Maryland (2016)
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| Theatrical Performance | ||
| Domestic Box Office | $42,956 | Details |
| International Box Office | $159,034 | Details |
| Worldwide Box Office | $201,990 | |
| OpusData ID: 232590100 More info... | ||
| Further financial details... | ||
Synopsis
Vincent, a French Special Forces soldier just back from Afghanistan, is suffering from a post-traumatic stress disorder. He is hired to ensure the security of Jessie, the wife of a rich Lebanese businessman at their luxurious villa, “Maryland”. As he starts experiencing a strange fascination for the woman he has to protect, Vincent increasingly seems to fall into paranoia. Unless he is right, and the danger is very real indeed…
Metrics
| Opening Weekend: | $11,699 (27.2% of total gross) |
| Legs: | 3.67 (domestic box office/biggest weekend) |
| Domestic Share: | 21.3% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/8 max. theaters, 1.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $59,393 |
Movie Details
| Domestic Releases: | August 12th, 2016 (Limited) by IFC Films, released as Disorder |
| International Releases: | January 15th, 2016 (Wide) (Russia (CIS))
March 25th, 2016 (Wide), released as Disorder (United Kingdom) |
| Video Release: | December 20th, 2016 by IFC Video, released as Disorder |
| MPA Rating: | Not Rated |
| Running Time: | 100 minutes |
| Cast, crew, or production detail: | CCTV or Security Footage |
| Geographical setting: | France |
| Plot point: | Anxiety and Phobias, Bodyguard, Ex-soldier, Hallucinations, Mental Illness, PTSD, Returning Soldiers |
| Release detail: | Early / Simultaneous Video-on-Demand release |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Dharamsala, Darius Films, Mars Films, France 3 Cinema, Scope Pictures |
| Production Countries: | France, Belgium |
| Languages: | French, English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 12, 2016 | 57 | $11,699 | 2 | $5,850 | $11,699 | 1 | |
| Aug 19, 2016 | 68 | $5,933 | -49% | 3 | $1,978 | $24,529 | 2 |
| Sep 2, 2016 | 71 | $5,612 | 8 | $702 | $42,956 | 4 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 12, 2016 | 58 | $18,596 | 2 | $9,298 | $18,596 | 1 | |
| Aug 19, 2016 | 71 | $9,285 | -50% | 3 | $3,095 | $27,881 | 2 |
| Aug 26, 2016 | 77 | $9,463 | +2% | 4 | $2,366 | $37,344 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Russia (CIS) | 1/15/2016 | $11,764 | 0 | 0 | 0 | $16,535 | 12/31/2018 | |||
| United Kingdom | 3/25/2016 | $106,380 | 50 | 50 | 93 | $142,499 | 6/9/2016 | |||
| International Total | $159,034 | 12/31/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Matthias Schoenaerts | Vincent | |
| Diane Kruger | Jessie |
Supporting
| Paul Hamy | Denis | |
| Zaid Errougui Demonsant | Ali | |
| Percy Kemp | Imad Whalid | |
| Victor Pontecorvo | Tom | |
| Mickael Daubert | Kevin | |
| Franck Torrecillas | Franck | |
| Chems Eddine | Tarik | |
| Philippe Haddad | Pierre Duroy |
Production and Technical Credits
| Alice Winocour | Director | |
| Alice Winocour | Screenwriter | |
| Jean-Stephane Bron | Screenwriter | |
| Isabelle Madelaine | Producer | |
| Emilie Tisne | Producer | |
| Samuel Deshors | Production Designer | |
| Julien Lacheray | Editor | |
| Gesaffelstein | Composer | |
| Georges Lechaptois | Director of Photography | |
| Samuel Deshors | Art Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Vincent, a French Special Forces soldier just back from Afghanistan, is suffering from a post-traumatic stress disorder. He is hired to ensure the security of Jessie, the wife of a rich Lebanese businessman at their luxurious villa, “Maryland”. As he starts experiencing a strange fascination for the woman he has to protect, Vincent increasingly seems to fall into paranoia. Unless he is right, and the danger is very real indeed…
Metrics
| Opening Weekend: | $11,699 (27.2% of total gross) |
| Legs: | 3.67 (domestic box office/biggest weekend) |
| Domestic Share: | 21.3% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/8 max. theaters, 1.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $59,393 |
Movie Details
| Domestic Releases: | August 12th, 2016 (Limited) by IFC Films, released as Disorder |
| International Releases: | January 15th, 2016 (Wide) (Russia (CIS))
March 25th, 2016 (Wide), released as Disorder (United Kingdom) |
| Video Release: | December 20th, 2016 by IFC Video, released as Disorder |
| MPA Rating: | Not Rated |
| Running Time: | 100 minutes |
| Cast, crew, or production detail: | CCTV or Security Footage |
| Geographical setting: | France |
| Plot point: | Anxiety and Phobias, Bodyguard, Ex-soldier, Hallucinations, Mental Illness, PTSD, Returning Soldiers |
| Release detail: | Early / Simultaneous Video-on-Demand release |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Dharamsala, Darius Films, Mars Films, France 3 Cinema, Scope Pictures |
| Production Countries: | France, Belgium |
| Languages: | French, English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 12, 2016 | 57 | $11,699 | 2 | $5,850 | $11,699 | 1 | |
| Aug 19, 2016 | 68 | $5,933 | -49% | 3 | $1,978 | $24,529 | 2 |
| Sep 2, 2016 | 71 | $5,612 | 8 | $702 | $42,956 | 4 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 12, 2016 | 58 | $18,596 | 2 | $9,298 | $18,596 | 1 | |
| Aug 19, 2016 | 71 | $9,285 | -50% | 3 | $3,095 | $27,881 | 2 |
| Aug 26, 2016 | 77 | $9,463 | +2% | 4 | $2,366 | $37,344 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Russia (CIS) | 1/15/2016 | $11,764 | 0 | 0 | 0 | $16,535 | 12/31/2018 | |||
| United Kingdom | 3/25/2016 | $106,380 | 50 | 50 | 93 | $142,499 | 6/9/2016 | |||
| International Total | $159,034 | 12/31/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Matthias Schoenaerts | Vincent | |
| Diane Kruger | Jessie |
Supporting
| Paul Hamy | Denis | |
| Zaid Errougui Demonsant | Ali | |
| Percy Kemp | Imad Whalid | |
| Victor Pontecorvo | Tom | |
| Mickael Daubert | Kevin | |
| Franck Torrecillas | Franck | |
| Chems Eddine | Tarik | |
| Philippe Haddad | Pierre Duroy |
Production and Technical Credits
| Alice Winocour | Director | |
| Alice Winocour | Screenwriter | |
| Jean-Stephane Bron | Screenwriter | |
| Isabelle Madelaine | Producer | |
| Emilie Tisne | Producer | |
| Samuel Deshors | Production Designer | |
| Julien Lacheray | Editor | |
| Gesaffelstein | Composer | |
| Georges Lechaptois | Director of Photography | |
| Samuel Deshors | Art Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.