Versailles, August 1715. Back from hunting, Louis XIV feels pain in his leg. A serious fever erupts, which marks the beginning of the agony of the greatest King of France. Surrounded by a horde of doctors and his closest counselors who come in turns at his bedside sensing the impending power vacuum, the Sun King struggles to run the country from his bed.
Latest Ranking on Cumulative Box Office Lists
|All Time Domestic Box Office (Rank 12,201-12,300)
|All Time International Box Office (Rank 9,401-9,500)
|All Time Worldwide Box Office (Rank 15,101-15,200)
|All Time Domestic Highest Grossing Limited Release Movies (Rank 4,901-5,000)
See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.
||March 31st, 2017 (Limited) by Cinema Guild, released as The Death of Louis XIV|
||November 25th, 2016 (Wide) (Spain)
January 13th, 2017 (Wide), released as A Morte de Luís XIV (Portugal)
July 14th, 2017 (Wide), released as The Death of Louis XIV (United Kingdom)
||Create your own comparison chart…|
||Royalty, Hunting, Terminal Illness, France, 1700s, Costume Drama|
|Source:||Based on Real Life Events|
|Production Method:||Live Action|
||Capricci , Rosa Filmes, Andergraun Films, Bobi Lux, Region Aquitaine, Region Des Pays De La Loire, Department De La Dordogne En Partenariat Avec, CNC, Republica Portuguesa-Cultura, ICA, Instituto Do Cinema e Do Audiovisual, Institut Catala de les Empreses Culturals, Agence Regionale Ecla, Arte Cofinova 12, Cine Plus, Kino Filmes, RTP Radio, Televisio de Catalunya|
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Production and Technical Credits
April 4th, 2017
Wide releases again dominated the theater average chart taking two of the top three spots. This includes The Boss Baby, which led the way with $13,305. The only limited release in the $10,000 club was David Lynch: The Art Life with $10,823 in its lone theater. Last week’s champ, Beauty and the Beast, was right behind with an average of $10,789.
March 31st, 2017
It’s one of those weeks. There are a number of films earning good reviews, and some are earning great reviews. However, none of them are earning loud enough buzz to suggest they will escape the art house circuit. Worse still, there are many like The Blackcoat’s Daughter that are opening simultaneously on Video on Demand, which will all but kill their box office chances.
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