The Meddler (2016)
| Theatrical Performance | ||
| Domestic Box Office | $4,267,219 | Details |
| International Box Office | $1,259,723 | Details |
| Worldwide Box Office | $5,526,942 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $626,402 | |
| Blu-ray Sales (estimated) | $61,460 | |
| Total | $687,862 | |
| OpusData ID: 239690100 More info... | ||
| Further financial details... | ||
Synopsis
Even though her husband’s death changed her life forever, that hasn’t stopped eternal optimist Marnie Minervini from doing the best she can to be there for her grown daughter, Lori, a successful (but still single) television writer. Marnie has relocated from New Jersey to Los Angeles to live near Lori. Armed with her new iPhone and a comfortable bank account, Marnie approaches every day as a new adventure, embracing every opportunity to make a new friend or strike up a conversation with a stranger.
Metrics
| Opening Weekend: | $57,022 (1.3% of total gross) |
| Legs: | 5.45 (domestic box office/biggest weekend) |
| Domestic Share: | 77.2% (domestic box office/worldwide) |
| Production Budget: | $3,200,000 (worldwide box office is 1.7 times production budget) |
| Theater counts: | 4 opening theaters/464 max. theaters, 3.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $5,900,107 |
Movie Details
| Domestic Releases: | April 22nd, 2016 (Limited) by Sony Pictures Classics |
| International Releases: | May 20th, 2016 (Wide) (Australia)
June 3rd, 2016 (Wide) (Spain) June 24th, 2016 (Wide) (United Kingdom) July 1st, 2016 (Wide) (Norway) July 14th, 2016 (Wide) (Germany) ... Show all releases |
| Video Release: | September 6th, 2016 by Sony Pictures Home Entertainment |
| MPA Rating: | PG-13 for brief drug content. (Rating bulletin 2396 (Cert #50018), 10/21/2015) |
| Running Time: | 100 minutes |
| Geographical setting: | California, Los Angeles, New York, New York City |
| Plot point: | Death of a Spouse or Fiancée / Fiancé, Dysfunctional Family, LGBTQ+, Restaurants, Romance, Widow/Widower |
| Social setting: | Valentine's Day, Wedding Day |
| Subgenre: | Comedy Drama |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Stage 6 Films, Anonymous Content |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 22, 2016 | 36 | $57,022 | 4 | $14,256 | $57,022 | 1 | |
| Apr 29, 2016 | 30 | $164,324 | +188% | 24 | $6,847 | $250,685 | 2 |
| May 6, 2016 | 17 | $309,705 | +88% | 53 | $5,843 | $629,341 | 3 |
| May 13, 2016 | 17 | $372,941 | +20% | 127 | $2,937 | $1,061,114 | 4 |
| May 20, 2016 | 12 | $782,883 | +110% | 464 | $1,687 | $2,048,804 | 5 |
| May 27, 2016 | 13 | $526,672 | -33% | 420 | $1,254 | $2,969,890 | 6 |
| Jun 3, 2016 | 19 | $255,225 | -52% | 232 | $1,100 | $3,645,380 | 7 |
| Jun 10, 2016 | 27 | $129,790 | -49% | 136 | $954 | $3,900,943 | 8 |
| Jun 17, 2016 | 28 | $66,418 | -49% | 94 | $707 | $4,030,782 | 9 |
| Jun 24, 2016 | 36 | $47,722 | -28% | 59 | $809 | $4,124,107 | 10 |
| Jul 1, 2016 | 42 | $30,392 | -36% | 30 | $1,013 | $4,184,993 | 11 |
| Jul 8, 2016 | 52 | $16,552 | -46% | 24 | $690 | $4,222,790 | 12 |
| Jul 15, 2016 | 59 | $8,912 | -46% | 16 | $557 | $4,242,098 | 13 |
| Jul 22, 2016 | 72 | $3,820 | -57% | 10 | $382 | $4,250,241 | 14 |
| Jul 29, 2016 | 72 | $3,389 | -11% | 6 | $565 | $4,255,113 | 15 |
| Aug 5, 2016 | 75 | $2,079 | -39% | 4 | $520 | $4,259,460 | 16 |
| Aug 12, 2016 | 87 | $1,301 | -37% | 3 | $434 | $4,262,805 | 17 |
| Aug 19, 2016 | 86 | $1,373 | +6% | 5 | $275 | $4,265,674 | 18 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 22, 2016 | 35 | $86,361 | 4 | $21,590 | $86,361 | 1 | |
| Apr 29, 2016 | 30 | $233,275 | +170% | 24 | $9,720 | $319,636 | 2 |
| May 6, 2016 | 18 | $368,537 | +58% | 53 | $6,954 | $733,173 | 3 |
| May 13, 2016 | 17 | $577,748 | +57% | 127 | $4,549 | $1,265,921 | 4 |
| May 20, 2016 | 11 | $1,177,297 | +104% | 464 | $2,537 | $2,443,218 | 5 |
| May 27, 2016 | 13 | $946,937 | -20% | 420 | $2,255 | $3,390,155 | 6 |
| Jun 3, 2016 | 18 | $380,998 | -60% | 232 | $1,642 | $3,771,153 | 7 |
| Jun 10, 2016 | 28 | $193,211 | -49% | 232 | $833 | $3,964,364 | 8 |
| Jun 17, 2016 | 27 | $112,021 | -42% | 94 | $1,192 | $4,076,385 | 9 |
| Jun 24, 2016 | 36 | $78,216 | -30% | 59 | $1,326 | $4,154,601 | 10 |
| Jul 1, 2016 | 44 | $51,637 | -34% | 30 | $1,721 | $4,206,238 | 11 |
| Jul 8, 2016 | 52 | $26,948 | -48% | 24 | $1,123 | $4,233,186 | 12 |
| Jul 15, 2016 | 65 | $13,235 | -51% | 16 | $827 | $4,246,421 | 13 |
| Jul 22, 2016 | 83 | $5,303 | -60% | 10 | $530 | $4,251,724 | 14 |
| Jul 29, 2016 | 76 | $5,657 | +7% | 6 | $943 | $4,257,381 | 15 |
| Aug 5, 2016 | 80 | $4,123 | -27% | 4 | $1,031 | $4,261,504 | 16 |
| Aug 12, 2016 | 84 | $2,797 | -32% | 3 | $932 | $4,264,301 | 17 |
| Aug 19, 2016 | 90 | $2,918 | +4% | 5 | $584 | $4,267,219 | 18 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 5/20/2016 | $73,291 | 17 | 32 | 180 | $372,835 | 7/26/2016 | |||
| Brazil | 8/4/2016 | $39,433 | 18 | 21 | 75 | $130,505 | 9/20/2016 | |||
| Dominican Republic | 11/3/2016 | $1,582 | 2 | 2 | 4 | $5,156 | 12/31/2018 | |||
| Germany | 7/14/2016 | $45,681 | 113 | 113 | 237 | $178,788 | 8/23/2016 | |||
| Norway | 7/1/2016 | $87 | 1 | 2 | 3 | $232 | 7/12/2016 | |||
| Peru | 9/8/2016 | $3,550 | 1 | 1 | 2 | $7,124 | 12/31/2018 | |||
| South Africa | 8/5/2016 | $7,926 | 5 | 5 | 36 | $43,831 | 10/18/2016 | |||
| Spain | 6/3/2016 | $145,528 | 108 | 112 | 332 | $354,865 | 7/26/2016 | |||
| United Kingdom | 6/24/2016 | $26,360 | 103 | 103 | 140 | $69,417 | 8/2/2016 | |||
| Rest of World | $96,970 | |||||||||
| International Total | $1,259,723 | 12/31/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Susan Sarandon | Marnie Minervini | |
| Rose Byrne | Lori Minervini |
Supporting
| J.K. Simmons | Zipper | |
| Cecily Strong | Jillian | |
| Jerrod Carmichael | Freddy / Fredo | |
| Jason Ritter | Jacob | |
| Billy Magnussen | Ben | |
| Lucy Punch | Emily | |
| Sarah Baker | Elaine | |
| Amy Landecker | Diane | |
| Casey Wilson | Trish | |
| Harry Hamlin | TV Dad | |
| Laura San Giacomo | TV Mom | |
| Michael McKean | Mark |
Production and Technical Credits
| Lorene Scafaria | Director | |
| Lorene Scafaria | Screenwriter | |
| Joy Gorman Wettels | Producer | |
| Paul Green | Executive Producer | |
| Steve Golin | Executive Producer | |
| Shea Kammer | Executive Producer | |
| Susan Sarandon | Executive Producer | |
| Brett Pawlak | Director of Photography | |
| Chris Spellman | Production Designer | |
| Kayla M. Emter | Editor | |
| Annie Bloom | Costume Designer | |
| Jonathan Sadoff | Composer-Music Score | |
| Linda Cohen | Music Supervisor | |
| Jeanne McCarthy | Casting Director | |
| Nicole Abellera Hallman* | Casting Director | |
| Jon Mooney | Music Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Even though her husband’s death changed her life forever, that hasn’t stopped eternal optimist Marnie Minervini from doing the best she can to be there for her grown daughter, Lori, a successful (but still single) television writer. Marnie has relocated from New Jersey to Los Angeles to live near Lori. Armed with her new iPhone and a comfortable bank account, Marnie approaches every day as a new adventure, embracing every opportunity to make a new friend or strike up a conversation with a stranger.
Metrics
| Opening Weekend: | $57,022 (1.3% of total gross) |
| Legs: | 5.45 (domestic box office/biggest weekend) |
| Domestic Share: | 77.2% (domestic box office/worldwide) |
| Production Budget: | $3,200,000 (worldwide box office is 1.7 times production budget) |
| Theater counts: | 4 opening theaters/464 max. theaters, 3.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $5,900,107 |
Movie Details
| Domestic Releases: | April 22nd, 2016 (Limited) by Sony Pictures Classics |
| International Releases: | May 20th, 2016 (Wide) (Australia)
June 3rd, 2016 (Wide) (Spain) June 24th, 2016 (Wide) (United Kingdom) July 1st, 2016 (Wide) (Norway) July 14th, 2016 (Wide) (Germany) ... Show all releases |
| Video Release: | September 6th, 2016 by Sony Pictures Home Entertainment |
| MPA Rating: | PG-13 for brief drug content. (Rating bulletin 2396 (Cert #50018), 10/21/2015) |
| Running Time: | 100 minutes |
| Geographical setting: | California, Los Angeles, New York, New York City |
| Plot point: | Death of a Spouse or Fiancée / Fiancé, Dysfunctional Family, LGBTQ+, Restaurants, Romance, Widow/Widower |
| Social setting: | Valentine's Day, Wedding Day |
| Subgenre: | Comedy Drama |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Stage 6 Films, Anonymous Content |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 22, 2016 | 36 | $57,022 | 4 | $14,256 | $57,022 | 1 | |
| Apr 29, 2016 | 30 | $164,324 | +188% | 24 | $6,847 | $250,685 | 2 |
| May 6, 2016 | 17 | $309,705 | +88% | 53 | $5,843 | $629,341 | 3 |
| May 13, 2016 | 17 | $372,941 | +20% | 127 | $2,937 | $1,061,114 | 4 |
| May 20, 2016 | 12 | $782,883 | +110% | 464 | $1,687 | $2,048,804 | 5 |
| May 27, 2016 | 13 | $526,672 | -33% | 420 | $1,254 | $2,969,890 | 6 |
| Jun 3, 2016 | 19 | $255,225 | -52% | 232 | $1,100 | $3,645,380 | 7 |
| Jun 10, 2016 | 27 | $129,790 | -49% | 136 | $954 | $3,900,943 | 8 |
| Jun 17, 2016 | 28 | $66,418 | -49% | 94 | $707 | $4,030,782 | 9 |
| Jun 24, 2016 | 36 | $47,722 | -28% | 59 | $809 | $4,124,107 | 10 |
| Jul 1, 2016 | 42 | $30,392 | -36% | 30 | $1,013 | $4,184,993 | 11 |
| Jul 8, 2016 | 52 | $16,552 | -46% | 24 | $690 | $4,222,790 | 12 |
| Jul 15, 2016 | 59 | $8,912 | -46% | 16 | $557 | $4,242,098 | 13 |
| Jul 22, 2016 | 72 | $3,820 | -57% | 10 | $382 | $4,250,241 | 14 |
| Jul 29, 2016 | 72 | $3,389 | -11% | 6 | $565 | $4,255,113 | 15 |
| Aug 5, 2016 | 75 | $2,079 | -39% | 4 | $520 | $4,259,460 | 16 |
| Aug 12, 2016 | 87 | $1,301 | -37% | 3 | $434 | $4,262,805 | 17 |
| Aug 19, 2016 | 86 | $1,373 | +6% | 5 | $275 | $4,265,674 | 18 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 22, 2016 | 35 | $86,361 | 4 | $21,590 | $86,361 | 1 | |
| Apr 29, 2016 | 30 | $233,275 | +170% | 24 | $9,720 | $319,636 | 2 |
| May 6, 2016 | 18 | $368,537 | +58% | 53 | $6,954 | $733,173 | 3 |
| May 13, 2016 | 17 | $577,748 | +57% | 127 | $4,549 | $1,265,921 | 4 |
| May 20, 2016 | 11 | $1,177,297 | +104% | 464 | $2,537 | $2,443,218 | 5 |
| May 27, 2016 | 13 | $946,937 | -20% | 420 | $2,255 | $3,390,155 | 6 |
| Jun 3, 2016 | 18 | $380,998 | -60% | 232 | $1,642 | $3,771,153 | 7 |
| Jun 10, 2016 | 28 | $193,211 | -49% | 232 | $833 | $3,964,364 | 8 |
| Jun 17, 2016 | 27 | $112,021 | -42% | 94 | $1,192 | $4,076,385 | 9 |
| Jun 24, 2016 | 36 | $78,216 | -30% | 59 | $1,326 | $4,154,601 | 10 |
| Jul 1, 2016 | 44 | $51,637 | -34% | 30 | $1,721 | $4,206,238 | 11 |
| Jul 8, 2016 | 52 | $26,948 | -48% | 24 | $1,123 | $4,233,186 | 12 |
| Jul 15, 2016 | 65 | $13,235 | -51% | 16 | $827 | $4,246,421 | 13 |
| Jul 22, 2016 | 83 | $5,303 | -60% | 10 | $530 | $4,251,724 | 14 |
| Jul 29, 2016 | 76 | $5,657 | +7% | 6 | $943 | $4,257,381 | 15 |
| Aug 5, 2016 | 80 | $4,123 | -27% | 4 | $1,031 | $4,261,504 | 16 |
| Aug 12, 2016 | 84 | $2,797 | -32% | 3 | $932 | $4,264,301 | 17 |
| Aug 19, 2016 | 90 | $2,918 | +4% | 5 | $584 | $4,267,219 | 18 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 5/20/2016 | $73,291 | 17 | 32 | 180 | $372,835 | 7/26/2016 | |||
| Brazil | 8/4/2016 | $39,433 | 18 | 21 | 75 | $130,505 | 9/20/2016 | |||
| Dominican Republic | 11/3/2016 | $1,582 | 2 | 2 | 4 | $5,156 | 12/31/2018 | |||
| Germany | 7/14/2016 | $45,681 | 113 | 113 | 237 | $178,788 | 8/23/2016 | |||
| Norway | 7/1/2016 | $87 | 1 | 2 | 3 | $232 | 7/12/2016 | |||
| Peru | 9/8/2016 | $3,550 | 1 | 1 | 2 | $7,124 | 12/31/2018 | |||
| South Africa | 8/5/2016 | $7,926 | 5 | 5 | 36 | $43,831 | 10/18/2016 | |||
| Spain | 6/3/2016 | $145,528 | 108 | 112 | 332 | $354,865 | 7/26/2016 | |||
| United Kingdom | 6/24/2016 | $26,360 | 103 | 103 | 140 | $69,417 | 8/2/2016 | |||
| Rest of World | $96,970 | |||||||||
| International Total | $1,259,723 | 12/31/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Susan Sarandon | Marnie Minervini | |
| Rose Byrne | Lori Minervini |
Supporting
| J.K. Simmons | Zipper | |
| Cecily Strong | Jillian | |
| Jerrod Carmichael | Freddy / Fredo | |
| Jason Ritter | Jacob | |
| Billy Magnussen | Ben | |
| Lucy Punch | Emily | |
| Sarah Baker | Elaine | |
| Amy Landecker | Diane | |
| Casey Wilson | Trish | |
| Harry Hamlin | TV Dad | |
| Laura San Giacomo | TV Mom | |
| Michael McKean | Mark |
Production and Technical Credits
| Lorene Scafaria | Director | |
| Lorene Scafaria | Screenwriter | |
| Joy Gorman Wettels | Producer | |
| Paul Green | Executive Producer | |
| Steve Golin | Executive Producer | |
| Shea Kammer | Executive Producer | |
| Susan Sarandon | Executive Producer | |
| Brett Pawlak | Director of Photography | |
| Chris Spellman | Production Designer | |
| Kayla M. Emter | Editor | |
| Annie Bloom | Costume Designer | |
| Jonathan Sadoff | Composer-Music Score | |
| Linda Cohen | Music Supervisor | |
| Jeanne McCarthy | Casting Director | |
| Nicole Abellera Hallman* | Casting Director | |
| Jon Mooney | Music Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.