The Midnight Sky (2020)
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| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| International Box Office | $75,615 | Details |
| Worldwide Box Office | $75,615 | |
| OpusData ID: 478340100 More info... | ||
| Further financial details... | ||
Synopsis
In the aftermath of a global catastrophe, a lone scientist in the Arctic races to contact a crew of astronauts with a warning not to return to Earth.
Metrics
| Production Budget: | $100,000,000 (worldwide box office is 0.0 times production budget) |
Movie Details
| International Releases: | December 9th, 2020 (Wide) (South Korea)
December 11th, 2020 (Wide) (Netherlands) 2021 (Wide) (Australia) |
| Video Release: | December 23rd, 2020 by Netflix |
| MPA Rating: | PG-13 for some bloody images and brief strong language. (Rating bulletin 2651 (cert #52740), 10/14/2020) |
| Running Time: | 118 minutes |
| Cast, crew, or production detail: | Directing Yourself |
| Social setting: | Space Program |
| Subgenre: | Survival Adventure |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Adventure |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Netflix, Smokehouse Pictures, Anonymous Content |
| Production Countries: | United States |
| Languages: | English |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Netherlands | 12/11/2020 | $22,068 | 14 | 14 | 14 | $22,068 | 12/14/2020 | |||
| South Korea | 12/9/2020 | $24,675 | 218 | 218 | 282 | $53,547 | 12/22/2020 | |||
| International Total | $75,615 | 12/22/2020 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| George Clooney | Augustine Lofthouse |
Supporting
| Felicity Jones | Sully | |
| David Oyelowo | Adewole | |
| Tiffany Boone | Maya Peters | |
| Demián Bichir | Sanchez | |
| Kyle Chandler | Mitchell |
Leading
| Caoilinn Springall | Iris |
Supporting
| Sophie Rundle | Jean | |
| Tim Russ | Brendan Greer | |
| Edan Hayhurst | Boy |
Production and Technical Credits
| George Clooney | Director | |
| Mark L. Smith | Screenwriter | |
| Lily Brooks-Dalton | Story based on the book “Good Morning, Midnight” by | |
| Grant Heslov | Producer | |
| George Clooney | Producer | |
| Keith Redmon | Producer | |
| Bard Dorros | Producer | |
| Cliff Roberts | Producer | |
| Barbara A. Hall | Executive Producer | |
| Todd Shuster | Executive Producer | |
| Jennifer Gates | Executive Producer | |
| Greg Baxter | Executive Producer | |
| Martin Ruhe | Director of Photography | |
| Jim Bissell | Production Designer | |
| Stephen Mirrione | Editor | |
| Jenny Eagan | Costume Designer | |
| Alexandre Desplat | Composer | |
| Rachel Tenner | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
In the aftermath of a global catastrophe, a lone scientist in the Arctic races to contact a crew of astronauts with a warning not to return to Earth.
Metrics
| Production Budget: | $100,000,000 (worldwide box office is 0.0 times production budget) |
Movie Details
| International Releases: | December 9th, 2020 (Wide) (South Korea)
December 11th, 2020 (Wide) (Netherlands) 2021 (Wide) (Australia) |
| Video Release: | December 23rd, 2020 by Netflix |
| MPA Rating: | PG-13 for some bloody images and brief strong language. (Rating bulletin 2651 (cert #52740), 10/14/2020) |
| Running Time: | 118 minutes |
| Cast, crew, or production detail: | Directing Yourself |
| Social setting: | Space Program |
| Subgenre: | Survival Adventure |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Adventure |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Netflix, Smokehouse Pictures, Anonymous Content |
| Production Countries: | United States |
| Languages: | English |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Netherlands | 12/11/2020 | $22,068 | 14 | 14 | 14 | $22,068 | 12/14/2020 | |||
| South Korea | 12/9/2020 | $24,675 | 218 | 218 | 282 | $53,547 | 12/22/2020 | |||
| International Total | $75,615 | 12/22/2020 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| George Clooney | Augustine Lofthouse |
Supporting
| Felicity Jones | Sully | |
| David Oyelowo | Adewole | |
| Tiffany Boone | Maya Peters | |
| Demián Bichir | Sanchez | |
| Kyle Chandler | Mitchell |
Leading
| Caoilinn Springall | Iris |
Supporting
| Sophie Rundle | Jean | |
| Tim Russ | Brendan Greer | |
| Edan Hayhurst | Boy |
Production and Technical Credits
| George Clooney | Director | |
| Mark L. Smith | Screenwriter | |
| Lily Brooks-Dalton | Story based on the book “Good Morning, Midnight” by | |
| Grant Heslov | Producer | |
| George Clooney | Producer | |
| Keith Redmon | Producer | |
| Bard Dorros | Producer | |
| Cliff Roberts | Producer | |
| Barbara A. Hall | Executive Producer | |
| Todd Shuster | Executive Producer | |
| Jennifer Gates | Executive Producer | |
| Greg Baxter | Executive Producer | |
| Martin Ruhe | Director of Photography | |
| Jim Bissell | Production Designer | |
| Stephen Mirrione | Editor | |
| Jenny Eagan | Costume Designer | |
| Alexandre Desplat | Composer | |
| Rachel Tenner | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.