Miss Bala (2019)
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| Theatrical Performance | ||
| Domestic Box Office | $14,998,027 | Details |
| International Box Office | $366,605 | Details |
| Worldwide Box Office | $15,364,632 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $966,368 | |
| Blu-ray Sales (estimated) | $842,727 | |
| Total | $1,809,095 | |
| OpusData ID: 321240100 More info... | ||
| Further financial details... | ||
Synopsis
Gloria finds a power she never knew she had when she is drawn into a dangerous world of cross-border crime. Surviving will require all of her cunning, inventiveness, and strength.
Metrics
| Opening Weekend: | $6,864,744 (45.8% of total gross) |
| Legs: | 2.18 (domestic box office/biggest weekend) |
| Domestic Share: | 97.6% (domestic box office/worldwide) |
| Production Budget: | $15,000,000 (worldwide box office is 1.0 times production budget) |
| Theater counts: | 2,203 opening theaters/2,203 max. theaters, 2.9 weeks average run per theater |
| Infl. Adj. Dom. BO | $19,582,574 |
Movie Details
| Domestic Releases: | February 1st, 2019 (Wide) by Sony Pictures |
| International Releases: | January 30th, 2019 (Wide) (Trinidad)
January 30th, 2019 (Wide) (Jamaica) January 31st, 2019 (Wide) (Curacao) January 31st, 2019 (Wide) (Aruba) March 8th, 2019 (Wide) (United Kingdom) ... Show all releases |
| Video Release: | April 16th, 2019 by Sony Pictures Home Entertainment |
| MPA Rating: | PG-13 for sequences of gun violence, sexual and drug content, thematic material, and language. (Rating bulletin 2540 (Cert #51439), 8/15/2018) |
| Running Time: | 104 minutes |
| Cast, crew, or production detail: | Foreign-Language Remake, Remake |
| Geographical setting: | Mexico |
| Plot point: | Crime Boss, DEA Agent, Drug Cartels, Enemies Forced to Work Together, Kidnap, Smuggler, Undercover |
| Social setting: | Organized Crime |
| Subgenre: | Action Thriller |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Columbia Pictures, Canana, Misher Films |
| Production Countries: | United States, Mexico |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 1, 2019 | 3 | $6,864,744 | 2,203 | $3,116 | $6,864,744 | 1 | |
| Feb 8, 2019 | 10 | $2,745,129 | -60% | 2,203 | $1,246 | $11,885,225 | 2 |
| Feb 15, 2019 | 17 | $955,350 | -65% | 1,172 | $815 | $13,846,548 | 3 |
| Feb 22, 2019 | 27 | $355,447 | -63% | 515 | $690 | $14,619,517 | 4 |
| Mar 1, 2019 | 40 | $108,295 | -70% | 146 | $742 | $14,870,702 | 5 |
| Mar 8, 2019 | 48 | $40,418 | -63% | 64 | $632 | $14,953,031 | 6 |
| Mar 15, 2019 | 59 | $19,863 | -51% | 35 | $568 | $14,998,027 | 7 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jan 31, 2019 | P | $650,000 | 2,050 | $317 | $650,000 | |||
| Feb 1, 2019 | 2 | $2,754,673 | 2,203 | $1,250 | $2,754,673 | 1 | ||
| Feb 2, 2019 | 3 | $2,880,275 | +5% | 2,203 | $1,307 | $5,634,948 | 2 | |
| Feb 3, 2019 | 3 | $1,229,796 | -57% | 2,203 | $558 | $6,864,744 | 3 | |
| Feb 4, 2019 | 3 | $538,941 | -56% | 2,203 | $245 | $7,403,685 | 4 | |
| Feb 5, 2019 | 3 | $925,512 | +72% | 2,203 | $420 | $8,329,197 | 5 | |
| Feb 6, 2019 | 4 | $465,102 | -50% | 2,203 | $211 | $8,794,299 | 6 | |
| Feb 7, 2019 | 5 | $345,797 | -26% | 2,203 | $157 | $9,140,096 | 7 | |
| Feb 8, 2019 | 9 | $724,964 | +110% | -74% | 2,203 | $329 | $9,865,060 | 8 |
| Feb 9, 2019 | 10 | $1,207,078 | +67% | -58% | 2,203 | $548 | $11,072,138 | 9 |
| Feb 10, 2019 | 10 | $813,087 | -33% | -34% | 2,203 | $369 | $11,885,225 | 10 |
| Feb 11, 2019 | 9 | $224,602 | -72% | -58% | 2,203 | $102 | $12,109,827 | 11 |
| Feb 12, 2019 | 8 | $316,158 | +41% | -66% | 2,203 | $144 | $12,425,985 | 12 |
| Feb 13, 2019 | 14 | $141,691 | -55% | -70% | 1,744 | $81 | $12,567,676 | 13 |
| Feb 14, 2019 | 12 | $323,522 | +128% | -6% | 1,744 | $186 | $12,891,198 | 14 |
| Feb 15, 2019 | 14 | $240,095 | -26% | -67% | 1,172 | $205 | $13,131,293 | 15 |
| Feb 16, 2019 | - | $387,217 | +61% | -68% | 1,172 | $330 | $13,518,510 | 16 |
| Feb 17, 2019 | - | $328,038 | -15% | -60% | 1,172 | $280 | $13,846,548 | 17 |
| Feb 18, 2019 | - | $158,456 | -52% | -29% | 1,172 | $135 | $14,005,004 | 18 |
| Feb 19, 2019 | - | $115,571 | -27% | -63% | 1,172 | $99 | $14,120,575 | 19 |
| Feb 20, 2019 | - | $72,019 | -38% | -49% | 1,172 | $61 | $14,192,594 | 20 |
| Feb 21, 2019 | - | $71,476 | -1% | -78% | 1,172 | $61 | $14,264,070 | 21 |
| Feb 22, 2019 | - | $96,781 | +35% | -60% | 515 | $188 | $14,360,851 | 22 |
| Feb 23, 2019 | - | $151,252 | +56% | -61% | 515 | $294 | $14,512,103 | 23 |
| Feb 24, 2019 | - | $107,414 | -29% | -67% | 515 | $209 | $14,619,517 | 24 |
| Feb 25, 2019 | - | $30,510 | -72% | -81% | 515 | $59 | $14,650,027 | 25 |
| Feb 26, 2019 | - | $50,241 | +65% | -57% | 515 | $98 | $14,700,268 | 26 |
| Feb 27, 2019 | - | $34,317 | -32% | -52% | 515 | $67 | $14,734,585 | 27 |
| Feb 28, 2019 | - | $27,822 | -19% | -61% | 515 | $54 | $14,762,407 | 28 |
| Mar 1, 2019 | - | $25,564 | -8% | -74% | 146 | $175 | $14,787,971 | 29 |
| Mar 2, 2019 | - | $46,405 | +82% | -69% | 146 | $318 | $14,834,376 | 30 |
| Mar 3, 2019 | - | $36,326 | -22% | -66% | 146 | $249 | $14,870,702 | 31 |
| Mar 4, 2019 | - | $9,845 | -73% | -68% | 146 | $67 | $14,880,547 | 32 |
| Mar 5, 2019 | - | $15,929 | +62% | -68% | 146 | $109 | $14,896,476 | 33 |
| Mar 6, 2019 | - | $9,289 | -42% | -73% | 146 | $64 | $14,905,765 | 34 |
| Mar 7, 2019 | - | $6,848 | -26% | -75% | 146 | $47 | $14,912,613 | 35 |
| Mar 8, 2019 | - | $9,351 | +37% | -63% | 64 | $146 | $14,921,964 | 36 |
| Mar 9, 2019 | - | $16,660 | +78% | -64% | 64 | $260 | $14,938,624 | 37 |
| Mar 10, 2019 | - | $14,407 | -14% | -60% | 64 | $225 | $14,953,031 | 38 |
| Mar 15, 2019 | - | $6,164 | -34% | 35 | $176 | $14,984,328 | 43 | |
| Mar 16, 2019 | - | $6,822 | +11% | -59% | 35 | $195 | $14,991,150 | 44 |
| Mar 17, 2019 | - | $6,877 | +1% | -52% | 35 | $196 | $14,998,027 | 45 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 1, 2019 | 3 | $9,140,096 | 2,203 | $4,149 | $9,140,096 | 1 | |
| Feb 8, 2019 | 12 | $3,751,102 | -59% | 1,744 | $2,151 | $12,891,198 | 2 |
| Feb 15, 2019 | 19 | $1,372,872 | -63% | 1,172 | $1,171 | $14,264,070 | 3 |
| Feb 22, 2019 | 25 | $498,337 | -64% | 515 | $968 | $14,762,407 | 4 |
| Mar 1, 2019 | 41 | $150,206 | -70% | 146 | $1,029 | $14,912,613 | 5 |
| Mar 8, 2019 | 49 | $65,551 | -56% | 64 | $1,024 | $14,978,164 | 6 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Aruba | 1/31/2019 | $4,381 | 4 | 4 | 4 | $4,381 | 2/8/2019 | |||
| Curacao | 1/31/2019 | $5,616 | 5 | 5 | 16 | $19,231 | 2/28/2019 | |||
| Ecuador | 4/5/2019 | $15,107 | 27 | 28 | 70 | $42,536 | 4/24/2019 | |||
| Jamaica | 1/30/2019 | $12,825 | 5 | 5 | 7 | $24,986 | 2/20/2019 | |||
| Mexico | 3/29/2019 | $18,847 | 35 | 35 | 66 | $35,810 | 5/15/2019 | |||
| Romania | 5/3/2019 | $44,273 | 61 | 61 | 164 | $106,474 | 6/12/2019 | |||
| South Africa | 5/3/2019 | $11,450 | 18 | 18 | 40 | $25,061 | 5/23/2019 | |||
| Trinidad | 1/30/2019 | $25,374 | 17 | 17 | 35 | $62,528 | 3/8/2019 | |||
| United Kingdom | 3/8/2019 | $24,502 | 107 | 107 | 126 | $43,264 | 4/4/2026 | |||
| Rest of World | $2,334 | |||||||||
| International Total | $366,605 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Gina Rodriguez | Gloria |
Supporting
| Ismael Cruz Cordova | Lino | |
| Anthony Mackie | Jimmy | |
| Thomas Dekker | Makeup Supervisor | |
| Vivian Chan | Fashion Designer | |
| Barbarella Pardo | MX Customes Officer | |
| Cristina Rodlo | Suzu | |
| Sebastian Cano Echegollen | Chava | |
| Gaby Orihuela | Pageant Coordinator | |
| Damian Alcazar | Chief Saucedo | |
| Ricardo Abarca | Poyo | |
| Erick Rene Delgadillo Urbina | Tucán | |
| Mikhail Plata | Chivo | |
| Jorge Humberto Millan Mardueno | Ortiz | |
| Job Sarmiento | Officer at Club | |
| Roberto Sosa | Police Officer | |
| Lilian Guadalupe Tapia Robles | Doña Rosita | |
| Henry Torres Blanco | Pageant Choreographer | |
| Matt Lauria | Brian Reich | |
| Omar Israel Ayala | DEA Sniper | |
| Oscar Estrada | Owl Man | |
| Jimmy Gonzales | US Customs Officer | |
| Aislinn Derbez | Isabel | |
| Jose Sefami | Don Ramon | |
| Aldo Quintero Torres | Pageant Announcer | |
| Melina Oronia | Pageant Runner Up | |
| Joel Navarro Ponce | Saucedo’s Guard | |
| Joe LoCicero | Party Guy | |
| Lidia Isabel Quiroz Dorantes | News Correspondent | |
| Alan Alzalde | Estrella | |
| Carlos Eves | Estrella | |
| Andres Garcia | Estrella | |
| Irving Lemus | Estrella | |
| Roberto Colin | Estrella | |
| Eliel Ruiz | Estrella | |
| Rosalio Ruiz | Estrella | |
| Topsy Ruiz | Estrella | |
| Tornado Ruiz | Estrella | |
| Abram Serratos | Estrella |
Production and Technical Credits
| Catherine Hardwicke | Director | |
| Kevin Misher | Producer | |
| Pablo Cruz | Producer | |
| Gareth Dunnet-Alcocer | Screenwriter | |
| Mauricio Katz | Executive Producer | |
| Gerardo Naranjo | Executive Producer | |
| Catherine Hardwicke | Executive Producer | |
| Gareth Dunnet-Alcocer | Executive Producer | |
| Samson Mucke | Executive Producer | |
| Arturo Sampson | Executive Producer | |
| Andy Berman | Executive Producer | |
| Jamie Marshall | Executive Producer | |
| Patrick Murguia | Director of Photography | |
| Marco Niro | Production Designer | |
| Terilyn A. Shropshire | Editor | |
| Graciela Mazon | Costume Designer | |
| Alex Heffes | Composer | |
| Lynn Fainchtein | Music Supervisor | |
| Justin Yu | Stunt Coordinator | |
| Gerardo Moreno | Stunt Coordinator | |
| Samson Mucke | Unit Production Manager | |
| Fernando Altschul | First Assistant Director | |
| Joe May | Second Assistant Director | |
| Frank Gaeta | Sound Designer | |
| Frank Gaeta | Re-recording Mixer | |
| Shayda Frost | Associate Producer | |
| Lauren von Huene | Production Supervisor | |
| Tita Lombardo | Line Producer | |
| Armando Lopez | Art Director | |
| Alisarine Ducolomb | Set Decorator | |
| Natalia Moguel | Script Supervisor | |
| Jaime Ortiz | Costume Supervisor | |
| Sandra Migueli | Make up | |
| Zelene Fernandez | Make up | |
| Carla Diaz | Make up | |
| Pedro Guijarro | Hairstylist | |
| Isabel Munoz | Sound Mixer | |
| Alejandro Vazquez | Special Effects Supervisor | |
| Sergio Jara | Special Effects Coordinator | |
| Cristopher Correa | Unit Production Manager | |
| Lily Flaschner | Location Manager | |
| Jamie Marshall | Second Unit Director | |
| Christi Leftwich | First Assistant Editor | |
| Debra Tennant | First Assistant Editor | |
| Kenny Marsten* | First Assistant Editor | |
| Rolf Fleischmann | Assistant Editor | |
| Richard Saulnier II | Assistant Editor | |
| Deb Adair | Re-recording Mixer | |
| Frank Gaeta | Supervising Sound Editor | |
| Cody Skully | Sound Editor | |
| Chris Battaglia | Sound Editor | |
| Charles Maynes | Sound Editor | |
| Roland N. Thai | Sound Editor | |
| Jo Caron | Foley Mixer | |
| Robin Whittaker | Music Editor | |
| Sally Boldt | Music Editor | |
| Peter Myles | Music Editor | |
| Matt Ward | Score Mixer | |
| Matt Akey | Visual Effects Executive Producer | |
| Benjamin Conner | Visual Effects Supervisor | |
| James Fouche | Visual Effects Supervisor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Gloria finds a power she never knew she had when she is drawn into a dangerous world of cross-border crime. Surviving will require all of her cunning, inventiveness, and strength.
Metrics
| Opening Weekend: | $6,864,744 (45.8% of total gross) |
| Legs: | 2.18 (domestic box office/biggest weekend) |
| Domestic Share: | 97.6% (domestic box office/worldwide) |
| Production Budget: | $15,000,000 (worldwide box office is 1.0 times production budget) |
| Theater counts: | 2,203 opening theaters/2,203 max. theaters, 2.9 weeks average run per theater |
| Infl. Adj. Dom. BO | $19,582,574 |
Movie Details
| Domestic Releases: | February 1st, 2019 (Wide) by Sony Pictures |
| International Releases: | January 30th, 2019 (Wide) (Trinidad)
January 30th, 2019 (Wide) (Jamaica) January 31st, 2019 (Wide) (Curacao) January 31st, 2019 (Wide) (Aruba) March 8th, 2019 (Wide) (United Kingdom) ... Show all releases |
| Video Release: | April 16th, 2019 by Sony Pictures Home Entertainment |
| MPA Rating: | PG-13 for sequences of gun violence, sexual and drug content, thematic material, and language. (Rating bulletin 2540 (Cert #51439), 8/15/2018) |
| Running Time: | 104 minutes |
| Cast, crew, or production detail: | Foreign-Language Remake, Remake |
| Geographical setting: | Mexico |
| Plot point: | Crime Boss, DEA Agent, Drug Cartels, Enemies Forced to Work Together, Kidnap, Smuggler, Undercover |
| Social setting: | Organized Crime |
| Subgenre: | Action Thriller |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Columbia Pictures, Canana, Misher Films |
| Production Countries: | United States, Mexico |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 1, 2019 | 3 | $6,864,744 | 2,203 | $3,116 | $6,864,744 | 1 | |
| Feb 8, 2019 | 10 | $2,745,129 | -60% | 2,203 | $1,246 | $11,885,225 | 2 |
| Feb 15, 2019 | 17 | $955,350 | -65% | 1,172 | $815 | $13,846,548 | 3 |
| Feb 22, 2019 | 27 | $355,447 | -63% | 515 | $690 | $14,619,517 | 4 |
| Mar 1, 2019 | 40 | $108,295 | -70% | 146 | $742 | $14,870,702 | 5 |
| Mar 8, 2019 | 48 | $40,418 | -63% | 64 | $632 | $14,953,031 | 6 |
| Mar 15, 2019 | 59 | $19,863 | -51% | 35 | $568 | $14,998,027 | 7 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jan 31, 2019 | P | $650,000 | 2,050 | $317 | $650,000 | |||
| Feb 1, 2019 | 2 | $2,754,673 | 2,203 | $1,250 | $2,754,673 | 1 | ||
| Feb 2, 2019 | 3 | $2,880,275 | +5% | 2,203 | $1,307 | $5,634,948 | 2 | |
| Feb 3, 2019 | 3 | $1,229,796 | -57% | 2,203 | $558 | $6,864,744 | 3 | |
| Feb 4, 2019 | 3 | $538,941 | -56% | 2,203 | $245 | $7,403,685 | 4 | |
| Feb 5, 2019 | 3 | $925,512 | +72% | 2,203 | $420 | $8,329,197 | 5 | |
| Feb 6, 2019 | 4 | $465,102 | -50% | 2,203 | $211 | $8,794,299 | 6 | |
| Feb 7, 2019 | 5 | $345,797 | -26% | 2,203 | $157 | $9,140,096 | 7 | |
| Feb 8, 2019 | 9 | $724,964 | +110% | -74% | 2,203 | $329 | $9,865,060 | 8 |
| Feb 9, 2019 | 10 | $1,207,078 | +67% | -58% | 2,203 | $548 | $11,072,138 | 9 |
| Feb 10, 2019 | 10 | $813,087 | -33% | -34% | 2,203 | $369 | $11,885,225 | 10 |
| Feb 11, 2019 | 9 | $224,602 | -72% | -58% | 2,203 | $102 | $12,109,827 | 11 |
| Feb 12, 2019 | 8 | $316,158 | +41% | -66% | 2,203 | $144 | $12,425,985 | 12 |
| Feb 13, 2019 | 14 | $141,691 | -55% | -70% | 1,744 | $81 | $12,567,676 | 13 |
| Feb 14, 2019 | 12 | $323,522 | +128% | -6% | 1,744 | $186 | $12,891,198 | 14 |
| Feb 15, 2019 | 14 | $240,095 | -26% | -67% | 1,172 | $205 | $13,131,293 | 15 |
| Feb 16, 2019 | - | $387,217 | +61% | -68% | 1,172 | $330 | $13,518,510 | 16 |
| Feb 17, 2019 | - | $328,038 | -15% | -60% | 1,172 | $280 | $13,846,548 | 17 |
| Feb 18, 2019 | - | $158,456 | -52% | -29% | 1,172 | $135 | $14,005,004 | 18 |
| Feb 19, 2019 | - | $115,571 | -27% | -63% | 1,172 | $99 | $14,120,575 | 19 |
| Feb 20, 2019 | - | $72,019 | -38% | -49% | 1,172 | $61 | $14,192,594 | 20 |
| Feb 21, 2019 | - | $71,476 | -1% | -78% | 1,172 | $61 | $14,264,070 | 21 |
| Feb 22, 2019 | - | $96,781 | +35% | -60% | 515 | $188 | $14,360,851 | 22 |
| Feb 23, 2019 | - | $151,252 | +56% | -61% | 515 | $294 | $14,512,103 | 23 |
| Feb 24, 2019 | - | $107,414 | -29% | -67% | 515 | $209 | $14,619,517 | 24 |
| Feb 25, 2019 | - | $30,510 | -72% | -81% | 515 | $59 | $14,650,027 | 25 |
| Feb 26, 2019 | - | $50,241 | +65% | -57% | 515 | $98 | $14,700,268 | 26 |
| Feb 27, 2019 | - | $34,317 | -32% | -52% | 515 | $67 | $14,734,585 | 27 |
| Feb 28, 2019 | - | $27,822 | -19% | -61% | 515 | $54 | $14,762,407 | 28 |
| Mar 1, 2019 | - | $25,564 | -8% | -74% | 146 | $175 | $14,787,971 | 29 |
| Mar 2, 2019 | - | $46,405 | +82% | -69% | 146 | $318 | $14,834,376 | 30 |
| Mar 3, 2019 | - | $36,326 | -22% | -66% | 146 | $249 | $14,870,702 | 31 |
| Mar 4, 2019 | - | $9,845 | -73% | -68% | 146 | $67 | $14,880,547 | 32 |
| Mar 5, 2019 | - | $15,929 | +62% | -68% | 146 | $109 | $14,896,476 | 33 |
| Mar 6, 2019 | - | $9,289 | -42% | -73% | 146 | $64 | $14,905,765 | 34 |
| Mar 7, 2019 | - | $6,848 | -26% | -75% | 146 | $47 | $14,912,613 | 35 |
| Mar 8, 2019 | - | $9,351 | +37% | -63% | 64 | $146 | $14,921,964 | 36 |
| Mar 9, 2019 | - | $16,660 | +78% | -64% | 64 | $260 | $14,938,624 | 37 |
| Mar 10, 2019 | - | $14,407 | -14% | -60% | 64 | $225 | $14,953,031 | 38 |
| Mar 15, 2019 | - | $6,164 | -34% | 35 | $176 | $14,984,328 | 43 | |
| Mar 16, 2019 | - | $6,822 | +11% | -59% | 35 | $195 | $14,991,150 | 44 |
| Mar 17, 2019 | - | $6,877 | +1% | -52% | 35 | $196 | $14,998,027 | 45 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 1, 2019 | 3 | $9,140,096 | 2,203 | $4,149 | $9,140,096 | 1 | |
| Feb 8, 2019 | 12 | $3,751,102 | -59% | 1,744 | $2,151 | $12,891,198 | 2 |
| Feb 15, 2019 | 19 | $1,372,872 | -63% | 1,172 | $1,171 | $14,264,070 | 3 |
| Feb 22, 2019 | 25 | $498,337 | -64% | 515 | $968 | $14,762,407 | 4 |
| Mar 1, 2019 | 41 | $150,206 | -70% | 146 | $1,029 | $14,912,613 | 5 |
| Mar 8, 2019 | 49 | $65,551 | -56% | 64 | $1,024 | $14,978,164 | 6 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Aruba | 1/31/2019 | $4,381 | 4 | 4 | 4 | $4,381 | 2/8/2019 | |||
| Curacao | 1/31/2019 | $5,616 | 5 | 5 | 16 | $19,231 | 2/28/2019 | |||
| Ecuador | 4/5/2019 | $15,107 | 27 | 28 | 70 | $42,536 | 4/24/2019 | |||
| Jamaica | 1/30/2019 | $12,825 | 5 | 5 | 7 | $24,986 | 2/20/2019 | |||
| Mexico | 3/29/2019 | $18,847 | 35 | 35 | 66 | $35,810 | 5/15/2019 | |||
| Romania | 5/3/2019 | $44,273 | 61 | 61 | 164 | $106,474 | 6/12/2019 | |||
| South Africa | 5/3/2019 | $11,450 | 18 | 18 | 40 | $25,061 | 5/23/2019 | |||
| Trinidad | 1/30/2019 | $25,374 | 17 | 17 | 35 | $62,528 | 3/8/2019 | |||
| United Kingdom | 3/8/2019 | $24,502 | 107 | 107 | 126 | $43,264 | 4/4/2026 | |||
| Rest of World | $2,334 | |||||||||
| International Total | $366,605 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Gina Rodriguez | Gloria |
Supporting
| Ismael Cruz Cordova | Lino | |
| Anthony Mackie | Jimmy | |
| Thomas Dekker | Makeup Supervisor | |
| Vivian Chan | Fashion Designer | |
| Barbarella Pardo | MX Customes Officer | |
| Cristina Rodlo | Suzu | |
| Sebastian Cano Echegollen | Chava | |
| Gaby Orihuela | Pageant Coordinator | |
| Damian Alcazar | Chief Saucedo | |
| Ricardo Abarca | Poyo | |
| Erick Rene Delgadillo Urbina | Tucán | |
| Mikhail Plata | Chivo | |
| Jorge Humberto Millan Mardueno | Ortiz | |
| Job Sarmiento | Officer at Club | |
| Roberto Sosa | Police Officer | |
| Lilian Guadalupe Tapia Robles | Doña Rosita | |
| Henry Torres Blanco | Pageant Choreographer | |
| Matt Lauria | Brian Reich | |
| Omar Israel Ayala | DEA Sniper | |
| Oscar Estrada | Owl Man | |
| Jimmy Gonzales | US Customs Officer | |
| Aislinn Derbez | Isabel | |
| Jose Sefami | Don Ramon | |
| Aldo Quintero Torres | Pageant Announcer | |
| Melina Oronia | Pageant Runner Up | |
| Joel Navarro Ponce | Saucedo’s Guard | |
| Joe LoCicero | Party Guy | |
| Lidia Isabel Quiroz Dorantes | News Correspondent | |
| Alan Alzalde | Estrella | |
| Carlos Eves | Estrella | |
| Andres Garcia | Estrella | |
| Irving Lemus | Estrella | |
| Roberto Colin | Estrella | |
| Eliel Ruiz | Estrella | |
| Rosalio Ruiz | Estrella | |
| Topsy Ruiz | Estrella | |
| Tornado Ruiz | Estrella | |
| Abram Serratos | Estrella |
Production and Technical Credits
| Catherine Hardwicke | Director | |
| Kevin Misher | Producer | |
| Pablo Cruz | Producer | |
| Gareth Dunnet-Alcocer | Screenwriter | |
| Mauricio Katz | Executive Producer | |
| Gerardo Naranjo | Executive Producer | |
| Catherine Hardwicke | Executive Producer | |
| Gareth Dunnet-Alcocer | Executive Producer | |
| Samson Mucke | Executive Producer | |
| Arturo Sampson | Executive Producer | |
| Andy Berman | Executive Producer | |
| Jamie Marshall | Executive Producer | |
| Patrick Murguia | Director of Photography | |
| Marco Niro | Production Designer | |
| Terilyn A. Shropshire | Editor | |
| Graciela Mazon | Costume Designer | |
| Alex Heffes | Composer | |
| Lynn Fainchtein | Music Supervisor | |
| Justin Yu | Stunt Coordinator | |
| Gerardo Moreno | Stunt Coordinator | |
| Samson Mucke | Unit Production Manager | |
| Fernando Altschul | First Assistant Director | |
| Joe May | Second Assistant Director | |
| Frank Gaeta | Sound Designer | |
| Frank Gaeta | Re-recording Mixer | |
| Shayda Frost | Associate Producer | |
| Lauren von Huene | Production Supervisor | |
| Tita Lombardo | Line Producer | |
| Armando Lopez | Art Director | |
| Alisarine Ducolomb | Set Decorator | |
| Natalia Moguel | Script Supervisor | |
| Jaime Ortiz | Costume Supervisor | |
| Sandra Migueli | Make up | |
| Zelene Fernandez | Make up | |
| Carla Diaz | Make up | |
| Pedro Guijarro | Hairstylist | |
| Isabel Munoz | Sound Mixer | |
| Alejandro Vazquez | Special Effects Supervisor | |
| Sergio Jara | Special Effects Coordinator | |
| Cristopher Correa | Unit Production Manager | |
| Lily Flaschner | Location Manager | |
| Jamie Marshall | Second Unit Director | |
| Christi Leftwich | First Assistant Editor | |
| Debra Tennant | First Assistant Editor | |
| Kenny Marsten* | First Assistant Editor | |
| Rolf Fleischmann | Assistant Editor | |
| Richard Saulnier II | Assistant Editor | |
| Deb Adair | Re-recording Mixer | |
| Frank Gaeta | Supervising Sound Editor | |
| Cody Skully | Sound Editor | |
| Chris Battaglia | Sound Editor | |
| Charles Maynes | Sound Editor | |
| Roland N. Thai | Sound Editor | |
| Jo Caron | Foley Mixer | |
| Robin Whittaker | Music Editor | |
| Sally Boldt | Music Editor | |
| Peter Myles | Music Editor | |
| Matt Ward | Score Mixer | |
| Matt Akey | Visual Effects Executive Producer | |
| Benjamin Conner | Visual Effects Supervisor | |
| James Fouche | Visual Effects Supervisor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
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