoes a profound spiritual awakening and finds herself at the center of an earth-shaking historical moment.
Metrics
| Opening Weekend: | $46,646 (37.3% of total gross) |
| Legs: | 2.68 (domestic box office/biggest weekend) |
| Domestic Share: | 1.0% (domestic box office/worldwide) |
| Theater counts: | 62 opening theaters/62 max. theaters, 1.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $163,158 |
Movie Details
| Domestic Releases: | April 12th, 2019 (Limited) by IFC Films |
| International Releases: | March 9th, 2018 (Wide) (Australia)
March 15th, 2018 (Wide), released as Maria Maddalena (Italy) March 15th, 2018 (Wide) (Brazil) March 15th, 2018 (Wide) (Croatia) March 15th, 2018 (Wide) (Germany) ... Show all releases |
| Video Release: | September 3rd, 2019 by Shout Factory |
| MPA Rating: | R for some bloody and disturbing images. (Rating bulletin 2567 (Cert #52069), 2/27/2019) |
| Running Time: | 120 minutes |
| Cast, crew, or production detail: | Development Hell |
| Plot point: | Christians, Jewish, Religious |
| Release detail: | Delayed Release |
| Source: | Based on Religious Text |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Film4, Porchlight Films, See-Saw Films, Focus Features, FilmNation Entertainment |
| Production Countries: | United States, United Kingdom, Australia |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 12, 2019 | 38 | $46,646 | 62 | $752 | $46,646 | 1 | |
| Apr 19, 2019 | 52 | $26,871 | -42% | 38 | $707 | $105,986 | 2 |
| Apr 26, 2019 | 64 | $5,324 | -80% | 14 | $380 | $121,627 | 3 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Apr 12, 2019 | - | $12,583 | 62 | $203 | $12,583 | 1 | ||
| Apr 13, 2019 | - | $19,725 | +57% | 62 | $318 | $32,308 | 2 | |
| Apr 14, 2019 | - | $14,338 | -27% | 62 | $231 | $46,646 | 3 | |
| Apr 15, 2019 | - | $7,770 | -46% | 62 | $125 | $54,416 | 4 | |
| Apr 16, 2019 | - | $8,438 | +9% | 62 | $136 | $63,071 | 5 | |
| Apr 17, 2019 | - | $7,661 | -9% | 62 | $124 | $70,732 | 6 | |
| Apr 18, 2019 | - | $8,383 | +9% | 62 | $135 | $79,115 | 7 | |
| Apr 19, 2019 | - | $8,622 | +3% | -31% | 38 | $227 | $87,737 | 8 |
| Apr 20, 2019 | - | $10,813 | +25% | -45% | 38 | $285 | $98,550 | 9 |
| Apr 21, 2019 | - | $7,436 | -31% | -48% | 38 | $196 | $105,986 | 10 |
| Apr 22, 2019 | - | $2,863 | -61% | -63% | 38 | $75 | $108,849 | 11 |
| Apr 23, 2019 | - | $2,676 | -7% | -68% | 38 | $70 | $111,525 | 12 |
| Apr 24, 2019 | - | $2,463 | -8% | -68% | 40 | $62 | $113,988 | 13 |
| Apr 25, 2019 | - | $2,315 | -6% | -72% | 40 | $58 | $116,303 | 14 |
| Apr 26, 2019 | - | $1,651 | -29% | -81% | 14 | $118 | $117,954 | 15 |
| Apr 27, 2019 | - | $1,798 | +9% | -83% | 14 | $128 | $119,752 | 16 |
| Apr 28, 2019 | - | $1,875 | +4% | -75% | 14 | $134 | $121,627 | 17 |
| Apr 29, 2019 | - | $650 | -65% | -77% | 14 | $46 | $122,277 | 18 |
| Apr 30, 2019 | - | $1,117 | +72% | -58% | 14 | $80 | $123,394 | 19 |
| May 1, 2019 | - | $736 | -34% | -70% | 14 | $53 | $124,130 | 20 |
| May 2, 2019 | - | $828 | +13% | -64% | 14 | $59 | $124,958 | 21 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 12, 2019 | 41 | $78,898 | 62 | $1,273 | $79,115 | 1 | |
| Apr 19, 2019 | 54 | $37,188 | -53% | 40 | $930 | $116,303 | 2 |
| Apr 26, 2019 | 64 | $8,655 | -77% | 14 | $618 | $124,958 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 3/30/2018 | $98,141 | 89 | 89 | 123 | $160,249 | ||||
| Australia | 3/9/2018 | $5,185 | 13 | 117 | 341 | $420,705 | ||||
| Austria | 3/16/2018 | $56,700 | 56 | 63 | 252 | $236,212 | ||||
| Bolivia | 3/22/2018 | $10,753 | 13 | 13 | 27 | $29,337 | ||||
| Brazil | 3/15/2018 | $413,902 | 365 | 365 | 868 | $969,623 | ||||
| Central America | 3/22/2018 | $58,539 | 96 | 96 | 146 | $127,805 | ||||
| Chile | 3/22/2018 | $21,324 | 18 | 18 | 28 | $36,196 | ||||
| Colombia | 3/22/2018 | $51,388 | 97 | 97 | 120 | $101,050 | ||||
| Croatia | 3/15/2018 | $1,008 | 7 | 7 | 21 | $4,147 | ||||
| Cyprus | 3/29/2018 | $2,937 | 6 | 6 | 12 | $5,953 | ||||
| Czech Republic | 3/23/2018 | $30,627 | 68 | 68 | 145 | $104,552 | ||||
| Denmark | 3/22/2018 | $821 | 1 | 1 | 3 | $2,306 | ||||
| Ecuador | 3/23/2018 | $30,802 | 39 | 39 | 104 | $98,448 | ||||
| Finland | 3/23/2018 | $33,741 | 68 | 76 | 260 | $203,904 | ||||
| France | 3/30/2018 | $257,275 | 200 | 200 | 544 | $706,963 | ||||
| Germany | 3/15/2018 | $327,915 | 348 | 348 | 1,387 | $1,246,274 | ||||
| Greece | 3/22/2018 | $43,310 | 59 | 59 | 113 | $92,296 | ||||
| Hong Kong | 3/30/2018 | $47,821 | 9 | 9 | 20 | $98,348 | ||||
| Hungary | 3/30/2018 | $34,196 | 44 | 49 | 117 | $80,442 | ||||
| Italy | 3/15/2018 | $739,479 | 0 | 188 | 224 | $1,691,269 | ||||
| Mexico | 3/22/2018 | $220,780 | 0 | 218 | 284 | $616,645 | ||||
| Netherlands | 3/23/2018 | $45,455 | 35 | 41 | 134 | $217,948 | ||||
| New Zealand | 3/23/2018 | $41,398 | 72 | 72 | 217 | $148,512 | ||||
| Norway | 3/23/2018 | $56,642 | 89 | 89 | 191 | $211,290 | ||||
| Paraguay | 3/22/2018 | $7,787 | 17 | 17 | 29 | $17,487 | ||||
| Peru | 3/30/2018 | $52,416 | 17 | 17 | 22 | $68,092 | ||||
| Philippines | 3/21/2018 | $8,878 | 124 | 124 | 322 | $56,892 | ||||
| Poland | 4/6/2018 | $36,331 | 154 | 154 | 319 | $151,591 | ||||
| Portugal | 3/23/2018 | $49,717 | 42 | 46 | 128 | $162,547 | ||||
| Romania | 3/30/2018 | $30,319 | 67 | 67 | 143 | $70,922 | ||||
| Russia (CIS) | 4/5/2018 | $95,203 | 255 | 255 | 498 | $178,136 | ||||
| Serbia and Montenegro | 3/29/2018 | $4,591 | 28 | 28 | 48 | $10,084 | ||||
| Slovakia | 3/23/2018 | $26,034 | 57 | 57 | 114 | $71,211 | ||||
| South Korea | 3/19/2018 | $0 | 0 | 111 | 226 | $253,170 | ||||
| Spain | 3/16/2018 | $374,700 | 237 | 266 | 780 | $1,100,813 | ||||
| Sweden | 3/23/2018 | $0 | 0 | 55 | 85 | $132,540 | ||||
| Switzerland | 3/15/2018 | $71,210 | 44 | 62 | 233 | $367,617 | ||||
| Switzerland (French Speaking) | 3/30/2018 | $39,000 | 17 | 17 | 17 | $39,000 | 4/2/2018 | |||
| Taiwan | 3/23/2018 | $10,861 | 13 | 13 | 29 | $30,848 | ||||
| Trinidad | 3/28/2018 | $5,907 | 13 | 13 | 17 | $9,791 | ||||
| United Kingdom | 3/16/2018 | $332,578 | 423 | 423 | 775 | $1,079,744 | ||||
| Uruguay | 3/22/2018 | $6,323 | 13 | 13 | 34 | $14,560 | ||||
| Venezuela | 3/23/2018 | $11,382 | 68 | 68 | 87 | $47,699 | ||||
| Rest of World | $396,824 | |||||||||
| International Total | $11,870,042 | 4/2/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Rooney Mara | Mary Magdalene |
Supporting
| Joaquin Phoenix | Jesus Christ | |
| Chiwetel Ejiofor | Peter | |
| Tahar Rahim | Judas | |
| Denis Menochet | Daniel | |
| Ariane Labed | Rachel | |
| Charles Babalola | Andrew | |
| Tawfeek Barhom | James | |
| Ryan Corr | Joseph | |
| Uri Gavriel | Philip | |
| Shira Haas | Leah | |
| Tsahi Halevi | Ephraim | |
| Michael Moshonov | Matthew |
Production and Technical Credits
| Garth Davis | Director | |
| Iain Canning | Producer | |
| Emile Sherman | Producer | |
| Liz Watts | Producer | |
| Helen Edmundson | Screenwriter | |
| Philippa Goslett | Screenwriter | |
| Rose Garnett | Executive Producer | |
| Caroline Hewitt | Co-Producer | |
| Greig Fraser | Director of Photography | |
| Alexandre De Franceschi | Editor | |
| Melanie Ann Oliver | Editor | |
| Hildur Guðnadóttir | Composer | |
| Johann Johannson | Composer | |
| Jina Jay | Casting Director | |
| Fiona Crombie | Production Designer | |
| Jacqueline Durran | Costume Designer | |
| Robert Mackenzie | Sound Designer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
She is one of the most transformative yet misunderstood women in history, alternately vilified as a sinner and canonized as a saint. For the first time, the incredible story of Mary Magdalene is told through her own eyes. In the first century A.D., the free-spirited Mary flees the marriage her family has arranged for her, finding refuge and a sense of purpose in a radical new movement led by the charismatic, rabble-rousing preacher Jesus. The sole woman among his band of disciples, Mary defies the prejudices of a patriarchal society as she undergoes a profound spiritual awakening and finds herself at the center of an earth-shaking historical moment.
Metrics
| Opening Weekend: | $46,646 (37.3% of total gross) |
| Legs: | 2.68 (domestic box office/biggest weekend) |
| Domestic Share: | 1.0% (domestic box office/worldwide) |
| Theater counts: | 62 opening theaters/62 max. theaters, 1.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $163,158 |
Movie Details
| Domestic Releases: | April 12th, 2019 (Limited) by IFC Films |
| International Releases: | March 9th, 2018 (Wide) (Australia)
March 15th, 2018 (Wide), released as Maria Maddalena (Italy) March 15th, 2018 (Wide) (Brazil) March 15th, 2018 (Wide) (Croatia) March 15th, 2018 (Wide) (Germany) ... Show all releases |
| Video Release: | September 3rd, 2019 by Shout Factory |
| MPA Rating: | R for some bloody and disturbing images. (Rating bulletin 2567 (Cert #52069), 2/27/2019) |
| Running Time: | 120 minutes |
| Cast, crew, or production detail: | Development Hell |
| Plot point: | Christians, Jewish, Religious |
| Release detail: | Delayed Release |
| Source: | Based on Religious Text |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Film4, Porchlight Films, See-Saw Films, Focus Features, FilmNation Entertainment |
| Production Countries: | United States, United Kingdom, Australia |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 12, 2019 | 38 | $46,646 | 62 | $752 | $46,646 | 1 | |
| Apr 19, 2019 | 52 | $26,871 | -42% | 38 | $707 | $105,986 | 2 |
| Apr 26, 2019 | 64 | $5,324 | -80% | 14 | $380 | $121,627 | 3 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Apr 12, 2019 | - | $12,583 | 62 | $203 | $12,583 | 1 | ||
| Apr 13, 2019 | - | $19,725 | +57% | 62 | $318 | $32,308 | 2 | |
| Apr 14, 2019 | - | $14,338 | -27% | 62 | $231 | $46,646 | 3 | |
| Apr 15, 2019 | - | $7,770 | -46% | 62 | $125 | $54,416 | 4 | |
| Apr 16, 2019 | - | $8,438 | +9% | 62 | $136 | $63,071 | 5 | |
| Apr 17, 2019 | - | $7,661 | -9% | 62 | $124 | $70,732 | 6 | |
| Apr 18, 2019 | - | $8,383 | +9% | 62 | $135 | $79,115 | 7 | |
| Apr 19, 2019 | - | $8,622 | +3% | -31% | 38 | $227 | $87,737 | 8 |
| Apr 20, 2019 | - | $10,813 | +25% | -45% | 38 | $285 | $98,550 | 9 |
| Apr 21, 2019 | - | $7,436 | -31% | -48% | 38 | $196 | $105,986 | 10 |
| Apr 22, 2019 | - | $2,863 | -61% | -63% | 38 | $75 | $108,849 | 11 |
| Apr 23, 2019 | - | $2,676 | -7% | -68% | 38 | $70 | $111,525 | 12 |
| Apr 24, 2019 | - | $2,463 | -8% | -68% | 40 | $62 | $113,988 | 13 |
| Apr 25, 2019 | - | $2,315 | -6% | -72% | 40 | $58 | $116,303 | 14 |
| Apr 26, 2019 | - | $1,651 | -29% | -81% | 14 | $118 | $117,954 | 15 |
| Apr 27, 2019 | - | $1,798 | +9% | -83% | 14 | $128 | $119,752 | 16 |
| Apr 28, 2019 | - | $1,875 | +4% | -75% | 14 | $134 | $121,627 | 17 |
| Apr 29, 2019 | - | $650 | -65% | -77% | 14 | $46 | $122,277 | 18 |
| Apr 30, 2019 | - | $1,117 | +72% | -58% | 14 | $80 | $123,394 | 19 |
| May 1, 2019 | - | $736 | -34% | -70% | 14 | $53 | $124,130 | 20 |
| May 2, 2019 | - | $828 | +13% | -64% | 14 | $59 | $124,958 | 21 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 12, 2019 | 41 | $78,898 | 62 | $1,273 | $79,115 | 1 | |
| Apr 19, 2019 | 54 | $37,188 | -53% | 40 | $930 | $116,303 | 2 |
| Apr 26, 2019 | 64 | $8,655 | -77% | 14 | $618 | $124,958 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 3/30/2018 | $98,141 | 89 | 89 | 123 | $160,249 | ||||
| Australia | 3/9/2018 | $5,185 | 13 | 117 | 341 | $420,705 | ||||
| Austria | 3/16/2018 | $56,700 | 56 | 63 | 252 | $236,212 | ||||
| Bolivia | 3/22/2018 | $10,753 | 13 | 13 | 27 | $29,337 | ||||
| Brazil | 3/15/2018 | $413,902 | 365 | 365 | 868 | $969,623 | ||||
| Central America | 3/22/2018 | $58,539 | 96 | 96 | 146 | $127,805 | ||||
| Chile | 3/22/2018 | $21,324 | 18 | 18 | 28 | $36,196 | ||||
| Colombia | 3/22/2018 | $51,388 | 97 | 97 | 120 | $101,050 | ||||
| Croatia | 3/15/2018 | $1,008 | 7 | 7 | 21 | $4,147 | ||||
| Cyprus | 3/29/2018 | $2,937 | 6 | 6 | 12 | $5,953 | ||||
| Czech Republic | 3/23/2018 | $30,627 | 68 | 68 | 145 | $104,552 | ||||
| Denmark | 3/22/2018 | $821 | 1 | 1 | 3 | $2,306 | ||||
| Ecuador | 3/23/2018 | $30,802 | 39 | 39 | 104 | $98,448 | ||||
| Finland | 3/23/2018 | $33,741 | 68 | 76 | 260 | $203,904 | ||||
| France | 3/30/2018 | $257,275 | 200 | 200 | 544 | $706,963 | ||||
| Germany | 3/15/2018 | $327,915 | 348 | 348 | 1,387 | $1,246,274 | ||||
| Greece | 3/22/2018 | $43,310 | 59 | 59 | 113 | $92,296 | ||||
| Hong Kong | 3/30/2018 | $47,821 | 9 | 9 | 20 | $98,348 | ||||
| Hungary | 3/30/2018 | $34,196 | 44 | 49 | 117 | $80,442 | ||||
| Italy | 3/15/2018 | $739,479 | 0 | 188 | 224 | $1,691,269 | ||||
| Mexico | 3/22/2018 | $220,780 | 0 | 218 | 284 | $616,645 | ||||
| Netherlands | 3/23/2018 | $45,455 | 35 | 41 | 134 | $217,948 | ||||
| New Zealand | 3/23/2018 | $41,398 | 72 | 72 | 217 | $148,512 | ||||
| Norway | 3/23/2018 | $56,642 | 89 | 89 | 191 | $211,290 | ||||
| Paraguay | 3/22/2018 | $7,787 | 17 | 17 | 29 | $17,487 | ||||
| Peru | 3/30/2018 | $52,416 | 17 | 17 | 22 | $68,092 | ||||
| Philippines | 3/21/2018 | $8,878 | 124 | 124 | 322 | $56,892 | ||||
| Poland | 4/6/2018 | $36,331 | 154 | 154 | 319 | $151,591 | ||||
| Portugal | 3/23/2018 | $49,717 | 42 | 46 | 128 | $162,547 | ||||
| Romania | 3/30/2018 | $30,319 | 67 | 67 | 143 | $70,922 | ||||
| Russia (CIS) | 4/5/2018 | $95,203 | 255 | 255 | 498 | $178,136 | ||||
| Serbia and Montenegro | 3/29/2018 | $4,591 | 28 | 28 | 48 | $10,084 | ||||
| Slovakia | 3/23/2018 | $26,034 | 57 | 57 | 114 | $71,211 | ||||
| South Korea | 3/19/2018 | $0 | 0 | 111 | 226 | $253,170 | ||||
| Spain | 3/16/2018 | $374,700 | 237 | 266 | 780 | $1,100,813 | ||||
| Sweden | 3/23/2018 | $0 | 0 | 55 | 85 | $132,540 | ||||
| Switzerland | 3/15/2018 | $71,210 | 44 | 62 | 233 | $367,617 | ||||
| Switzerland (French Speaking) | 3/30/2018 | $39,000 | 17 | 17 | 17 | $39,000 | 4/2/2018 | |||
| Taiwan | 3/23/2018 | $10,861 | 13 | 13 | 29 | $30,848 | ||||
| Trinidad | 3/28/2018 | $5,907 | 13 | 13 | 17 | $9,791 | ||||
| United Kingdom | 3/16/2018 | $332,578 | 423 | 423 | 775 | $1,079,744 | ||||
| Uruguay | 3/22/2018 | $6,323 | 13 | 13 | 34 | $14,560 | ||||
| Venezuela | 3/23/2018 | $11,382 | 68 | 68 | 87 | $47,699 | ||||
| Rest of World | $396,824 | |||||||||
| International Total | $11,870,042 | 4/2/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Rooney Mara | Mary Magdalene |
Supporting
| Joaquin Phoenix | Jesus Christ | |
| Chiwetel Ejiofor | Peter | |
| Tahar Rahim | Judas | |
| Denis Menochet | Daniel | |
| Ariane Labed | Rachel | |
| Charles Babalola | Andrew | |
| Tawfeek Barhom | James | |
| Ryan Corr | Joseph | |
| Uri Gavriel | Philip | |
| Shira Haas | Leah | |
| Tsahi Halevi | Ephraim | |
| Michael Moshonov | Matthew |
Production and Technical Credits
| Garth Davis | Director | |
| Iain Canning | Producer | |
| Emile Sherman | Producer | |
| Liz Watts | Producer | |
| Helen Edmundson | Screenwriter | |
| Philippa Goslett | Screenwriter | |
| Rose Garnett | Executive Producer | |
| Caroline Hewitt | Co-Producer | |
| Greig Fraser | Director of Photography | |
| Alexandre De Franceschi | Editor | |
| Melanie Ann Oliver | Editor | |
| Hildur Guðnadóttir | Composer | |
| Johann Johannson | Composer | |
| Jina Jay | Casting Director | |
| Fiona Crombie | Production Designer | |
| Jacqueline Durran | Costume Designer | |
| Robert Mackenzie | Sound Designer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.