The Mask (1994)
| Theatrical Performance | ||
| Domestic Box Office | $120,114,301 | Details |
| International Box Office | $231,700,000 | Details |
| Worldwide Box Office | $351,814,301 | |
| OpusData ID: 3050100 More info... | ||
| Further financial details... | ||
Synopsis
Stanley Ipkiss, a decent-hearted but socially awkward guy, find an ancient mask that gives him superhuman powers and the courage to go with it. The mask allows him to romance Tina Carlyle, but also makes him the target of Tina’s gangster boyfriend, who is out to use the mask’s powers for his himself.
Metrics
| Opening Weekend: | $23,117,068 (19.2% of total gross) |
| Legs: | 5.20 (domestic box office/biggest weekend) |
| Domestic Share: | 34.1% (domestic box office/worldwide) |
| Production Budget: | $18,000,000 (worldwide box office is 19.5 times production budget) |
| Theater counts: | 2,360 opening theaters/2,516 max. theaters, 10.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $332,515,086 |
Movie Details
| Domestic Releases: | July 29th, 1994 (Wide) by New Line |
| International Releases: | November 5th, 2020 (Wide) (Australia)
November 12th, 2025 (Limited), released as The Mask (마스크) (South Korea) |
| Video Release: | March 26th, 1997 by New Line Home Video |
| MPA Rating: | PG-13 for some stylized violence |
| Running Time: | 101 minutes |
| Franchise: | Mask |
| Cast, crew, or production detail: | Visual Effects |
| Plot point: | Betrayal, Police Detective, Romance |
| Social setting: | Organized Crime |
| Source material: | Dark Horse Comics |
| Subgenre: | Action Comedy |
| Source: | Based on Comic/Graphic Novel |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Super Hero |
| Production/Financing Companies: | Katja Motion Picture Corporation |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 29, 1994 | 1 | $23,117,068 | 2,360 | $9,795 | $23,117,068 | 1 | |
| Aug 5, 1994 | 2 | $15,231,375 | -34% | 2,404 | $6,336 | $52,328,039 | 2 |
| Aug 12, 1994 | 3 | $10,052,412 | -34% | 2,462 | $4,083 | $70,068,211 | 3 |
| Aug 19, 1994 | 3 | $7,606,131 | -24% | 2,516 | $3,023 | $82,824,615 | 4 |
| Aug 26, 1994 | 4 | $5,338,698 | -30% | 2,516 | $2,122 | $91,930,697 | 5 |
| Sep 2, 1994 | 4 | $6,600,654 | +24% | 2,516 | $2,623 | $100,251,076 | 6 |
| Sep 9, 1994 | 5 | $2,825,711 | -57% | 2,175 | $1,299 | $103,901,001 | 7 |
| Sep 16, 1994 | 5 | $1,955,502 | -31% | 1,799 | $1,087 | $106,538,845 | 8 |
| Sep 23, 1994 | 7 | $1,571,237 | -20% | 1,647 | $954 | $108,557,722 | 9 |
| Sep 30, 1994 | 9 | $1,253,951 | -20% | 1,360 | $922 | $110,190,781 | 10 |
| Nov 11, 1994 | 13 | $1,117,843 | 781 | $1,431 | $113,960,727 | 16 | |
| Nov 18, 1994 | 14 | $866,912 | -22% | 800 | $1,084 | $115,132,345 | 17 |
| Nov 25, 1994 | 16 | $814,500 | -6% | 743 | $1,096 | $116,311,697 | 18 |
| Dec 2, 1994 | 17 | $461,164 | -43% | 604 | $764 | $116,940,277 | 19 |
| Dec 9, 1994 | 17 | $330,451 | -28% | 502 | $658 | $117,394,147 | 20 |
| Dec 16, 1994 | 20 | $266,803 | -19% | 434 | $615 | $117,767,411 | 21 |
| Dec 23, 1994 | 29 | $237,954 | -11% | 310 | $768 | $118,212,833 | 22 |
| Dec 30, 1994 | 26 | $350,796 | +47% | 277 | $1,266 | $118,820,184 | 23 |
| Jan 6, 1995 | 31 | $226,377 | -35% | 256 | $884 | $119,134,304 | 24 |
| Jan 13, 1995 | 31 | $237,224 | +5% | 189 | $1,255 | $119,445,235 | 25 |
| Jan 20, 1995 | 35 | $151,412 | -36% | 172 | $880 | $119,637,872 | 26 |
| Jan 27, 1995 | 38 | $108,938 | -28% | 168 | $648 | $119,789,683 | 27 |
| Feb 3, 1995 | 45 | $56,958 | -48% | 107 | $532 | $119,874,149 | 28 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 29, 1994 | 1 | $37,096,664 | 2,360 | $15,719 | $37,096,664 | 1 | |
| Aug 5, 1994 | 2 | $22,919,135 | -38% | 2,404 | $9,534 | $60,015,799 | 2 |
| Aug 12, 1994 | 3 | $15,202,685 | -34% | 2,462 | $6,175 | $75,218,484 | 3 |
| Aug 19, 1994 | 3 | $11,373,515 | -25% | 2,516 | $4,520 | $86,591,999 | 4 |
| Aug 26, 1994 | 4 | $7,058,423 | -38% | 2,516 | $2,805 | $93,650,422 | 5 |
| Sep 2, 1994 | 4 | $7,424,868 | +5% | 2,516 | $2,951 | $101,075,290 | 6 |
| Sep 9, 1994 | 5 | $3,508,053 | -53% | 2,175 | $1,613 | $104,583,343 | 7 |
| Sep 16, 1994 | 5 | $2,403,142 | -31% | 1,799 | $1,336 | $106,986,485 | 8 |
| Sep 23, 1994 | 7 | $1,950,345 | -19% | 1,647 | $1,184 | $108,936,830 | 9 |
| Nov 11, 1994 | 12 | $1,422,549 | 781 | $1,821 | $114,265,433 | 16 | |
| Nov 18, 1994 | 15 | $1,231,764 | -13% | 800 | $1,540 | $115,497,197 | 17 |
| Nov 25, 1994 | 16 | $981,916 | -20% | 743 | $1,322 | $116,479,113 | 18 |
| Dec 2, 1994 | 17 | $584,583 | -40% | 604 | $968 | $117,063,696 | 19 |
| Dec 9, 1994 | 16 | $436,912 | -25% | 502 | $870 | $117,500,608 | 20 |
| Dec 16, 1994 | 20 | $474,271 | +9% | 434 | $1,093 | $117,974,879 | 21 |
| Dec 23, 1994 | 26 | $494,509 | +4% | 310 | $1,595 | $118,469,388 | 22 |
| Dec 30, 1994 | 26 | $438,539 | -11% | 277 | $1,583 | $118,907,927 | 23 |
| Jan 6, 1995 | 30 | $300,084 | -32% | 256 | $1,172 | $119,208,011 | 24 |
| Jan 13, 1995 | 30 | $278,449 | -7% | 189 | $1,473 | $119,486,460 | 25 |
| Jan 20, 1995 | 35 | $194,285 | -30% | 172 | $1,130 | $119,680,745 | 26 |
| Jan 27, 1995 | 37 | $136,446 | -30% | 168 | $812 | $119,817,191 | 27 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| South Korea | 11/12/2025 | $5,124 | 43 | 43 | 0 | $12,104 | 4/6/2026 | |||
| Rest of World | $231,687,896 | |||||||||
| International Total | $231,700,000 | 4/6/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Jim Carrey | Stanley Ipkiss / The Mask |
Supporting
| Peter Riegert | Lt. Mitch Kellaway | |
| Peter Greene | Dorian | |
| Amy Yasbeck | Peggy Brandt | |
| Richard Jeni | Charlie Schumaker | |
| Cameron Diaz | Tina Carlyle | |
| Orestes Matacena | Niko | |
| Timothy Bagley* | Irv | |
| Nancy Fish | Mrs. Peenman | |
| Johnny Williams | Burt | |
| Reg E. Cathey | Freeze | |
| Jim Doughan | Doyle | |
| Denis Forest | Sweet Eddy | |
| Joseph Alfieri | Police Officer | |
| B.J. Barie | Alley Punk #1 | |
| Catherine Berge | Cigarette Girl | |
| Phil Boardman | Guard | |
| Krista Buonauro | Lady Cop | |
| Debra Casey | Alley Punk #3 | |
| Blake Clark | Murray | |
| Christopher Darga | Paramedic #3 | |
| Suzanne Dunn | Reporter | |
| Joely Fisher | Maggie | |
| Kevin Grevioux | Henchman #7 | |
| Peter Jazwinski | Park Policeman | |
| Howard Kay | Niko's Thug #2 | |
| Robert Keith | Police Officer | |
| Beau Lotterman | Megaphone Cop | |
| Scott McElroy | Niko's Thug #1 | |
| Richard Montes | Henchman #1 | |
| Ivory Ocean | Mayor Tilton | |
| Robert O'Reilly | The Figure | |
| Louie Ortiz | Coco Bongo Valet | |
| Daniel James Peterson | Henchman #6 | |
| Jeremy Roberts | Bobby the Bouncer | |
| Eamonn Roche | Mr. Dickey | |
| Randy Ruimy | Screaming Lady | |
| Benjamin J. Stein* | Dr. Neuman | |
| Nils Allen Stewart | Orlando | |
| Chris Taylor | Coco Bongo Cop #1 | |
| Bullet Valmont | Alley Punk #1 |
Cameo
| Wendy Walsh | Herself |
Supporting
| Meadow Williams | Pebbles |
Production and Technical Credits
| Chuck Russell | Director | |
| Bob Engleman | Producer | |
| Michael Fallon | Story Creator | |
| Mark Verheiden | Story Creator | |
| Mike Webb | Screenwriter | |
| Mike Richardson | Executive Producer | |
| Charles Russell | Executive Producer | |
| Michael De Luca | Executive Producer | |
| Carla Fry | Associate Producer | |
| John R. Leonetti | Director of Photography | |
| Craig Stearns | Production Designer | |
| Arthur Coburn | Editor | |
| Randy Edelman | Composer | |
| Ha Nguyen | Costume Designer | |
| Ken Ralston | Visual Effects Consultant | |
| Bonnie Greenberg | Music Supervisor | |
| Fern Champion | Casting Director | |
| Mark Paladini | Casting Director | |
| Denis L. Stewart | Assistant Director | |
| Bob Engleman | Unit Production Manager | |
| Randy Moore | Art Director | |
| Ellen Totleben | Set Decorator | |
| Mark Irwin | Additional Photography | |
| Scott Squires | Visual Effects Supervisor | |
| Steve Williams | Visual Effects Supervisor-Animation | |
| Jon Farhat | Visual Effects Supervisor | |
| Tom Bertino | Visual Effects | |
| Mark Hopkins McNabb | Sound Mixer | |
| Ken Teaney | Re-recording Mixer | |
| William Freesh | Re-recording Mixer | |
| Tony Sereno | Re-recording Mixer | |
| Craig Clark | Supervising Sound Editor | |
| Steven D. Williams | Supervising Sound Editor | |
| Ann Scibelli | Sound Effects Editor | |
| David Farmer | Sound Effects Editor | |
| Ricardo Broadus | Sound Effects Editor | |
| Alan Howarth | Sound Effects Editor | |
| Harry Cohen | Sound Designer | |
| Tim Gedemer | Sound Designer | |
| Jim Brookshire | Dialogue Editor | |
| Cathie Speakman | Dialogue Editor | |
| John LaSalandra | Music Editor | |
| Michael "Mic" Tomasino* | Make up | |
| Nina Paskowitz | Hairstylist | |
| Greg Cannom | Special Make-up Effects | |
| Mike Richardson | Story-Based on the Comic Book By Mike Richardson | |
| Rick Barker | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Synopsis
Stanley Ipkiss, a decent-hearted but socially awkward guy, find an ancient mask that gives him superhuman powers and the courage to go with it. The mask allows him to romance Tina Carlyle, but also makes him the target of Tina’s gangster boyfriend, who is out to use the mask’s powers for his himself.
Metrics
| Opening Weekend: | $23,117,068 (19.2% of total gross) |
| Legs: | 5.20 (domestic box office/biggest weekend) |
| Domestic Share: | 34.1% (domestic box office/worldwide) |
| Production Budget: | $18,000,000 (worldwide box office is 19.5 times production budget) |
| Theater counts: | 2,360 opening theaters/2,516 max. theaters, 10.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $332,515,086 |
Movie Details
| Domestic Releases: | July 29th, 1994 (Wide) by New Line |
| International Releases: | November 5th, 2020 (Wide) (Australia)
November 12th, 2025 (Limited), released as The Mask (마스크) (South Korea) |
| Video Release: | March 26th, 1997 by New Line Home Video |
| MPA Rating: | PG-13 for some stylized violence |
| Running Time: | 101 minutes |
| Franchise: | Mask |
| Cast, crew, or production detail: | Visual Effects |
| Plot point: | Betrayal, Police Detective, Romance |
| Social setting: | Organized Crime |
| Source material: | Dark Horse Comics |
| Subgenre: | Action Comedy |
| Source: | Based on Comic/Graphic Novel |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Super Hero |
| Production/Financing Companies: | Katja Motion Picture Corporation |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 29, 1994 | 1 | $23,117,068 | 2,360 | $9,795 | $23,117,068 | 1 | |
| Aug 5, 1994 | 2 | $15,231,375 | -34% | 2,404 | $6,336 | $52,328,039 | 2 |
| Aug 12, 1994 | 3 | $10,052,412 | -34% | 2,462 | $4,083 | $70,068,211 | 3 |
| Aug 19, 1994 | 3 | $7,606,131 | -24% | 2,516 | $3,023 | $82,824,615 | 4 |
| Aug 26, 1994 | 4 | $5,338,698 | -30% | 2,516 | $2,122 | $91,930,697 | 5 |
| Sep 2, 1994 | 4 | $6,600,654 | +24% | 2,516 | $2,623 | $100,251,076 | 6 |
| Sep 9, 1994 | 5 | $2,825,711 | -57% | 2,175 | $1,299 | $103,901,001 | 7 |
| Sep 16, 1994 | 5 | $1,955,502 | -31% | 1,799 | $1,087 | $106,538,845 | 8 |
| Sep 23, 1994 | 7 | $1,571,237 | -20% | 1,647 | $954 | $108,557,722 | 9 |
| Sep 30, 1994 | 9 | $1,253,951 | -20% | 1,360 | $922 | $110,190,781 | 10 |
| Nov 11, 1994 | 13 | $1,117,843 | 781 | $1,431 | $113,960,727 | 16 | |
| Nov 18, 1994 | 14 | $866,912 | -22% | 800 | $1,084 | $115,132,345 | 17 |
| Nov 25, 1994 | 16 | $814,500 | -6% | 743 | $1,096 | $116,311,697 | 18 |
| Dec 2, 1994 | 17 | $461,164 | -43% | 604 | $764 | $116,940,277 | 19 |
| Dec 9, 1994 | 17 | $330,451 | -28% | 502 | $658 | $117,394,147 | 20 |
| Dec 16, 1994 | 20 | $266,803 | -19% | 434 | $615 | $117,767,411 | 21 |
| Dec 23, 1994 | 29 | $237,954 | -11% | 310 | $768 | $118,212,833 | 22 |
| Dec 30, 1994 | 26 | $350,796 | +47% | 277 | $1,266 | $118,820,184 | 23 |
| Jan 6, 1995 | 31 | $226,377 | -35% | 256 | $884 | $119,134,304 | 24 |
| Jan 13, 1995 | 31 | $237,224 | +5% | 189 | $1,255 | $119,445,235 | 25 |
| Jan 20, 1995 | 35 | $151,412 | -36% | 172 | $880 | $119,637,872 | 26 |
| Jan 27, 1995 | 38 | $108,938 | -28% | 168 | $648 | $119,789,683 | 27 |
| Feb 3, 1995 | 45 | $56,958 | -48% | 107 | $532 | $119,874,149 | 28 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 29, 1994 | 1 | $37,096,664 | 2,360 | $15,719 | $37,096,664 | 1 | |
| Aug 5, 1994 | 2 | $22,919,135 | -38% | 2,404 | $9,534 | $60,015,799 | 2 |
| Aug 12, 1994 | 3 | $15,202,685 | -34% | 2,462 | $6,175 | $75,218,484 | 3 |
| Aug 19, 1994 | 3 | $11,373,515 | -25% | 2,516 | $4,520 | $86,591,999 | 4 |
| Aug 26, 1994 | 4 | $7,058,423 | -38% | 2,516 | $2,805 | $93,650,422 | 5 |
| Sep 2, 1994 | 4 | $7,424,868 | +5% | 2,516 | $2,951 | $101,075,290 | 6 |
| Sep 9, 1994 | 5 | $3,508,053 | -53% | 2,175 | $1,613 | $104,583,343 | 7 |
| Sep 16, 1994 | 5 | $2,403,142 | -31% | 1,799 | $1,336 | $106,986,485 | 8 |
| Sep 23, 1994 | 7 | $1,950,345 | -19% | 1,647 | $1,184 | $108,936,830 | 9 |
| Nov 11, 1994 | 12 | $1,422,549 | 781 | $1,821 | $114,265,433 | 16 | |
| Nov 18, 1994 | 15 | $1,231,764 | -13% | 800 | $1,540 | $115,497,197 | 17 |
| Nov 25, 1994 | 16 | $981,916 | -20% | 743 | $1,322 | $116,479,113 | 18 |
| Dec 2, 1994 | 17 | $584,583 | -40% | 604 | $968 | $117,063,696 | 19 |
| Dec 9, 1994 | 16 | $436,912 | -25% | 502 | $870 | $117,500,608 | 20 |
| Dec 16, 1994 | 20 | $474,271 | +9% | 434 | $1,093 | $117,974,879 | 21 |
| Dec 23, 1994 | 26 | $494,509 | +4% | 310 | $1,595 | $118,469,388 | 22 |
| Dec 30, 1994 | 26 | $438,539 | -11% | 277 | $1,583 | $118,907,927 | 23 |
| Jan 6, 1995 | 30 | $300,084 | -32% | 256 | $1,172 | $119,208,011 | 24 |
| Jan 13, 1995 | 30 | $278,449 | -7% | 189 | $1,473 | $119,486,460 | 25 |
| Jan 20, 1995 | 35 | $194,285 | -30% | 172 | $1,130 | $119,680,745 | 26 |
| Jan 27, 1995 | 37 | $136,446 | -30% | 168 | $812 | $119,817,191 | 27 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| South Korea | 11/12/2025 | $5,124 | 43 | 43 | 0 | $12,104 | 4/6/2026 | |||
| Rest of World | $231,687,896 | |||||||||
| International Total | $231,700,000 | 4/6/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Jim Carrey | Stanley Ipkiss / The Mask |
Supporting
| Peter Riegert | Lt. Mitch Kellaway | |
| Peter Greene | Dorian | |
| Amy Yasbeck | Peggy Brandt | |
| Richard Jeni | Charlie Schumaker | |
| Cameron Diaz | Tina Carlyle | |
| Orestes Matacena | Niko | |
| Timothy Bagley* | Irv | |
| Nancy Fish | Mrs. Peenman | |
| Johnny Williams | Burt | |
| Reg E. Cathey | Freeze | |
| Jim Doughan | Doyle | |
| Denis Forest | Sweet Eddy | |
| Joseph Alfieri | Police Officer | |
| B.J. Barie | Alley Punk #1 | |
| Catherine Berge | Cigarette Girl | |
| Phil Boardman | Guard | |
| Krista Buonauro | Lady Cop | |
| Debra Casey | Alley Punk #3 | |
| Blake Clark | Murray | |
| Christopher Darga | Paramedic #3 | |
| Suzanne Dunn | Reporter | |
| Joely Fisher | Maggie | |
| Kevin Grevioux | Henchman #7 | |
| Peter Jazwinski | Park Policeman | |
| Howard Kay | Niko's Thug #2 | |
| Robert Keith | Police Officer | |
| Beau Lotterman | Megaphone Cop | |
| Scott McElroy | Niko's Thug #1 | |
| Richard Montes | Henchman #1 | |
| Ivory Ocean | Mayor Tilton | |
| Robert O'Reilly | The Figure | |
| Louie Ortiz | Coco Bongo Valet | |
| Daniel James Peterson | Henchman #6 | |
| Jeremy Roberts | Bobby the Bouncer | |
| Eamonn Roche | Mr. Dickey | |
| Randy Ruimy | Screaming Lady | |
| Benjamin J. Stein* | Dr. Neuman | |
| Nils Allen Stewart | Orlando | |
| Chris Taylor | Coco Bongo Cop #1 | |
| Bullet Valmont | Alley Punk #1 |
Cameo
| Wendy Walsh | Herself |
Supporting
| Meadow Williams | Pebbles |
Production and Technical Credits
| Chuck Russell | Director | |
| Bob Engleman | Producer | |
| Michael Fallon | Story Creator | |
| Mark Verheiden | Story Creator | |
| Mike Webb | Screenwriter | |
| Mike Richardson | Executive Producer | |
| Charles Russell | Executive Producer | |
| Michael De Luca | Executive Producer | |
| Carla Fry | Associate Producer | |
| John R. Leonetti | Director of Photography | |
| Craig Stearns | Production Designer | |
| Arthur Coburn | Editor | |
| Randy Edelman | Composer | |
| Ha Nguyen | Costume Designer | |
| Ken Ralston | Visual Effects Consultant | |
| Bonnie Greenberg | Music Supervisor | |
| Fern Champion | Casting Director | |
| Mark Paladini | Casting Director | |
| Denis L. Stewart | Assistant Director | |
| Bob Engleman | Unit Production Manager | |
| Randy Moore | Art Director | |
| Ellen Totleben | Set Decorator | |
| Mark Irwin | Additional Photography | |
| Scott Squires | Visual Effects Supervisor | |
| Steve Williams | Visual Effects Supervisor-Animation | |
| Jon Farhat | Visual Effects Supervisor | |
| Tom Bertino | Visual Effects | |
| Mark Hopkins McNabb | Sound Mixer | |
| Ken Teaney | Re-recording Mixer | |
| William Freesh | Re-recording Mixer | |
| Tony Sereno | Re-recording Mixer | |
| Craig Clark | Supervising Sound Editor | |
| Steven D. Williams | Supervising Sound Editor | |
| Ann Scibelli | Sound Effects Editor | |
| David Farmer | Sound Effects Editor | |
| Ricardo Broadus | Sound Effects Editor | |
| Alan Howarth | Sound Effects Editor | |
| Harry Cohen | Sound Designer | |
| Tim Gedemer | Sound Designer | |
| Jim Brookshire | Dialogue Editor | |
| Cathie Speakman | Dialogue Editor | |
| John LaSalandra | Music Editor | |
| Michael "Mic" Tomasino* | Make up | |
| Nina Paskowitz | Hairstylist | |
| Greg Cannom | Special Make-up Effects | |
| Mike Richardson | Story-Based on the Comic Book By Mike Richardson | |
| Rick Barker | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.