Mercy (2026)
.jpg)
| Theatrical Performance | ||
| Domestic Box Office | $24,390,303 | Details |
| International Box Office | $29,300,000 | Details |
| Worldwide Box Office | $53,690,303 | |
| OpusData ID: 670480100 More info... | ||
| Further financial details... | ||
Synopsis
In the near future, a detective stands on trial accused of murdering his wife. He has 90 minutes to prove his innocence to the advanced A.I. Judge he once championed, before it determines his fate.
Metrics
| Opening Weekend: | $10,809,178 (44.3% of total gross) |
| Legs: | 2.26 (domestic box office/biggest weekend) |
| Domestic Share: | 45.4% (domestic box office/worldwide) |
| Production Budget: | $60,000,000 (worldwide box office is 0.9 times production budget) |
| Theater counts: | 3,468 opening theaters/3,468 max. theaters, 3.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $24,390,303 |
Movie Details
| Domestic Releases: | January 23rd, 2026 (Wide) by Amazon MGM Studios January 23rd, 2026 (IMAX) by Amazon MGM Studios |
| International Releases: | January 21st, 2026 (Wide), released as Zelastiba (Latvia)
January 22nd, 2026 (Wide), released as Mercy: Sotto Accusa (Italy) January 22nd, 2026 (Wide), released as Mercy (КАЗНИТЬ НЕЛЬЗЯ ПОМИЛОВАТЬ) (Russia (CIS)) January 22nd, 2026 (Wide) (Netherlands) January 22nd, 2026 (Wide), released as DŮKAZ VINY (Czech Republic) ... Show all releases |
| Video Release: | February 17th, 2026 by Amazon Studios |
| MPA Rating: | R for language, some violent/bloody images and brief drug use. (Rating bulletin 2866 (cert #55320), 12/25/2024) PG-13 for violence, bloody images, some strong language, drug content and teen smoking. (Rating bulletin 2904 (cert #55320) (Edited for Re-rate), 9/24/2025) |
| Running Time: | 100 minutes |
| Film format: | Computer Screen Film |
| Plot point: | Addiction, Death of a Partner, Death of a Sibling, Death of a Spouse or Fiancée / Fiancé, Falsely Accused, Framed, Relationships Gone Wrong, Revenge, Wrongfully Convicted |
| Subgenre: | Techno-Thriller |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Amazon MGM Studios, Atlas Entertainment, Bazelevs Company |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 23, 2026 | 1 | $10,809,178 | 3,468 | $3,117 | $10,809,178 | 1 | |
| Jan 30, 2026 | 7 | $4,562,937 | -58% | 3,468 | $1,316 | $19,240,756 | 2 |
| Feb 6, 2026 | 11 | $1,874,459 | -59% | 2,502 | $749 | $22,673,749 | 3 |
| Feb 13, 2026 | - | $576,388 | -69% | 765 | $753 | $24,018,009 | 4 |
| Feb 20, 2026 | - | $141,163 | -76% | 275 | $513 | $24,345,349 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jan 22, 2026 | P | $1,500,000 | 0 | $1,500,000 | ||||
| Jan 23, 2026 | 1 | $5,005,376 | 3,468 | $1,443 | $5,005,376 | 1 | ||
| Jan 24, 2026 | 1 | $3,987,768 | -20% | 3,468 | $1,150 | $8,993,144 | 2 | |
| Jan 25, 2026 | 1 | $1,816,034 | -54% | 3,468 | $524 | $10,809,178 | 3 | |
| Jan 26, 2026 | 1 | $861,044 | -53% | 3,468 | $248 | $11,670,222 | 4 | |
| Jan 27, 2026 | 1 | $1,515,783 | +76% | 3,468 | $437 | $13,186,005 | 5 | |
| Jan 28, 2026 | 1 | $877,641 | -42% | 3,468 | $253 | $14,063,646 | 6 | |
| Jan 29, 2026 | 1 | $614,173 | -30% | 3,468 | $177 | $14,677,819 | 7 | |
| Jan 30, 2026 | 5 | $1,300,176 | +112% | -74% | 3,468 | $375 | $15,977,995 | 8 |
| Jan 31, 2026 | 7 | $2,075,235 | +60% | -48% | 3,468 | $598 | $18,053,230 | 9 |
| Feb 1, 2026 | 7 | $1,187,526 | -43% | -35% | 3,468 | $342 | $19,240,756 | 10 |
| Feb 2, 2026 | 6 | $330,824 | -72% | -62% | 3,468 | $95 | $19,571,580 | 11 |
| Feb 3, 2026 | 6 | $584,374 | +77% | -61% | 3,468 | $169 | $20,155,954 | 12 |
| Feb 4, 2026 | 6 | $335,478 | -43% | -62% | 3,468 | $97 | $20,491,432 | 13 |
| Feb 5, 2026 | 6 | $307,858 | -8% | -50% | 3,468 | $89 | $20,799,290 | 14 |
| Feb 6, 2026 | 12 | $574,865 | +87% | -56% | 2,502 | $230 | $21,374,155 | 15 |
| Feb 7, 2026 | 11 | $993,409 | +73% | -52% | 2,502 | $397 | $22,367,564 | 16 |
| Feb 8, 2026 | 12 | $306,185 | -69% | -74% | 2,502 | $122 | $22,673,749 | 17 |
| Feb 9, 2026 | 12 | $174,734 | -43% | -47% | 2,502 | $70 | $22,848,483 | 18 |
| Feb 10, 2026 | 10 | $293,561 | +68% | -50% | 2,502 | $117 | $23,142,044 | 19 |
| Feb 11, 2026 | 10 | $191,832 | -35% | -43% | 2,502 | $77 | $23,333,876 | 20 |
| Feb 12, 2026 | 12 | $107,745 | -44% | -65% | 2,502 | $43 | $23,441,621 | 21 |
| Feb 13, 2026 | - | $119,764 | +11% | -79% | 765 | $157 | $23,561,385 | 22 |
| Feb 14, 2026 | - | $317,406 | +165% | -68% | 765 | $415 | $23,878,791 | 23 |
| Feb 15, 2026 | - | $139,218 | -56% | -55% | 765 | $182 | $24,018,009 | 24 |
| Feb 16, 2026 | - | $84,571 | -39% | -52% | 765 | $111 | $24,102,580 | 25 |
| Feb 17, 2026 | - | $45,296 | -46% | -85% | 765 | $59 | $24,147,876 | 26 |
| Feb 18, 2026 | - | $30,426 | -33% | -84% | 765 | $40 | $24,178,302 | 27 |
| Feb 19, 2026 | - | $25,884 | -15% | -76% | 765 | $34 | $24,204,186 | 28 |
| Feb 20, 2026 | - | $41,762 | +61% | -65% | 275 | $152 | $24,245,948 | 29 |
| Feb 21, 2026 | - | $66,840 | +60% | -79% | 275 | $243 | $24,312,788 | 30 |
| Feb 22, 2026 | - | $32,561 | -51% | -77% | 275 | $118 | $24,345,349 | 31 |
| Feb 23, 2026 | - | $8,902 | -73% | -89% | 275 | $32 | $24,354,251 | 32 |
| Feb 24, 2026 | - | $17,549 | +97% | -61% | 275 | $64 | $24,371,800 | 33 |
| Feb 25, 2026 | - | $10,319 | -41% | -66% | 275 | $38 | $24,382,119 | 34 |
| Feb 26, 2026 | - | $8,184 | -21% | -68% | 275 | $30 | $24,390,303 | 35 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 23, 2026 | 1 | $14,677,819 | 3,468 | $4,232 | $14,677,819 | 1 | |
| Jan 30, 2026 | 7 | $6,121,471 | -58% | 3,468 | $1,765 | $20,799,290 | 2 |
| Feb 6, 2026 | 11 | $2,642,331 | -57% | 2,502 | $1,056 | $23,441,621 | 3 |
| Feb 13, 2026 | 20 | $762,565 | -71% | 765 | $997 | $24,204,186 | 4 |
| Feb 20, 2026 | 29 | $186,117 | -76% | 275 | $677 | $24,390,303 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 1/22/2026 | $643,270 | 294 | 294 | 0 | $1,453,152 | 4/13/2026 | |||
| China | 1/23/2026 | $2,221,568 | 0 | 0 | 0 | $7,990,037 | 4/6/2026 | |||
| Croatia | 1/29/2026 | $11,456 | 24 | 24 | 38 | $19,402 | 4/4/2026 | |||
| Czech Republic | 1/22/2026 | $27,307 | 91 | 91 | 91 | $27,307 | 4/4/2026 | |||
| Finland | 1/23/2026 | $22,603 | 55 | 55 | 55 | $31,661 | 4/21/2026 | |||
| France | 1/28/2026 | $560,000 | 237 | 238 | 0 | $1,200,000 | 4/4/2026 | |||
| Germany | 1/22/2026 | $0 | 0 | 461 | 0 | $1,300,000 | 4/4/2026 | |||
| Italy | 1/22/2026 | $340,629 | 0 | 0 | 0 | $512,859 | 4/4/2026 | |||
| Japan | 1/23/2026 | $0 | 0 | 633 | 0 | $1,200,000 | 4/6/2026 | |||
| Mexico | 1/22/2026 | $0 | 0 | 1,031 | 0 | $1,800,000 | 4/4/2026 | |||
| Netherlands | 1/22/2026 | $289,475 | 102 | 102 | 316 | $717,952 | 4/4/2026 | |||
| New Zealand | 1/22/2026 | $91,448 | 81 | 81 | 0 | $170,929 | 4/4/2026 | |||
| Portugal | 1/22/2026 | $91,692 | 60 | 60 | 0 | $244,266 | 4/4/2026 | |||
| Romania | 1/23/2026 | $100,770 | 110 | 110 | 0 | $188,352 | 4/4/2026 | |||
| Russia (CIS) | 1/22/2026 | $172,687 | 137 | 137 | 266 | $350,833 | 4/6/2026 | |||
| Slovakia | 1/22/2026 | $20,884 | 60 | 60 | 84 | $35,030 | 4/4/2026 | |||
| South Korea | 2/4/2026 | $251,694 | 595 | 595 | 0 | $674,297 | 4/6/2026 | |||
| Spain | 1/22/2026 | $418,763 | 298 | 298 | 657 | $856,781 | 4/4/2026 | |||
| Taiwan | 2/5/2026 | $195,000 | 110 | 110 | 0 | $195,000 | 4/6/2026 | |||
| Turkey | 1/23/2026 | $87,620 | 211 | 211 | 344 | $210,197 | 4/4/2026 | |||
| United Kingdom | 1/23/2026 | $832,222 | 475 | 475 | 898 | $1,489,178 | 4/4/2026 | |||
| Rest of World | $8,632,767 | |||||||||
| International Total | $29,300,000 | 4/21/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Chris Pratt | Detective Chris Raven | |
| Rebecca Ferguson | Judge Maddox |
Supporting
| Annabelle Wallis | Nicole Raven | |
| Rafi Gavron | Holt Charles | |
| Chris Sullivan | Rob Nelson | |
| Kenneth Choi | Ray Vale | |
| Kylie Rogers | Britt Raven | |
| Kali Reis | Jacqueline “JAQ” Diallo | |
| Jeff Pierre | Patrick Burke | |
| Jamie McBride | Dan Vogel | |
| Ross John Gosla | David Webb | |
| Mark Daneri | Nicole’s Father | |
| Haydn Dalton | Bill Peterson | |
| Michael C. Mahon | Booking Sergeant | |
| Noah Fearnley | Tattooed Sleazebag | |
| Konstantin Podprugin | Alexander Varga | |
| Cully Pratt | Mercy Court Security Guard | |
| Philicia Saunders | Molly | |
| Jay Jackson | News Anchor | |
| Mahmoud Mahmoud | Police Officer | |
| Anja Akstin | SWAT Officer | |
| Katario Dupree Young | Officer Jacobs | |
| Evgenia Sinitsin | Young Britt (8) | |
| Richard Cetrone | Officer Beech | |
| Renata Ribeiro | Journalist | |
| Mike Tarnofsky | Captain Havelock | |
| John Bubniak | Officer Reed | |
| Tom Rezvan | Governor | |
| Kory Ison | Lead Paramedic | |
| Veronica Rose | Female Police Officer | |
| George Cambio | Mercy Chair Victim |
Production and Technical Credits
| Timur Bekmambetov | Director | |
| Marco van Belle | Screenwriter | |
| Charles Roven | Producer | |
| Robert Amidon | Producer | |
| Timur Bekmambetov | Producer | |
| Majd Nassif | Producer | |
| Mark Moran | Executive Producer | |
| Todd Williams | Executive Producer | |
| Khalid Mohtaseb | Cinematographer | |
| Austin Keeling | Editor | |
| Lam T. Nguyen* | Editor | |
| Collin Kraus | Co-Producer | |
| Andrew Fowler | Co-Producer | |
| Aysel Lyatifova | Associate Producer | |
| Pete Gianakakis | Associate Producer | |
| Axel Bonami | Visual Effects Supervisor | |
| Bryony Duncan | Visual Effects Producer | |
| Ilene Kim | Visual Effects Producer | |
| Donald Reynolds | Production Supervisor | |
| Danielle Daly | Post-Production Supervisor | |
| Chris Farmer | Supervising Art Director | |
| Zack Gonchor | Art Director | |
| Colin Sieburgh | Set Designer | |
| Shari Ratliff | Set Designer | |
| Sofia Avtaikina | Story Artist | |
| Danielle Berman | Set Decorator | |
| Pablo Borges | Costume Supervisor | |
| Luisa Abel | Make up | |
| Jamie Kelman | Make up | |
| Renee Vaca | Hairstylist | |
| Marc Boyle | Hairstylist | |
| Jody Blose | Script Supervisor | |
| Julian Howarth | Sound Mixer | |
| Daniel O’Brien | First Assistant Editor | |
| Nelson Powell | Assistant Editor | |
| James Lee | Assistant Editor | |
| Robert Mackenzie | Supervising Sound Editor | |
| Robert Mackenzie | Sound Designer | |
| Jared Dwyer | Sound Designer | |
| Robert Mackenzie | Re-recording Mixer | |
| Glenn Butler | Re-recording Mixer | |
| Jared Dwyer | Sound Effects Editor | |
| Andrew Miller | Sound Effects Editor | |
| Rick Lisle | Sound Effects Editor | |
| Nigel Christensen | Sound Effects Editor | |
| Marisa Marsionis | Dialogue/ADR Supervisor | |
| Dylan Burgess | Foley Artist/Foley Editor | |
| Steve Burgess | Foley Recordist | |
| Steve Burgess | Foley Editor | |
| Eric Frazier | Special Effects Supervisor | |
| Micah Roehr | Special Effects Coordinator | |
| Paul Butterworth | Visual Effects Supervisor | |
| Zachary Quemore | Location Manager | |
| Gabe Hilfer | Music Supervisor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
In the near future, a detective stands on trial accused of murdering his wife. He has 90 minutes to prove his innocence to the advanced A.I. Judge he once championed, before it determines his fate.
Metrics
| Opening Weekend: | $10,809,178 (44.3% of total gross) |
| Legs: | 2.26 (domestic box office/biggest weekend) |
| Domestic Share: | 45.4% (domestic box office/worldwide) |
| Production Budget: | $60,000,000 (worldwide box office is 0.9 times production budget) |
| Theater counts: | 3,468 opening theaters/3,468 max. theaters, 3.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $24,390,303 |
Movie Details
| Domestic Releases: | January 23rd, 2026 (Wide) by Amazon MGM Studios January 23rd, 2026 (IMAX) by Amazon MGM Studios |
| International Releases: | January 21st, 2026 (Wide), released as Zelastiba (Latvia)
January 22nd, 2026 (Wide), released as Mercy: Sotto Accusa (Italy) January 22nd, 2026 (Wide), released as Mercy (КАЗНИТЬ НЕЛЬЗЯ ПОМИЛОВАТЬ) (Russia (CIS)) January 22nd, 2026 (Wide) (Netherlands) January 22nd, 2026 (Wide), released as DŮKAZ VINY (Czech Republic) ... Show all releases |
| Video Release: | February 17th, 2026 by Amazon Studios |
| MPA Rating: | R for language, some violent/bloody images and brief drug use. (Rating bulletin 2866 (cert #55320), 12/25/2024) PG-13 for violence, bloody images, some strong language, drug content and teen smoking. (Rating bulletin 2904 (cert #55320) (Edited for Re-rate), 9/24/2025) |
| Running Time: | 100 minutes |
| Film format: | Computer Screen Film |
| Plot point: | Addiction, Death of a Partner, Death of a Sibling, Death of a Spouse or Fiancée / Fiancé, Falsely Accused, Framed, Relationships Gone Wrong, Revenge, Wrongfully Convicted |
| Subgenre: | Techno-Thriller |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Amazon MGM Studios, Atlas Entertainment, Bazelevs Company |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 23, 2026 | 1 | $10,809,178 | 3,468 | $3,117 | $10,809,178 | 1 | |
| Jan 30, 2026 | 7 | $4,562,937 | -58% | 3,468 | $1,316 | $19,240,756 | 2 |
| Feb 6, 2026 | 11 | $1,874,459 | -59% | 2,502 | $749 | $22,673,749 | 3 |
| Feb 13, 2026 | - | $576,388 | -69% | 765 | $753 | $24,018,009 | 4 |
| Feb 20, 2026 | - | $141,163 | -76% | 275 | $513 | $24,345,349 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jan 22, 2026 | P | $1,500,000 | 0 | $1,500,000 | ||||
| Jan 23, 2026 | 1 | $5,005,376 | 3,468 | $1,443 | $5,005,376 | 1 | ||
| Jan 24, 2026 | 1 | $3,987,768 | -20% | 3,468 | $1,150 | $8,993,144 | 2 | |
| Jan 25, 2026 | 1 | $1,816,034 | -54% | 3,468 | $524 | $10,809,178 | 3 | |
| Jan 26, 2026 | 1 | $861,044 | -53% | 3,468 | $248 | $11,670,222 | 4 | |
| Jan 27, 2026 | 1 | $1,515,783 | +76% | 3,468 | $437 | $13,186,005 | 5 | |
| Jan 28, 2026 | 1 | $877,641 | -42% | 3,468 | $253 | $14,063,646 | 6 | |
| Jan 29, 2026 | 1 | $614,173 | -30% | 3,468 | $177 | $14,677,819 | 7 | |
| Jan 30, 2026 | 5 | $1,300,176 | +112% | -74% | 3,468 | $375 | $15,977,995 | 8 |
| Jan 31, 2026 | 7 | $2,075,235 | +60% | -48% | 3,468 | $598 | $18,053,230 | 9 |
| Feb 1, 2026 | 7 | $1,187,526 | -43% | -35% | 3,468 | $342 | $19,240,756 | 10 |
| Feb 2, 2026 | 6 | $330,824 | -72% | -62% | 3,468 | $95 | $19,571,580 | 11 |
| Feb 3, 2026 | 6 | $584,374 | +77% | -61% | 3,468 | $169 | $20,155,954 | 12 |
| Feb 4, 2026 | 6 | $335,478 | -43% | -62% | 3,468 | $97 | $20,491,432 | 13 |
| Feb 5, 2026 | 6 | $307,858 | -8% | -50% | 3,468 | $89 | $20,799,290 | 14 |
| Feb 6, 2026 | 12 | $574,865 | +87% | -56% | 2,502 | $230 | $21,374,155 | 15 |
| Feb 7, 2026 | 11 | $993,409 | +73% | -52% | 2,502 | $397 | $22,367,564 | 16 |
| Feb 8, 2026 | 12 | $306,185 | -69% | -74% | 2,502 | $122 | $22,673,749 | 17 |
| Feb 9, 2026 | 12 | $174,734 | -43% | -47% | 2,502 | $70 | $22,848,483 | 18 |
| Feb 10, 2026 | 10 | $293,561 | +68% | -50% | 2,502 | $117 | $23,142,044 | 19 |
| Feb 11, 2026 | 10 | $191,832 | -35% | -43% | 2,502 | $77 | $23,333,876 | 20 |
| Feb 12, 2026 | 12 | $107,745 | -44% | -65% | 2,502 | $43 | $23,441,621 | 21 |
| Feb 13, 2026 | - | $119,764 | +11% | -79% | 765 | $157 | $23,561,385 | 22 |
| Feb 14, 2026 | - | $317,406 | +165% | -68% | 765 | $415 | $23,878,791 | 23 |
| Feb 15, 2026 | - | $139,218 | -56% | -55% | 765 | $182 | $24,018,009 | 24 |
| Feb 16, 2026 | - | $84,571 | -39% | -52% | 765 | $111 | $24,102,580 | 25 |
| Feb 17, 2026 | - | $45,296 | -46% | -85% | 765 | $59 | $24,147,876 | 26 |
| Feb 18, 2026 | - | $30,426 | -33% | -84% | 765 | $40 | $24,178,302 | 27 |
| Feb 19, 2026 | - | $25,884 | -15% | -76% | 765 | $34 | $24,204,186 | 28 |
| Feb 20, 2026 | - | $41,762 | +61% | -65% | 275 | $152 | $24,245,948 | 29 |
| Feb 21, 2026 | - | $66,840 | +60% | -79% | 275 | $243 | $24,312,788 | 30 |
| Feb 22, 2026 | - | $32,561 | -51% | -77% | 275 | $118 | $24,345,349 | 31 |
| Feb 23, 2026 | - | $8,902 | -73% | -89% | 275 | $32 | $24,354,251 | 32 |
| Feb 24, 2026 | - | $17,549 | +97% | -61% | 275 | $64 | $24,371,800 | 33 |
| Feb 25, 2026 | - | $10,319 | -41% | -66% | 275 | $38 | $24,382,119 | 34 |
| Feb 26, 2026 | - | $8,184 | -21% | -68% | 275 | $30 | $24,390,303 | 35 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 23, 2026 | 1 | $14,677,819 | 3,468 | $4,232 | $14,677,819 | 1 | |
| Jan 30, 2026 | 7 | $6,121,471 | -58% | 3,468 | $1,765 | $20,799,290 | 2 |
| Feb 6, 2026 | 11 | $2,642,331 | -57% | 2,502 | $1,056 | $23,441,621 | 3 |
| Feb 13, 2026 | 20 | $762,565 | -71% | 765 | $997 | $24,204,186 | 4 |
| Feb 20, 2026 | 29 | $186,117 | -76% | 275 | $677 | $24,390,303 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 1/22/2026 | $643,270 | 294 | 294 | 0 | $1,453,152 | 4/13/2026 | |||
| China | 1/23/2026 | $2,221,568 | 0 | 0 | 0 | $7,990,037 | 4/6/2026 | |||
| Croatia | 1/29/2026 | $11,456 | 24 | 24 | 38 | $19,402 | 4/4/2026 | |||
| Czech Republic | 1/22/2026 | $27,307 | 91 | 91 | 91 | $27,307 | 4/4/2026 | |||
| Finland | 1/23/2026 | $22,603 | 55 | 55 | 55 | $31,661 | 4/21/2026 | |||
| France | 1/28/2026 | $560,000 | 237 | 238 | 0 | $1,200,000 | 4/4/2026 | |||
| Germany | 1/22/2026 | $0 | 0 | 461 | 0 | $1,300,000 | 4/4/2026 | |||
| Italy | 1/22/2026 | $340,629 | 0 | 0 | 0 | $512,859 | 4/4/2026 | |||
| Japan | 1/23/2026 | $0 | 0 | 633 | 0 | $1,200,000 | 4/6/2026 | |||
| Mexico | 1/22/2026 | $0 | 0 | 1,031 | 0 | $1,800,000 | 4/4/2026 | |||
| Netherlands | 1/22/2026 | $289,475 | 102 | 102 | 316 | $717,952 | 4/4/2026 | |||
| New Zealand | 1/22/2026 | $91,448 | 81 | 81 | 0 | $170,929 | 4/4/2026 | |||
| Portugal | 1/22/2026 | $91,692 | 60 | 60 | 0 | $244,266 | 4/4/2026 | |||
| Romania | 1/23/2026 | $100,770 | 110 | 110 | 0 | $188,352 | 4/4/2026 | |||
| Russia (CIS) | 1/22/2026 | $172,687 | 137 | 137 | 266 | $350,833 | 4/6/2026 | |||
| Slovakia | 1/22/2026 | $20,884 | 60 | 60 | 84 | $35,030 | 4/4/2026 | |||
| South Korea | 2/4/2026 | $251,694 | 595 | 595 | 0 | $674,297 | 4/6/2026 | |||
| Spain | 1/22/2026 | $418,763 | 298 | 298 | 657 | $856,781 | 4/4/2026 | |||
| Taiwan | 2/5/2026 | $195,000 | 110 | 110 | 0 | $195,000 | 4/6/2026 | |||
| Turkey | 1/23/2026 | $87,620 | 211 | 211 | 344 | $210,197 | 4/4/2026 | |||
| United Kingdom | 1/23/2026 | $832,222 | 475 | 475 | 898 | $1,489,178 | 4/4/2026 | |||
| Rest of World | $8,632,767 | |||||||||
| International Total | $29,300,000 | 4/21/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Chris Pratt | Detective Chris Raven | |
| Rebecca Ferguson | Judge Maddox |
Supporting
| Annabelle Wallis | Nicole Raven | |
| Rafi Gavron | Holt Charles | |
| Chris Sullivan | Rob Nelson | |
| Kenneth Choi | Ray Vale | |
| Kylie Rogers | Britt Raven | |
| Kali Reis | Jacqueline “JAQ” Diallo | |
| Jeff Pierre | Patrick Burke | |
| Jamie McBride | Dan Vogel | |
| Ross John Gosla | David Webb | |
| Mark Daneri | Nicole’s Father | |
| Haydn Dalton | Bill Peterson | |
| Michael C. Mahon | Booking Sergeant | |
| Noah Fearnley | Tattooed Sleazebag | |
| Konstantin Podprugin | Alexander Varga | |
| Cully Pratt | Mercy Court Security Guard | |
| Philicia Saunders | Molly | |
| Jay Jackson | News Anchor | |
| Mahmoud Mahmoud | Police Officer | |
| Anja Akstin | SWAT Officer | |
| Katario Dupree Young | Officer Jacobs | |
| Evgenia Sinitsin | Young Britt (8) | |
| Richard Cetrone | Officer Beech | |
| Renata Ribeiro | Journalist | |
| Mike Tarnofsky | Captain Havelock | |
| John Bubniak | Officer Reed | |
| Tom Rezvan | Governor | |
| Kory Ison | Lead Paramedic | |
| Veronica Rose | Female Police Officer | |
| George Cambio | Mercy Chair Victim |
Production and Technical Credits
| Timur Bekmambetov | Director | |
| Marco van Belle | Screenwriter | |
| Charles Roven | Producer | |
| Robert Amidon | Producer | |
| Timur Bekmambetov | Producer | |
| Majd Nassif | Producer | |
| Mark Moran | Executive Producer | |
| Todd Williams | Executive Producer | |
| Khalid Mohtaseb | Cinematographer | |
| Austin Keeling | Editor | |
| Lam T. Nguyen* | Editor | |
| Collin Kraus | Co-Producer | |
| Andrew Fowler | Co-Producer | |
| Aysel Lyatifova | Associate Producer | |
| Pete Gianakakis | Associate Producer | |
| Axel Bonami | Visual Effects Supervisor | |
| Bryony Duncan | Visual Effects Producer | |
| Ilene Kim | Visual Effects Producer | |
| Donald Reynolds | Production Supervisor | |
| Danielle Daly | Post-Production Supervisor | |
| Chris Farmer | Supervising Art Director | |
| Zack Gonchor | Art Director | |
| Colin Sieburgh | Set Designer | |
| Shari Ratliff | Set Designer | |
| Sofia Avtaikina | Story Artist | |
| Danielle Berman | Set Decorator | |
| Pablo Borges | Costume Supervisor | |
| Luisa Abel | Make up | |
| Jamie Kelman | Make up | |
| Renee Vaca | Hairstylist | |
| Marc Boyle | Hairstylist | |
| Jody Blose | Script Supervisor | |
| Julian Howarth | Sound Mixer | |
| Daniel O’Brien | First Assistant Editor | |
| Nelson Powell | Assistant Editor | |
| James Lee | Assistant Editor | |
| Robert Mackenzie | Supervising Sound Editor | |
| Robert Mackenzie | Sound Designer | |
| Jared Dwyer | Sound Designer | |
| Robert Mackenzie | Re-recording Mixer | |
| Glenn Butler | Re-recording Mixer | |
| Jared Dwyer | Sound Effects Editor | |
| Andrew Miller | Sound Effects Editor | |
| Rick Lisle | Sound Effects Editor | |
| Nigel Christensen | Sound Effects Editor | |
| Marisa Marsionis | Dialogue/ADR Supervisor | |
| Dylan Burgess | Foley Artist/Foley Editor | |
| Steve Burgess | Foley Recordist | |
| Steve Burgess | Foley Editor | |
| Eric Frazier | Special Effects Supervisor | |
| Micah Roehr | Special Effects Coordinator | |
| Paul Butterworth | Visual Effects Supervisor | |
| Zachary Quemore | Location Manager | |
| Gabe Hilfer | Music Supervisor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.