Mile 22 (2018)
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| Theatrical Performance | ||
| Domestic Box Office | $36,108,758 | Details |
| International Box Office | $30,186,363 | Details |
| Worldwide Box Office | $66,295,121 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $6,096,374 | |
| Blu-ray Sales (estimated) | $3,091,244 | |
| Total | $9,187,618 | |
| OpusData ID: 236230100 More info... | ||
| Further financial details... | ||
Synopsis
James Silva is an operative of the CIA’s most highly-prized and least-understood unit. Aided by a top-secret tactical command team, Silva must retrieve and transport an asset who holds life-threatening information to Mile 22 for extraction before the enemy closes in.
Metrics
| Opening Weekend: | $13,710,825 (38.0% of total gross) |
| Legs: | 2.63 (domestic box office/biggest weekend) |
| Domestic Share: | 54.5% (domestic box office/worldwide) |
| Production Budget: | $35,000,000 (worldwide box office is 1.9 times production budget) |
| Theater counts: | 3,520 opening theaters/3,520 max. theaters, 3.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $47,405,134 |
Movie Details
| Domestic Releases: | August 17th, 2018 (Wide) by STX Entertainment August 17th, 2018 (IMAX) by STX Entertainment |
| International Releases: | August 17th, 2018 (Wide) (Israel)
August 17th, 2018 (Wide) (Greece) August 22nd, 2018 (Wide), released as Mile22 (South Korea) August 23rd, 2018 (Wide), released as 22 МИЛИ (Russia (CIS)) August 24th, 2018 (Wide) (Middle East Region) ... Show all releases |
| Video Release: | November 13th, 2018 by Universal Home Entertainment |
| MPA Rating: | R for strong violence and language throughout. (Rating bulletin 2538 (Cert #51728), 8/1/2018) |
| Running Time: | 90 minutes |
| Film format: | IMAX: DMR |
| Geographical setting: | Indonesia |
| Plot point: | Betrayal, Bounty/Price on one's Head, C.I.A., Corrupt Cops, Crime Boss, Death of a Son or Daughter, Demoted, Fugitive / On the Run, Revenge |
| Social setting: | Organized Crime |
| Subgenre: | Action Thriller |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | STX Entertainment, Huayi Brothers Pictures Ltd, Hideaway Pictures, Closest to the Hole, Film 44 |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 17, 2018 | 3 | $13,710,825 | 3,520 | $3,895 | $13,710,825 | 1 | |
| Aug 24, 2018 | 5 | $6,366,042 | -54% | 3,520 | $1,809 | $25,506,996 | 2 |
| Aug 31, 2018 | 10 | $3,765,869 | -41% | 2,950 | $1,277 | $31,952,203 | 3 |
| Sep 7, 2018 | 13 | $1,206,503 | -68% | 1,802 | $670 | $35,111,649 | 4 |
| Sep 14, 2018 | 27 | $240,173 | -80% | 413 | $582 | $35,863,663 | 5 |
| Sep 21, 2018 | 40 | $68,807 | -71% | 159 | $433 | $36,034,119 | 6 |
| Sep 28, 2018 | 58 | $32,521 | -53% | 77 | $422 | $36,096,517 | 7 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Aug 17, 2018 | 3 | $5,245,939 | 3,520 | $1,490 | $5,245,939 | 1 | ||
| Aug 18, 2018 | 3 | $4,927,369 | -6% | 3,520 | $1,400 | $10,173,308 | 2 | |
| Aug 19, 2018 | 3 | $3,537,517 | -28% | 3,520 | $1,005 | $13,710,825 | 3 | |
| Aug 20, 2018 | 3 | $1,396,145 | -61% | 3,520 | $397 | $15,106,970 | 4 | |
| Aug 21, 2018 | 3 | $1,959,985 | +40% | 3,520 | $557 | $17,066,955 | 5 | |
| Aug 22, 2018 | 4 | $1,073,846 | -45% | 3,520 | $305 | $18,140,801 | 6 | |
| Aug 23, 2018 | 3 | $1,000,153 | -7% | 3,520 | $284 | $19,140,954 | 7 | |
| Aug 24, 2018 | 5 | $1,720,276 | +72% | -67% | 3,520 | $489 | $20,861,230 | 8 |
| Aug 25, 2018 | 6 | $2,664,867 | +55% | -46% | 3,520 | $757 | $23,526,097 | 9 |
| Aug 26, 2018 | 6 | $1,980,899 | -26% | -44% | 3,520 | $563 | $25,506,996 | 10 |
| Aug 27, 2018 | 6 | $576,897 | -71% | -59% | 3,520 | $164 | $26,083,893 | 11 |
| Aug 28, 2018 | 6 | $924,759 | +60% | -53% | 3,520 | $263 | $27,008,652 | 12 |
| Aug 29, 2018 | 5 | $683,948 | -26% | -36% | 3,520 | $194 | $27,692,600 | 13 |
| Aug 30, 2018 | 8 | $493,734 | -28% | -51% | 3,520 | $140 | $28,186,334 | 14 |
| Aug 31, 2018 | 11 | $892,858 | +81% | -48% | 2,950 | $303 | $29,079,192 | 15 |
| Sep 1, 2018 | 10 | $1,349,587 | +51% | -49% | 2,950 | $457 | $30,428,779 | 16 |
| Sep 2, 2018 | 10 | $1,523,424 | +13% | -23% | 2,950 | $516 | $31,952,203 | 17 |
| Sep 3, 2018 | 10 | $1,048,079 | -31% | +82% | 2,950 | $355 | $33,000,282 | 18 |
| Sep 4, 2018 | 7 | $448,902 | -57% | -51% | 2,950 | $152 | $33,449,184 | 19 |
| Sep 5, 2018 | 9 | $267,042 | -41% | -61% | 2,950 | $91 | $33,716,226 | 20 |
| Sep 6, 2018 | 11 | $188,920 | -29% | -62% | 2,950 | $64 | $33,905,146 | 21 |
| Sep 7, 2018 | 12 | $336,289 | +78% | -62% | 1,802 | $187 | $34,241,435 | 22 |
| Sep 8, 2018 | 14 | $558,848 | +66% | -59% | 1,802 | $310 | $34,800,283 | 23 |
| Sep 9, 2018 | 15 | $311,366 | -44% | -80% | 1,802 | $173 | $35,111,649 | 24 |
| Sep 10, 2018 | 14 | $122,678 | -61% | -88% | 1,802 | $68 | $35,234,327 | 25 |
| Sep 11, 2018 | 12 | $177,188 | +44% | -61% | 1,802 | $98 | $35,411,515 | 26 |
| Sep 12, 2018 | 12 | $117,248 | -34% | -56% | 1,802 | $65 | $35,528,763 | 27 |
| Sep 13, 2018 | 12 | $94,727 | -19% | -50% | 1,802 | $53 | $35,623,490 | 28 |
| Sep 14, 2018 | - | $74,666 | -21% | -78% | 413 | $181 | $35,698,156 | 29 |
| Sep 15, 2018 | - | $104,809 | +40% | -81% | 413 | $254 | $35,802,965 | 30 |
| Sep 16, 2018 | - | $60,698 | -42% | -81% | 413 | $147 | $35,863,663 | 31 |
| Sep 17, 2018 | - | $22,206 | -63% | -82% | 413 | $54 | $35,885,869 | 32 |
| Sep 18, 2018 | - | $35,945 | +62% | -80% | 413 | $87 | $35,921,814 | 33 |
| Sep 19, 2018 | - | $24,250 | -33% | -79% | 413 | $59 | $35,946,064 | 34 |
| Sep 20, 2018 | - | $19,248 | -21% | -80% | 413 | $47 | $35,965,312 | 35 |
| Sep 21, 2018 | - | $19,998 | +4% | -73% | 159 | $126 | $35,985,310 | 36 |
| Sep 22, 2018 | - | $30,105 | +51% | -71% | 159 | $189 | $36,015,415 | 37 |
| Sep 23, 2018 | - | $18,704 | -38% | -69% | 159 | $118 | $36,034,119 | 38 |
| Sep 24, 2018 | - | $6,913 | -63% | -69% | 159 | $43 | $36,041,032 | 39 |
| Sep 25, 2018 | - | $8,833 | +28% | -75% | 159 | $56 | $36,049,865 | 40 |
| Sep 26, 2018 | - | $7,939 | -10% | -67% | 159 | $50 | $36,057,804 | 41 |
| Sep 27, 2018 | - | $6,192 | -22% | -68% | 159 | $39 | $36,063,996 | 42 |
| Sep 28, 2018 | - | $9,379 | +51% | -53% | 77 | $122 | $36,073,375 | 43 |
| Sep 29, 2018 | - | $14,896 | +59% | -51% | 77 | $193 | $36,088,271 | 44 |
| Sep 30, 2018 | - | $8,246 | -45% | -56% | 77 | $107 | $36,096,517 | 45 |
| Oct 1, 2018 | - | $2,441 | -70% | -65% | 77 | $32 | $36,098,958 | 46 |
| Oct 2, 2018 | - | $3,974 | +63% | -55% | 77 | $52 | $36,102,932 | 47 |
| Oct 3, 2018 | - | $3,042 | -23% | -62% | 77 | $40 | $36,105,974 | 48 |
| Oct 4, 2018 | - | $2,784 | -8% | -55% | 77 | $36 | $36,108,758 | 49 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 17, 2018 | 3 | $19,140,954 | 3,520 | $5,438 | $19,140,954 | 1 | |
| Aug 24, 2018 | 6 | $9,045,380 | -53% | 3,520 | $2,570 | $28,186,334 | 2 |
| Aug 31, 2018 | 10 | $5,718,812 | -37% | 2,950 | $1,939 | $33,905,146 | 3 |
| Sep 7, 2018 | 13 | $1,718,344 | -70% | 1,802 | $954 | $35,623,490 | 4 |
| Sep 14, 2018 | 28 | $341,822 | -80% | 413 | $828 | $35,965,312 | 5 |
| Sep 21, 2018 | 40 | $98,684 | -71% | 159 | $621 | $36,063,996 | 6 |
| Sep 28, 2018 | 58 | $44,762 | -55% | 77 | $581 | $36,108,758 | 7 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 9/28/2018 | $116,044 | 0 | 0 | 0 | $203,974 | 1/1/2019 | |||
| Australia | 8/31/2018 | $844,483 | 223 | 225 | 710 | $1,792,494 | 10/11/2018 | |||
| Brazil | 9/21/2018 | $248,230 | 0 | 0 | 0 | $435,306 | 10/9/2018 | |||
| Bulgaria | 10/12/2018 | $22,430 | 0 | 0 | 0 | $80,061 | 2/26/2019 | |||
| France | 8/31/2018 | $777,142 | 0 | 0 | 0 | $1,587,388 | 9/20/2018 | |||
| Germany | 9/14/2018 | $432,535 | 0 | 0 | 0 | $508,718 | 9/20/2018 | |||
| Greece | 8/17/2018 | $107,000 | 0 | 0 | 0 | $107,000 | 8/20/2018 | |||
| Indonesia | 8/24/2018 | $1,500,000 | 0 | 0 | 0 | $1,500,000 | 12/20/2018 | |||
| Israel | 8/17/2018 | $105,000 | 0 | 0 | 0 | $105,000 | 12/20/2018 | |||
| Italy | 11/15/2018 | $501,739 | 0 | 11 | 11 | $1,056,677 | 12/16/2018 | |||
| Lithuania | 8/31/2018 | $14,983 | 81 | 81 | 121 | $34,324 | 9/25/2018 | |||
| Mexico | 8/31/2018 | $1,208,005 | 0 | 0 | 0 | $2,689,525 | 9/18/2018 | |||
| Middle East Region | 8/24/2018 | $2,400,000 | 0 | 0 | 0 | $2,400,000 | 8/27/2018 | |||
| Netherlands | 10/19/2018 | $254,166 | 83 | 83 | 356 | $999,177 | 12/23/2018 | |||
| Portugal | 9/7/2018 | $83,990 | 44 | 45 | 124 | $224,545 | 10/9/2018 | |||
| Russia (CIS) | 8/23/2018 | $294,078 | 866 | 866 | 1,416 | $561,156 | 1/1/2019 | |||
| South Korea | 8/22/2018 | $315,966 | 203 | 203 | 398 | $533,095 | 9/18/2018 | |||
| Spain | 9/28/2018 | $339,480 | 263 | 263 | 594 | $883,034 | 10/18/2018 | |||
| Turkey | 9/14/2018 | $77,007 | 203 | 203 | 380 | $132,032 | 2/26/2019 | |||
| United Kingdom | 9/19/2018 | $1,039,969 | 376 | 376 | 735 | $1,854,677 | 4/4/2026 | |||
| Rest of World | $12,498,180 | |||||||||
| International Total | $30,186,363 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Mark Wahlberg | James Silva | |
| Lauren Cohan | Alice | |
| Iko Uwais | Li Noor | |
| Ronda Rousey | Sam Snow | |
| John Malkovich | Bishop |
Supporting
| Emily Skeggs | ||
| Carlo Alban | Douglas | |
| Sam Medina | ||
| Poorna Jagannathan | Frank Peterson | |
| Chae Rin Lee |
Production and Technical Credits
| Peter Berg | Director | |
| Graham Roland | Screenwriter | |
| Lea Carpenter | Story by | |
| Graham Roland | Story by | |
| Peter Berg | Producer | |
| Mark Wahlberg | Producer | |
| Stephen Levinson | Producer | |
| Graham Roland | Executive Producer | |
| Jonathan Gray | Executive Producer | |
| Stuart Besser | Executive Producer | |
| Adam Fogelson | Executive Producer | |
| David Bernon | Executive Producer | |
| Robert Simonds | Executive Producer | |
| Felice Bee | Executive Producer | |
| Wang Zhonglei | Executive Producer | |
| Wang Zhongjun | Executive Producer | |
| Scott Carmel | Executive Producer | |
| Sam Slater | Executive Producer | |
| Derek Collison | Executive Producer | |
| Randall Emmett | Executive Producer | |
| Judd Payne | Executive Producer | |
| Matthew Rhodes | Executive Producer | |
| John Logan Pierson | Executive Producer | |
| Donald Tang | Executive Producer | |
| Jacques Jouffret | Director of Photography | |
| Andrew Menzies | Production Designer | |
| Colby Parker, Jr | Editor | |
| Melissa Lawson Cheung | Editor | |
| Virginia Johnson | Costume Designer | |
| Jeff Russo | Composer | |
| Sheila Jaffe | Casting Director | |
| Jason Markey | Music Supervisor | |
| Eric Heffron | Co-Producer | |
| Clay Cullen | Stunt Coordinator | |
| Alan Hook | Supervising Art Director | |
| Alex McCarroll | Art Director | |
| Natali Kendrick Pope* | Set Decorator | |
| Tricia Ronten | Script Supervisor | |
| Steve C. Aaron | Sound Mixer | |
| Matt Kutcher | Special Effects Supervisor | |
| Lisa Kutcher | Special Effects Coordinator | |
| Eric Roberts | Special Effects Coordinator | |
| Ian MacGregor | Location Manager | |
| Maili Lafayette | Costume Supervisor | |
| Jennifer Hodges | Hairstylist | |
| Carey Jones | Special Make-up Effects | |
| Derek Krout | Special Make-up Effects | |
| Lou Kiss | Special Make-up Effects | |
| Khahn Trance | Special Make-up Effects | |
| Veronica Owens | ||
| Regina Castruita | Special Make-up Effects | |
| Randy Ball | Special Make-up Effects | |
| Sharyn Shimada-Huggins | Production Supervisor | |
| Daphne Lambrinou | Post-Production Supervisor | |
| Teresa Kelly | Post-Production Supervisor | |
| Conor Burke | First Assistant Editor | |
| Brad Stencil | Assistant Editor | |
| Richard Conkling | Assistant Editor | |
| Joe Binford Jr | Assistant Editor | |
| Aaron Brock | Assistant Editor | |
| Dror Mohar | Supervising Sound Editor | |
| Bruce Barris | Supervising Sound Editor | |
| Dror Mohar | Sound Designer | |
| Bill R. Dean | Sound Designer | |
| Hector Gika | Sound Designer | |
| Michael Hertlein | Dialogue Editor | |
| Alexander Lott | Sound Effects Editor | |
| Charles Maynes | Sound Effects Editor | |
| Jamie Hardt | Sound Effects Editor | |
| Bruce Tanis | Sound Effects Editor | |
| Kristen Hunsicker | Set Designer | |
| Marco Rubeo | Set Designer | |
| Ben Schor | Supervising Music Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
James Silva is an operative of the CIA’s most highly-prized and least-understood unit. Aided by a top-secret tactical command team, Silva must retrieve and transport an asset who holds life-threatening information to Mile 22 for extraction before the enemy closes in.
Metrics
| Opening Weekend: | $13,710,825 (38.0% of total gross) |
| Legs: | 2.63 (domestic box office/biggest weekend) |
| Domestic Share: | 54.5% (domestic box office/worldwide) |
| Production Budget: | $35,000,000 (worldwide box office is 1.9 times production budget) |
| Theater counts: | 3,520 opening theaters/3,520 max. theaters, 3.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $47,405,134 |
Movie Details
| Domestic Releases: | August 17th, 2018 (Wide) by STX Entertainment August 17th, 2018 (IMAX) by STX Entertainment |
| International Releases: | August 17th, 2018 (Wide) (Israel)
August 17th, 2018 (Wide) (Greece) August 22nd, 2018 (Wide), released as Mile22 (South Korea) August 23rd, 2018 (Wide), released as 22 МИЛИ (Russia (CIS)) August 24th, 2018 (Wide) (Middle East Region) ... Show all releases |
| Video Release: | November 13th, 2018 by Universal Home Entertainment |
| MPA Rating: | R for strong violence and language throughout. (Rating bulletin 2538 (Cert #51728), 8/1/2018) |
| Running Time: | 90 minutes |
| Film format: | IMAX: DMR |
| Geographical setting: | Indonesia |
| Plot point: | Betrayal, Bounty/Price on one's Head, C.I.A., Corrupt Cops, Crime Boss, Death of a Son or Daughter, Demoted, Fugitive / On the Run, Revenge |
| Social setting: | Organized Crime |
| Subgenre: | Action Thriller |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | STX Entertainment, Huayi Brothers Pictures Ltd, Hideaway Pictures, Closest to the Hole, Film 44 |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 17, 2018 | 3 | $13,710,825 | 3,520 | $3,895 | $13,710,825 | 1 | |
| Aug 24, 2018 | 5 | $6,366,042 | -54% | 3,520 | $1,809 | $25,506,996 | 2 |
| Aug 31, 2018 | 10 | $3,765,869 | -41% | 2,950 | $1,277 | $31,952,203 | 3 |
| Sep 7, 2018 | 13 | $1,206,503 | -68% | 1,802 | $670 | $35,111,649 | 4 |
| Sep 14, 2018 | 27 | $240,173 | -80% | 413 | $582 | $35,863,663 | 5 |
| Sep 21, 2018 | 40 | $68,807 | -71% | 159 | $433 | $36,034,119 | 6 |
| Sep 28, 2018 | 58 | $32,521 | -53% | 77 | $422 | $36,096,517 | 7 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Aug 17, 2018 | 3 | $5,245,939 | 3,520 | $1,490 | $5,245,939 | 1 | ||
| Aug 18, 2018 | 3 | $4,927,369 | -6% | 3,520 | $1,400 | $10,173,308 | 2 | |
| Aug 19, 2018 | 3 | $3,537,517 | -28% | 3,520 | $1,005 | $13,710,825 | 3 | |
| Aug 20, 2018 | 3 | $1,396,145 | -61% | 3,520 | $397 | $15,106,970 | 4 | |
| Aug 21, 2018 | 3 | $1,959,985 | +40% | 3,520 | $557 | $17,066,955 | 5 | |
| Aug 22, 2018 | 4 | $1,073,846 | -45% | 3,520 | $305 | $18,140,801 | 6 | |
| Aug 23, 2018 | 3 | $1,000,153 | -7% | 3,520 | $284 | $19,140,954 | 7 | |
| Aug 24, 2018 | 5 | $1,720,276 | +72% | -67% | 3,520 | $489 | $20,861,230 | 8 |
| Aug 25, 2018 | 6 | $2,664,867 | +55% | -46% | 3,520 | $757 | $23,526,097 | 9 |
| Aug 26, 2018 | 6 | $1,980,899 | -26% | -44% | 3,520 | $563 | $25,506,996 | 10 |
| Aug 27, 2018 | 6 | $576,897 | -71% | -59% | 3,520 | $164 | $26,083,893 | 11 |
| Aug 28, 2018 | 6 | $924,759 | +60% | -53% | 3,520 | $263 | $27,008,652 | 12 |
| Aug 29, 2018 | 5 | $683,948 | -26% | -36% | 3,520 | $194 | $27,692,600 | 13 |
| Aug 30, 2018 | 8 | $493,734 | -28% | -51% | 3,520 | $140 | $28,186,334 | 14 |
| Aug 31, 2018 | 11 | $892,858 | +81% | -48% | 2,950 | $303 | $29,079,192 | 15 |
| Sep 1, 2018 | 10 | $1,349,587 | +51% | -49% | 2,950 | $457 | $30,428,779 | 16 |
| Sep 2, 2018 | 10 | $1,523,424 | +13% | -23% | 2,950 | $516 | $31,952,203 | 17 |
| Sep 3, 2018 | 10 | $1,048,079 | -31% | +82% | 2,950 | $355 | $33,000,282 | 18 |
| Sep 4, 2018 | 7 | $448,902 | -57% | -51% | 2,950 | $152 | $33,449,184 | 19 |
| Sep 5, 2018 | 9 | $267,042 | -41% | -61% | 2,950 | $91 | $33,716,226 | 20 |
| Sep 6, 2018 | 11 | $188,920 | -29% | -62% | 2,950 | $64 | $33,905,146 | 21 |
| Sep 7, 2018 | 12 | $336,289 | +78% | -62% | 1,802 | $187 | $34,241,435 | 22 |
| Sep 8, 2018 | 14 | $558,848 | +66% | -59% | 1,802 | $310 | $34,800,283 | 23 |
| Sep 9, 2018 | 15 | $311,366 | -44% | -80% | 1,802 | $173 | $35,111,649 | 24 |
| Sep 10, 2018 | 14 | $122,678 | -61% | -88% | 1,802 | $68 | $35,234,327 | 25 |
| Sep 11, 2018 | 12 | $177,188 | +44% | -61% | 1,802 | $98 | $35,411,515 | 26 |
| Sep 12, 2018 | 12 | $117,248 | -34% | -56% | 1,802 | $65 | $35,528,763 | 27 |
| Sep 13, 2018 | 12 | $94,727 | -19% | -50% | 1,802 | $53 | $35,623,490 | 28 |
| Sep 14, 2018 | - | $74,666 | -21% | -78% | 413 | $181 | $35,698,156 | 29 |
| Sep 15, 2018 | - | $104,809 | +40% | -81% | 413 | $254 | $35,802,965 | 30 |
| Sep 16, 2018 | - | $60,698 | -42% | -81% | 413 | $147 | $35,863,663 | 31 |
| Sep 17, 2018 | - | $22,206 | -63% | -82% | 413 | $54 | $35,885,869 | 32 |
| Sep 18, 2018 | - | $35,945 | +62% | -80% | 413 | $87 | $35,921,814 | 33 |
| Sep 19, 2018 | - | $24,250 | -33% | -79% | 413 | $59 | $35,946,064 | 34 |
| Sep 20, 2018 | - | $19,248 | -21% | -80% | 413 | $47 | $35,965,312 | 35 |
| Sep 21, 2018 | - | $19,998 | +4% | -73% | 159 | $126 | $35,985,310 | 36 |
| Sep 22, 2018 | - | $30,105 | +51% | -71% | 159 | $189 | $36,015,415 | 37 |
| Sep 23, 2018 | - | $18,704 | -38% | -69% | 159 | $118 | $36,034,119 | 38 |
| Sep 24, 2018 | - | $6,913 | -63% | -69% | 159 | $43 | $36,041,032 | 39 |
| Sep 25, 2018 | - | $8,833 | +28% | -75% | 159 | $56 | $36,049,865 | 40 |
| Sep 26, 2018 | - | $7,939 | -10% | -67% | 159 | $50 | $36,057,804 | 41 |
| Sep 27, 2018 | - | $6,192 | -22% | -68% | 159 | $39 | $36,063,996 | 42 |
| Sep 28, 2018 | - | $9,379 | +51% | -53% | 77 | $122 | $36,073,375 | 43 |
| Sep 29, 2018 | - | $14,896 | +59% | -51% | 77 | $193 | $36,088,271 | 44 |
| Sep 30, 2018 | - | $8,246 | -45% | -56% | 77 | $107 | $36,096,517 | 45 |
| Oct 1, 2018 | - | $2,441 | -70% | -65% | 77 | $32 | $36,098,958 | 46 |
| Oct 2, 2018 | - | $3,974 | +63% | -55% | 77 | $52 | $36,102,932 | 47 |
| Oct 3, 2018 | - | $3,042 | -23% | -62% | 77 | $40 | $36,105,974 | 48 |
| Oct 4, 2018 | - | $2,784 | -8% | -55% | 77 | $36 | $36,108,758 | 49 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 17, 2018 | 3 | $19,140,954 | 3,520 | $5,438 | $19,140,954 | 1 | |
| Aug 24, 2018 | 6 | $9,045,380 | -53% | 3,520 | $2,570 | $28,186,334 | 2 |
| Aug 31, 2018 | 10 | $5,718,812 | -37% | 2,950 | $1,939 | $33,905,146 | 3 |
| Sep 7, 2018 | 13 | $1,718,344 | -70% | 1,802 | $954 | $35,623,490 | 4 |
| Sep 14, 2018 | 28 | $341,822 | -80% | 413 | $828 | $35,965,312 | 5 |
| Sep 21, 2018 | 40 | $98,684 | -71% | 159 | $621 | $36,063,996 | 6 |
| Sep 28, 2018 | 58 | $44,762 | -55% | 77 | $581 | $36,108,758 | 7 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 9/28/2018 | $116,044 | 0 | 0 | 0 | $203,974 | 1/1/2019 | |||
| Australia | 8/31/2018 | $844,483 | 223 | 225 | 710 | $1,792,494 | 10/11/2018 | |||
| Brazil | 9/21/2018 | $248,230 | 0 | 0 | 0 | $435,306 | 10/9/2018 | |||
| Bulgaria | 10/12/2018 | $22,430 | 0 | 0 | 0 | $80,061 | 2/26/2019 | |||
| France | 8/31/2018 | $777,142 | 0 | 0 | 0 | $1,587,388 | 9/20/2018 | |||
| Germany | 9/14/2018 | $432,535 | 0 | 0 | 0 | $508,718 | 9/20/2018 | |||
| Greece | 8/17/2018 | $107,000 | 0 | 0 | 0 | $107,000 | 8/20/2018 | |||
| Indonesia | 8/24/2018 | $1,500,000 | 0 | 0 | 0 | $1,500,000 | 12/20/2018 | |||
| Israel | 8/17/2018 | $105,000 | 0 | 0 | 0 | $105,000 | 12/20/2018 | |||
| Italy | 11/15/2018 | $501,739 | 0 | 11 | 11 | $1,056,677 | 12/16/2018 | |||
| Lithuania | 8/31/2018 | $14,983 | 81 | 81 | 121 | $34,324 | 9/25/2018 | |||
| Mexico | 8/31/2018 | $1,208,005 | 0 | 0 | 0 | $2,689,525 | 9/18/2018 | |||
| Middle East Region | 8/24/2018 | $2,400,000 | 0 | 0 | 0 | $2,400,000 | 8/27/2018 | |||
| Netherlands | 10/19/2018 | $254,166 | 83 | 83 | 356 | $999,177 | 12/23/2018 | |||
| Portugal | 9/7/2018 | $83,990 | 44 | 45 | 124 | $224,545 | 10/9/2018 | |||
| Russia (CIS) | 8/23/2018 | $294,078 | 866 | 866 | 1,416 | $561,156 | 1/1/2019 | |||
| South Korea | 8/22/2018 | $315,966 | 203 | 203 | 398 | $533,095 | 9/18/2018 | |||
| Spain | 9/28/2018 | $339,480 | 263 | 263 | 594 | $883,034 | 10/18/2018 | |||
| Turkey | 9/14/2018 | $77,007 | 203 | 203 | 380 | $132,032 | 2/26/2019 | |||
| United Kingdom | 9/19/2018 | $1,039,969 | 376 | 376 | 735 | $1,854,677 | 4/4/2026 | |||
| Rest of World | $12,498,180 | |||||||||
| International Total | $30,186,363 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Mark Wahlberg | James Silva | |
| Lauren Cohan | Alice | |
| Iko Uwais | Li Noor | |
| Ronda Rousey | Sam Snow | |
| John Malkovich | Bishop |
Supporting
| Emily Skeggs | ||
| Carlo Alban | Douglas | |
| Sam Medina | ||
| Poorna Jagannathan | Frank Peterson | |
| Chae Rin Lee |
Production and Technical Credits
| Peter Berg | Director | |
| Graham Roland | Screenwriter | |
| Lea Carpenter | Story by | |
| Graham Roland | Story by | |
| Peter Berg | Producer | |
| Mark Wahlberg | Producer | |
| Stephen Levinson | Producer | |
| Graham Roland | Executive Producer | |
| Jonathan Gray | Executive Producer | |
| Stuart Besser | Executive Producer | |
| Adam Fogelson | Executive Producer | |
| David Bernon | Executive Producer | |
| Robert Simonds | Executive Producer | |
| Felice Bee | Executive Producer | |
| Wang Zhonglei | Executive Producer | |
| Wang Zhongjun | Executive Producer | |
| Scott Carmel | Executive Producer | |
| Sam Slater | Executive Producer | |
| Derek Collison | Executive Producer | |
| Randall Emmett | Executive Producer | |
| Judd Payne | Executive Producer | |
| Matthew Rhodes | Executive Producer | |
| John Logan Pierson | Executive Producer | |
| Donald Tang | Executive Producer | |
| Jacques Jouffret | Director of Photography | |
| Andrew Menzies | Production Designer | |
| Colby Parker, Jr | Editor | |
| Melissa Lawson Cheung | Editor | |
| Virginia Johnson | Costume Designer | |
| Jeff Russo | Composer | |
| Sheila Jaffe | Casting Director | |
| Jason Markey | Music Supervisor | |
| Eric Heffron | Co-Producer | |
| Clay Cullen | Stunt Coordinator | |
| Alan Hook | Supervising Art Director | |
| Alex McCarroll | Art Director | |
| Natali Kendrick Pope* | Set Decorator | |
| Tricia Ronten | Script Supervisor | |
| Steve C. Aaron | Sound Mixer | |
| Matt Kutcher | Special Effects Supervisor | |
| Lisa Kutcher | Special Effects Coordinator | |
| Eric Roberts | Special Effects Coordinator | |
| Ian MacGregor | Location Manager | |
| Maili Lafayette | Costume Supervisor | |
| Jennifer Hodges | Hairstylist | |
| Carey Jones | Special Make-up Effects | |
| Derek Krout | Special Make-up Effects | |
| Lou Kiss | Special Make-up Effects | |
| Khahn Trance | Special Make-up Effects | |
| Veronica Owens | ||
| Regina Castruita | Special Make-up Effects | |
| Randy Ball | Special Make-up Effects | |
| Sharyn Shimada-Huggins | Production Supervisor | |
| Daphne Lambrinou | Post-Production Supervisor | |
| Teresa Kelly | Post-Production Supervisor | |
| Conor Burke | First Assistant Editor | |
| Brad Stencil | Assistant Editor | |
| Richard Conkling | Assistant Editor | |
| Joe Binford Jr | Assistant Editor | |
| Aaron Brock | Assistant Editor | |
| Dror Mohar | Supervising Sound Editor | |
| Bruce Barris | Supervising Sound Editor | |
| Dror Mohar | Sound Designer | |
| Bill R. Dean | Sound Designer | |
| Hector Gika | Sound Designer | |
| Michael Hertlein | Dialogue Editor | |
| Alexander Lott | Sound Effects Editor | |
| Charles Maynes | Sound Effects Editor | |
| Jamie Hardt | Sound Effects Editor | |
| Bruce Tanis | Sound Effects Editor | |
| Kristen Hunsicker | Set Designer | |
| Marco Rubeo | Set Designer | |
| Ben Schor | Supervising Music Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.