Morgan (2016)
| Theatrical Performance | ||
| Domestic Box Office | $3,915,251 | Details |
| International Box Office | $3,383,535 | Details |
| Worldwide Box Office | $7,298,786 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $278,336 | |
| Blu-ray Sales (estimated) | $638,756 | |
| Total | $917,092 | |
| OpusData ID: 238520100 More info... | ||
| Further financial details... | ||
Synopsis
A corporate troubleshooter is sent to a remote, top-secret location, where she is to investigate and evaluate a terrifying accident. She learns the event was triggered by a seemingly innocent “human,” who presents a mystery of both infinite promise and incalculable danger.
Metrics
| Opening Weekend: | $2,012,709 (51.4% of total gross) |
| Legs: | 1.95 (domestic box office/biggest weekend) |
| Domestic Share: | 53.6% (domestic box office/worldwide) |
| Production Budget: | $8,000,000 (worldwide box office is 0.9 times production budget) |
| Theater counts: | 2,020 opening theaters/2,020 max. theaters, 2.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $5,413,455 |
Movie Details
| Domestic Releases: | September 2nd, 2016 (Wide) by 20th Century Fox |
| International Releases: | September 2nd, 2016 (Wide) (United Kingdom)
September 2nd, 2016 (Wide) (Lithuania) September 9th, 2016 (Wide) (Russia (CIS)) September 9th, 2016 (Wide) (Poland) September 9th, 2016 (Wide) (Mexico) ... Show all releases |
| Video Release: | December 2nd, 2016 by Fox Home Entertainment |
| MPA Rating: | R for brutal violence, and some language. (Rating bulletin 2427 (Cert #50439), 6/1/2016) |
| Running Time: | 120 minutes |
| Plot point: | Corporate Malfeasance, Robot, Scientific Breakthrough, Scientific Experiment Gone Awry, Surprise Twist |
| Subgenre: | Psychological Thriller |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | 20th Century Fox, Scott Free Films |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 2, 2016 | 18 | $2,012,709 | 2,020 | $996 | $2,012,709 | 1 | |
| Sep 9, 2016 | 22 | $504,908 | -75% | 2,020 | $250 | $3,598,379 | 2 |
| Sep 16, 2016 | 49 | $35,516 | -93% | 99 | $359 | $3,865,093 | 3 |
| Sep 23, 2016 | 59 | $14,984 | -58% | 38 | $394 | $3,896,446 | 4 |
| Sep 30, 2016 | 74 | $7,742 | -48% | 15 | $516 | $3,912,052 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Sep 2, 2016 | 14 | $622,994 | 2,020 | $308 | $622,994 | 1 | ||
| Sep 3, 2016 | - | $708,288 | +14% | 2,020 | $351 | $1,331,282 | 2 | |
| Sep 4, 2016 | - | $681,427 | -4% | 2,020 | $337 | $2,012,709 | 3 | |
| Sep 5, 2016 | - | $505,831 | -26% | 2,020 | $250 | $2,518,540 | 4 | |
| Sep 6, 2016 | 13 | $255,661 | -49% | 2,020 | $127 | $2,774,201 | 5 | |
| Sep 7, 2016 | 15 | $171,944 | -33% | 2,020 | $85 | $2,946,145 | 6 | |
| Sep 8, 2016 | - | $147,326 | -14% | 2,020 | $73 | $3,093,471 | 7 | |
| Sep 9, 2016 | - | $148,933 | +1% | -76% | 2,020 | $74 | $3,242,404 | 8 |
| Sep 10, 2016 | - | $227,342 | +53% | -68% | 2,020 | $113 | $3,469,746 | 9 |
| Sep 11, 2016 | - | $128,633 | -43% | -81% | 2,020 | $64 | $3,598,379 | 10 |
| Sep 12, 2016 | - | $60,355 | -53% | -88% | 2,020 | $30 | $3,658,734 | 11 |
| Sep 13, 2016 | - | $83,575 | +38% | -67% | 2,020 | $41 | $3,742,309 | 12 |
| Sep 14, 2016 | - | $53,980 | -35% | -69% | 2,020 | $27 | $3,796,289 | 13 |
| Sep 15, 2016 | - | $33,288 | -38% | -77% | 2,020 | $16 | $3,829,577 | 14 |
| Sep 16, 2016 | - | $10,809 | -68% | -93% | 99 | $109 | $3,840,386 | 15 |
| Sep 17, 2016 | - | $15,604 | +44% | -93% | 99 | $158 | $3,855,990 | 16 |
| Sep 18, 2016 | - | $9,103 | -42% | -93% | 99 | $92 | $3,865,093 | 17 |
| Sep 19, 2016 | - | $3,920 | -57% | -94% | 99 | $40 | $3,869,013 | 18 |
| Sep 20, 2016 | - | $4,714 | +20% | -94% | 99 | $48 | $3,873,727 | 19 |
| Sep 21, 2016 | - | $3,770 | -20% | -93% | 99 | $38 | $3,877,497 | 20 |
| Sep 22, 2016 | - | $3,965 | +5% | -88% | 99 | $40 | $3,881,462 | 21 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 2, 2016 | 18 | $3,093,471 | 2,020 | $1,531 | $3,093,471 | 1 | |
| Sep 9, 2016 | 22 | $736,106 | -76% | 2,020 | $364 | $3,829,577 | 2 |
| Sep 16, 2016 | 48 | $51,885 | -93% | 99 | $524 | $3,881,462 | 3 |
| Sep 23, 2016 | 58 | $22,848 | -56% | 38 | $601 | $3,904,310 | 4 |
| Sep 30, 2016 | 80 | $10,941 | -52% | 15 | $729 | $3,915,251 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 11/18/2016 | $2,609 | 4 | 5 | 16 | $9,411 | 12/12/2016 | |||
| France | 9/30/2016 | $348,877 | 0 | 0 | 0 | $570,286 | 8/17/2018 | |||
| Germany | 12/2/2016 | $177,032 | 0 | 0 | 0 | $177,032 | 8/19/2018 | |||
| Lithuania | 9/2/2016 | $8,154 | 87 | 87 | 114 | $20,347 | 9/21/2016 | |||
| Mexico | 9/9/2016 | $173,828 | 0 | 0 | 0 | $173,828 | 9/8/2018 | |||
| Poland | 9/9/2016 | $74,128 | 0 | 0 | 0 | $172,513 | 11/18/2018 | |||
| Russia (CIS) | 9/9/2016 | $180,695 | 517 | 517 | 1,104 | $332,311 | 12/31/2018 | |||
| Spain | 9/16/2016 | $172,288 | 168 | 168 | 372 | $350,444 | 10/13/2016 | |||
| United Kingdom | 9/2/2016 | $257,595 | 397 | 397 | 397 | $257,595 | 9/7/2016 | |||
| Rest of World | $1,319,768 | |||||||||
| International Total | $3,383,535 | 12/31/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Kate Mara | Lee Weathers | |
| Anya Taylor-Joy | Morgan |
Supporting
| Toby Jones | Dr. Simon Ziegler | |
| Rose Leslie | Dr. Amy Menser | |
| Boyd Holbrook | Skip Vronsky | |
| Michelle Yeoh | Dr. Lui Cheng | |
| Jennifer Jason Leigh | Dr. Kathy Grieff | |
| Paul Giamatti | Dr. Alan Shapiro | |
| Michael Yare | Ted Brenner | |
| Chris Sullivan | Dr. Darren Finch | |
| Vinette Robinson | Dr. Brenda Finch | |
| Brian Cox | Jim Byrce | |
| Crispin Belfrage | Charles Grimes | |
| Amybeth McNulty | Morgan Age 10 | |
| Jonathan Aris | David Chance | |
| Charlotte Asprey | Executive Assistant |
Production and Technical Credits
| Luke Scott | Director | |
| Seth W. Owen | Screenwriter | |
| Ridley Scott | Producer | |
| Michael Schaefer | Producer | |
| Mark Huffam | Producer | |
| Aidan Elliott | Executive Producer | |
| George Heller | Executive Producer | |
| Elishia Holmes | Executive Producer | |
| Mark Patten | Director of Photography | |
| Tom McCullagh | Production Designer | |
| Laura Jennings | Editor | |
| Max Richter | Composer | |
| Stefano De Nardis | Costume Designer | |
| Carmen Cuba | Casting Director | |
| Paul Herbert | Stunt Coordinator | |
| James Smith | Unit Production Manager | |
| Will Dodds | First Assistant Director | |
| Tom Mulberge | Second Assistant Director | |
| Fiona Gavin | Supervising Art Director | |
| John Merry | Art Director | |
| Will Simpson | Story Artist | |
| Elaine McLenachan | Set Decorator | |
| Maria Mulhall | Third Assistant Director | |
| Andrea Bamford | Script Supervisor | |
| Derek Hehir | Sound Mixer | |
| Emma Zee | Post-Production Supervisor | |
| James Devlin | First Assistant Editor | |
| Stephanie McCutcheon | Second Assistant Editor | |
| Beaumont Lowenthal | Second Assistant Editor | |
| Markus Stemler | Sound Designer | |
| Mark Taylor | Supervising Sound Editor | |
| Matthew Collinge | Supervising Sound Editor | |
| Sarah Robinson | Costume Supervisor | |
| Naomi Liston | Location Manager | |
| Simon Cockren | Special Effects Supervisor | |
| Alex Boyd | Production Manager | |
| Christina Medigovich | Additional Casting-Casting Associate | |
| Angela Barson | Visual Effects Supervisor | |
| Catherine Duncan | Visual Effects Producer | |
| Lucy Ainsworth-Taylor | Visual Effects Executive Producer | |
| Mike Dowson | Re-recording Mixer | |
| Matthew Collinge | Re-recording Mixer | |
| Adam Mendez | Foley Recordist | |
| Steve Little | Dialogue Editor | |
| Becki Ponting | Dialogue Editor | |
| Tony Lewis | Music Editor | |
| Terry Loane | Second Unit Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
A corporate troubleshooter is sent to a remote, top-secret location, where she is to investigate and evaluate a terrifying accident. She learns the event was triggered by a seemingly innocent “human,” who presents a mystery of both infinite promise and incalculable danger.
Metrics
| Opening Weekend: | $2,012,709 (51.4% of total gross) |
| Legs: | 1.95 (domestic box office/biggest weekend) |
| Domestic Share: | 53.6% (domestic box office/worldwide) |
| Production Budget: | $8,000,000 (worldwide box office is 0.9 times production budget) |
| Theater counts: | 2,020 opening theaters/2,020 max. theaters, 2.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $5,413,455 |
Movie Details
| Domestic Releases: | September 2nd, 2016 (Wide) by 20th Century Fox |
| International Releases: | September 2nd, 2016 (Wide) (United Kingdom)
September 2nd, 2016 (Wide) (Lithuania) September 9th, 2016 (Wide) (Russia (CIS)) September 9th, 2016 (Wide) (Poland) September 9th, 2016 (Wide) (Mexico) ... Show all releases |
| Video Release: | December 2nd, 2016 by Fox Home Entertainment |
| MPA Rating: | R for brutal violence, and some language. (Rating bulletin 2427 (Cert #50439), 6/1/2016) |
| Running Time: | 120 minutes |
| Plot point: | Corporate Malfeasance, Robot, Scientific Breakthrough, Scientific Experiment Gone Awry, Surprise Twist |
| Subgenre: | Psychological Thriller |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | 20th Century Fox, Scott Free Films |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 2, 2016 | 18 | $2,012,709 | 2,020 | $996 | $2,012,709 | 1 | |
| Sep 9, 2016 | 22 | $504,908 | -75% | 2,020 | $250 | $3,598,379 | 2 |
| Sep 16, 2016 | 49 | $35,516 | -93% | 99 | $359 | $3,865,093 | 3 |
| Sep 23, 2016 | 59 | $14,984 | -58% | 38 | $394 | $3,896,446 | 4 |
| Sep 30, 2016 | 74 | $7,742 | -48% | 15 | $516 | $3,912,052 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Sep 2, 2016 | 14 | $622,994 | 2,020 | $308 | $622,994 | 1 | ||
| Sep 3, 2016 | - | $708,288 | +14% | 2,020 | $351 | $1,331,282 | 2 | |
| Sep 4, 2016 | - | $681,427 | -4% | 2,020 | $337 | $2,012,709 | 3 | |
| Sep 5, 2016 | - | $505,831 | -26% | 2,020 | $250 | $2,518,540 | 4 | |
| Sep 6, 2016 | 13 | $255,661 | -49% | 2,020 | $127 | $2,774,201 | 5 | |
| Sep 7, 2016 | 15 | $171,944 | -33% | 2,020 | $85 | $2,946,145 | 6 | |
| Sep 8, 2016 | - | $147,326 | -14% | 2,020 | $73 | $3,093,471 | 7 | |
| Sep 9, 2016 | - | $148,933 | +1% | -76% | 2,020 | $74 | $3,242,404 | 8 |
| Sep 10, 2016 | - | $227,342 | +53% | -68% | 2,020 | $113 | $3,469,746 | 9 |
| Sep 11, 2016 | - | $128,633 | -43% | -81% | 2,020 | $64 | $3,598,379 | 10 |
| Sep 12, 2016 | - | $60,355 | -53% | -88% | 2,020 | $30 | $3,658,734 | 11 |
| Sep 13, 2016 | - | $83,575 | +38% | -67% | 2,020 | $41 | $3,742,309 | 12 |
| Sep 14, 2016 | - | $53,980 | -35% | -69% | 2,020 | $27 | $3,796,289 | 13 |
| Sep 15, 2016 | - | $33,288 | -38% | -77% | 2,020 | $16 | $3,829,577 | 14 |
| Sep 16, 2016 | - | $10,809 | -68% | -93% | 99 | $109 | $3,840,386 | 15 |
| Sep 17, 2016 | - | $15,604 | +44% | -93% | 99 | $158 | $3,855,990 | 16 |
| Sep 18, 2016 | - | $9,103 | -42% | -93% | 99 | $92 | $3,865,093 | 17 |
| Sep 19, 2016 | - | $3,920 | -57% | -94% | 99 | $40 | $3,869,013 | 18 |
| Sep 20, 2016 | - | $4,714 | +20% | -94% | 99 | $48 | $3,873,727 | 19 |
| Sep 21, 2016 | - | $3,770 | -20% | -93% | 99 | $38 | $3,877,497 | 20 |
| Sep 22, 2016 | - | $3,965 | +5% | -88% | 99 | $40 | $3,881,462 | 21 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 2, 2016 | 18 | $3,093,471 | 2,020 | $1,531 | $3,093,471 | 1 | |
| Sep 9, 2016 | 22 | $736,106 | -76% | 2,020 | $364 | $3,829,577 | 2 |
| Sep 16, 2016 | 48 | $51,885 | -93% | 99 | $524 | $3,881,462 | 3 |
| Sep 23, 2016 | 58 | $22,848 | -56% | 38 | $601 | $3,904,310 | 4 |
| Sep 30, 2016 | 80 | $10,941 | -52% | 15 | $729 | $3,915,251 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 11/18/2016 | $2,609 | 4 | 5 | 16 | $9,411 | 12/12/2016 | |||
| France | 9/30/2016 | $348,877 | 0 | 0 | 0 | $570,286 | 8/17/2018 | |||
| Germany | 12/2/2016 | $177,032 | 0 | 0 | 0 | $177,032 | 8/19/2018 | |||
| Lithuania | 9/2/2016 | $8,154 | 87 | 87 | 114 | $20,347 | 9/21/2016 | |||
| Mexico | 9/9/2016 | $173,828 | 0 | 0 | 0 | $173,828 | 9/8/2018 | |||
| Poland | 9/9/2016 | $74,128 | 0 | 0 | 0 | $172,513 | 11/18/2018 | |||
| Russia (CIS) | 9/9/2016 | $180,695 | 517 | 517 | 1,104 | $332,311 | 12/31/2018 | |||
| Spain | 9/16/2016 | $172,288 | 168 | 168 | 372 | $350,444 | 10/13/2016 | |||
| United Kingdom | 9/2/2016 | $257,595 | 397 | 397 | 397 | $257,595 | 9/7/2016 | |||
| Rest of World | $1,319,768 | |||||||||
| International Total | $3,383,535 | 12/31/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Kate Mara | Lee Weathers | |
| Anya Taylor-Joy | Morgan |
Supporting
| Toby Jones | Dr. Simon Ziegler | |
| Rose Leslie | Dr. Amy Menser | |
| Boyd Holbrook | Skip Vronsky | |
| Michelle Yeoh | Dr. Lui Cheng | |
| Jennifer Jason Leigh | Dr. Kathy Grieff | |
| Paul Giamatti | Dr. Alan Shapiro | |
| Michael Yare | Ted Brenner | |
| Chris Sullivan | Dr. Darren Finch | |
| Vinette Robinson | Dr. Brenda Finch | |
| Brian Cox | Jim Byrce | |
| Crispin Belfrage | Charles Grimes | |
| Amybeth McNulty | Morgan Age 10 | |
| Jonathan Aris | David Chance | |
| Charlotte Asprey | Executive Assistant |
Production and Technical Credits
| Luke Scott | Director | |
| Seth W. Owen | Screenwriter | |
| Ridley Scott | Producer | |
| Michael Schaefer | Producer | |
| Mark Huffam | Producer | |
| Aidan Elliott | Executive Producer | |
| George Heller | Executive Producer | |
| Elishia Holmes | Executive Producer | |
| Mark Patten | Director of Photography | |
| Tom McCullagh | Production Designer | |
| Laura Jennings | Editor | |
| Max Richter | Composer | |
| Stefano De Nardis | Costume Designer | |
| Carmen Cuba | Casting Director | |
| Paul Herbert | Stunt Coordinator | |
| James Smith | Unit Production Manager | |
| Will Dodds | First Assistant Director | |
| Tom Mulberge | Second Assistant Director | |
| Fiona Gavin | Supervising Art Director | |
| John Merry | Art Director | |
| Will Simpson | Story Artist | |
| Elaine McLenachan | Set Decorator | |
| Maria Mulhall | Third Assistant Director | |
| Andrea Bamford | Script Supervisor | |
| Derek Hehir | Sound Mixer | |
| Emma Zee | Post-Production Supervisor | |
| James Devlin | First Assistant Editor | |
| Stephanie McCutcheon | Second Assistant Editor | |
| Beaumont Lowenthal | Second Assistant Editor | |
| Markus Stemler | Sound Designer | |
| Mark Taylor | Supervising Sound Editor | |
| Matthew Collinge | Supervising Sound Editor | |
| Sarah Robinson | Costume Supervisor | |
| Naomi Liston | Location Manager | |
| Simon Cockren | Special Effects Supervisor | |
| Alex Boyd | Production Manager | |
| Christina Medigovich | Additional Casting-Casting Associate | |
| Angela Barson | Visual Effects Supervisor | |
| Catherine Duncan | Visual Effects Producer | |
| Lucy Ainsworth-Taylor | Visual Effects Executive Producer | |
| Mike Dowson | Re-recording Mixer | |
| Matthew Collinge | Re-recording Mixer | |
| Adam Mendez | Foley Recordist | |
| Steve Little | Dialogue Editor | |
| Becki Ponting | Dialogue Editor | |
| Tony Lewis | Music Editor | |
| Terry Loane | Second Unit Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.