Money Train (1995)
| Theatrical Performance | ||
| Domestic Box Office | $35,324,232 | Details |
| International Box Office | $41,900,000 | |
| Worldwide Box Office | $77,224,232 | |
| OpusData ID: 16070100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $10,608,297 (30.0% of total gross) |
| Legs: | 3.33 (domestic box office/biggest weekend) |
| Domestic Share: | 45.7% (domestic box office/worldwide) |
| Production Budget: | $68,000,000 (worldwide box office is 1.1 times production budget) |
| Theater counts: | 2,522 opening theaters/2,522 max. theaters, 4.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $91,816,401 |
Movie Details
| Domestic Releases: | November 22nd, 1995 (Wide) by Sony Pictures |
| Video Release: | September 17th, 1996 by Sony Pictures Home Entertainment |
| MPA Rating: | R for pervasive strong language, violence and a sex scene |
| Running Time: | 110 minutes |
| Geographical setting: | New York, New York City |
| Plot point: | Buddy Cop, Corrupt Cops, Gambling, Heist, Mafia, Money Troubles |
| Subgenre: | Action Comedy |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 24, 1995 | 4 | $10,608,297 | 2,522 | $4,206 | $15,520,335 | 1 | |
| Dec 1, 1995 | 4 | $6,017,676 | -43% | 2,522 | $2,386 | $24,117,687 | 2 |
| Dec 8, 1995 | 6 | $3,405,222 | -43% | 2,450 | $1,390 | $29,225,796 | 3 |
| Dec 15, 1995 | 10 | $1,750,446 | -49% | 1,827 | $958 | $32,051,577 | 4 |
| Dec 22, 1995 | 20 | $572,313 | -67% | 800 | $715 | $33,413,631 | 5 |
| Dec 29, 1995 | 20 | $807,841 | +41% | 800 | $1,010 | $34,659,375 | 6 |
| Jan 5, 1996 | 26 | $250,657 | -69% | 678 | $370 | $35,115,724 | 7 |
| Jan 12, 1996 | 46 | $101,222 | -60% | 452 | $224 | $35,305,090 | 8 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 24, 1995 | 4 | $13,187,973 | 2,522 | $5,229 | $18,100,011 | 2 | |
| Dec 1, 1995 | 4 | $7,720,563 | -41% | 2,522 | $3,061 | $25,820,574 | 3 |
| Dec 8, 1995 | 5 | $4,480,557 | -42% | 2,450 | $1,829 | $30,301,131 | 4 |
| Dec 15, 1995 | 10 | $2,540,187 | -43% | 1,827 | $1,390 | $32,841,318 | 5 |
| Dec 22, 1995 | 20 | $1,010,216 | -60% | 800 | $1,263 | $33,851,534 | 6 |
| Dec 29, 1995 | 20 | $1,013,533 | n/c | 800 | $1,267 | $34,865,067 | 7 |
| Jan 5, 1996 | 26 | $338,801 | -67% | 678 | $500 | $35,203,868 | 8 |
| Woody Harrelson | Charlies |
Leading
| Wesley Snipes | John |
Supporting
| Jennifer Lopez | Grace Santiago |
| Chris Cooper | Torch | |
| Bill Nunn | Crash train motorman | |
| Joe Grifasi | Riley | |
| Enrico Colantoni | Dooley | |
| Vincent Pastore | Gambler |
Production and Technical Credits
| Joseph Ruben | Director | |
| Mark Mancina | Composer | |
| Jack Gill | Stunt Coordinator | |
| Randall Wilkins | Set Designer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Opening Weekend: | $10,608,297 (30.0% of total gross) |
| Legs: | 3.33 (domestic box office/biggest weekend) |
| Domestic Share: | 45.7% (domestic box office/worldwide) |
| Production Budget: | $68,000,000 (worldwide box office is 1.1 times production budget) |
| Theater counts: | 2,522 opening theaters/2,522 max. theaters, 4.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $91,816,401 |
Movie Details
| Domestic Releases: | November 22nd, 1995 (Wide) by Sony Pictures |
| Video Release: | September 17th, 1996 by Sony Pictures Home Entertainment |
| MPA Rating: | R for pervasive strong language, violence and a sex scene |
| Running Time: | 110 minutes |
| Geographical setting: | New York, New York City |
| Plot point: | Buddy Cop, Corrupt Cops, Gambling, Heist, Mafia, Money Troubles |
| Subgenre: | Action Comedy |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 24, 1995 | 4 | $10,608,297 | 2,522 | $4,206 | $15,520,335 | 1 | |
| Dec 1, 1995 | 4 | $6,017,676 | -43% | 2,522 | $2,386 | $24,117,687 | 2 |
| Dec 8, 1995 | 6 | $3,405,222 | -43% | 2,450 | $1,390 | $29,225,796 | 3 |
| Dec 15, 1995 | 10 | $1,750,446 | -49% | 1,827 | $958 | $32,051,577 | 4 |
| Dec 22, 1995 | 20 | $572,313 | -67% | 800 | $715 | $33,413,631 | 5 |
| Dec 29, 1995 | 20 | $807,841 | +41% | 800 | $1,010 | $34,659,375 | 6 |
| Jan 5, 1996 | 26 | $250,657 | -69% | 678 | $370 | $35,115,724 | 7 |
| Jan 12, 1996 | 46 | $101,222 | -60% | 452 | $224 | $35,305,090 | 8 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 24, 1995 | 4 | $13,187,973 | 2,522 | $5,229 | $18,100,011 | 2 | |
| Dec 1, 1995 | 4 | $7,720,563 | -41% | 2,522 | $3,061 | $25,820,574 | 3 |
| Dec 8, 1995 | 5 | $4,480,557 | -42% | 2,450 | $1,829 | $30,301,131 | 4 |
| Dec 15, 1995 | 10 | $2,540,187 | -43% | 1,827 | $1,390 | $32,841,318 | 5 |
| Dec 22, 1995 | 20 | $1,010,216 | -60% | 800 | $1,263 | $33,851,534 | 6 |
| Dec 29, 1995 | 20 | $1,013,533 | n/c | 800 | $1,267 | $34,865,067 | 7 |
| Jan 5, 1996 | 26 | $338,801 | -67% | 678 | $500 | $35,203,868 | 8 |
| Woody Harrelson | Charlies |
Leading
| Wesley Snipes | John |
Supporting
| Jennifer Lopez | Grace Santiago |
| Chris Cooper | Torch | |
| Bill Nunn | Crash train motorman | |
| Joe Grifasi | Riley | |
| Enrico Colantoni | Dooley | |
| Vincent Pastore | Gambler |
Production and Technical Credits
| Joseph Ruben | Director | |
| Mark Mancina | Composer | |
| Jack Gill | Stunt Coordinator | |
| Randall Wilkins | Set Designer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.