The Matrix Revolutions (2003)
| Theatrical Performance | ||
| Domestic Box Office | $139,270,910 | Details |
| International Box Office | $288,029,350 | Details |
| Worldwide Box Office | $427,300,260 | |
| OpusData ID: 2210100 More info... | ||
| Further financial details... | ||
Synopsis
Neo, Morpheus and Trinity battle to defend Zion, the last real-world city, against the onslaught of the machines that have enslaved the human race. And, now as Neo learns more about his heroic powers—including the ability to see the codes of things and the people, he faces the consequences of the choice made in The Matrix Reloaded.
Metrics
| Opening Weekend: | $48,475,154 (34.8% of total gross) |
| Legs: | 2.87 (domestic box office/biggest weekend) |
| Domestic Share: | 32.6% (domestic box office/worldwide) |
| Production Budget: | $150,000,000 (worldwide box office is 2.8 times production budget) |
| Theater counts: | 3,502 opening theaters/3,502 max. theaters, 4.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $276,165,346 |
Movie Details
| Domestic Releases: | November 5th, 2003 (Wide) by Warner Bros. |
| International Releases: | November 5th, 2003 (Wide) (Australia)
November 6th, 2003 (Wide) (New Zealand) July 12th, 2019 (Limited), released as The Matrix Revolutions (4K Restoration) (United Kingdom) |
| Video Release: | April 6th, 2004 by Warner Home Video |
| MPA Rating: | R for sci-fi violence and brief sexual content |
| Running Time: | 129 minutes |
| Franchise: | Matrix |
| Cast, crew, or production detail: | Visual Effects |
| Film format: | IMAX: DMR |
| Plot point: | Artificial Intelligence, Virtual Reality |
| Social setting: | Post Apocalypse |
| Subgenre: | Action Adventure |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | EON Enterprises |
| Production Countries: | United States |
| Languages: | English, French |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 7, 2003 | 1 | $48,475,154 | 3,502 | $13,842 | $83,790,000 | 1 | |
| Nov 14, 2003 | 3 | $16,415,384 | -66% | 3,502 | $4,687 | $114,268,949 | 2 |
| Nov 21, 2003 | 6 | $7,032,216 | -57% | 3,024 | $2,325 | $125,382,792 | 3 |
| Nov 28, 2003 | 11 | $4,787,326 | -32% | 2,055 | $2,330 | $133,332,436 | 4 |
| Dec 5, 2003 | 12 | $1,352,380 | -72% | 1,257 | $1,076 | $135,673,369 | 5 |
| Dec 12, 2003 | 16 | $722,041 | -47% | 633 | $1,141 | $136,924,212 | 6 |
| Dec 19, 2003 | 21 | $271,473 | -62% | 272 | $998 | $137,460,747 | 7 |
| Dec 26, 2003 | 30 | $244,279 | -10% | 116 | $2,106 | $137,882,816 | 8 |
| Jan 2, 2004 | 35 | $186,142 | -24% | 116 | $1,605 | $138,294,428 | 9 |
| Jan 9, 2004 | 39 | $103,877 | -44% | 78 | $1,332 | $138,462,698 | 10 |
| Jan 16, 2004 | 35 | $195,549 | +88% | 319 | $613 | $138,699,007 | 11 |
| Jan 23, 2004 | 38 | $136,207 | -30% | 262 | $520 | $138,937,971 | 12 |
| Jan 30, 2004 | 43 | $75,724 | -44% | 177 | $428 | $139,076,032 | 13 |
| Feb 6, 2004 | 55 | $52,610 | -31% | 91 | $578 | $139,160,185 | 14 |
| Feb 13, 2004 | 60 | $37,403 | -29% | 45 | $831 | $139,217,317 | 15 |
| Feb 20, 2004 | 77 | $21,941 | -41% | 31 | $708 | $139,259,759 | 16 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Nov 5, 2003 | 1 | $24,311,365 | 3,502 | $6,942 | $24,311,365 | 1 | ||
| Nov 6, 2003 | 1 | $11,003,000 | -55% | 3,502 | $3,142 | $35,315,000 | 2 | |
| Nov 7, 2003 | 1 | $16,529,521 | +50% | 3,502 | $4,720 | $51,844,367 | 3 | |
| Nov 8, 2003 | 1 | $19,524,728 | +18% | 3,502 | $5,575 | $71,369,095 | 4 | |
| Nov 9, 2003 | 1 | $12,420,905 | -36% | 3,502 | $3,547 | $83,790,000 | 5 | |
| Nov 10, 2003 | 1 | $4,587,000 | -63% | 3,502 | $1,310 | $88,377,000 | 6 | |
| Nov 11, 2003 | 2 | $5,200,000 | +13% | 3,502 | $1,485 | $93,578,000 | 7 | |
| Nov 12, 2003 | 1 | $2,223,000 | -57% | -91% | 3,502 | $635 | $95,801,000 | 8 |
| Nov 13, 2003 | 1 | $2,052,000 | -8% | -81% | 3,502 | $586 | $97,854,000 | 9 |
| Nov 14, 2003 | 3 | $4,741,000 | +131% | -71% | 3,502 | $1,354 | $102,595,000 | 10 |
| Nov 15, 2003 | 3 | $7,341,173 | +55% | -62% | 3,502 | $2,096 | $110,096,923 | 11 |
| Nov 16, 2003 | 3 | $4,172,026 | -43% | -66% | 3,502 | $1,191 | $114,268,949 | 12 |
| Nov 17, 2003 | 3 | $1,050,000 | -75% | -77% | 3,502 | $300 | $115,319,000 | 13 |
| Nov 18, 2003 | 3 | $1,155,000 | +10% | -78% | 3,502 | $330 | $116,475,000 | 14 |
| Nov 19, 2003 | 3 | $947,000 | -18% | -57% | 3,502 | $270 | $117,422,000 | 15 |
| Nov 20, 2003 | 3 | $928,000 | -2% | -55% | 3,502 | $265 | $118,351,000 | 16 |
| Nov 21, 2003 | 6 | $1,900,000 | +105% | -60% | 3,024 | $628 | $120,300,000 | 17 |
| Nov 22, 2003 | 6 | $3,046,633 | +60% | -58% | 3,024 | $1,007 | $123,411,981 | 18 |
| Nov 23, 2003 | 6 | $1,970,811 | -35% | -53% | 3,024 | $652 | $125,382,792 | 19 |
| Nov 24, 2003 | 6 | $563,000 | -71% | -46% | 3,024 | $186 | $125,946,000 | 20 |
| Nov 25, 2003 | 6 | $757,000 | +34% | -34% | 3,024 | $250 | $126,703,000 | 21 |
| Nov 26, 2003 | 10 | $1,000,000 | +32% | +6% | 3,024 | $331 | $127,700,000 | 22 |
| Nov 27, 2003 | 10 | $1,100,000 | +10% | +19% | 2,055 | $535 | $128,800,000 | 23 |
| Nov 28, 2003 | 11 | $1,700,000 | +55% | -11% | 2,055 | $827 | $130,500,000 | 24 |
| Nov 29, 2003 | 10 | $2,168,092 | +28% | -29% | 2,055 | $1,055 | $132,447,656 | 25 |
| Nov 30, 2003 | 11 | $884,780 | -59% | -55% | 2,055 | $431 | $133,332,436 | 26 |
| Dec 1, 2003 | 10 | $252,000 | -72% | -55% | 2,055 | $123 | $133,585,000 | 27 |
| Dec 2, 2003 | 10 | $266,000 | +6% | -65% | 2,055 | $129 | $133,851,000 | 28 |
| Dec 3, 2003 | 10 | $232,000 | -13% | -77% | 2,055 | $113 | $134,083,000 | 29 |
| Dec 4, 2003 | 10 | $238,000 | +3% | -78% | 2,055 | $116 | $134,321,000 | 30 |
| Jan 19, 2004 | 33 | $38,885 | 319 | $122 | $138,737,892 | 76 | ||
| Feb 16, 2004 | 57 | $7,111 | 45 | $158 | $139,224,428 | 104 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 31, 2003 | 1 | $35,314,946 | 3,502 | $10,084 | $35,314,846 | 1 | |
| Nov 7, 2003 | 1 | $62,538,719 | +77% | 3,502 | $17,858 | $97,853,565 | 2 |
| Nov 14, 2003 | 3 | $20,497,011 | -67% | 3,502 | $5,853 | $118,350,576 | 3 |
| Nov 21, 2003 | 6 | $10,194,534 | -50% | 3,024 | $3,371 | $128,545,110 | 4 |
| Nov 28, 2003 | 10 | $5,775,879 | -43% | 2,055 | $2,811 | $134,320,989 | 5 |
| Dec 5, 2003 | 12 | $1,881,182 | -67% | 1,257 | $1,497 | $136,202,171 | 6 |
| Dec 12, 2003 | 16 | $987,103 | -48% | 633 | $1,559 | $137,189,274 | 7 |
| Dec 19, 2003 | 24 | $449,263 | -54% | 272 | $1,652 | $137,638,537 | 8 |
| Dec 26, 2003 | 30 | $469,749 | +5% | 116 | $4,050 | $138,108,286 | 9 |
| Jan 2, 2004 | 37 | $250,535 | -47% | 116 | $2,160 | $138,358,821 | 10 |
| Jan 9, 2004 | 38 | $144,637 | -42% | 78 | $1,854 | $138,503,458 | 11 |
| Jan 16, 2004 | 35 | $298,306 | +106% | 319 | $935 | $138,801,764 | 12 |
| Jan 23, 2004 | 36 | $198,544 | -33% | 262 | $758 | $139,000,308 | 13 |
| Jan 30, 2004 | 43 | $107,267 | -46% | 177 | $606 | $139,107,575 | 14 |
| Feb 6, 2004 | 53 | $72,339 | -33% | 91 | $795 | $139,179,914 | 15 |
| Feb 13, 2004 | 57 | $57,904 | -20% | 45 | $1,287 | $139,237,818 | 16 |
| Feb 20, 2004 | 75 | $33,092 | -43% | 31 | $1,067 | $139,270,910 | 17 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 11/5/2003 | $5,697,892 | 454 | 454 | 544 | $4,963 | 4/4/2026 | |||
| New Zealand | 11/6/2003 | $0 | 0 | 3 | 8 | $48 | 4/4/2026 | |||
| United Kingdom | 7/12/2019 | $732 | 10 | 10 | 10 | $732 | 7/17/2019 | |||
| Rest of World | $288,023,607 | |||||||||
| International Total | $288,029,350 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Keanu Reeves | Neo |
Supporting
| Laurence Fishburne | Morpheus | |
| Carrie Anne Moss | Trinity | |
| Hugo Weaving | Agent Smith | |
| Jada Pinkett Smith | Niobe | |
| Mary Alice | The Oracle | |
| Harold Perrineau | Link | |
| Monica Bellucci | Persephone | |
| Harry J. Lennix | Lock | |
| Lambert Wilson | Merovingian | |
| Nona Gaye | Zee | |
| Anthony Zerbe | Councillor Hamann | |
| Tanveer K. Atwal | Sati | |
| Helmut Bakaitis | The Architect | |
| Kate Beahan | Coat Check Girl | |
| Francine Bell | Councillor Grace | |
| Rachel Blackman | Charra | |
| Henry Blasingame | Deus Ex Machina | |
| Ian Bliss | Bane | |
| David Bowers | Q-Ball Gang Member #1 | |
| Zeke Castelli | Operations Officer Mattis | |
| Collin Chou | Seraph | |
| Essie Davis | Maggie | |
| Dion Horstmans | Q-Ball Gang Member #2 | |
| Lachy Hulme | Sparks | |
| Chris Kirby | Mauser | |
| Peter Lamb | Colt | |
| Nathaniel Lees | Mifune | |
| Robert Mammone | AK | |
| Joe Manning | First Operator at Command | |
| Maurice Morgan | Tower Soldier | |
| Tharini Mudaliar | Kamala | |
| Rene Naufahu | Zion Gate Operator | |
| Robyn Nevin | Councillor Dillard | |
| Genevieve O'Reilly | Officer Wirtz | |
| Kittrick Redmond | Second Operator at Command | |
| Rupert Reid | Lock's Lieutenant | |
| Kevin Michael Richardson | Deus Ex Machina, Voice | |
| David Roberts | Roland | |
| Bruce Spence | Trainman | |
| Richard Sydenham | Dock Sergeant | |
| Che Timmins | Radio Bunker Man | |
| Gina Torres | Cas | |
| Clayton Watson | Kid | |
| Cornel West | Councillor West | |
| Bernard White | Rama-Kandra | |
| Anthony Wong | Ghost |
Production and Technical Credits
| Andy Wachowski | Director | |
| Larry Wachowski* | Director | |
| Andy Wachowski | Screenwriter | |
| Larry Wachowski* | Screenwriter | |
| Joel Silver | Producer | |
| Andy Wachowski | Executive Producer | |
| Larry Wachowski* | Executive Producer | |
| Grant Hill | Executive Producer | |
| Andrew Mason | Executive Producer | |
| Bruce Berman | Executive Producer | |
| Owen Paterson | Production Designer | |
| Zach Staenberg | Editor | |
| Don Davis | Composer | |
| Bill Pope | Director of Photography | |
| Vicki Poppelwell | Associate Producer | |
| Steve Richards | Associate Producer | |
| James McTeigue | Assistant Director | |
| Kimble Rendall | Second Unit Director | |
| Grant Hill | Unit Production Manager | |
| Hugh Bateup | Supervising Art Director | |
| Catherine Mansill* | Art Director | |
| Charlie Revai | Art Director | |
| Jules Cook | Art Director | |
| Brian Dusting | Set Decorator | |
| Ross Emery | Second Unit Camera | |
| John Gaeta | Visual Effects Supervisor | |
| Steve Courtley | Special Effects Supervisor | |
| Kym Barrett | Costume Designer | |
| Dan Bronson | Costume Supervisor | |
| David Lee | Sound Mixer | |
| John Reitz | Re-recording Mixer | |
| Gregg Rudloff | Re-recording Mixer | |
| David Campbell | Re-recording Mixer | |
| Steve Pederson | Re-recording Mixer | |
| Dane A. Davis | Supervising Sound Editor | |
| Julia Evershade | Supervising Sound Editor | |
| Andrew P. Lackey | Sound Effects Editor | |
| Michael Edward Johnson | Sound Effects Editor | |
| Mark Larry | Sound Effects Editor | |
| Richard Adrian | Sound Effects Editor | |
| Michael W. Mitchell | Sound Effects Editor | |
| Paul Berolzheimer | Sound Effects Editor | |
| Dane A. Davis | Sound Designer | |
| Stephanie Flack | Dialogue Editor | |
| Joe E. Rand | Music Editor | |
| Zig Gron | Music Editor | |
| Peter Robb-King | Make up | |
| Maggie Fung | Make up | |
| Deborah Taylor | Make up | |
| Judith A. Cory | Hairstylist | |
| Ben Watkins | Additional Music | |
| Jason Bentley | Music Supervisor | |
| Don Davis | Song Writer | |
| Ben Watkins | Song Writer | |
| Mali Finn | Casting Director | |
| Shauna Wolifson | Casting Director | |
| R.A. Rondell | Stunt Coordinator | |
| Glenn Boswell | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Neo, Morpheus and Trinity battle to defend Zion, the last real-world city, against the onslaught of the machines that have enslaved the human race. And, now as Neo learns more about his heroic powers—including the ability to see the codes of things and the people, he faces the consequences of the choice made in The Matrix Reloaded.
Metrics
| Opening Weekend: | $48,475,154 (34.8% of total gross) |
| Legs: | 2.87 (domestic box office/biggest weekend) |
| Domestic Share: | 32.6% (domestic box office/worldwide) |
| Production Budget: | $150,000,000 (worldwide box office is 2.8 times production budget) |
| Theater counts: | 3,502 opening theaters/3,502 max. theaters, 4.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $276,165,346 |
Movie Details
| Domestic Releases: | November 5th, 2003 (Wide) by Warner Bros. |
| International Releases: | November 5th, 2003 (Wide) (Australia)
November 6th, 2003 (Wide) (New Zealand) July 12th, 2019 (Limited), released as The Matrix Revolutions (4K Restoration) (United Kingdom) |
| Video Release: | April 6th, 2004 by Warner Home Video |
| MPA Rating: | R for sci-fi violence and brief sexual content |
| Running Time: | 129 minutes |
| Franchise: | Matrix |
| Cast, crew, or production detail: | Visual Effects |
| Film format: | IMAX: DMR |
| Plot point: | Artificial Intelligence, Virtual Reality |
| Social setting: | Post Apocalypse |
| Subgenre: | Action Adventure |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | EON Enterprises |
| Production Countries: | United States |
| Languages: | English, French |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 7, 2003 | 1 | $48,475,154 | 3,502 | $13,842 | $83,790,000 | 1 | |
| Nov 14, 2003 | 3 | $16,415,384 | -66% | 3,502 | $4,687 | $114,268,949 | 2 |
| Nov 21, 2003 | 6 | $7,032,216 | -57% | 3,024 | $2,325 | $125,382,792 | 3 |
| Nov 28, 2003 | 11 | $4,787,326 | -32% | 2,055 | $2,330 | $133,332,436 | 4 |
| Dec 5, 2003 | 12 | $1,352,380 | -72% | 1,257 | $1,076 | $135,673,369 | 5 |
| Dec 12, 2003 | 16 | $722,041 | -47% | 633 | $1,141 | $136,924,212 | 6 |
| Dec 19, 2003 | 21 | $271,473 | -62% | 272 | $998 | $137,460,747 | 7 |
| Dec 26, 2003 | 30 | $244,279 | -10% | 116 | $2,106 | $137,882,816 | 8 |
| Jan 2, 2004 | 35 | $186,142 | -24% | 116 | $1,605 | $138,294,428 | 9 |
| Jan 9, 2004 | 39 | $103,877 | -44% | 78 | $1,332 | $138,462,698 | 10 |
| Jan 16, 2004 | 35 | $195,549 | +88% | 319 | $613 | $138,699,007 | 11 |
| Jan 23, 2004 | 38 | $136,207 | -30% | 262 | $520 | $138,937,971 | 12 |
| Jan 30, 2004 | 43 | $75,724 | -44% | 177 | $428 | $139,076,032 | 13 |
| Feb 6, 2004 | 55 | $52,610 | -31% | 91 | $578 | $139,160,185 | 14 |
| Feb 13, 2004 | 60 | $37,403 | -29% | 45 | $831 | $139,217,317 | 15 |
| Feb 20, 2004 | 77 | $21,941 | -41% | 31 | $708 | $139,259,759 | 16 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Nov 5, 2003 | 1 | $24,311,365 | 3,502 | $6,942 | $24,311,365 | 1 | ||
| Nov 6, 2003 | 1 | $11,003,000 | -55% | 3,502 | $3,142 | $35,315,000 | 2 | |
| Nov 7, 2003 | 1 | $16,529,521 | +50% | 3,502 | $4,720 | $51,844,367 | 3 | |
| Nov 8, 2003 | 1 | $19,524,728 | +18% | 3,502 | $5,575 | $71,369,095 | 4 | |
| Nov 9, 2003 | 1 | $12,420,905 | -36% | 3,502 | $3,547 | $83,790,000 | 5 | |
| Nov 10, 2003 | 1 | $4,587,000 | -63% | 3,502 | $1,310 | $88,377,000 | 6 | |
| Nov 11, 2003 | 2 | $5,200,000 | +13% | 3,502 | $1,485 | $93,578,000 | 7 | |
| Nov 12, 2003 | 1 | $2,223,000 | -57% | -91% | 3,502 | $635 | $95,801,000 | 8 |
| Nov 13, 2003 | 1 | $2,052,000 | -8% | -81% | 3,502 | $586 | $97,854,000 | 9 |
| Nov 14, 2003 | 3 | $4,741,000 | +131% | -71% | 3,502 | $1,354 | $102,595,000 | 10 |
| Nov 15, 2003 | 3 | $7,341,173 | +55% | -62% | 3,502 | $2,096 | $110,096,923 | 11 |
| Nov 16, 2003 | 3 | $4,172,026 | -43% | -66% | 3,502 | $1,191 | $114,268,949 | 12 |
| Nov 17, 2003 | 3 | $1,050,000 | -75% | -77% | 3,502 | $300 | $115,319,000 | 13 |
| Nov 18, 2003 | 3 | $1,155,000 | +10% | -78% | 3,502 | $330 | $116,475,000 | 14 |
| Nov 19, 2003 | 3 | $947,000 | -18% | -57% | 3,502 | $270 | $117,422,000 | 15 |
| Nov 20, 2003 | 3 | $928,000 | -2% | -55% | 3,502 | $265 | $118,351,000 | 16 |
| Nov 21, 2003 | 6 | $1,900,000 | +105% | -60% | 3,024 | $628 | $120,300,000 | 17 |
| Nov 22, 2003 | 6 | $3,046,633 | +60% | -58% | 3,024 | $1,007 | $123,411,981 | 18 |
| Nov 23, 2003 | 6 | $1,970,811 | -35% | -53% | 3,024 | $652 | $125,382,792 | 19 |
| Nov 24, 2003 | 6 | $563,000 | -71% | -46% | 3,024 | $186 | $125,946,000 | 20 |
| Nov 25, 2003 | 6 | $757,000 | +34% | -34% | 3,024 | $250 | $126,703,000 | 21 |
| Nov 26, 2003 | 10 | $1,000,000 | +32% | +6% | 3,024 | $331 | $127,700,000 | 22 |
| Nov 27, 2003 | 10 | $1,100,000 | +10% | +19% | 2,055 | $535 | $128,800,000 | 23 |
| Nov 28, 2003 | 11 | $1,700,000 | +55% | -11% | 2,055 | $827 | $130,500,000 | 24 |
| Nov 29, 2003 | 10 | $2,168,092 | +28% | -29% | 2,055 | $1,055 | $132,447,656 | 25 |
| Nov 30, 2003 | 11 | $884,780 | -59% | -55% | 2,055 | $431 | $133,332,436 | 26 |
| Dec 1, 2003 | 10 | $252,000 | -72% | -55% | 2,055 | $123 | $133,585,000 | 27 |
| Dec 2, 2003 | 10 | $266,000 | +6% | -65% | 2,055 | $129 | $133,851,000 | 28 |
| Dec 3, 2003 | 10 | $232,000 | -13% | -77% | 2,055 | $113 | $134,083,000 | 29 |
| Dec 4, 2003 | 10 | $238,000 | +3% | -78% | 2,055 | $116 | $134,321,000 | 30 |
| Jan 19, 2004 | 33 | $38,885 | 319 | $122 | $138,737,892 | 76 | ||
| Feb 16, 2004 | 57 | $7,111 | 45 | $158 | $139,224,428 | 104 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 31, 2003 | 1 | $35,314,946 | 3,502 | $10,084 | $35,314,846 | 1 | |
| Nov 7, 2003 | 1 | $62,538,719 | +77% | 3,502 | $17,858 | $97,853,565 | 2 |
| Nov 14, 2003 | 3 | $20,497,011 | -67% | 3,502 | $5,853 | $118,350,576 | 3 |
| Nov 21, 2003 | 6 | $10,194,534 | -50% | 3,024 | $3,371 | $128,545,110 | 4 |
| Nov 28, 2003 | 10 | $5,775,879 | -43% | 2,055 | $2,811 | $134,320,989 | 5 |
| Dec 5, 2003 | 12 | $1,881,182 | -67% | 1,257 | $1,497 | $136,202,171 | 6 |
| Dec 12, 2003 | 16 | $987,103 | -48% | 633 | $1,559 | $137,189,274 | 7 |
| Dec 19, 2003 | 24 | $449,263 | -54% | 272 | $1,652 | $137,638,537 | 8 |
| Dec 26, 2003 | 30 | $469,749 | +5% | 116 | $4,050 | $138,108,286 | 9 |
| Jan 2, 2004 | 37 | $250,535 | -47% | 116 | $2,160 | $138,358,821 | 10 |
| Jan 9, 2004 | 38 | $144,637 | -42% | 78 | $1,854 | $138,503,458 | 11 |
| Jan 16, 2004 | 35 | $298,306 | +106% | 319 | $935 | $138,801,764 | 12 |
| Jan 23, 2004 | 36 | $198,544 | -33% | 262 | $758 | $139,000,308 | 13 |
| Jan 30, 2004 | 43 | $107,267 | -46% | 177 | $606 | $139,107,575 | 14 |
| Feb 6, 2004 | 53 | $72,339 | -33% | 91 | $795 | $139,179,914 | 15 |
| Feb 13, 2004 | 57 | $57,904 | -20% | 45 | $1,287 | $139,237,818 | 16 |
| Feb 20, 2004 | 75 | $33,092 | -43% | 31 | $1,067 | $139,270,910 | 17 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 11/5/2003 | $5,697,892 | 454 | 454 | 544 | $4,963 | 4/4/2026 | |||
| New Zealand | 11/6/2003 | $0 | 0 | 3 | 8 | $48 | 4/4/2026 | |||
| United Kingdom | 7/12/2019 | $732 | 10 | 10 | 10 | $732 | 7/17/2019 | |||
| Rest of World | $288,023,607 | |||||||||
| International Total | $288,029,350 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Keanu Reeves | Neo |
Supporting
| Laurence Fishburne | Morpheus | |
| Carrie Anne Moss | Trinity | |
| Hugo Weaving | Agent Smith | |
| Jada Pinkett Smith | Niobe | |
| Mary Alice | The Oracle | |
| Harold Perrineau | Link | |
| Monica Bellucci | Persephone | |
| Harry J. Lennix | Lock | |
| Lambert Wilson | Merovingian | |
| Nona Gaye | Zee | |
| Anthony Zerbe | Councillor Hamann | |
| Tanveer K. Atwal | Sati | |
| Helmut Bakaitis | The Architect | |
| Kate Beahan | Coat Check Girl | |
| Francine Bell | Councillor Grace | |
| Rachel Blackman | Charra | |
| Henry Blasingame | Deus Ex Machina | |
| Ian Bliss | Bane | |
| David Bowers | Q-Ball Gang Member #1 | |
| Zeke Castelli | Operations Officer Mattis | |
| Collin Chou | Seraph | |
| Essie Davis | Maggie | |
| Dion Horstmans | Q-Ball Gang Member #2 | |
| Lachy Hulme | Sparks | |
| Chris Kirby | Mauser | |
| Peter Lamb | Colt | |
| Nathaniel Lees | Mifune | |
| Robert Mammone | AK | |
| Joe Manning | First Operator at Command | |
| Maurice Morgan | Tower Soldier | |
| Tharini Mudaliar | Kamala | |
| Rene Naufahu | Zion Gate Operator | |
| Robyn Nevin | Councillor Dillard | |
| Genevieve O'Reilly | Officer Wirtz | |
| Kittrick Redmond | Second Operator at Command | |
| Rupert Reid | Lock's Lieutenant | |
| Kevin Michael Richardson | Deus Ex Machina, Voice | |
| David Roberts | Roland | |
| Bruce Spence | Trainman | |
| Richard Sydenham | Dock Sergeant | |
| Che Timmins | Radio Bunker Man | |
| Gina Torres | Cas | |
| Clayton Watson | Kid | |
| Cornel West | Councillor West | |
| Bernard White | Rama-Kandra | |
| Anthony Wong | Ghost |
Production and Technical Credits
| Andy Wachowski | Director | |
| Larry Wachowski* | Director | |
| Andy Wachowski | Screenwriter | |
| Larry Wachowski* | Screenwriter | |
| Joel Silver | Producer | |
| Andy Wachowski | Executive Producer | |
| Larry Wachowski* | Executive Producer | |
| Grant Hill | Executive Producer | |
| Andrew Mason | Executive Producer | |
| Bruce Berman | Executive Producer | |
| Owen Paterson | Production Designer | |
| Zach Staenberg | Editor | |
| Don Davis | Composer | |
| Bill Pope | Director of Photography | |
| Vicki Poppelwell | Associate Producer | |
| Steve Richards | Associate Producer | |
| James McTeigue | Assistant Director | |
| Kimble Rendall | Second Unit Director | |
| Grant Hill | Unit Production Manager | |
| Hugh Bateup | Supervising Art Director | |
| Catherine Mansill* | Art Director | |
| Charlie Revai | Art Director | |
| Jules Cook | Art Director | |
| Brian Dusting | Set Decorator | |
| Ross Emery | Second Unit Camera | |
| John Gaeta | Visual Effects Supervisor | |
| Steve Courtley | Special Effects Supervisor | |
| Kym Barrett | Costume Designer | |
| Dan Bronson | Costume Supervisor | |
| David Lee | Sound Mixer | |
| John Reitz | Re-recording Mixer | |
| Gregg Rudloff | Re-recording Mixer | |
| David Campbell | Re-recording Mixer | |
| Steve Pederson | Re-recording Mixer | |
| Dane A. Davis | Supervising Sound Editor | |
| Julia Evershade | Supervising Sound Editor | |
| Andrew P. Lackey | Sound Effects Editor | |
| Michael Edward Johnson | Sound Effects Editor | |
| Mark Larry | Sound Effects Editor | |
| Richard Adrian | Sound Effects Editor | |
| Michael W. Mitchell | Sound Effects Editor | |
| Paul Berolzheimer | Sound Effects Editor | |
| Dane A. Davis | Sound Designer | |
| Stephanie Flack | Dialogue Editor | |
| Joe E. Rand | Music Editor | |
| Zig Gron | Music Editor | |
| Peter Robb-King | Make up | |
| Maggie Fung | Make up | |
| Deborah Taylor | Make up | |
| Judith A. Cory | Hairstylist | |
| Ben Watkins | Additional Music | |
| Jason Bentley | Music Supervisor | |
| Don Davis | Song Writer | |
| Ben Watkins | Song Writer | |
| Mali Finn | Casting Director | |
| Shauna Wolifson | Casting Director | |
| R.A. Rondell | Stunt Coordinator | |
| Glenn Boswell | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.