The Miracle (1959)
| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| OpusData ID: 291130100 More info... | ||
| Further financial details... | ||
Metrics
Movie Details
| Domestic Releases: | November 12th, 1959 (Limited) |
| MPA Rating: | Not Rated Approved |
| Running Time: | 121 minutes |
| Production Countries: | United States |
| Languages: | English |
Leading
| Carroll Baker | Teresa | |
| Roger Moore | Michael |
Supporting
| Walter Slezak | Flaco | |
| Vittorio Gassman | Guido | |
| Katina Paxinou | La Roca | |
| Torin Thatcher | Duke of Wellington | |
| Isobel Elsom | Mother Superior | |
| Gustavo Rojo | Cordoba | |
| Lester Matthews | Captain Boulting | |
| Dennis King | Casimir |
Production and Technical Credits
| Irving Rapper | Director | |
| Karl Vollmoller | Screenwriter | |
| Frank Butler | Screenwriter | |
| Jean Rouverol | Screenwriter | |
| Henry Blanke | Producer | |
| Frank Bracht | Editor | |
| Elmer Bernstein | Composer | |
| Ernest Haller | Director of Photography |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
Movie Details
| Domestic Releases: | November 12th, 1959 (Limited) |
| MPA Rating: | Not Rated Approved |
| Running Time: | 121 minutes |
| Production Countries: | United States |
| Languages: | English |
Leading
| Carroll Baker | Teresa | |
| Roger Moore | Michael |
Supporting
| Walter Slezak | Flaco | |
| Vittorio Gassman | Guido | |
| Katina Paxinou | La Roca | |
| Torin Thatcher | Duke of Wellington | |
| Isobel Elsom | Mother Superior | |
| Gustavo Rojo | Cordoba | |
| Lester Matthews | Captain Boulting | |
| Dennis King | Casimir |
Production and Technical Credits
| Irving Rapper | Director | |
| Karl Vollmoller | Screenwriter | |
| Frank Butler | Screenwriter | |
| Jean Rouverol | Screenwriter | |
| Henry Blanke | Producer | |
| Frank Bracht | Editor | |
| Elmer Bernstein | Composer | |
| Ernest Haller | Director of Photography |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.