Mobile Suit Gundam GQuuuuuuX -Beginning- (機動戦士Gundam GQuuuuuuX Beginning) (2025)
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| Theatrical Performance | ||
| Domestic Box Office | $1,223,881 | Details |
| International Box Office | $3,180,663 | Details |
| Worldwide Box Office | $4,404,544 | |
| OpusData ID: 723440100 More info... | ||
| Further financial details... | ||
Synopsis
Amate Yuzuriha is a high-school student living peacefully in a space colony floating in outer space. When she meets a war refugee named Nyaan, Amate is drawn into the illegal mobile suit dueling sport known as Clan Battle. Under the entry name “Machu,” she throws herself into fierce battle day after day, piloting the GQuuuuuuX. Then an unidentified Gundam mobile suit pursued by both the space force and the police appears before her, along with its pilot, a boy named Shuji. Now their world is about to enter a new era.
Metrics
| Opening Weekend: | $882,471 (72.1% of total gross) |
| Legs: | 1.39 (domestic box office/biggest weekend) |
| Domestic Share: | 27.8% (domestic box office/worldwide) |
| Theater counts: | 784 opening theaters/784 max. theaters, 1.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $1,223,881 |
Movie Details
| Domestic Releases: | February 28th, 2025 (Wide) by GKIDS, released as Mobile Suit Gundam GQuuuuuuX -Beginning- |
| International Releases: | January 17th, 2025 (Limited) (Japan)
February 27th, 2025 (Wide), released as Mobile Suit Gundam GQuuuuuuX -Beginning- (Australia) February 27th, 2025 (Limited), released as Mobile Suit Gundam GQuuuuuuX -Beginning- (New Zealand) March 6th, 2025 (Limited), released as Mobile Suit Gundam GQuuuuuuX, El Inicio (Mexico) March 15th, 2025 (Wide), released as Mobile Suit Gundam GQuuuuuuX -Beginning- (France) ... Show all releases |
| MPA Rating: | Not Rated (Rated 3/10/2025) |
| Running Time: | 81 minutes |
| Franchise: | Mobile Suit Gundam |
| Cast, crew, or production detail: | Anime, Recut |
| Plot point: | Mecha |
| Subgenre: | Action Adventure |
| Source: | Based on TV |
| Genre: | Action |
| Production Method: | Digital Animation |
| Creative Type: | Science Fiction |
| Production Countries: | Japan |
| Languages: | Japanese |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 28, 2025 | 12 | $882,471 | 784 | $1,126 | $882,471 | 1 | |
| Mar 7, 2025 | - | $85,314 | -90% | 342 | $249 | $1,165,212 | 2 |
| Mar 14, 2025 | - | $3,781 | -96% | 10 | $378 | $1,221,246 | 3 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 28, 2025 | 6 | $532,767 | 784 | $680 | $532,767 | 1 | ||
| Mar 1, 2025 | - | $214,112 | -60% | 784 | $273 | $746,879 | 2 | |
| Mar 2, 2025 | - | $135,592 | -37% | 784 | $173 | $882,471 | 3 | |
| Mar 3, 2025 | - | $49,582 | -63% | 784 | $63 | $932,053 | 4 | |
| Mar 4, 2025 | - | $59,497 | +20% | 784 | $76 | $991,550 | 5 | |
| Mar 5, 2025 | - | $50,631 | -15% | 784 | $65 | $1,042,181 | 6 | |
| Mar 6, 2025 | - | $37,717 | -26% | 784 | $48 | $1,079,898 | 7 | |
| Mar 7, 2025 | - | $23,750 | -37% | -96% | 342 | $69 | $1,103,648 | 8 |
| Mar 8, 2025 | - | $34,120 | +44% | -84% | 342 | $100 | $1,137,768 | 9 |
| Mar 9, 2025 | - | $27,444 | -20% | -80% | 342 | $80 | $1,165,212 | 10 |
| Mar 10, 2025 | - | $11,556 | -58% | -77% | 342 | $34 | $1,176,768 | 11 |
| Mar 11, 2025 | - | $15,720 | +36% | -74% | 342 | $46 | $1,192,488 | 12 |
| Mar 12, 2025 | - | $15,303 | -3% | -70% | 342 | $45 | $1,207,791 | 13 |
| Mar 13, 2025 | - | $9,674 | -37% | -74% | 342 | $28 | $1,217,465 | 14 |
| Mar 14, 2025 | - | $1,027 | -89% | -96% | 10 | $103 | $1,218,492 | 15 |
| Mar 15, 2025 | - | $1,562 | +52% | -95% | 10 | $156 | $1,220,054 | 16 |
| Mar 16, 2025 | - | $1,192 | -24% | -96% | 10 | $119 | $1,221,246 | 17 |
| Mar 17, 2025 | - | $392 | -67% | -97% | 10 | $39 | $1,221,638 | 18 |
| Mar 18, 2025 | - | $1,053 | +169% | -93% | 10 | $105 | $1,222,691 | 19 |
| Mar 19, 2025 | - | $553 | -47% | -96% | 10 | $55 | $1,223,244 | 20 |
| Mar 20, 2025 | - | $637 | +15% | -93% | 10 | $64 | $1,223,881 | 21 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 28, 2025 | 13 | $1,079,898 | 784 | $1,377 | $1,079,898 | 1 | |
| Mar 7, 2025 | 28 | $137,567 | -87% | 342 | $402 | $1,217,465 | 2 |
| Mar 14, 2025 | 50 | $6,416 | -95% | 10 | $642 | $1,223,881 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 2/27/2025 | $41,649 | 44 | 44 | 0 | $74,820 | 4/6/2026 | |||
| China | 4/4/2025 | $1,741,686 | 0 | 0 | 0 | $2,791,073 | 4/6/2026 | |||
| New Zealand | 2/27/2025 | $5,966 | 15 | 15 | 0 | $6,913 | 4/4/2026 | |||
| South Korea | 4/2/2025 | $62,338 | 175 | 175 | 0 | $307,857 | 4/6/2026 | |||
| International Total | $3,180,663 | 4/6/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Tomoyo Kurosawa | ||
| Shimba Tsuchiya | ||
| Yui Ishikawa |
Production and Technical Credits
| Kazuya Tsurumaki | Director | |
| Yoji Enokido | Screenwriter | |
| Hideaki Anno | Screenwriter | |
| Yoshiyuki Tomino | Story Creator | |
| Yuki Sugitani | Producer | |
| Naohiro Ogata | Producer | |
| Keisuke Kasai | Producer | |
| Yoshimasa Terui | Composer | |
| Masayuki Hasuo | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Amate Yuzuriha is a high-school student living peacefully in a space colony floating in outer space. When she meets a war refugee named Nyaan, Amate is drawn into the illegal mobile suit dueling sport known as Clan Battle. Under the entry name “Machu,” she throws herself into fierce battle day after day, piloting the GQuuuuuuX. Then an unidentified Gundam mobile suit pursued by both the space force and the police appears before her, along with its pilot, a boy named Shuji. Now their world is about to enter a new era.
Metrics
| Opening Weekend: | $882,471 (72.1% of total gross) |
| Legs: | 1.39 (domestic box office/biggest weekend) |
| Domestic Share: | 27.8% (domestic box office/worldwide) |
| Theater counts: | 784 opening theaters/784 max. theaters, 1.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $1,223,881 |
Movie Details
| Domestic Releases: | February 28th, 2025 (Wide) by GKIDS, released as Mobile Suit Gundam GQuuuuuuX -Beginning- |
| International Releases: | January 17th, 2025 (Limited) (Japan)
February 27th, 2025 (Wide), released as Mobile Suit Gundam GQuuuuuuX -Beginning- (Australia) February 27th, 2025 (Limited), released as Mobile Suit Gundam GQuuuuuuX -Beginning- (New Zealand) March 6th, 2025 (Limited), released as Mobile Suit Gundam GQuuuuuuX, El Inicio (Mexico) March 15th, 2025 (Wide), released as Mobile Suit Gundam GQuuuuuuX -Beginning- (France) ... Show all releases |
| MPA Rating: | Not Rated (Rated 3/10/2025) |
| Running Time: | 81 minutes |
| Franchise: | Mobile Suit Gundam |
| Cast, crew, or production detail: | Anime, Recut |
| Plot point: | Mecha |
| Subgenre: | Action Adventure |
| Source: | Based on TV |
| Genre: | Action |
| Production Method: | Digital Animation |
| Creative Type: | Science Fiction |
| Production Countries: | Japan |
| Languages: | Japanese |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 28, 2025 | 12 | $882,471 | 784 | $1,126 | $882,471 | 1 | |
| Mar 7, 2025 | - | $85,314 | -90% | 342 | $249 | $1,165,212 | 2 |
| Mar 14, 2025 | - | $3,781 | -96% | 10 | $378 | $1,221,246 | 3 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 28, 2025 | 6 | $532,767 | 784 | $680 | $532,767 | 1 | ||
| Mar 1, 2025 | - | $214,112 | -60% | 784 | $273 | $746,879 | 2 | |
| Mar 2, 2025 | - | $135,592 | -37% | 784 | $173 | $882,471 | 3 | |
| Mar 3, 2025 | - | $49,582 | -63% | 784 | $63 | $932,053 | 4 | |
| Mar 4, 2025 | - | $59,497 | +20% | 784 | $76 | $991,550 | 5 | |
| Mar 5, 2025 | - | $50,631 | -15% | 784 | $65 | $1,042,181 | 6 | |
| Mar 6, 2025 | - | $37,717 | -26% | 784 | $48 | $1,079,898 | 7 | |
| Mar 7, 2025 | - | $23,750 | -37% | -96% | 342 | $69 | $1,103,648 | 8 |
| Mar 8, 2025 | - | $34,120 | +44% | -84% | 342 | $100 | $1,137,768 | 9 |
| Mar 9, 2025 | - | $27,444 | -20% | -80% | 342 | $80 | $1,165,212 | 10 |
| Mar 10, 2025 | - | $11,556 | -58% | -77% | 342 | $34 | $1,176,768 | 11 |
| Mar 11, 2025 | - | $15,720 | +36% | -74% | 342 | $46 | $1,192,488 | 12 |
| Mar 12, 2025 | - | $15,303 | -3% | -70% | 342 | $45 | $1,207,791 | 13 |
| Mar 13, 2025 | - | $9,674 | -37% | -74% | 342 | $28 | $1,217,465 | 14 |
| Mar 14, 2025 | - | $1,027 | -89% | -96% | 10 | $103 | $1,218,492 | 15 |
| Mar 15, 2025 | - | $1,562 | +52% | -95% | 10 | $156 | $1,220,054 | 16 |
| Mar 16, 2025 | - | $1,192 | -24% | -96% | 10 | $119 | $1,221,246 | 17 |
| Mar 17, 2025 | - | $392 | -67% | -97% | 10 | $39 | $1,221,638 | 18 |
| Mar 18, 2025 | - | $1,053 | +169% | -93% | 10 | $105 | $1,222,691 | 19 |
| Mar 19, 2025 | - | $553 | -47% | -96% | 10 | $55 | $1,223,244 | 20 |
| Mar 20, 2025 | - | $637 | +15% | -93% | 10 | $64 | $1,223,881 | 21 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 28, 2025 | 13 | $1,079,898 | 784 | $1,377 | $1,079,898 | 1 | |
| Mar 7, 2025 | 28 | $137,567 | -87% | 342 | $402 | $1,217,465 | 2 |
| Mar 14, 2025 | 50 | $6,416 | -95% | 10 | $642 | $1,223,881 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 2/27/2025 | $41,649 | 44 | 44 | 0 | $74,820 | 4/6/2026 | |||
| China | 4/4/2025 | $1,741,686 | 0 | 0 | 0 | $2,791,073 | 4/6/2026 | |||
| New Zealand | 2/27/2025 | $5,966 | 15 | 15 | 0 | $6,913 | 4/4/2026 | |||
| South Korea | 4/2/2025 | $62,338 | 175 | 175 | 0 | $307,857 | 4/6/2026 | |||
| International Total | $3,180,663 | 4/6/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Tomoyo Kurosawa | ||
| Shimba Tsuchiya | ||
| Yui Ishikawa |
Production and Technical Credits
| Kazuya Tsurumaki | Director | |
| Yoji Enokido | Screenwriter | |
| Hideaki Anno | Screenwriter | |
| Yoshiyuki Tomino | Story Creator | |
| Yuki Sugitani | Producer | |
| Naohiro Ogata | Producer | |
| Keisuke Kasai | Producer | |
| Yoshimasa Terui | Composer | |
| Masayuki Hasuo | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.