A Month by the Lake (1995)
| Theatrical Performance | ||
| Domestic Box Office | $2,196,000 | Details |
| OpusData ID: 54990100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $101,042 (4.6% of total gross) |
| Legs: | 8.22 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 10 opening theaters/74 max. theaters, 9.9 weeks average run per theater |
| Infl. Adj. Dom. BO | $5,709,593 |
Movie Details
| Domestic Releases: | September 22nd, 1995 (Wide) by Miramax |
| MPA Rating: | R for strong sexuality, language and brief violence |
| Plot point: | Romance |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Romantic Comedy |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production Countries: | United Kingdom, United States |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 22, 1995 | 43 | $101,042 | 10 | $10,104 | $101,042 | 1 | |
| Sep 29, 1995 | 29 | $267,247 | +164% | 42 | $6,363 | $421,845 | 2 |
| Oct 6, 1995 | 29 | $236,751 | -11% | 58 | $4,082 | $759,799 | 3 |
| Oct 13, 1995 | 25 | $241,044 | +2% | 74 | $3,257 | $1,085,856 | 4 |
| Oct 20, 1995 | 31 | $178,942 | -26% | 71 | $2,520 | $1,338,400 | 5 |
| Oct 27, 1995 | 35 | $136,458 | -24% | 70 | $1,949 | $1,530,651 | 6 |
| Nov 3, 1995 | 41 | $101,904 | -25% | 67 | $1,521 | $1,682,263 | 7 |
| Nov 10, 1995 | 39 | $100,509 | -1% | 72 | $1,396 | $1,820,976 | 8 |
| Nov 17, 1995 | 43 | $58,385 | -42% | 73 | $800 | $1,910,831 | 9 |
| Nov 24, 1995 | 50 | $42,386 | -27% | 53 | $800 | $1,977,718 | 10 |
| Dec 1, 1995 | 46 | $36,164 | -15% | 47 | $769 | $2,024,886 | 11 |
| Dec 8, 1995 | 43 | $28,751 | -20% | 52 | $553 | $2,062,908 | 12 |
| Dec 15, 1995 | 50 | $19,263 | -33% | 45 | $428 | $2,092,272 | 13 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 22, 1995 | 38 | $154,598 | 10 | $15,460 | $154,598 | 1 | |
| Sep 29, 1995 | 29 | $368,450 | +138% | 42 | $8,773 | $523,048 | 2 |
| Oct 6, 1995 | 27 | $321,764 | -13% | 58 | $5,548 | $844,812 | 3 |
| Oct 13, 1995 | 25 | $314,646 | -2% | 74 | $4,252 | $1,159,458 | 4 |
| Oct 20, 1995 | 30 | $234,735 | -25% | 71 | $3,306 | $1,394,193 | 5 |
| Oct 27, 1995 | 34 | $186,166 | -21% | 70 | $2,660 | $1,580,359 | 6 |
| Nov 3, 1995 | 42 | $140,108 | -25% | 67 | $2,091 | $1,720,467 | 7 |
| Nov 10, 1995 | 38 | $131,979 | -6% | 72 | $1,833 | $1,852,446 | 8 |
| Nov 17, 1995 | 46 | $82,886 | -37% | 73 | $1,135 | $1,935,332 | 9 |
| Nov 24, 1995 | 47 | $53,390 | -36% | 53 | $1,007 | $1,988,722 | 10 |
| Dec 1, 1995 | 40 | $45,435 | -15% | 47 | $967 | $2,034,157 | 11 |
| Dec 8, 1995 | 42 | $38,852 | -14% | 52 | $747 | $2,073,009 | 12 |
| Uma Thurman | Miss Beaumont | |
| Vanessa Redgrave | Miss Bentley | |
| Edward Fox | Major Wilshaw |
Production and Technical Credits
| Harvey Weinstein | Executive Producer | |
| Bob Weinstein | Executive Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Opening Weekend: | $101,042 (4.6% of total gross) |
| Legs: | 8.22 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 10 opening theaters/74 max. theaters, 9.9 weeks average run per theater |
| Infl. Adj. Dom. BO | $5,709,593 |
Movie Details
| Domestic Releases: | September 22nd, 1995 (Wide) by Miramax |
| MPA Rating: | R for strong sexuality, language and brief violence |
| Plot point: | Romance |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Romantic Comedy |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production Countries: | United Kingdom, United States |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 22, 1995 | 43 | $101,042 | 10 | $10,104 | $101,042 | 1 | |
| Sep 29, 1995 | 29 | $267,247 | +164% | 42 | $6,363 | $421,845 | 2 |
| Oct 6, 1995 | 29 | $236,751 | -11% | 58 | $4,082 | $759,799 | 3 |
| Oct 13, 1995 | 25 | $241,044 | +2% | 74 | $3,257 | $1,085,856 | 4 |
| Oct 20, 1995 | 31 | $178,942 | -26% | 71 | $2,520 | $1,338,400 | 5 |
| Oct 27, 1995 | 35 | $136,458 | -24% | 70 | $1,949 | $1,530,651 | 6 |
| Nov 3, 1995 | 41 | $101,904 | -25% | 67 | $1,521 | $1,682,263 | 7 |
| Nov 10, 1995 | 39 | $100,509 | -1% | 72 | $1,396 | $1,820,976 | 8 |
| Nov 17, 1995 | 43 | $58,385 | -42% | 73 | $800 | $1,910,831 | 9 |
| Nov 24, 1995 | 50 | $42,386 | -27% | 53 | $800 | $1,977,718 | 10 |
| Dec 1, 1995 | 46 | $36,164 | -15% | 47 | $769 | $2,024,886 | 11 |
| Dec 8, 1995 | 43 | $28,751 | -20% | 52 | $553 | $2,062,908 | 12 |
| Dec 15, 1995 | 50 | $19,263 | -33% | 45 | $428 | $2,092,272 | 13 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 22, 1995 | 38 | $154,598 | 10 | $15,460 | $154,598 | 1 | |
| Sep 29, 1995 | 29 | $368,450 | +138% | 42 | $8,773 | $523,048 | 2 |
| Oct 6, 1995 | 27 | $321,764 | -13% | 58 | $5,548 | $844,812 | 3 |
| Oct 13, 1995 | 25 | $314,646 | -2% | 74 | $4,252 | $1,159,458 | 4 |
| Oct 20, 1995 | 30 | $234,735 | -25% | 71 | $3,306 | $1,394,193 | 5 |
| Oct 27, 1995 | 34 | $186,166 | -21% | 70 | $2,660 | $1,580,359 | 6 |
| Nov 3, 1995 | 42 | $140,108 | -25% | 67 | $2,091 | $1,720,467 | 7 |
| Nov 10, 1995 | 38 | $131,979 | -6% | 72 | $1,833 | $1,852,446 | 8 |
| Nov 17, 1995 | 46 | $82,886 | -37% | 73 | $1,135 | $1,935,332 | 9 |
| Nov 24, 1995 | 47 | $53,390 | -36% | 53 | $1,007 | $1,988,722 | 10 |
| Dec 1, 1995 | 40 | $45,435 | -15% | 47 | $967 | $2,034,157 | 11 |
| Dec 8, 1995 | 42 | $38,852 | -14% | 52 | $747 | $2,073,009 | 12 |
| Uma Thurman | Miss Beaumont | |
| Vanessa Redgrave | Miss Bentley | |
| Edward Fox | Major Wilshaw |
Production and Technical Credits
| Harvey Weinstein | Executive Producer | |
| Bob Weinstein | Executive Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.