Mia et le lion blanc (2018)
(2018).jpg)
| Theatrical Performance | ||
| Domestic Box Office | $400,498 | Details |
| International Box Office | $33,899,357 | Details |
| Worldwide Box Office | $34,299,855 | |
| OpusData ID: 391480100 More info... | ||
| Further financial details... | ||
Synopsis
Ten year-old Mia has her life turned upside down when her family decides to leave their home in London to manage a lion farm in South Africa. When a beautiful white lion, Charlie, is born, Mia find happiness again as she develops a close attachment to the wild cub. After three years, Mia’s life is rocked once again when she uncovers an upsetting secret kept hidden by her father. Distraught by the thought that Charlie could be in harm, Mia decides to run away leaving the farm and her family behind. The two set off on an epic adventure across the wild African savanna in search for another land where Charlie can live out his life safe and free.
Metrics
| Opening Weekend: | $192,816 (48.1% of total gross) |
| Legs: | 2.08 (domestic box office/biggest weekend) |
| Domestic Share: | 1.2% (domestic box office/worldwide) |
| Theater counts: | 312 opening theaters/312 max. theaters, 1.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $522,915 |
Movie Details
| Domestic Releases: | April 12th, 2019 (Limited) by Ledafilms, released as Mia and the White Lion |
| International Releases: | December 26th, 2018 (Wide) (France)
January 17th, 2019 (Wide), released as Mia e il leone bianco (Italy) February 1st, 2019 (Wide) (Germany) February 1st, 2019 (Wide) (Poland) February 8th, 2019 (Wide), released as Mia e o Leão Branco (Portugal) ... Show all releases |
| Video Release: | July 2nd, 2019 by Shout Factory, released as Mia and the White Lion |
| MPA Rating: | PG for thematic elements, peril and some language. (Rating bulletin 2565 (Cert #52025), 2/13/2019) |
| Running Time: | 97 minutes |
| Cast, crew, or production detail: | Animal Lead |
| Geographical setting: | Africa |
| Plot point: | Coming of Age, Nightmare, Runaway, Soccer |
| Subgenre: | Family Adventure |
| Source: | Original Screenplay |
| Genre: | Adventure |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | M6 Films, Galatee Films, Outside Films, StudioCanal, Film Afrika Worldwide, Pandora Filmproduktion, Canal Plus, Cine Plus, Film- und Medienstiftung NRW |
| Production Countries: | France, South Africa, Germany |
| Languages: | French, English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 12, 2019 | 20 | $192,816 | 312 | $618 | $192,816 | 1 | |
| Apr 19, 2019 | 39 | $50,317 | -74% | 67 | $751 | $358,573 | 2 |
| Apr 26, 2019 | 60 | $7,215 | -86% | 5 | $1,443 | $390,310 | 3 |
| May 3, 2019 | 71 | $3,260 | -55% | 5 | $652 | $396,020 | 4 |
| May 10, 2019 | 74 | $1,728 | -47% | 4 | $432 | $398,983 | 5 |
| May 17, 2019 | 96 | $359 | -79% | 1 | $359 | $400,278 | 6 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Apr 12, 2019 | - | $50,544 | 312 | $162 | $50,544 | 1 | ||
| Apr 13, 2019 | - | $83,616 | +65% | 312 | $268 | $134,160 | 2 | |
| Apr 14, 2019 | - | $58,656 | -30% | 312 | $188 | $192,816 | 3 | |
| Apr 15, 2019 | - | $23,400 | -60% | 312 | $75 | $216,216 | 4 | |
| Apr 16, 2019 | - | $42,432 | +81% | 312 | $136 | $258,648 | 5 | |
| Apr 17, 2019 | - | $22,464 | -47% | 312 | $72 | $281,112 | 6 | |
| Apr 18, 2019 | - | $27,144 | +21% | 312 | $87 | $308,256 | 7 | |
| Apr 19, 2019 | - | $22,177 | -18% | -56% | 67 | $331 | $330,433 | 8 |
| Apr 20, 2019 | - | $17,956 | -19% | -79% | 67 | $268 | $348,389 | 9 |
| Apr 21, 2019 | - | $10,184 | -43% | -83% | 67 | $152 | $358,573 | 10 |
| Apr 22, 2019 | - | $10,050 | -1% | -57% | 67 | $150 | $368,623 | 11 |
| Apr 23, 2019 | - | $5,963 | -41% | -86% | 67 | $89 | $374,586 | 12 |
| Apr 24, 2019 | - | $4,556 | -24% | -80% | 67 | $68 | $379,142 | 13 |
| Apr 25, 2019 | - | $3,953 | -13% | -85% | 67 | $59 | $383,095 | 14 |
| Apr 26, 2019 | - | $1,370 | -65% | -94% | 5 | $274 | $384,465 | 15 |
| Apr 27, 2019 | - | $3,780 | +176% | -79% | 5 | $756 | $388,245 | 16 |
| Apr 28, 2019 | - | $2,065 | -45% | -80% | 5 | $413 | $390,310 | 17 |
| Apr 29, 2019 | - | $335 | -84% | -97% | 5 | $67 | $390,645 | 18 |
| Apr 30, 2019 | - | $930 | +178% | -84% | 5 | $186 | $391,575 | 19 |
| May 1, 2019 | - | $665 | -28% | -85% | 5 | $133 | $392,240 | 20 |
| May 2, 2019 | - | $520 | -22% | -87% | 5 | $104 | $392,760 | 21 |
| May 3, 2019 | - | $1,145 | +120% | -16% | 5 | $229 | $393,905 | 22 |
| May 4, 2019 | - | $1,440 | +26% | -62% | 5 | $288 | $395,345 | 23 |
| May 5, 2019 | - | $675 | -53% | -67% | 5 | $135 | $396,020 | 24 |
| May 6, 2019 | - | $210 | -69% | -37% | 5 | $42 | $396,230 | 25 |
| May 7, 2019 | - | $525 | +150% | -44% | 5 | $105 | $396,755 | 26 |
| May 8, 2019 | - | $250 | -52% | -62% | 5 | $50 | $397,005 | 27 |
| May 9, 2019 | - | $250 | n/c | -52% | 5 | $50 | $397,255 | 28 |
| May 10, 2019 | - | $596 | +138% | -48% | 5 | $119 | $397,851 | 29 |
| May 11, 2019 | - | $648 | +9% | -55% | 5 | $130 | $398,499 | 30 |
| May 12, 2019 | - | $484 | -25% | -28% | 4 | $121 | $398,983 | 31 |
| May 13, 2019 | - | $144 | -70% | -31% | 4 | $36 | $399,127 | 32 |
| May 14, 2019 | - | $344 | +139% | -34% | 4 | $86 | $399,471 | 33 |
| May 16, 2019 | - | $272 | +9% | 4 | $68 | $399,919 | 35 | |
| May 17, 2019 | - | $102 | -63% | -83% | 1 | $102 | $400,021 | 36 |
| May 18, 2019 | - | $164 | +61% | -75% | 1 | $164 | $400,185 | 37 |
| May 19, 2019 | - | $93 | -43% | -81% | 1 | $93 | $400,278 | 38 |
| May 20, 2019 | - | $144 | +55% | n/c | 1 | $144 | $400,422 | 39 |
| May 21, 2019 | - | $36 | -75% | -90% | 1 | $36 | $400,458 | 40 |
| May 22, 2019 | - | $10 | -72% | 1 | $10 | $400,468 | 41 | |
| May 23, 2019 | - | $30 | +200% | -89% | 1 | $30 | $400,498 | 42 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 12, 2019 | 22 | $308,256 | 312 | $988 | $308,256 | 1 | |
| Apr 19, 2019 | 42 | $74,839 | -76% | 67 | $1,117 | $383,095 | 2 |
| Apr 26, 2019 | 62 | $9,665 | -87% | 5 | $1,933 | $392,760 | 3 |
| May 3, 2019 | 74 | $4,245 | -56% | 5 | $849 | $397,005 | 4 |
| May 10, 2019 | 78 | $2,914 | -31% | 4 | $729 | $399,919 | 5 |
| May 17, 2019 | 93 | $579 | -80% | 1 | $579 | $400,498 | 6 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 6/7/2019 | $45,270 | 105 | 105 | 141 | $78,152 | 7/11/2019 | |||
| Brazil | 5/10/2019 | $64,233 | 125 | 125 | 125 | $107,625 | 5/18/2019 | |||
| China | 7/31/2020 | $80,000 | 6,194 | 6,194 | 6,194 | $80,000 | 8/27/2020 | |||
| Czech Republic | 4/26/2019 | $41,032 | 62 | 62 | 297 | $242,269 | 10/19/2022 | |||
| France | 12/26/2018 | $0 | 0 | 559 | 3,078 | $11,501,754 | 4/4/2026 | |||
| Germany | 2/1/2019 | $996,359 | 0 | 0 | 0 | $2,142,742 | 2/16/2019 | |||
| Italy | 1/17/2019 | $2,215,210 | 0 | 68 | 138 | $6,315,506 | 12/13/2019 | |||
| Lithuania | 3/29/2019 | $1,607 | 5 | 113 | 240 | $61,710 | 5/28/2019 | |||
| Mexico | 2/22/2019 | $324,081 | 0 | 0 | 0 | $642,936 | 3/4/2019 | |||
| New Zealand | 8/29/2019 | $7,489 | 39 | 39 | 100 | $26,101 | 10/19/2022 | |||
| Poland | 2/1/2019 | $371,758 | 168 | 168 | 1,008 | $2,182,665 | 3/15/2019 | |||
| Portugal | 2/8/2019 | $16,109 | 23 | 26 | 87 | $46,897 | 4/11/2019 | |||
| Romania | 10/16/2020 | $0 | 0 | 2 | 2 | $95,035 | 2/3/2021 | |||
| Russia (CIS) | 4/11/2019 | $195,989 | 523 | 579 | 1,827 | $433,920 | 10/19/2022 | |||
| Slovakia | 4/19/2019 | $1,527 | 13 | 62 | 225 | $157,448 | 7/2/2019 | |||
| Spain | 4/12/2019 | $552,934 | 262 | 301 | 2,229 | $4,102,077 | 6/20/2019 | |||
| Turkey | 10/9/2020 | $1,463 | 46 | 46 | 63 | $2,774 | 4/4/2026 | |||
| Rest of World | $5,679,746 | |||||||||
| International Total | $33,899,357 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Daniah De Villiers | Mia |
Supporting
| Mélanie Laurent | Alice | |
| Langley Kirkwood | John | |
| Ryan Mac Lennan | Mick | |
| Lionel Newton | Kevin | |
| Lillian Dube | Jodie | |
| Brandon Auret | Dirk |
Production and Technical Credits
| Gilles de Maistre | Director | |
| Prune de Maistre | Story based on an original idea by | |
| Gilles de Maistre | Story based on an original idea by | |
| Prune de Maistre | Screenwriter | |
| William Davies | Screenwriter | |
| Valentine Perrin | Producer | |
| Jacques Perrin | Producer | |
| Nicolas Elghozi | Producer | |
| Gilles de Maistre | Producer | |
| Stéphane Simon | Producer | |
| Catherine Camborde | Producer | |
| Meryl Schutte | Co-Producer | |
| Valérie Legrain-Dousseau | Co-Producer | |
| Rudi Van As | Co-Producer | |
| Reinhard Brundig | Co-Producer | |
| Jean-Francois François | Assistant Director | |
| Louise Arhex | Screenwriter | |
| Brendan Barnes | Director of Photography | |
| Jane Blewett | Make-up and Hair Designer | |
| Mary-Sue Morris | Make-up and Hair Designer | |
| Ruth Greaves | Set Designer | |
| Julien Rey | Editor | |
| Rainer Heesch | Sound Editor | |
| Corinna Fleig | Sound Editor | |
| Armand Amar | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Ten year-old Mia has her life turned upside down when her family decides to leave their home in London to manage a lion farm in South Africa. When a beautiful white lion, Charlie, is born, Mia find happiness again as she develops a close attachment to the wild cub. After three years, Mia’s life is rocked once again when she uncovers an upsetting secret kept hidden by her father. Distraught by the thought that Charlie could be in harm, Mia decides to run away leaving the farm and her family behind. The two set off on an epic adventure across the wild African savanna in search for another land where Charlie can live out his life safe and free.
Metrics
| Opening Weekend: | $192,816 (48.1% of total gross) |
| Legs: | 2.08 (domestic box office/biggest weekend) |
| Domestic Share: | 1.2% (domestic box office/worldwide) |
| Theater counts: | 312 opening theaters/312 max. theaters, 1.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $522,915 |
Movie Details
| Domestic Releases: | April 12th, 2019 (Limited) by Ledafilms, released as Mia and the White Lion |
| International Releases: | December 26th, 2018 (Wide) (France)
January 17th, 2019 (Wide), released as Mia e il leone bianco (Italy) February 1st, 2019 (Wide) (Germany) February 1st, 2019 (Wide) (Poland) February 8th, 2019 (Wide), released as Mia e o Leão Branco (Portugal) ... Show all releases |
| Video Release: | July 2nd, 2019 by Shout Factory, released as Mia and the White Lion |
| MPA Rating: | PG for thematic elements, peril and some language. (Rating bulletin 2565 (Cert #52025), 2/13/2019) |
| Running Time: | 97 minutes |
| Cast, crew, or production detail: | Animal Lead |
| Geographical setting: | Africa |
| Plot point: | Coming of Age, Nightmare, Runaway, Soccer |
| Subgenre: | Family Adventure |
| Source: | Original Screenplay |
| Genre: | Adventure |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | M6 Films, Galatee Films, Outside Films, StudioCanal, Film Afrika Worldwide, Pandora Filmproduktion, Canal Plus, Cine Plus, Film- und Medienstiftung NRW |
| Production Countries: | France, South Africa, Germany |
| Languages: | French, English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 12, 2019 | 20 | $192,816 | 312 | $618 | $192,816 | 1 | |
| Apr 19, 2019 | 39 | $50,317 | -74% | 67 | $751 | $358,573 | 2 |
| Apr 26, 2019 | 60 | $7,215 | -86% | 5 | $1,443 | $390,310 | 3 |
| May 3, 2019 | 71 | $3,260 | -55% | 5 | $652 | $396,020 | 4 |
| May 10, 2019 | 74 | $1,728 | -47% | 4 | $432 | $398,983 | 5 |
| May 17, 2019 | 96 | $359 | -79% | 1 | $359 | $400,278 | 6 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Apr 12, 2019 | - | $50,544 | 312 | $162 | $50,544 | 1 | ||
| Apr 13, 2019 | - | $83,616 | +65% | 312 | $268 | $134,160 | 2 | |
| Apr 14, 2019 | - | $58,656 | -30% | 312 | $188 | $192,816 | 3 | |
| Apr 15, 2019 | - | $23,400 | -60% | 312 | $75 | $216,216 | 4 | |
| Apr 16, 2019 | - | $42,432 | +81% | 312 | $136 | $258,648 | 5 | |
| Apr 17, 2019 | - | $22,464 | -47% | 312 | $72 | $281,112 | 6 | |
| Apr 18, 2019 | - | $27,144 | +21% | 312 | $87 | $308,256 | 7 | |
| Apr 19, 2019 | - | $22,177 | -18% | -56% | 67 | $331 | $330,433 | 8 |
| Apr 20, 2019 | - | $17,956 | -19% | -79% | 67 | $268 | $348,389 | 9 |
| Apr 21, 2019 | - | $10,184 | -43% | -83% | 67 | $152 | $358,573 | 10 |
| Apr 22, 2019 | - | $10,050 | -1% | -57% | 67 | $150 | $368,623 | 11 |
| Apr 23, 2019 | - | $5,963 | -41% | -86% | 67 | $89 | $374,586 | 12 |
| Apr 24, 2019 | - | $4,556 | -24% | -80% | 67 | $68 | $379,142 | 13 |
| Apr 25, 2019 | - | $3,953 | -13% | -85% | 67 | $59 | $383,095 | 14 |
| Apr 26, 2019 | - | $1,370 | -65% | -94% | 5 | $274 | $384,465 | 15 |
| Apr 27, 2019 | - | $3,780 | +176% | -79% | 5 | $756 | $388,245 | 16 |
| Apr 28, 2019 | - | $2,065 | -45% | -80% | 5 | $413 | $390,310 | 17 |
| Apr 29, 2019 | - | $335 | -84% | -97% | 5 | $67 | $390,645 | 18 |
| Apr 30, 2019 | - | $930 | +178% | -84% | 5 | $186 | $391,575 | 19 |
| May 1, 2019 | - | $665 | -28% | -85% | 5 | $133 | $392,240 | 20 |
| May 2, 2019 | - | $520 | -22% | -87% | 5 | $104 | $392,760 | 21 |
| May 3, 2019 | - | $1,145 | +120% | -16% | 5 | $229 | $393,905 | 22 |
| May 4, 2019 | - | $1,440 | +26% | -62% | 5 | $288 | $395,345 | 23 |
| May 5, 2019 | - | $675 | -53% | -67% | 5 | $135 | $396,020 | 24 |
| May 6, 2019 | - | $210 | -69% | -37% | 5 | $42 | $396,230 | 25 |
| May 7, 2019 | - | $525 | +150% | -44% | 5 | $105 | $396,755 | 26 |
| May 8, 2019 | - | $250 | -52% | -62% | 5 | $50 | $397,005 | 27 |
| May 9, 2019 | - | $250 | n/c | -52% | 5 | $50 | $397,255 | 28 |
| May 10, 2019 | - | $596 | +138% | -48% | 5 | $119 | $397,851 | 29 |
| May 11, 2019 | - | $648 | +9% | -55% | 5 | $130 | $398,499 | 30 |
| May 12, 2019 | - | $484 | -25% | -28% | 4 | $121 | $398,983 | 31 |
| May 13, 2019 | - | $144 | -70% | -31% | 4 | $36 | $399,127 | 32 |
| May 14, 2019 | - | $344 | +139% | -34% | 4 | $86 | $399,471 | 33 |
| May 16, 2019 | - | $272 | +9% | 4 | $68 | $399,919 | 35 | |
| May 17, 2019 | - | $102 | -63% | -83% | 1 | $102 | $400,021 | 36 |
| May 18, 2019 | - | $164 | +61% | -75% | 1 | $164 | $400,185 | 37 |
| May 19, 2019 | - | $93 | -43% | -81% | 1 | $93 | $400,278 | 38 |
| May 20, 2019 | - | $144 | +55% | n/c | 1 | $144 | $400,422 | 39 |
| May 21, 2019 | - | $36 | -75% | -90% | 1 | $36 | $400,458 | 40 |
| May 22, 2019 | - | $10 | -72% | 1 | $10 | $400,468 | 41 | |
| May 23, 2019 | - | $30 | +200% | -89% | 1 | $30 | $400,498 | 42 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 12, 2019 | 22 | $308,256 | 312 | $988 | $308,256 | 1 | |
| Apr 19, 2019 | 42 | $74,839 | -76% | 67 | $1,117 | $383,095 | 2 |
| Apr 26, 2019 | 62 | $9,665 | -87% | 5 | $1,933 | $392,760 | 3 |
| May 3, 2019 | 74 | $4,245 | -56% | 5 | $849 | $397,005 | 4 |
| May 10, 2019 | 78 | $2,914 | -31% | 4 | $729 | $399,919 | 5 |
| May 17, 2019 | 93 | $579 | -80% | 1 | $579 | $400,498 | 6 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 6/7/2019 | $45,270 | 105 | 105 | 141 | $78,152 | 7/11/2019 | |||
| Brazil | 5/10/2019 | $64,233 | 125 | 125 | 125 | $107,625 | 5/18/2019 | |||
| China | 7/31/2020 | $80,000 | 6,194 | 6,194 | 6,194 | $80,000 | 8/27/2020 | |||
| Czech Republic | 4/26/2019 | $41,032 | 62 | 62 | 297 | $242,269 | 10/19/2022 | |||
| France | 12/26/2018 | $0 | 0 | 559 | 3,078 | $11,501,754 | 4/4/2026 | |||
| Germany | 2/1/2019 | $996,359 | 0 | 0 | 0 | $2,142,742 | 2/16/2019 | |||
| Italy | 1/17/2019 | $2,215,210 | 0 | 68 | 138 | $6,315,506 | 12/13/2019 | |||
| Lithuania | 3/29/2019 | $1,607 | 5 | 113 | 240 | $61,710 | 5/28/2019 | |||
| Mexico | 2/22/2019 | $324,081 | 0 | 0 | 0 | $642,936 | 3/4/2019 | |||
| New Zealand | 8/29/2019 | $7,489 | 39 | 39 | 100 | $26,101 | 10/19/2022 | |||
| Poland | 2/1/2019 | $371,758 | 168 | 168 | 1,008 | $2,182,665 | 3/15/2019 | |||
| Portugal | 2/8/2019 | $16,109 | 23 | 26 | 87 | $46,897 | 4/11/2019 | |||
| Romania | 10/16/2020 | $0 | 0 | 2 | 2 | $95,035 | 2/3/2021 | |||
| Russia (CIS) | 4/11/2019 | $195,989 | 523 | 579 | 1,827 | $433,920 | 10/19/2022 | |||
| Slovakia | 4/19/2019 | $1,527 | 13 | 62 | 225 | $157,448 | 7/2/2019 | |||
| Spain | 4/12/2019 | $552,934 | 262 | 301 | 2,229 | $4,102,077 | 6/20/2019 | |||
| Turkey | 10/9/2020 | $1,463 | 46 | 46 | 63 | $2,774 | 4/4/2026 | |||
| Rest of World | $5,679,746 | |||||||||
| International Total | $33,899,357 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Daniah De Villiers | Mia |
Supporting
| Mélanie Laurent | Alice | |
| Langley Kirkwood | John | |
| Ryan Mac Lennan | Mick | |
| Lionel Newton | Kevin | |
| Lillian Dube | Jodie | |
| Brandon Auret | Dirk |
Production and Technical Credits
| Gilles de Maistre | Director | |
| Prune de Maistre | Story based on an original idea by | |
| Gilles de Maistre | Story based on an original idea by | |
| Prune de Maistre | Screenwriter | |
| William Davies | Screenwriter | |
| Valentine Perrin | Producer | |
| Jacques Perrin | Producer | |
| Nicolas Elghozi | Producer | |
| Gilles de Maistre | Producer | |
| Stéphane Simon | Producer | |
| Catherine Camborde | Producer | |
| Meryl Schutte | Co-Producer | |
| Valérie Legrain-Dousseau | Co-Producer | |
| Rudi Van As | Co-Producer | |
| Reinhard Brundig | Co-Producer | |
| Jean-Francois François | Assistant Director | |
| Louise Arhex | Screenwriter | |
| Brendan Barnes | Director of Photography | |
| Jane Blewett | Make-up and Hair Designer | |
| Mary-Sue Morris | Make-up and Hair Designer | |
| Ruth Greaves | Set Designer | |
| Julien Rey | Editor | |
| Rainer Heesch | Sound Editor | |
| Corinna Fleig | Sound Editor | |
| Armand Amar | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.