Memory (2022)
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| Theatrical Performance | ||
| Domestic Box Office | $7,329,043 | Details |
| International Box Office | $5,139,931 | Details |
| Worldwide Box Office | $12,468,974 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $1,189,148 | |
| Blu-ray Sales (estimated) | $934,065 | |
| Total | $2,123,213 | |
| OpusData ID: 450190100 More info... | ||
| Further financial details... | ||
Synopsis
Alex Lewis is a hired assassin at a turning point. Living in El Paso, Texas, and coming to grips with a faltering memory just as he plans to retire, Alex is ready to conclude a long career of violence and secrecy when an old contact gives him a final assignment. However, the job isn’t what Alex bargained for, and leads him into an FBI sting operation led by agent Vincent Serra. When Alex finds a trail of abuse leading from a child prostitution ring south of the border to a wealthy, influential El Paso real estate magnate and her son, Alex secretly guides Serra’s FBI team in the right direction. Though his inability to remember details is putting him in ever greater danger, Alex uses the skills he’s honed from a lifetime in the shadows to force ugliness into the light — but he has to do it before powerful forces destroy Alex and erase Serra’s mission to get at the truth.
Metrics
| Opening Weekend: | $3,113,298 (42.5% of total gross) |
| Legs: | 2.35 (domestic box office/biggest weekend) |
| Domestic Share: | 58.8% (domestic box office/worldwide) |
| Theater counts: | 2,555 opening theaters/2,555 max. theaters, 2.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $8,324,339 |
Movie Details
| Domestic Releases: | April 29th, 2022 (Wide) by Open Road |
| International Releases: | May 12th, 2022 (Wide), released as Asesino Sin Memoria (Mexico)
May 12th, 2022 (Wide), released as Флешбэк (Russia (CIS)) May 19th, 2022 (Wide), released as A Memória de Um Assassino (Portugal) June 3rd, 2022 (Wide) (Finland) June 16th, 2022 (Wide) (Netherlands) ... Show all releases |
| Video Release: | July 5th, 2022 by Universal Home Entertainment |
| MPA Rating: | R for violence, some bloody images and language throughout. (Rating bulletin 2719 (cert #53548), 2/16/2022) |
| Running Time: | 114 minutes |
| Cast, crew, or production detail: | Foreign-Language Remake, Remake |
| Subgenre: | Action Thriller |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Black Bear, Welle Entertainment, Briarcliff Entertainment, Open Road Films, Saville Productions, Arthur Sarkissian |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 29, 2022 | 8 | $3,113,298 | 2,555 | $1,219 | $3,113,298 | 1 | |
| May 6, 2022 | 9 | $1,385,522 | -55% | 2,433 | $569 | $5,658,187 | 2 |
| May 13, 2022 | - | $450,038 | -68% | 785 | $573 | $6,734,519 | 3 |
| May 20, 2022 | - | $253,426 | -44% | 370 | $685 | $7,211,541 | 4 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Apr 29, 2022 | 6 | $1,110,563 | 2,555 | $435 | $1,110,563 | 1 | ||
| Apr 30, 2022 | 8 | $1,216,023 | +9% | 2,555 | $476 | $2,326,586 | 2 | |
| May 1, 2022 | 8 | $786,712 | -35% | 2,555 | $308 | $3,113,298 | 3 | |
| May 2, 2022 | 8 | $275,752 | -65% | 2,555 | $108 | $3,389,050 | 4 | |
| May 3, 2022 | 7 | $441,136 | +60% | 2,555 | $173 | $3,830,186 | 5 | |
| May 4, 2022 | 8 | $260,101 | -41% | 2,555 | $102 | $4,090,287 | 6 | |
| May 5, 2022 | 7 | $182,378 | -30% | 2,555 | $71 | $4,272,665 | 7 | |
| May 6, 2022 | 9 | $369,337 | +103% | -67% | 2,433 | $152 | $4,642,002 | 8 |
| May 7, 2022 | 9 | $504,199 | +37% | -59% | 2,433 | $207 | $5,146,201 | 9 |
| May 8, 2022 | 9 | $511,986 | +2% | -35% | 2,433 | $210 | $5,658,187 | 10 |
| May 9, 2022 | 9 | $152,126 | -70% | -45% | 2,433 | $63 | $5,810,313 | 11 |
| May 10, 2022 | 9 | $205,532 | +35% | -53% | 2,433 | $84 | $6,015,845 | 12 |
| May 11, 2022 | 9 | $145,986 | -29% | -44% | 2,433 | $60 | $6,161,831 | 13 |
| May 12, 2022 | 9 | $122,650 | -16% | -33% | 2,433 | $50 | $6,284,481 | 14 |
| May 13, 2022 | - | $120,012 | -2% | -68% | 785 | $153 | $6,404,493 | 15 |
| May 14, 2022 | - | $197,583 | +65% | -61% | 785 | $252 | $6,602,076 | 16 |
| May 15, 2022 | - | $132,443 | -33% | -74% | 785 | $169 | $6,734,519 | 17 |
| May 16, 2022 | - | $54,333 | -59% | -64% | 785 | $69 | $6,788,852 | 18 |
| May 17, 2022 | - | $73,865 | +36% | -64% | 785 | $94 | $6,862,717 | 19 |
| May 18, 2022 | - | $48,852 | -34% | -67% | 785 | $62 | $6,911,569 | 20 |
| May 19, 2022 | - | $46,546 | -5% | -62% | 785 | $59 | $6,958,115 | 21 |
| May 20, 2022 | - | $69,593 | +50% | -42% | 370 | $188 | $7,027,708 | 22 |
| May 21, 2022 | - | $104,421 | +50% | -47% | 370 | $282 | $7,132,129 | 23 |
| May 22, 2022 | - | $79,412 | -24% | -40% | 370 | $215 | $7,211,541 | 24 |
| May 23, 2022 | - | $33,396 | -58% | -39% | 370 | $90 | $7,244,937 | 25 |
| May 24, 2022 | - | $33,736 | +1% | -54% | 370 | $91 | $7,278,673 | 26 |
| May 25, 2022 | - | $31,052 | -8% | -36% | 370 | $84 | $7,309,725 | 27 |
| May 26, 2022 | - | $19,318 | -38% | -58% | 370 | $52 | $7,329,043 | 28 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 29, 2022 | 8 | $4,272,665 | 2,555 | $1,672 | $4,272,665 | 1 | |
| May 6, 2022 | 9 | $2,011,816 | -53% | 2,433 | $827 | $6,284,481 | 2 |
| May 13, 2022 | - | $673,634 | -67% | 785 | $858 | $6,958,115 | 3 |
| May 20, 2022 | - | $370,928 | -45% | 370 | $1,003 | $7,329,043 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| China | 6/22/2023 | $0 | 0 | 982 | 0 | $40,000 | 4/4/2026 | |||
| Finland | 6/3/2022 | $16,527 | 43 | 44 | 149 | $62,515 | 4/4/2026 | |||
| Italy | 9/15/2022 | $191,012 | 0 | 0 | 0 | $459,198 | 9/26/2022 | |||
| Mexico | 5/12/2022 | $730,362 | 0 | 0 | 0 | $2,063,875 | 6/20/2022 | |||
| Netherlands | 6/16/2022 | $110,749 | 80 | 80 | 677 | $294,411 | 4/4/2026 | |||
| Portugal | 5/19/2022 | $46,509 | 46 | 46 | 153 | $120,600 | 8/3/2022 | |||
| Russia (CIS) | 5/12/2022 | $385,166 | 1,259 | 1,259 | 2,984 | $922,684 | 6/8/2022 | |||
| South Korea | 7/14/2022 | $4,751 | 37 | 37 | 105 | $45,368 | 2/12/2025 | |||
| Spain | 7/22/2022 | $203,445 | 204 | 240 | 952 | $212,662 | 4/4/2026 | |||
| Turkey | 6/17/2022 | $10,344 | 153 | 153 | 203 | $20,322 | 7/1/2022 | |||
| Rest of World | $898,296 | |||||||||
| International Total | $5,139,931 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Liam Neeson | Alex Lewis |
Supporting
| Guy Pearce | Serra | |
| Monica Bellucci | Davana Sealman | |
| Taj Atwal | Linda Armistead | |
| Ray Fearon | ||
| Harold Torres | Hugo Marquez | |
| Ray Stevenson | Det. Danny Mora | |
| Josh Taylor | Randy Sealman | |
| Antonio Jaramillo | Papa Leon | |
| Lee Boardman | Mauricio | |
| Daniel De Bourg | William Borden | |
| Scot Williams | Ellis Van Camp |
Production and Technical Credits
| Martin Campbell | Director | |
| Dario Scardapane | Screenwriter | |
| Jef Geeraerts | Story based on the book “De Zaak Alzheimer” by | |
| Cathy Schulman | Producer | |
| Moshe Diamant | Producer | |
| Rupert Maconick | Producer | |
| Michael Heimler | Producer | |
| Arthur Sarkissian | Producer | |
| Teddy Schwarzman | Executive Producer | |
| Ben Stillman | Executive Producer | |
| Peter Bouckaert | Executive Producer | |
| Rudy Durand | Executive Producer | |
| Tom Ortenberg | Executive Producer | |
| James Masciello | Executive Producer | |
| Matthew Sidari | Executive Producer | |
| David Tattersall | Director of Photography | |
| Jo Francis | Editor | |
| Wolf Kroeger | Production Designer | |
| Irina Kotcheva | Costume Designer | |
| Rupert Parkes | Composer | |
| Dan Hubbard | Casting Director | |
| Pam Dixon | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Alex Lewis is a hired assassin at a turning point. Living in El Paso, Texas, and coming to grips with a faltering memory just as he plans to retire, Alex is ready to conclude a long career of violence and secrecy when an old contact gives him a final assignment. However, the job isn’t what Alex bargained for, and leads him into an FBI sting operation led by agent Vincent Serra. When Alex finds a trail of abuse leading from a child prostitution ring south of the border to a wealthy, influential El Paso real estate magnate and her son, Alex secretly guides Serra’s FBI team in the right direction. Though his inability to remember details is putting him in ever greater danger, Alex uses the skills he’s honed from a lifetime in the shadows to force ugliness into the light — but he has to do it before powerful forces destroy Alex and erase Serra’s mission to get at the truth.
Metrics
| Opening Weekend: | $3,113,298 (42.5% of total gross) |
| Legs: | 2.35 (domestic box office/biggest weekend) |
| Domestic Share: | 58.8% (domestic box office/worldwide) |
| Theater counts: | 2,555 opening theaters/2,555 max. theaters, 2.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $8,324,339 |
Movie Details
| Domestic Releases: | April 29th, 2022 (Wide) by Open Road |
| International Releases: | May 12th, 2022 (Wide), released as Asesino Sin Memoria (Mexico)
May 12th, 2022 (Wide), released as Флешбэк (Russia (CIS)) May 19th, 2022 (Wide), released as A Memória de Um Assassino (Portugal) June 3rd, 2022 (Wide) (Finland) June 16th, 2022 (Wide) (Netherlands) ... Show all releases |
| Video Release: | July 5th, 2022 by Universal Home Entertainment |
| MPA Rating: | R for violence, some bloody images and language throughout. (Rating bulletin 2719 (cert #53548), 2/16/2022) |
| Running Time: | 114 minutes |
| Cast, crew, or production detail: | Foreign-Language Remake, Remake |
| Subgenre: | Action Thriller |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Black Bear, Welle Entertainment, Briarcliff Entertainment, Open Road Films, Saville Productions, Arthur Sarkissian |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 29, 2022 | 8 | $3,113,298 | 2,555 | $1,219 | $3,113,298 | 1 | |
| May 6, 2022 | 9 | $1,385,522 | -55% | 2,433 | $569 | $5,658,187 | 2 |
| May 13, 2022 | - | $450,038 | -68% | 785 | $573 | $6,734,519 | 3 |
| May 20, 2022 | - | $253,426 | -44% | 370 | $685 | $7,211,541 | 4 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Apr 29, 2022 | 6 | $1,110,563 | 2,555 | $435 | $1,110,563 | 1 | ||
| Apr 30, 2022 | 8 | $1,216,023 | +9% | 2,555 | $476 | $2,326,586 | 2 | |
| May 1, 2022 | 8 | $786,712 | -35% | 2,555 | $308 | $3,113,298 | 3 | |
| May 2, 2022 | 8 | $275,752 | -65% | 2,555 | $108 | $3,389,050 | 4 | |
| May 3, 2022 | 7 | $441,136 | +60% | 2,555 | $173 | $3,830,186 | 5 | |
| May 4, 2022 | 8 | $260,101 | -41% | 2,555 | $102 | $4,090,287 | 6 | |
| May 5, 2022 | 7 | $182,378 | -30% | 2,555 | $71 | $4,272,665 | 7 | |
| May 6, 2022 | 9 | $369,337 | +103% | -67% | 2,433 | $152 | $4,642,002 | 8 |
| May 7, 2022 | 9 | $504,199 | +37% | -59% | 2,433 | $207 | $5,146,201 | 9 |
| May 8, 2022 | 9 | $511,986 | +2% | -35% | 2,433 | $210 | $5,658,187 | 10 |
| May 9, 2022 | 9 | $152,126 | -70% | -45% | 2,433 | $63 | $5,810,313 | 11 |
| May 10, 2022 | 9 | $205,532 | +35% | -53% | 2,433 | $84 | $6,015,845 | 12 |
| May 11, 2022 | 9 | $145,986 | -29% | -44% | 2,433 | $60 | $6,161,831 | 13 |
| May 12, 2022 | 9 | $122,650 | -16% | -33% | 2,433 | $50 | $6,284,481 | 14 |
| May 13, 2022 | - | $120,012 | -2% | -68% | 785 | $153 | $6,404,493 | 15 |
| May 14, 2022 | - | $197,583 | +65% | -61% | 785 | $252 | $6,602,076 | 16 |
| May 15, 2022 | - | $132,443 | -33% | -74% | 785 | $169 | $6,734,519 | 17 |
| May 16, 2022 | - | $54,333 | -59% | -64% | 785 | $69 | $6,788,852 | 18 |
| May 17, 2022 | - | $73,865 | +36% | -64% | 785 | $94 | $6,862,717 | 19 |
| May 18, 2022 | - | $48,852 | -34% | -67% | 785 | $62 | $6,911,569 | 20 |
| May 19, 2022 | - | $46,546 | -5% | -62% | 785 | $59 | $6,958,115 | 21 |
| May 20, 2022 | - | $69,593 | +50% | -42% | 370 | $188 | $7,027,708 | 22 |
| May 21, 2022 | - | $104,421 | +50% | -47% | 370 | $282 | $7,132,129 | 23 |
| May 22, 2022 | - | $79,412 | -24% | -40% | 370 | $215 | $7,211,541 | 24 |
| May 23, 2022 | - | $33,396 | -58% | -39% | 370 | $90 | $7,244,937 | 25 |
| May 24, 2022 | - | $33,736 | +1% | -54% | 370 | $91 | $7,278,673 | 26 |
| May 25, 2022 | - | $31,052 | -8% | -36% | 370 | $84 | $7,309,725 | 27 |
| May 26, 2022 | - | $19,318 | -38% | -58% | 370 | $52 | $7,329,043 | 28 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 29, 2022 | 8 | $4,272,665 | 2,555 | $1,672 | $4,272,665 | 1 | |
| May 6, 2022 | 9 | $2,011,816 | -53% | 2,433 | $827 | $6,284,481 | 2 |
| May 13, 2022 | - | $673,634 | -67% | 785 | $858 | $6,958,115 | 3 |
| May 20, 2022 | - | $370,928 | -45% | 370 | $1,003 | $7,329,043 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| China | 6/22/2023 | $0 | 0 | 982 | 0 | $40,000 | 4/4/2026 | |||
| Finland | 6/3/2022 | $16,527 | 43 | 44 | 149 | $62,515 | 4/4/2026 | |||
| Italy | 9/15/2022 | $191,012 | 0 | 0 | 0 | $459,198 | 9/26/2022 | |||
| Mexico | 5/12/2022 | $730,362 | 0 | 0 | 0 | $2,063,875 | 6/20/2022 | |||
| Netherlands | 6/16/2022 | $110,749 | 80 | 80 | 677 | $294,411 | 4/4/2026 | |||
| Portugal | 5/19/2022 | $46,509 | 46 | 46 | 153 | $120,600 | 8/3/2022 | |||
| Russia (CIS) | 5/12/2022 | $385,166 | 1,259 | 1,259 | 2,984 | $922,684 | 6/8/2022 | |||
| South Korea | 7/14/2022 | $4,751 | 37 | 37 | 105 | $45,368 | 2/12/2025 | |||
| Spain | 7/22/2022 | $203,445 | 204 | 240 | 952 | $212,662 | 4/4/2026 | |||
| Turkey | 6/17/2022 | $10,344 | 153 | 153 | 203 | $20,322 | 7/1/2022 | |||
| Rest of World | $898,296 | |||||||||
| International Total | $5,139,931 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Liam Neeson | Alex Lewis |
Supporting
| Guy Pearce | Serra | |
| Monica Bellucci | Davana Sealman | |
| Taj Atwal | Linda Armistead | |
| Ray Fearon | ||
| Harold Torres | Hugo Marquez | |
| Ray Stevenson | Det. Danny Mora | |
| Josh Taylor | Randy Sealman | |
| Antonio Jaramillo | Papa Leon | |
| Lee Boardman | Mauricio | |
| Daniel De Bourg | William Borden | |
| Scot Williams | Ellis Van Camp |
Production and Technical Credits
| Martin Campbell | Director | |
| Dario Scardapane | Screenwriter | |
| Jef Geeraerts | Story based on the book “De Zaak Alzheimer” by | |
| Cathy Schulman | Producer | |
| Moshe Diamant | Producer | |
| Rupert Maconick | Producer | |
| Michael Heimler | Producer | |
| Arthur Sarkissian | Producer | |
| Teddy Schwarzman | Executive Producer | |
| Ben Stillman | Executive Producer | |
| Peter Bouckaert | Executive Producer | |
| Rudy Durand | Executive Producer | |
| Tom Ortenberg | Executive Producer | |
| James Masciello | Executive Producer | |
| Matthew Sidari | Executive Producer | |
| David Tattersall | Director of Photography | |
| Jo Francis | Editor | |
| Wolf Kroeger | Production Designer | |
| Irina Kotcheva | Costume Designer | |
| Rupert Parkes | Composer | |
| Dan Hubbard | Casting Director | |
| Pam Dixon | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.