The Mating Habits of the Earthbound Human (1999)
| Theatrical Performance | ||
| Domestic Box Office | $4,634 | Details |
| OpusData ID: 100120100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $4,634 (100.0% of total gross) |
| Legs: | 1.00 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 8 opening theaters/8 max. theaters, 1.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $10,908 |
Movie Details
| Domestic Releases: | October 8th, 1999 (Wide) |
| MPA Rating: | R for strong sexuality and language. |
| Production Countries: | United States |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 8, 1999 | 87 | $4,634 | 8 | $579 | $4,634 | 1 |
| Lucy Liu* | The Female's Asian Friend | |
| Carmen Electra | The Female (Jenny) | |
| Marc Blucas | The Female's Ex-Boyfriend | |
| Jack Kehler | The Male's Father |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Opening Weekend: | $4,634 (100.0% of total gross) |
| Legs: | 1.00 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 8 opening theaters/8 max. theaters, 1.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $10,908 |
Movie Details
| Domestic Releases: | October 8th, 1999 (Wide) |
| MPA Rating: | R for strong sexuality and language. |
| Production Countries: | United States |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 8, 1999 | 87 | $4,634 | 8 | $579 | $4,634 | 1 |
| Lucy Liu* | The Female's Asian Friend | |
| Carmen Electra | The Female (Jenny) | |
| Marc Blucas | The Female's Ex-Boyfriend | |
| Jack Kehler | The Male's Father |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.