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Megan Leavey (2017)

Megan Leavey
Theatrical Performance
Domestic Box Office $13,406,304Details
International Box Office $75,198Details
Worldwide Box Office $13,481,502
Home Market Performance
Est. Domestic DVD Sales $2,111,995 Details
Est. Domestic Blu-ray Sales $1,451,134 Details
Total Est. Domestic Video Sales $3,563,129
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

The true life story of a young marine corporal whose unique discipline and bond with her military combat dog saved many lives during their deployment in Iraq. When she is assigned to clean up the K9 unit after a disciplinary hearing, Leavey identifies with a particularly aggressive dog, Rex, and is given the chance to train him. Over the course of their service, Megan and Rex completed more than 100 missions until an IED explosion injures them, putting their fate in jeopardy.

Metrics

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 4,201-4,300) 4,295 $13,406,304
All Time International Box Office (Rank 9,001-9,100) 9,020 $75,198
All Time Worldwide Box Office (Rank 5,501-5,600) 5,512 $13,481,502

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Movie Details

Domestic Releases: June 9th, 2017 (Wide) by Bleecker Street
International Releases: August 25th, 2017 (Wide), released as Sadakat Yolunda (Turkey)
Video Release: August 22nd, 2017 by Universal Home Entertainment
MPAA Rating: PG-13 for war violence, language, suggestive material, and thematic elements.
(Rating bulletin 2446 (Cert #50716), 10/12/2016)
Running Time: 116 minutes
Comparisons: vs. Batman v Superman: Dawn of Justice
Create your own comparison chart…
Keywords: Iraq War, Animal Lead, Returning Soldiers, Biography, 2000s
Source:Based on Real Life Events
Genre:Drama
Production Method:Live Action
Creative Type:Dramatization
Production Companies: LD Entertainment, Liddell Entertainment
Production Countries: United States

Leading Cast

   Megan Leavey

Supporting Cast

Ramon Rodriguez    Corporal Matt Morales
Tom Felton    Andrew Dean
Bradley Whitford    Bob
Will Patton    Jim
Sam Keeley    Sills
Common    Gunny Martin
Edie Falco    Jackie Leavey
Alisa Harris    Barbie
Nick Madrick    Receiving Marine #1
Jason Turner    Receiving Marine #2
Sasha Morfaw    Female Drill Instructor #1
Jennifer Duke    Female Drill Instructor #2
Megan Leavey    Female Drill Instructor #3
Corey Johnson    Master Sergeant
Andrew Moon    Jones
Alicia Lobo    Timmins
Melina Matthews    Lopez
Luka Peros    Drunk Guy in Bar
Nils Holst    Duty Patrol Marine
Mish Boyko    Bennet
Phil Dunster    Coletta
Jonathan Howard    Walters
Rudy Dobrev    Mason
Geraldine James    Dr. Turbeville
Frank Von Loh    Loadmaster
Tony Lopez    Staff Sergeant
Luke Neal    Jarvis
Nicholas Schodel    Bandini
William Miller    Recon Guy #1
Ali El Aziz    Iraqi Man in Car
Abderrahim Daoudi    Iraqi Child in Car
Benjamin Nathan-Serio    Recon Guy #2
Jacob Yacob    Arabic Recon Interpreter
Khaled Kouka    Iraqi Rug Man
Mark Schardan    Brown
Miguel Gomez    Gomez
Mohammed Kasmi    Iraqi Car Driver
Parker Sawyers    Navy Corpsman
David Chevers    O’Connor
Matthew W. Morgan    Turret Gunner
Michael Strelow    Doctor in Baghdad
Jeremy Jones    Reynolds
Damson Idris    Lt. Michael Forman
Josh Ventura    Dog Owner
Nancy Crane    Therapist
Andrew Masset    Senator Schumer
Tyler Buckingham    Finn
Jacob Lovett    Ricky
Angela Bennett    Kind Woman
Christine Jones    News Anchor
Lilliana Cabal    Deanna Russo—News Anchor
James D. Dever    Marine Captain

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

   Director
Pamela Gray    Screenwriter
Annie Mumolo    Screenwriter
Tim Lovestedt    Screenwriter
Mickey Liddell    Producer
Jennifer Monroe    Producer
Pete Shilaimon    Producer
Robert Huberman    Executive Producer
Scott Holroyd    Executive Producer
Jose Luis Escolar    Executive Producer
Nicole Stojkovich    Executive Producer
Lorenzo Senatore    Director of Photography
Ed Verreaux    Production Designer
Peter McNulty    Editor
David Tabbert    Costume Designer
Mark Isham    Composer
Julianne Jordan    Music Supervisor
Kerry Barden    Casting Director
Paul Schnee    Casting Director
Camilla Valentine Isola    Casting Director—Spain
Robert Huberman    Unit Production Manager
Carlos Ruiz Boceta    Unit Production Manager
Martin Krauka    First Assistant Director
Alison Semenza King    Unit Production Manager
Urs Hirschbiegel    First Assistant Director
Keegan Sacko    Second Assistant Director
G. Peter King    Stunt Coordinator
Pete Romano    Underwater Director of Photography
Stephen Cooper    Art Director
Chuck Potter    Set Decorator
Chris Dedoux    Visual Effects Supervisor
Mike Tackett    Stills Photographer
Kara Stills McGee    Script Supervisor
Carl Rudisill    Sound Mixer
Stev Taylor    Costume Supervisor
Lindsay Irish Desarno    Make up
Patricia Glasser    Hairstylist
Dustin Miller    Special Effects Coordinator
Stephen Yetman    Location Manager
Joey Monternarello    Casting Associate/New York
Adam Richards    Casting Associate/LA
Matthew Glasner    Casting Assistant/New York
Roya Semnanian    Casting Assistant/Los Angeles
Matthew Sefick    Casting Associate-South Carolina
Stefano Corridori    Special Effects Supervisor
Douglas Wilkinson    Post-Production Supervisor
Christopher Patterson    Additional Editor
Karen Baker Landers    Supervising Sound Editor
Martyn Zub    Co-Supervising Sound Editor
Jon Title    Sound Designer
D. Chris Smith    Sound Designer
Daniel Saxlid    Dialogue Editor
Frederick H. Stahly    Dialogue Editor
Ron Mellegers    Foley Mixer
Randy Wilson    Foley Mixer
Christian T. Cooke*    Re-recording Mixer
Brad Zoern    Re-recording Mixer
Rafael Solorzano*    Visual Effects Supervisor
Antonio Miravalls    Visual Effects Producer
Elena Gonzalez    Visual Effects Producer
Simon Michael    Additional Music
Dane Leon    Music Editor
Kevin Banks    Music Editor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Home Market Releases for September 5th, 2017

September 5th, 2017

Rebecca

There are a few first-run releases coming out this week, but none of them did well enough in theaters and / or with critics to bother with above the fold, so to speak. There is one exception, The Big Sick, but it is only coming out on VOD this week. I’m hoping a Blu-ray screener is on its way. As for the Pick of the Week contenders, they are, in alphabetical order, Emmet Otter’s Jug-Band Christmas on DVD, Mr. Mom on Blu-ray, and Rebecca: Criterion Collection on Blu-ray. In the end, I went with the Alfred Hitchcock classic as the Pick of the Week. More...

Home Market Releases for August 22nd, 2017

August 23rd, 2017

Ash vs Evil Dead: Season Two

Guardians of the Galaxy Vol 2 comes out this week and it is such a big release that is scared away nearly all of the competition. Fortunately, it is also a great film and a serious contender for Pick of the Week. The main competition are Ash vs Evil Dead: Season 2 and Supergirl: Season 2. In the end. I went with Ash vs Evil Dead, but it was a close race. More...

Weekend Wrap-Up: Cars 3 Crosses the Finish Line with $53.69 million

June 20th, 2017

Cars 3

As expected, Cars 3 earned first place over the weekend, but it did so with just $53.69 million, which is lower than anticipated. On the other hand, Wonder Woman remains one of the most impressive wide releases of 2017 when it comes to legs. Even if it didn’t earn another dollar, it would still have above average legs. All Eyez on Me went off to a fast start, but has a troubling internal multiplier, which doesn’t bode well for its future. Overall, the box office rose 31% from last weekend to $189 million. Unfortunately, it fell 19% from the same weekend last year and that’s more important. Fortunately, 2017 still has a sizable lead over 2016 at $5.16 billion to $5.00 billion. More...

Weekend Wrap-Up: Wonder Woman is the Spider-Man of Super Heroes

June 13th, 2017

Wonder Woman

The weekend box office had a few surprises, some positive and some negative. On the positive side, Wonder Woman had the best hold for a major super hero movie since Spider-Man and is on pace for $340 million to $375 million. On the negative side were all three new releases. The Mummy finished on the low side of already low expectations, while It Comes At Night pleased critics, but not moviegoers. Meanwhile, Megan Leavey missed the Mendoza Line. Overall, the box office fell 22% from last weekend to $144 million. This is 5.7% lower than this weekend last year. Fortunately, since this time last week, 2017 expanded its lead over 2016 by about $20 million at $4.90 billion to $4.73 billion. We are almost halfway through the year, so a $175 million / 3.7% lead is solid. It isn’t impossible for that lead to evaporate, but it is enough to be cautiously optimistic about the final tally. More...

Weekend Estimates: Mummy’s $32 Million Debut No Match for Wonder Woman

June 11th, 2017

The Mummy

There are precious few crumbs of comfort to be found from Universal’s launch of The Mummy this weekend. The studio is projecting a $32.2 million opening this weekend from 4,035 theaters. That will be a fairly distant second to Wonder Woman, which is expected to earn about $57.1 million. Even the bright news—that this is Tom Cruise’s biggest global opening weekend—comes with an asterisk. More...

Friday Estimates: Wonder Woman Wows Again with $15.8 million

June 10th, 2017

Wonder Woman

At the beginning of the month, I assumed this weekend would be a close race between Wonder Woman and The Mummy. I assumed The Mummy would at least win on Friday, but that’s not the case, as Wonder Woman remains the number one box office draw. The film earned $15.8 million on Friday, which is 59% lower than its opening Friday. It should bounce back on Saturday and finish the weekend with $53 million, which is just a 49% sophomore stint drop-off. A super hero movie falling less than 50% during its second weekend of release is simply stunning. Granted, its reviews are among the best of the year, so having better than average legs was expect. That said, a 49% drop-off is still an amazing performance and should lead to more than a few movie executives to look for ways to copy its success. More...

Thursday Night Previews: Is The Mummy Dead on Arrival with $2.66 million?

June 9th, 2017

The Mummy

The Mummy started its domestic box office run last night earning $2.66 million in previews. This is well below expectations and it was already expected to struggle. To put this into perspective, it only earned approximately a quarter of what Wonder Woman managed last week and less than half of what Pirates of the Caribbean: Dead Men Tell No Tales earned the weekend before that. Add in reviews that are just 20% positive and there’s a chance the film’s word-of-mouth will kill the film’s legs by this evening. At this point, a $30 million opening could be asking too much. $25 million isn’t even a sure thing anymore. More...

Weekend Predictions: Can Mummy Bury the Competition?

June 8th, 2017

The Mummy

Last weekend was a great one at the box office with Wonder Woman earning over $100 million during its opening. This weekend isn’t expected to be nearly as potent. The biggest new release is The Mummy, which is supposed to be the start of the Dark Universe, but its reviews suggest this combined universe will be short-lived. It Comes At Night could become A24’s biggest hit, although that’s not a particularly high bar. Finally there’s Megan Leavey. It isn’t expected to open truly wide, but it only needs about $2 million to reach the top ten. This weekend last year was similar in terms of box office strength. The Conjuring 2: The Enfield Poltergeist led the way with barely more than $40 million, while there were two other new releases to top $20 million. This year’s crop of new films is nowhere near as good as that; however, the holdovers should make up the difference leaving 2017 ahead in the year-over-year comparison. More...

2017 Preview: June

June 1st, 2017

Despicable Me 3

May was a really soft month with only one unqualified hit, Guardians of the Galaxy, Vol. 2, which is climbing towards $375 million domestically. The second biggest hit of the month will be Pirates of the Caribbean: Dead Men Tell No Tales and I would be surprised if it tops $150 million by any serious margin. June looks a lot more profitable. There are five weeks and every week there is at least one film with a great shot at $100 million or more. In fact, there are four films with at least a decent shot at $200 million and we could double the number of $300 million hits released so far this year. Wonder Woman is widely expected to start the month with an explosive debut and pulling in more than $100 million during its opening weekend is more and more likely. That said, Despicable Me 3 will probably end up being the biggest hit overall with over $300 million. Meanwhile, Cars 3 and Transformers: The Last Knight are both aiming for $200 million. Last June was not particularly strong, outside of one hit. Finding Dory earned nearly $500 million domestically, while the second best film, Central Intelligence, barely earned a quarter of that. I don’t think any film will come close to Finding Dory, but there’s a lot more depth this time around and I have high hopes 2017 will extend its lead. More...

Megan Leavey Trailer

April 27th, 2017

Drama starring Kate Mara, directed by Gabriela Cowperthwaite, opens June 9 ... Full Movie Details. More...

Domestic Cumulative Box Office Records


Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
2017/06/09 8 $3,810,867   1,956 $1,948   $3,810,867 1
2017/06/16 11 $2,541,645 -33% 1,832 $1,387   $8,378,502 2
2017/06/23 12 $1,215,753 -52% 971 $1,252   $10,739,927 3
2017/06/30 18 $484,110 -60% 433 $1,118   $11,807,237 4
2017/07/07 19 $237,658 -51% 254 $936   $12,465,780 5
2017/07/14 26 $103,198 -57% 162 $637   $12,705,458 6
2017/07/21 34 $42,621 -59% 87 $490   $12,819,036 7
2017/07/28 42 $24,724 -42% 46 $537   $12,872,110 8
2017/08/04 36 $73,162 +196% 96 $762   $12,964,933 9
2017/08/11 46 $42,411 -42% 75 $565   $13,050,700 10
2017/08/18 45 $40,761 -4% 59 $691   $13,113,857 11
2017/08/25 49 $32,790 -20% 52 $631   $13,164,582 12
2017/09/01 39 $136,388 +316% 383 $356   $13,315,626 13
2017/09/08 62 $14,142 -90% 62 $228   $13,400,487 14

Daily Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
2017/06/09 8 $1,245,393   1,956 $637   $1,245,393 1
2017/06/10 8 $1,474,306 +18% 1,956 $754   $2,719,699 2
2017/06/11 8 $1,091,168 -26% 1,956 $558   $3,810,867 3
2017/06/12 8 $432,852 -60% 1,956 $221   $4,243,719 4
2017/06/13 8 $726,369 +68% 1,956 $371   $4,970,088 5
2017/06/14 8 $468,730 -35% 1,956 $240   $5,438,818 6
2017/06/15 7 $398,039 -15% 1,956 $203   $5,836,857 7
2017/06/16 11 $667,823 +68% 1,832 $365   $6,504,680 8
2017/06/17 11 $961,546 +44% 1,832 $525   $7,466,226 9
2017/06/18 10 $912,276 -5% 1,832 $498   $8,378,502 10
2017/06/19 11 $303,389 -67% 1,832 $166   $8,681,891 11
2017/06/20 10 $399,629 +32% 1,832 $218   $9,081,520 12
2017/06/21 11 $214,738 -46% 1,832 $117   $9,296,258 13
2017/06/22 11 $227,916 +6% 1,832 $124   $9,524,174 14
2017/06/23 12 $379,187 +66% 971 $391   $9,903,361 15
2017/06/24 12 $491,995 +30% 971 $507   $10,395,356 16
2017/06/25 12 $344,571 -30% 971 $355   $10,739,927 17
2017/06/26 12 $143,972 -58% 971 $148   $10,883,899 18
2017/06/27 12 $208,086 +45% 971 $214   $11,091,985 19
2017/06/28 13 $120,206 -42% 971 $124   $11,212,191 20
2017/06/29 13 $110,936 -8% 971 $114   $11,323,127 21
2017/06/30 - $127,241 +15% 433 $294   $11,450,368 22
2017/07/01 - $192,123 +51% 433 $444   $11,642,491 23
2017/07/02 - $164,746 -14% 433 $380   $11,807,237 24
2017/07/03 - $116,722 -29% 433 $270   $11,923,959 25
2017/07/04 - $172,435 +48% 433 $398   $12,096,394 26
2017/07/05 - $69,166 -60% 433 $160   $12,165,560 27
2017/07/06 - $62,562 -10% 433 $144   $12,228,122 28
2017/07/07 - $67,365 +8% 254 $265   $12,295,487 29
2017/07/08 - $98,789 +47% 254 $389   $12,394,276 30
2017/07/09 - $71,504 -28% 254 $282   $12,465,780 31
2017/07/10 - $31,400 -56% 254 $124   $12,497,180 32
2017/07/11 - $42,553 +36% 254 $168   $12,539,733 33
2017/07/12 - $32,626 -23% 254 $128   $12,572,359 34
2017/07/13 - $29,901 -8% 254 $118   $12,602,260 35
2017/07/14 - $29,601 -1% 162 $183   $12,631,861 36
2017/07/15 - $41,615 +41% 162 $257   $12,673,476 37
2017/07/16 - $31,982 -23% 162 $197   $12,705,458 38
2017/07/17 - $15,517 -51% 162 $96   $12,720,975 39
2017/07/18 - $23,043 +49% 162 $142   $12,744,018 40
2017/07/19 - $19,613 -15% 162 $121   $12,763,631 41
2017/07/20 - $12,784 -35% 162 $79   $12,776,415 42
2017/07/21 - $12,174 -5% 87 $140   $12,788,589 43
2017/07/22 - $16,767 +38% 87 $193   $12,805,356 44
2017/07/23 - $13,680 -18% 87 $157   $12,819,036 45
2017/07/24 - $6,655 -51% 87 $76   $12,825,691 46
2017/07/25 - $9,675 +45% 87 $111   $12,835,366 47
2017/07/26 - $6,399 -34% 87 $74   $12,841,765 48
2017/07/27 - $5,621 -12% 87 $65   $12,847,386 49
2017/07/28 - $6,154 +9% 46 $134   $12,853,540 50
2017/07/29 - $9,816 +60% 46 $213   $12,863,356 51
2017/07/30 - $8,754 -11% 46 $190   $12,872,110 52
2017/07/31 - $4,024 -54% 46 $87   $12,876,134 53
2017/08/01 - $5,798 +44% 46 $126   $12,881,932 54
2017/08/02 - $4,885 -16% 46 $106   $12,886,817 55
2017/08/03 - $4,954 +1% 46 $108   $12,891,771 56
2017/08/04 - $22,314 +350% 96 $232   $12,914,085 57
2017/08/05 - $29,186 +31% 96 $304   $12,943,271 58
2017/08/06 - $21,662 -26% 96 $226   $12,964,933 59
2017/08/07 - $10,423 -52% 96 $109   $12,975,356 60
2017/08/08 - $13,589 +30% 96 $142   $12,988,945 61
2017/08/09 - $9,271 -32% 96 $97   $12,998,216 62
2017/08/10 - $10,073 +9% 96 $105   $13,008,289 63
2017/08/11 - $12,429 +23% 75 $166   $13,020,718 64
2017/08/12 - $17,073 +37% 75 $228   $13,037,791 65
2017/08/13 - $12,909 -24% 75 $172   $13,050,700 66
2017/08/14 - $4,450 -66% 75 $59   $13,055,150 67
2017/08/15 - $6,081 +37% 75 $81   $13,061,231 68
2017/08/16 - $6,114 +1% 75 $82   $13,067,345 69
2017/08/17 - $5,751 -6% 75 $77   $13,073,096 70
2017/08/18 - $10,279 +79% 59 $174   $13,083,375 71
2017/08/19 - $19,028 +85% 59 $323   $13,102,403 72
2017/08/20 - $11,454 -40% 59 $194   $13,113,857 73
2017/08/21 - $3,503 -69% 59 $59   $13,117,360 74
2017/08/22 - $5,736 +64% 59 $97   $13,123,096 75
2017/08/23 - $3,770 -34% 59 $64   $13,126,866 76
2017/08/24 - $4,926 +31% 59 $83   $13,131,792 77
2017/08/25 - $9,405 +91% 52 $181   $13,141,197 78
2017/08/26 - $14,358 +53% 52 $276   $13,155,555 79
2017/08/27 - $9,027 -37% 52 $174   $13,164,582 80
2017/08/28 - $3,089 -66% 52 $59   $13,167,671 81
2017/08/29 - $4,497 +46% 52 $86   $13,172,168 82
2017/08/30 - $3,273 -27% 52 $63   $13,175,441 83
2017/08/31 - $3,797 +16% 52 $73   $13,179,238 84
2017/09/01 - $28,426 +649% 383 $74   $13,207,664 85
2017/09/02 - $52,345 +84% 383 $137   $13,260,009 86
2017/09/03 - $55,617 +6% 383 $145   $13,315,626 87
2017/09/04 - $43,798 -21% 383 $114   $13,359,424 88
2017/09/05 - $12,053 -72% 383 $31   $13,371,477 89
2017/09/06 - $8,487 -30% 383 $22   $13,379,964 90
2017/09/07 - $6,381 -25% 383 $17   $13,386,345 91
2017/09/08 - $4,138 -35% 62 $67   $13,390,483 92
2017/09/09 - $6,406 +55% 62 $103   $13,396,889 93
2017/09/10 - $3,598 -44% 62 $58   $13,400,487 94
2017/09/11 - $1,037 -71% 62 $17   $13,401,524 95
2017/09/12 - $2,018 +95% 62 $33   $13,403,542 96
2017/09/13 - $1,158 -43% 62 $19   $13,404,700 97
2017/09/14 - $1,604 +39% 62 $26   $13,406,304 98

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
2017/06/09 8 $5,836,857   1,956 $2,984   $5,836,857 1
2017/06/16 12 $3,687,317 -37% 1,832 $2,013   $9,524,174 2
2017/06/23 13 $1,798,953 -51% 971 $1,853   $11,323,127 3
2017/06/30 18 $904,995 -50% 433 $2,090   $12,228,122 4
2017/07/07 19 $374,138 -59% 254 $1,473   $12,602,260 5
2017/07/14 27 $174,155 -53% 162 $1,075   $12,776,415 6
2017/07/21 34 $70,971 -59% 87 $816   $12,847,386 7
2017/07/28 42 $44,385 -37% 46 $965   $12,891,771 8
2017/08/04 35 $116,518 +163% 96 $1,214   $13,008,289 9
2017/08/11 46 $64,807 -44% 75 $864   $13,073,096 10
2017/08/18 46 $58,696 -9% 59 $995   $13,131,792 11
2017/08/25 50 $47,446 -19% 52 $912   $13,179,238 12
2017/09/01 39 $207,107 +337% 383 $541   $13,386,345 13
2017/09/08 62 $19,959 -90% 62 $322   $13,406,304 14

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Theaters
Maximum
Theaters
Theatrical
Engagements
Total
Box Office
Report
Date
Turkey 8/25/2017 $13,529 66 66 101 $29,915 9/6/2017
 
Rest of World $45,283
 
International Total$75,198 9/6/2017

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US DVD Sales

DateRankUnits this Week% ChangeTotal UnitsSpending this WeekTotal SpendingWeeks in Release
9/10/2017642,921 42,921$770,861$770,8613
9/17/20171318,167-58% 61,088$326,279$1,097,1404
9/24/2017237,233-60% 68,321$129,905$1,227,0455

Weekly US Blu-ray Sales

DateRankUnits this Week% ChangeTotal UnitsSpending this WeekTotal SpendingWeeks in Release
9/10/2017435,138 35,138$701,354$701,3543
9/17/2017813,850-61% 48,988$276,441$977,7954
9/24/2017195,718-59% 54,706$114,138$1,091,9335

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Home Media Magazine.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.


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