Moonfall (2022)
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| Theatrical Performance | ||
| Domestic Box Office | $19,060,660 | Details |
| International Box Office | $39,992,535 | Details |
| Worldwide Box Office | $59,053,195 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $1,437,541 | |
| Blu-ray Sales (estimated) | $1,847,301 | |
| Total | $3,284,842 | |
| OpusData ID: 409210100 More info... | ||
| Further financial details... | ||
Synopsis
A mysterious force knocks the Moon from its orbit around Earth and sends it hurtling on a collision course with life as we know it. With mere weeks before impact and the world on the brink of annihilation, NASA executive and former astronaut Jo Fowler is convinced she has the key to saving us all—but only one astronaut from her past, Brian Harper, and conspiracy theorist K.C. Houseman, believe her. These unlikely heroes will mount an impossible last-ditch mission into space, leaving behind everyone they love, only to find out that our Moon is not what we think it is.
Metrics
| Opening Weekend: | $9,868,997 (51.8% of total gross) |
| Legs: | 1.93 (domestic box office/biggest weekend) |
| Domestic Share: | 32.3% (domestic box office/worldwide) |
| Production Budget: | $150,000,000 (worldwide box office is 0.4 times production budget) |
| Theater counts: | 3,446 opening theaters/3,446 max. theaters, 3.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $21,649,143 |
Movie Details
| Domestic Releases: | February 4th, 2022 (Wide) by Lionsgate February 4th, 2022 (IMAX) by Lionsgate |
| International Releases: | February 3rd, 2022 (Wide) (Australia)
February 3rd, 2022 (Wide) (New Zealand) February 3rd, 2022 (Wide) (Mexico) February 3rd, 2022 (Wide) (Portugal) February 3rd, 2022 (Wide), released as Падение Луны (Russia (CIS)) ... Show all releases |
| Video Release: | March 31st, 2022 by Lionsgate Home Entertainment |
| MPA Rating: | PG-13 for violence, disaster action, strong language, and some drug use. (Rating bulletin 2714 (cert #53243), 1/12/2022) |
| Running Time: | 124 minutes |
| Plot point: | Disaster |
| Social setting: | End of the World |
| Subgenre: | Action Thriller |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Centropolis Entertainment, Street Entertainment , Lionsgate, Huayi Brothers International, Huayi Tencent Entertainment Company, AGC |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 4, 2022 | 2 | $9,868,997 | 3,446 | $2,864 | $9,868,997 | 1 | |
| Feb 11, 2022 | 8 | $2,948,072 | -70% | 3,446 | $856 | $15,251,621 | 2 |
| Feb 18, 2022 | 11 | $1,061,928 | -64% | 1,968 | $540 | $17,749,411 | 3 |
| Feb 25, 2022 | 14 | $481,644 | -55% | 1,129 | $427 | $18,696,156 | 4 |
| Mar 4, 2022 | - | $79,634 | -83% | 238 | $335 | $18,932,975 | 5 |
| Mar 11, 2022 | - | $51,489 | -35% | 165 | $312 | $19,030,273 | 6 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 3, 2022 | P | $700,000 | 2,300 | $304 | $700,000 | |||
| Feb 4, 2022 | 2 | $3,404,657 | 3,446 | $988 | $3,404,657 | 1 | ||
| Feb 5, 2022 | 3 | $4,053,602 | +19% | 3,446 | $1,176 | $7,458,259 | 2 | |
| Feb 6, 2022 | 3 | $2,410,738 | -41% | 3,446 | $700 | $9,868,997 | 3 | |
| Feb 7, 2022 | 3 | $623,455 | -74% | 3,446 | $181 | $10,492,452 | 4 | |
| Feb 8, 2022 | 2 | $906,036 | +45% | 3,446 | $263 | $11,398,488 | 5 | |
| Feb 9, 2022 | 3 | $510,768 | -44% | 3,446 | $148 | $11,909,256 | 6 | |
| Feb 10, 2022 | 3 | $394,293 | -23% | 3,446 | $114 | $12,303,549 | 7 | |
| Feb 11, 2022 | 7 | $817,724 | +107% | -76% | 3,446 | $237 | $13,121,273 | 8 |
| Feb 12, 2022 | 8 | $1,540,228 | +88% | -62% | 3,446 | $447 | $14,661,501 | 9 |
| Feb 13, 2022 | 7 | $590,120 | -62% | -76% | 3,446 | $171 | $15,251,621 | 10 |
| Feb 14, 2022 | 7 | $700,529 | +19% | +12% | 3,446 | $203 | $15,952,150 | 11 |
| Feb 15, 2022 | 6 | $333,804 | -52% | -63% | 3,446 | $97 | $16,285,954 | 12 |
| Feb 16, 2022 | 7 | $245,031 | -27% | -52% | 3,446 | $71 | $16,530,985 | 13 |
| Feb 17, 2022 | 8 | $156,498 | -36% | -60% | 3,446 | $45 | $16,687,483 | 14 |
| Feb 18, 2022 | 11 | $265,275 | +70% | -68% | 1,968 | $135 | $16,952,758 | 15 |
| Feb 19, 2022 | 11 | $459,138 | +73% | -70% | 1,968 | $233 | $17,411,896 | 16 |
| Feb 20, 2022 | 11 | $337,515 | -26% | -43% | 1,968 | $172 | $17,749,411 | 17 |
| Feb 21, 2022 | 11 | $187,928 | -44% | -73% | 1,968 | $95 | $17,937,339 | 18 |
| Feb 22, 2022 | 11 | $127,719 | -32% | -62% | 1,968 | $65 | $18,065,058 | 19 |
| Feb 23, 2022 | 12 | $80,787 | -37% | -67% | 1,968 | $41 | $18,145,845 | 20 |
| Feb 24, 2022 | 12 | $68,667 | -15% | -56% | 1,968 | $35 | $18,214,512 | 21 |
| Feb 25, 2022 | - | $114,925 | +67% | -57% | 1,129 | $102 | $18,329,437 | 22 |
| Feb 26, 2022 | - | $226,800 | +97% | -51% | 1,129 | $201 | $18,556,237 | 23 |
| Feb 27, 2022 | - | $139,919 | -38% | -59% | 1,129 | $124 | $18,696,156 | 24 |
| Feb 28, 2022 | - | $41,910 | -70% | -78% | 1,129 | $37 | $18,738,066 | 25 |
| Mar 1, 2022 | - | $62,227 | +48% | -51% | 1,129 | $55 | $18,800,293 | 26 |
| Mar 2, 2022 | - | $36,990 | -41% | -54% | 1,129 | $33 | $18,837,283 | 27 |
| Mar 3, 2022 | - | $16,058 | -57% | -77% | 1,129 | $14 | $18,853,341 | 28 |
| Mar 4, 2022 | - | $20,028 | +25% | -83% | 238 | $84 | $18,873,369 | 29 |
| Mar 5, 2022 | - | $33,438 | +67% | -85% | 238 | $140 | $18,906,807 | 30 |
| Mar 6, 2022 | - | $26,168 | -22% | -81% | 238 | $110 | $18,932,975 | 31 |
| Mar 7, 2022 | - | $11,222 | -57% | -73% | 238 | $47 | $18,944,197 | 32 |
| Mar 8, 2022 | - | $12,046 | +7% | -81% | 238 | $51 | $18,956,243 | 33 |
| Mar 9, 2022 | - | $11,349 | -6% | -69% | 238 | $48 | $18,967,592 | 34 |
| Mar 10, 2022 | - | $11,192 | -1% | -30% | 238 | $47 | $18,978,784 | 35 |
| Mar 11, 2022 | - | $13,432 | +20% | -33% | 165 | $81 | $18,992,216 | 36 |
| Mar 12, 2022 | - | $21,661 | +61% | -35% | 165 | $131 | $19,013,877 | 37 |
| Mar 13, 2022 | - | $16,396 | -24% | -37% | 165 | $99 | $19,030,273 | 38 |
| Mar 14, 2022 | - | $6,851 | -58% | -39% | 165 | $42 | $19,037,124 | 39 |
| Mar 15, 2022 | - | $9,016 | +32% | -25% | 165 | $55 | $19,046,140 | 40 |
| Mar 16, 2022 | - | $8,285 | -8% | -27% | 165 | $50 | $19,054,425 | 41 |
| Mar 17, 2022 | - | $6,235 | -25% | -44% | 165 | $38 | $19,060,660 | 42 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 4, 2022 | 3 | $12,303,549 | 3,446 | $3,570 | $12,303,549 | 1 | |
| Feb 11, 2022 | 7 | $4,383,934 | -64% | 3,446 | $1,272 | $16,687,483 | 2 |
| Feb 18, 2022 | 11 | $1,527,029 | -65% | 1,968 | $776 | $18,214,512 | 3 |
| Feb 25, 2022 | - | $638,829 | -58% | 1,129 | $566 | $18,853,341 | 4 |
| Mar 4, 2022 | - | $125,443 | -80% | 238 | $527 | $18,978,784 | 5 |
| Mar 11, 2022 | - | $81,876 | -35% | 165 | $496 | $19,060,660 | 6 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 2/3/2022 | $526,384 | 328 | 328 | 847 | $1,009,060 | 10/20/2022 | |||
| China | 3/25/2022 | $9,740,000 | 61,014 | 61,014 | 196,003 | $23,680,000 | 6/27/2022 | |||
| Czech Republic | 2/3/2022 | $76,886 | 181 | 181 | 281 | $136,215 | 10/20/2022 | |||
| Finland | 3/18/2022 | $31,760 | 63 | 63 | 116 | $77,913 | 4/21/2026 | |||
| Italy | 3/17/2022 | $304,508 | 0 | 0 | 0 | $613,390 | 10/20/2022 | |||
| Lithuania | 2/4/2022 | $58,890 | 15 | 15 | 55 | $168,974 | 10/20/2022 | |||
| Mexico | 2/3/2022 | $1,139,106 | 0 | 0 | 0 | $2,788,315 | 2/23/2022 | |||
| Netherlands | 3/24/2022 | $172,855 | 89 | 89 | 324 | $537,885 | 4/20/2022 | |||
| New Zealand | 2/3/2022 | $117,065 | 75 | 75 | 314 | $234,917 | 10/20/2022 | |||
| Portugal | 2/3/2022 | $56,172 | 66 | 66 | 189 | $144,845 | 10/20/2022 | |||
| Romania | 2/4/2022 | $117,246 | 90 | 90 | 271 | $319,674 | 10/20/2022 | |||
| Russia (CIS) | 2/3/2022 | $1,997,226 | 1,998 | 2,000 | 5,198 | $3,233,895 | 4/4/2026 | |||
| Slovakia | 2/3/2022 | $22,767 | 57 | 57 | 90 | $39,169 | 3/1/2022 | |||
| South Korea | 3/16/2022 | $876,367 | 1,174 | 1,174 | 2,098 | $1,546,192 | 5/4/2022 | |||
| Spain | 2/4/2022 | $608,806 | 345 | 345 | 998 | $1,191,222 | 3/9/2022 | |||
| Turkey | 2/4/2022 | $141,141 | 253 | 253 | 758 | $253,029 | 4/4/2026 | |||
| United Kingdom | 2/4/2022 | $1,575,181 | 543 | 543 | 1,231 | $2,756,369 | 2/23/2022 | |||
| Rest of World | $1,261,471 | |||||||||
| International Total | $39,992,535 | 4/21/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Halle Berry | Jo Fowler | |
| Patrick Wilson | Brian Harper | |
| John Bradley | K.C. Houseman |
Supporting
| Michael Peña | Tom Lopez | |
| Charlie Plummer | Sonny Harper | |
| Kelly Yu | Michelle | |
| Eme Ikwuakor | Doug Davidson | |
| Carolina Bartczak | Brenda Lopez | |
| Donald Sutherland | Holdenfield | |
| Maxim Roy | Captain Gabriella Auclair |
Production and Technical Credits
| Roland Emmerich | Director | |
| Harald Kloser | Screenwriter | |
| Spenser Cohen | Screenwriter | |
| Roland Emmerich | Screenwriter | |
| Harald Kloser | Producer | |
| Roland Emmerich | Producer | |
| John Paul Pettinato | Executive Producer | |
| Marco Shepherd | Executive Producer | |
| Carsten Lorenz | Executive Producer | |
| Spenser Cohen | Executive Producer | |
| Ute Emmerich | Executive Producer | |
| Wang Zhongjun | Executive Producer | |
| Wang Zhonglei | Executive Producer | |
| Hu Junyi | Executive Producer | |
| Raymond Hau | Executive Producer | |
| Edward Cheng | Executive Producer | |
| Viviana Vezzani | Executive Producer | |
| Karl Spoerri | Executive Producer | |
| Stuart Ford | Executive Producer | |
| Alastair Burlingham | Executive Producer | |
| Gary Raskin | Executive Producer | |
| Robby Baumgartner | Director of Photography | |
| Kirk M. Petruccelli | Production Designer | |
| Adam Wolfe | Editor | |
| Ryan Stevens Harris | Editor | |
| Thomas Wander | Composer | |
| Harald Kloser | Composer | |
| Mario Davignon | Costume Designer | |
| Peter G. Travers | Visual Effects Supervisor | |
| Tricia Mulgrew | Visual Effects Producer | |
| John Papsidera | Casting Director | |
| Andrea Kenyon | Casting Director | |
| Randi Wells | Casting Director | |
| Carsten Lorenz | Unit Production Manager | |
| Bethan Mowat | First Assistant Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
A mysterious force knocks the Moon from its orbit around Earth and sends it hurtling on a collision course with life as we know it. With mere weeks before impact and the world on the brink of annihilation, NASA executive and former astronaut Jo Fowler is convinced she has the key to saving us all—but only one astronaut from her past, Brian Harper, and conspiracy theorist K.C. Houseman, believe her. These unlikely heroes will mount an impossible last-ditch mission into space, leaving behind everyone they love, only to find out that our Moon is not what we think it is.
Metrics
| Opening Weekend: | $9,868,997 (51.8% of total gross) |
| Legs: | 1.93 (domestic box office/biggest weekend) |
| Domestic Share: | 32.3% (domestic box office/worldwide) |
| Production Budget: | $150,000,000 (worldwide box office is 0.4 times production budget) |
| Theater counts: | 3,446 opening theaters/3,446 max. theaters, 3.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $21,649,143 |
Movie Details
| Domestic Releases: | February 4th, 2022 (Wide) by Lionsgate February 4th, 2022 (IMAX) by Lionsgate |
| International Releases: | February 3rd, 2022 (Wide) (Australia)
February 3rd, 2022 (Wide) (New Zealand) February 3rd, 2022 (Wide) (Mexico) February 3rd, 2022 (Wide) (Portugal) February 3rd, 2022 (Wide), released as Падение Луны (Russia (CIS)) ... Show all releases |
| Video Release: | March 31st, 2022 by Lionsgate Home Entertainment |
| MPA Rating: | PG-13 for violence, disaster action, strong language, and some drug use. (Rating bulletin 2714 (cert #53243), 1/12/2022) |
| Running Time: | 124 minutes |
| Plot point: | Disaster |
| Social setting: | End of the World |
| Subgenre: | Action Thriller |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Centropolis Entertainment, Street Entertainment , Lionsgate, Huayi Brothers International, Huayi Tencent Entertainment Company, AGC |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 4, 2022 | 2 | $9,868,997 | 3,446 | $2,864 | $9,868,997 | 1 | |
| Feb 11, 2022 | 8 | $2,948,072 | -70% | 3,446 | $856 | $15,251,621 | 2 |
| Feb 18, 2022 | 11 | $1,061,928 | -64% | 1,968 | $540 | $17,749,411 | 3 |
| Feb 25, 2022 | 14 | $481,644 | -55% | 1,129 | $427 | $18,696,156 | 4 |
| Mar 4, 2022 | - | $79,634 | -83% | 238 | $335 | $18,932,975 | 5 |
| Mar 11, 2022 | - | $51,489 | -35% | 165 | $312 | $19,030,273 | 6 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 3, 2022 | P | $700,000 | 2,300 | $304 | $700,000 | |||
| Feb 4, 2022 | 2 | $3,404,657 | 3,446 | $988 | $3,404,657 | 1 | ||
| Feb 5, 2022 | 3 | $4,053,602 | +19% | 3,446 | $1,176 | $7,458,259 | 2 | |
| Feb 6, 2022 | 3 | $2,410,738 | -41% | 3,446 | $700 | $9,868,997 | 3 | |
| Feb 7, 2022 | 3 | $623,455 | -74% | 3,446 | $181 | $10,492,452 | 4 | |
| Feb 8, 2022 | 2 | $906,036 | +45% | 3,446 | $263 | $11,398,488 | 5 | |
| Feb 9, 2022 | 3 | $510,768 | -44% | 3,446 | $148 | $11,909,256 | 6 | |
| Feb 10, 2022 | 3 | $394,293 | -23% | 3,446 | $114 | $12,303,549 | 7 | |
| Feb 11, 2022 | 7 | $817,724 | +107% | -76% | 3,446 | $237 | $13,121,273 | 8 |
| Feb 12, 2022 | 8 | $1,540,228 | +88% | -62% | 3,446 | $447 | $14,661,501 | 9 |
| Feb 13, 2022 | 7 | $590,120 | -62% | -76% | 3,446 | $171 | $15,251,621 | 10 |
| Feb 14, 2022 | 7 | $700,529 | +19% | +12% | 3,446 | $203 | $15,952,150 | 11 |
| Feb 15, 2022 | 6 | $333,804 | -52% | -63% | 3,446 | $97 | $16,285,954 | 12 |
| Feb 16, 2022 | 7 | $245,031 | -27% | -52% | 3,446 | $71 | $16,530,985 | 13 |
| Feb 17, 2022 | 8 | $156,498 | -36% | -60% | 3,446 | $45 | $16,687,483 | 14 |
| Feb 18, 2022 | 11 | $265,275 | +70% | -68% | 1,968 | $135 | $16,952,758 | 15 |
| Feb 19, 2022 | 11 | $459,138 | +73% | -70% | 1,968 | $233 | $17,411,896 | 16 |
| Feb 20, 2022 | 11 | $337,515 | -26% | -43% | 1,968 | $172 | $17,749,411 | 17 |
| Feb 21, 2022 | 11 | $187,928 | -44% | -73% | 1,968 | $95 | $17,937,339 | 18 |
| Feb 22, 2022 | 11 | $127,719 | -32% | -62% | 1,968 | $65 | $18,065,058 | 19 |
| Feb 23, 2022 | 12 | $80,787 | -37% | -67% | 1,968 | $41 | $18,145,845 | 20 |
| Feb 24, 2022 | 12 | $68,667 | -15% | -56% | 1,968 | $35 | $18,214,512 | 21 |
| Feb 25, 2022 | - | $114,925 | +67% | -57% | 1,129 | $102 | $18,329,437 | 22 |
| Feb 26, 2022 | - | $226,800 | +97% | -51% | 1,129 | $201 | $18,556,237 | 23 |
| Feb 27, 2022 | - | $139,919 | -38% | -59% | 1,129 | $124 | $18,696,156 | 24 |
| Feb 28, 2022 | - | $41,910 | -70% | -78% | 1,129 | $37 | $18,738,066 | 25 |
| Mar 1, 2022 | - | $62,227 | +48% | -51% | 1,129 | $55 | $18,800,293 | 26 |
| Mar 2, 2022 | - | $36,990 | -41% | -54% | 1,129 | $33 | $18,837,283 | 27 |
| Mar 3, 2022 | - | $16,058 | -57% | -77% | 1,129 | $14 | $18,853,341 | 28 |
| Mar 4, 2022 | - | $20,028 | +25% | -83% | 238 | $84 | $18,873,369 | 29 |
| Mar 5, 2022 | - | $33,438 | +67% | -85% | 238 | $140 | $18,906,807 | 30 |
| Mar 6, 2022 | - | $26,168 | -22% | -81% | 238 | $110 | $18,932,975 | 31 |
| Mar 7, 2022 | - | $11,222 | -57% | -73% | 238 | $47 | $18,944,197 | 32 |
| Mar 8, 2022 | - | $12,046 | +7% | -81% | 238 | $51 | $18,956,243 | 33 |
| Mar 9, 2022 | - | $11,349 | -6% | -69% | 238 | $48 | $18,967,592 | 34 |
| Mar 10, 2022 | - | $11,192 | -1% | -30% | 238 | $47 | $18,978,784 | 35 |
| Mar 11, 2022 | - | $13,432 | +20% | -33% | 165 | $81 | $18,992,216 | 36 |
| Mar 12, 2022 | - | $21,661 | +61% | -35% | 165 | $131 | $19,013,877 | 37 |
| Mar 13, 2022 | - | $16,396 | -24% | -37% | 165 | $99 | $19,030,273 | 38 |
| Mar 14, 2022 | - | $6,851 | -58% | -39% | 165 | $42 | $19,037,124 | 39 |
| Mar 15, 2022 | - | $9,016 | +32% | -25% | 165 | $55 | $19,046,140 | 40 |
| Mar 16, 2022 | - | $8,285 | -8% | -27% | 165 | $50 | $19,054,425 | 41 |
| Mar 17, 2022 | - | $6,235 | -25% | -44% | 165 | $38 | $19,060,660 | 42 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 4, 2022 | 3 | $12,303,549 | 3,446 | $3,570 | $12,303,549 | 1 | |
| Feb 11, 2022 | 7 | $4,383,934 | -64% | 3,446 | $1,272 | $16,687,483 | 2 |
| Feb 18, 2022 | 11 | $1,527,029 | -65% | 1,968 | $776 | $18,214,512 | 3 |
| Feb 25, 2022 | - | $638,829 | -58% | 1,129 | $566 | $18,853,341 | 4 |
| Mar 4, 2022 | - | $125,443 | -80% | 238 | $527 | $18,978,784 | 5 |
| Mar 11, 2022 | - | $81,876 | -35% | 165 | $496 | $19,060,660 | 6 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 2/3/2022 | $526,384 | 328 | 328 | 847 | $1,009,060 | 10/20/2022 | |||
| China | 3/25/2022 | $9,740,000 | 61,014 | 61,014 | 196,003 | $23,680,000 | 6/27/2022 | |||
| Czech Republic | 2/3/2022 | $76,886 | 181 | 181 | 281 | $136,215 | 10/20/2022 | |||
| Finland | 3/18/2022 | $31,760 | 63 | 63 | 116 | $77,913 | 4/21/2026 | |||
| Italy | 3/17/2022 | $304,508 | 0 | 0 | 0 | $613,390 | 10/20/2022 | |||
| Lithuania | 2/4/2022 | $58,890 | 15 | 15 | 55 | $168,974 | 10/20/2022 | |||
| Mexico | 2/3/2022 | $1,139,106 | 0 | 0 | 0 | $2,788,315 | 2/23/2022 | |||
| Netherlands | 3/24/2022 | $172,855 | 89 | 89 | 324 | $537,885 | 4/20/2022 | |||
| New Zealand | 2/3/2022 | $117,065 | 75 | 75 | 314 | $234,917 | 10/20/2022 | |||
| Portugal | 2/3/2022 | $56,172 | 66 | 66 | 189 | $144,845 | 10/20/2022 | |||
| Romania | 2/4/2022 | $117,246 | 90 | 90 | 271 | $319,674 | 10/20/2022 | |||
| Russia (CIS) | 2/3/2022 | $1,997,226 | 1,998 | 2,000 | 5,198 | $3,233,895 | 4/4/2026 | |||
| Slovakia | 2/3/2022 | $22,767 | 57 | 57 | 90 | $39,169 | 3/1/2022 | |||
| South Korea | 3/16/2022 | $876,367 | 1,174 | 1,174 | 2,098 | $1,546,192 | 5/4/2022 | |||
| Spain | 2/4/2022 | $608,806 | 345 | 345 | 998 | $1,191,222 | 3/9/2022 | |||
| Turkey | 2/4/2022 | $141,141 | 253 | 253 | 758 | $253,029 | 4/4/2026 | |||
| United Kingdom | 2/4/2022 | $1,575,181 | 543 | 543 | 1,231 | $2,756,369 | 2/23/2022 | |||
| Rest of World | $1,261,471 | |||||||||
| International Total | $39,992,535 | 4/21/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Halle Berry | Jo Fowler | |
| Patrick Wilson | Brian Harper | |
| John Bradley | K.C. Houseman |
Supporting
| Michael Peña | Tom Lopez | |
| Charlie Plummer | Sonny Harper | |
| Kelly Yu | Michelle | |
| Eme Ikwuakor | Doug Davidson | |
| Carolina Bartczak | Brenda Lopez | |
| Donald Sutherland | Holdenfield | |
| Maxim Roy | Captain Gabriella Auclair |
Production and Technical Credits
| Roland Emmerich | Director | |
| Harald Kloser | Screenwriter | |
| Spenser Cohen | Screenwriter | |
| Roland Emmerich | Screenwriter | |
| Harald Kloser | Producer | |
| Roland Emmerich | Producer | |
| John Paul Pettinato | Executive Producer | |
| Marco Shepherd | Executive Producer | |
| Carsten Lorenz | Executive Producer | |
| Spenser Cohen | Executive Producer | |
| Ute Emmerich | Executive Producer | |
| Wang Zhongjun | Executive Producer | |
| Wang Zhonglei | Executive Producer | |
| Hu Junyi | Executive Producer | |
| Raymond Hau | Executive Producer | |
| Edward Cheng | Executive Producer | |
| Viviana Vezzani | Executive Producer | |
| Karl Spoerri | Executive Producer | |
| Stuart Ford | Executive Producer | |
| Alastair Burlingham | Executive Producer | |
| Gary Raskin | Executive Producer | |
| Robby Baumgartner | Director of Photography | |
| Kirk M. Petruccelli | Production Designer | |
| Adam Wolfe | Editor | |
| Ryan Stevens Harris | Editor | |
| Thomas Wander | Composer | |
| Harald Kloser | Composer | |
| Mario Davignon | Costume Designer | |
| Peter G. Travers | Visual Effects Supervisor | |
| Tricia Mulgrew | Visual Effects Producer | |
| John Papsidera | Casting Director | |
| Andrea Kenyon | Casting Director | |
| Randi Wells | Casting Director | |
| Carsten Lorenz | Unit Production Manager | |
| Bethan Mowat | First Assistant Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.