Memoria (2016)
| Theatrical Performance | ||
| Domestic Box Office | $2,242 | Details |
| International Box Office | $42,249 | Details |
| Worldwide Box Office | $44,491 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $11,132 | |
| Total | $11,132 | |
| OpusData ID: 252770100 More info... | ||
| Further financial details... | ||
Synopsis
Ivan Cohen is a young boy living in Palo Alto, California. Unsatisfied by his slacker group of friends, his love for a girl who doesn’t know he exists, and a dysfunctional family life, he is struggling to find his place in the world.
Metrics
| Opening Weekend: | $47 (2.1% of total gross) |
| Legs: | 1.43 (domestic box office/biggest weekend) |
| Domestic Share: | 5.0% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/6 max. theaters, 0.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $3,098 |
Movie Details
| Domestic Releases: | April 8th, 2016 (Limited) by Monterey Media |
| International Releases: | March 3rd, 2022 (Wide) (Netherlands) |
| Video Release: | May 24th, 2016 by Monterey Video |
| MPA Rating: | R for drug and alcohol use, pervasive language, sexuality/nudity and disturbing behavior-all involving teens (Rating bulletin 2411 (Cert #50264), 2/10/2016) |
| Running Time: | 70 minutes |
| Geographical setting: | California |
| Plot point: | Dysfunctional Family, Immigration, Unrequited Love |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Rabbit Bandini Productions, The Art of Elysium, Monterey Media |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 8, 2016 | 106 | $47 | 1 | $47 | $47 | 1 | |
| Apr 22, 2016 | 109 | $85 | 1 | $85 | $219 | 3 | |
| Apr 29, 2016 | 97 | $24 | -72% | 1 | $24 | $598 | 4 |
| May 6, 2016 | 91 | $1,566 | +6,425% | 1 | $1,566 | $2,164 | 5 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 8, 2016 | 111 | $134 | 1 | $134 | $134 | 1 | |
| Apr 22, 2016 | 112 | $352 | 6 | $59 | $574 | 3 | |
| Apr 29, 2016 | 113 | $24 | -93% | 1 | $24 | $598 | 4 |
| May 6, 2016 | 103 | $1,644 | +6,750% | 1 | $1,644 | $2,242 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Netherlands | 3/3/2022 | $19,352 | 34 | 34 | 67 | $42,249 | 10/20/2022 | |||
| International Total | $42,249 | 10/20/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Thomas Mann | Alex | |
| James Franco | Mr. Wyckoff | |
| Sam Dillon | Ivan |
Supporting
| Ruby Modine | Nina | |
| Keith Stanfield* | Max | |
| Miles Heizer | Simon | |
| Bo Mitchell | Chris | |
| Matt McCoy | Harry Goodman | |
| Teo Halm | Alex (13 years old) | |
| Cole Alexander | Dickey Ferriante |
Production and Technical Credits
| Nina Ljeti | Director | |
| Vladimir de Fontenay | Director | |
| Nina Ljeti | Screenwriter | |
| Vladimir de Fontenay | Screenwriter | |
| James Franco | Based on “Palo Alto and California Childhood” by | |
| Iris Torres | Producer | |
| Sev Ohanian | Producer | |
| Nicolaas Bertelsen | Producer | |
| Sam Slater | Producer | |
| Paul Bernon | Producer | |
| James Franco | Executive Producer | |
| Vince Jolivette | Executive Producer | |
| Pedro Gomez Millan | Director of Photography | |
| John Paul Horstman | Editor | |
| Katie Shattuck | Production Designer | |
| Angela Lavalla | Costume Designer | |
| Ian Hultquist | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Ivan Cohen is a young boy living in Palo Alto, California. Unsatisfied by his slacker group of friends, his love for a girl who doesn’t know he exists, and a dysfunctional family life, he is struggling to find his place in the world.
Metrics
| Opening Weekend: | $47 (2.1% of total gross) |
| Legs: | 1.43 (domestic box office/biggest weekend) |
| Domestic Share: | 5.0% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/6 max. theaters, 0.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $3,098 |
Movie Details
| Domestic Releases: | April 8th, 2016 (Limited) by Monterey Media |
| International Releases: | March 3rd, 2022 (Wide) (Netherlands) |
| Video Release: | May 24th, 2016 by Monterey Video |
| MPA Rating: | R for drug and alcohol use, pervasive language, sexuality/nudity and disturbing behavior-all involving teens (Rating bulletin 2411 (Cert #50264), 2/10/2016) |
| Running Time: | 70 minutes |
| Geographical setting: | California |
| Plot point: | Dysfunctional Family, Immigration, Unrequited Love |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Rabbit Bandini Productions, The Art of Elysium, Monterey Media |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 8, 2016 | 106 | $47 | 1 | $47 | $47 | 1 | |
| Apr 22, 2016 | 109 | $85 | 1 | $85 | $219 | 3 | |
| Apr 29, 2016 | 97 | $24 | -72% | 1 | $24 | $598 | 4 |
| May 6, 2016 | 91 | $1,566 | +6,425% | 1 | $1,566 | $2,164 | 5 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 8, 2016 | 111 | $134 | 1 | $134 | $134 | 1 | |
| Apr 22, 2016 | 112 | $352 | 6 | $59 | $574 | 3 | |
| Apr 29, 2016 | 113 | $24 | -93% | 1 | $24 | $598 | 4 |
| May 6, 2016 | 103 | $1,644 | +6,750% | 1 | $1,644 | $2,242 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Netherlands | 3/3/2022 | $19,352 | 34 | 34 | 67 | $42,249 | 10/20/2022 | |||
| International Total | $42,249 | 10/20/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Thomas Mann | Alex | |
| James Franco | Mr. Wyckoff | |
| Sam Dillon | Ivan |
Supporting
| Ruby Modine | Nina | |
| Keith Stanfield* | Max | |
| Miles Heizer | Simon | |
| Bo Mitchell | Chris | |
| Matt McCoy | Harry Goodman | |
| Teo Halm | Alex (13 years old) | |
| Cole Alexander | Dickey Ferriante |
Production and Technical Credits
| Nina Ljeti | Director | |
| Vladimir de Fontenay | Director | |
| Nina Ljeti | Screenwriter | |
| Vladimir de Fontenay | Screenwriter | |
| James Franco | Based on “Palo Alto and California Childhood” by | |
| Iris Torres | Producer | |
| Sev Ohanian | Producer | |
| Nicolaas Bertelsen | Producer | |
| Sam Slater | Producer | |
| Paul Bernon | Producer | |
| James Franco | Executive Producer | |
| Vince Jolivette | Executive Producer | |
| Pedro Gomez Millan | Director of Photography | |
| John Paul Horstman | Editor | |
| Katie Shattuck | Production Designer | |
| Angela Lavalla | Costume Designer | |
| Ian Hultquist | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.