Mes provinciales (2018)
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| Theatrical Performance | ||
| Domestic Box Office | $21,598 | Details |
| International Box Office | $89,598 | Details |
| Worldwide Box Office | $111,196 | |
| OpusData ID: 336370100 More info... | ||
| Further financial details... | ||
Synopsis
Etienne, a serious and impressionable shaggy-haired young cinephile, leaves behind his steady girlfriend in Lyon to study film in Paris. Settling into a dingy flat with a rotating cast of roommates, he immerses himself in a bohemian world of artists, intellectuals, and fellow film geeks who excitedly share their passion for Bresson, Ford, and obscure Russian directors. It’s a seemingly idyllic life of the mind—until more complicated matters of the flesh, as well as jealous creativity, intrude. Shooting in timeless black and white and interweaving references to philosophy, music, and cinema—from Pascal to Mahler to Parajanov—Jean-Paul Civeyrac conjures a bittersweet ode to the heady days of student life that evokes the films of the French New Wave.
Metrics
| Opening Weekend: | $3,467 (16.1% of total gross) |
| Legs: | 6.23 (domestic box office/biggest weekend) |
| Domestic Share: | 19.4% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/2 max. theaters, 4.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $28,357 |
Movie Details
| Domestic Releases: | August 31st, 2018 (Limited) by Kino Lorber, released as A Paris Education |
| International Releases: | April 20th, 2018 (Wide) (France)
May 18th, 2018 (Wide) (Brazil) February 14th, 2020 (Wide), released as A Paris Education (United Kingdom) |
| MPA Rating: | Not Rated |
| Running Time: | 136 minutes |
| Geographical setting: | France, Paris |
| Plot point: | Romance |
| Social setting: | College, Movie Business |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Moby Dick Films, ARP Selection |
| Production Countries: | France |
| Languages: | French |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 31, 2018 | 76 | $3,467 | 1 | $3,467 | $7,148 | 1 | |
| Sep 7, 2018 | 85 | $2,267 | -35% | 1 | $2,267 | $10,635 | 2 |
| Sep 14, 2018 | 89 | $1,939 | -14% | 2 | $970 | $13,926 | 3 |
| Sep 21, 2018 | 89 | $1,263 | -35% | 2 | $632 | $16,148 | 4 |
| Nov 2, 2018 | 83 | $1,355 | 2 | $678 | $19,568 | 10 | |
| Nov 9, 2018 | 93 | $228 | -83% | 1 | $228 | $19,796 | 11 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Aug 30, 2018 | P | $2,665 | 1 | $2,665 | $2,665 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 31, 2018 | 79 | $5,703 | 1 | $5,703 | $8,368 | 1 | |
| Sep 7, 2018 | 89 | $3,619 | -37% | 1 | $3,619 | $11,987 | 2 |
| Sep 14, 2018 | 89 | $2,898 | -20% | 2 | $1,449 | $14,885 | 3 |
| Sep 21, 2018 | 91 | $2,161 | -25% | 2 | $1,081 | $17,046 | 4 |
| Oct 19, 2018 | 91 | $1,140 | 1 | $1,140 | $18,186 | 8 | |
| Oct 26, 2018 | 107 | $27 | -98% | 1 | $27 | $18,213 | 9 |
| Nov 2, 2018 | 80 | $1,355 | +4,919% | 2 | $678 | $19,568 | 10 |
| Nov 9, 2018 | 101 | $273 | -80% | 1 | $273 | $20,069 | 11 |
| Dec 14, 2018 | 76 | $1,529 | 2 | $765 | $21,598 | 16 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Brazil | 5/18/2018 | $0 | 0 | 0 | 0 | $22,800 | 6/29/2018 | |||
| France | 4/20/2018 | $64,988 | 0 | 0 | 0 | $64,988 | 6/12/2018 | |||
| United Kingdom | 2/14/2020 | $1,810 | 4 | 4 | 4 | $1,810 | 4/4/2026 | |||
| International Total | $89,598 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Andranic Manet | Etienne |
Supporting
| Gonzague Van Bervesselès | Jean-Noël | |
| Corentin Fila | Mathias | |
| Diane Rouxel | Lucie | |
| Jenna Thiam | Valentina | |
| Sophie Verbeeck | Annabelle | |
| Valentine Catzeflis | Barbara | |
| Charlotte Van Bervesselès | Héloïse | |
| Nicolas Bouchaud | Paul Rossi | |
| Laurent Delbecque | William |
Production and Technical Credits
| Jean-Paul Civeyrac | Director | |
| Jean-Paul Civeyrac | Screenwriter | |
| Tigrane Avedikian | Assistant Director | |
| Pierre-Hubert Martin | Director of Photography | |
| Louise Narboni | Editor | |
| Brigitte Brassart | Production Designer | |
| Claire Dubien | Costume Designer | |
| Claire Dubien | Script Supervisor | |
| Francois Mereu | Sound Designer | |
| Philippe Grivel | Re-recording Mixer | |
| Constance Demontoy | Casting Director | |
| Flore Camus | Unit Manager | |
| Frédéric Niedermayer | Producer | |
| Michele Petin | Producer | |
| Laurent Petin | Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Etienne, a serious and impressionable shaggy-haired young cinephile, leaves behind his steady girlfriend in Lyon to study film in Paris. Settling into a dingy flat with a rotating cast of roommates, he immerses himself in a bohemian world of artists, intellectuals, and fellow film geeks who excitedly share their passion for Bresson, Ford, and obscure Russian directors. It’s a seemingly idyllic life of the mind—until more complicated matters of the flesh, as well as jealous creativity, intrude. Shooting in timeless black and white and interweaving references to philosophy, music, and cinema—from Pascal to Mahler to Parajanov—Jean-Paul Civeyrac conjures a bittersweet ode to the heady days of student life that evokes the films of the French New Wave.
Metrics
| Opening Weekend: | $3,467 (16.1% of total gross) |
| Legs: | 6.23 (domestic box office/biggest weekend) |
| Domestic Share: | 19.4% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/2 max. theaters, 4.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $28,357 |
Movie Details
| Domestic Releases: | August 31st, 2018 (Limited) by Kino Lorber, released as A Paris Education |
| International Releases: | April 20th, 2018 (Wide) (France)
May 18th, 2018 (Wide) (Brazil) February 14th, 2020 (Wide), released as A Paris Education (United Kingdom) |
| MPA Rating: | Not Rated |
| Running Time: | 136 minutes |
| Geographical setting: | France, Paris |
| Plot point: | Romance |
| Social setting: | College, Movie Business |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Moby Dick Films, ARP Selection |
| Production Countries: | France |
| Languages: | French |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 31, 2018 | 76 | $3,467 | 1 | $3,467 | $7,148 | 1 | |
| Sep 7, 2018 | 85 | $2,267 | -35% | 1 | $2,267 | $10,635 | 2 |
| Sep 14, 2018 | 89 | $1,939 | -14% | 2 | $970 | $13,926 | 3 |
| Sep 21, 2018 | 89 | $1,263 | -35% | 2 | $632 | $16,148 | 4 |
| Nov 2, 2018 | 83 | $1,355 | 2 | $678 | $19,568 | 10 | |
| Nov 9, 2018 | 93 | $228 | -83% | 1 | $228 | $19,796 | 11 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Aug 30, 2018 | P | $2,665 | 1 | $2,665 | $2,665 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 31, 2018 | 79 | $5,703 | 1 | $5,703 | $8,368 | 1 | |
| Sep 7, 2018 | 89 | $3,619 | -37% | 1 | $3,619 | $11,987 | 2 |
| Sep 14, 2018 | 89 | $2,898 | -20% | 2 | $1,449 | $14,885 | 3 |
| Sep 21, 2018 | 91 | $2,161 | -25% | 2 | $1,081 | $17,046 | 4 |
| Oct 19, 2018 | 91 | $1,140 | 1 | $1,140 | $18,186 | 8 | |
| Oct 26, 2018 | 107 | $27 | -98% | 1 | $27 | $18,213 | 9 |
| Nov 2, 2018 | 80 | $1,355 | +4,919% | 2 | $678 | $19,568 | 10 |
| Nov 9, 2018 | 101 | $273 | -80% | 1 | $273 | $20,069 | 11 |
| Dec 14, 2018 | 76 | $1,529 | 2 | $765 | $21,598 | 16 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Brazil | 5/18/2018 | $0 | 0 | 0 | 0 | $22,800 | 6/29/2018 | |||
| France | 4/20/2018 | $64,988 | 0 | 0 | 0 | $64,988 | 6/12/2018 | |||
| United Kingdom | 2/14/2020 | $1,810 | 4 | 4 | 4 | $1,810 | 4/4/2026 | |||
| International Total | $89,598 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Andranic Manet | Etienne |
Supporting
| Gonzague Van Bervesselès | Jean-Noël | |
| Corentin Fila | Mathias | |
| Diane Rouxel | Lucie | |
| Jenna Thiam | Valentina | |
| Sophie Verbeeck | Annabelle | |
| Valentine Catzeflis | Barbara | |
| Charlotte Van Bervesselès | Héloïse | |
| Nicolas Bouchaud | Paul Rossi | |
| Laurent Delbecque | William |
Production and Technical Credits
| Jean-Paul Civeyrac | Director | |
| Jean-Paul Civeyrac | Screenwriter | |
| Tigrane Avedikian | Assistant Director | |
| Pierre-Hubert Martin | Director of Photography | |
| Louise Narboni | Editor | |
| Brigitte Brassart | Production Designer | |
| Claire Dubien | Costume Designer | |
| Claire Dubien | Script Supervisor | |
| Francois Mereu | Sound Designer | |
| Philippe Grivel | Re-recording Mixer | |
| Constance Demontoy | Casting Director | |
| Flore Camus | Unit Manager | |
| Frédéric Niedermayer | Producer | |
| Michele Petin | Producer | |
| Laurent Petin | Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.