Mortal Kombat (2021)
.jpg)
| Theatrical Performance | ||
| Domestic Box Office | $42,326,031 | Details |
| International Box Office | $42,100,000 | Details |
| Worldwide Box Office | $84,426,031 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $5,325,774 | |
| Blu-ray Sales (estimated) | $8,559,093 | |
| Total | $13,884,867 | |
| OpusData ID: 411620100 More info... | ||
| Further financial details... | ||
Synopsis
MMA fighter Cole Young, accustomed to taking a beating for money, is unaware of his heritage—or why Outworld's Emperor Shang Tsung has sent his best warrior, Sub-Zero, an otherworldly Cryomancer, to hunt Cole down. Fearing for his family’s safety, Cole goes in search of Sonya Blade at the direction of Jax, a Special Forces Major who bears the same strange dragon marking Cole was born with. Soon, he finds himself at the temple of Lord Raiden, an Elder God and the protector of Earthrealm, who grants sanctuary to those who bear the mark. Here, Cole trains with experienced warriors Liu Kang, Kung Lao and rogue mercenary Kano, as he prepares to stand with Earth’s greatest champions against the enemies of Outworld in a high stakes battle for the universe. But will Cole be pushed hard enough to unlock his arcana—the immense power from within his soul—in time to save not only his family, but to stop Outworld once and for all?
Metrics
| Opening Weekend: | $23,302,503 (55.1% of total gross) |
| Legs: | 1.82 (domestic box office/biggest weekend) |
| Domestic Share: | 50.1% (domestic box office/worldwide) |
| Production Budget: | $55,000,000 (worldwide box office is 1.5 times production budget) |
| Theater counts: | 3,073 opening theaters/3,114 max. theaters, 5.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $49,775,750 |
Movie Details
| Domestic Releases: | April 23rd, 2021 (Wide) by Warner Bros. April 23rd, 2021 (IMAX) by Warner Bros. |
| International Releases: | April 8th, 2021 (Wide) (South Korea)
April 9th, 2021 (Wide) (Russia (CIS)) April 9th, 2021 (Wide) (United Arab Emirates) April 9th, 2021 (Wide) (Saudi Arabia) April 9th, 2021 (Wide) (Thailand) ... Show all releases |
| Video Release: | April 23rd, 2021 by Max |
| MPA Rating: | R for strong bloody violence and language throughout, and some crude references. (Rating bulletin 2671 (cert #53095), 3/10/2021) |
| Running Time: | 110 minutes |
| Franchise: | Mortal Kombat |
| Cast, crew, or production detail: | Reboot |
| Plot point: | Mixed Martial Arts, Tournament |
| Subgenre: | Action Adventure |
| Source: | Based on Game |
| Genre: | Action |
| Production Method: | Animation/Live Action |
| Creative Type: | Fantasy |
| Production/Financing Companies: | New Line Cinema, Atomic Monster, Broken Road |
| Production Countries: | United States, Canada |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 23, 2021 | 1 | $23,302,503 | 3,073 | $7,583 | $23,302,503 | 1 | |
| Apr 30, 2021 | 2 | $6,225,457 | -73% | 3,114 | $1,999 | $34,077,241 | 2 |
| May 7, 2021 | 3 | $2,405,981 | -61% | 2,973 | $809 | $37,876,529 | 3 |
| May 14, 2021 | 7 | $1,328,814 | -45% | 2,465 | $539 | $39,915,039 | 4 |
| May 21, 2021 | 7 | $950,036 | -29% | 2,386 | $398 | $41,254,419 | 5 |
| May 28, 2021 | 12 | $266,526 | -72% | 960 | $278 | $41,254,419 | 6 |
| Jun 4, 2021 | 15 | $69,043 | -74% | 611 | $113 | $41,418,462 | 7 |
| Jun 11, 2021 | - | $23,949 | -65% | 87 | $275 | $41,477,513 | 8 |
| Jun 18, 2021 | - | $79,827 | +233% | 67 | $1,191 | $41,574,027 | 9 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Apr 23, 2021 | 2 | $9,090,000 | 3,073 | $2,958 | $9,090,000 | 1 | ||
| Apr 24, 2021 | 1 | $8,675,000 | -5% | 3,073 | $2,823 | $17,765,000 | 2 | |
| Apr 25, 2021 | 1 | $5,535,000 | -36% | 3,073 | $1,801 | $23,300,000 | 3 | |
| Apr 30, 2021 | - | $1,850,000 | -80% | 3,114 | $594 | $29,702,000 | 8 | |
| May 7, 2021 | 3 | $700,000 | -62% | 2,973 | $235 | $36,171,000 | 15 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 23, 2021 | 1 | $27,851,784 | 3,073 | $9,063 | $27,851,784 | 1 | |
| Apr 30, 2021 | 2 | $7,618,764 | -73% | 3,114 | $2,447 | $35,470,548 | 2 |
| May 7, 2021 | 3 | $3,115,677 | -59% | 2,973 | $1,048 | $38,586,225 | 3 |
| May 14, 2021 | 7 | $1,718,158 | -45% | 2,465 | $697 | $40,304,383 | 4 |
| May 28, 2021 | 11 | $416,040 | 960 | $433 | $41,965,058 | 6 | |
| Jun 4, 2021 | 15 | $104,087 | -75% | 611 | $170 | $42,069,145 | 7 |
| Jun 11, 2021 | 22 | $40,636 | -61% | 611 | $67 | $42,109,781 | 8 |
| Jun 18, 2021 | 19 | $91,232 | +125% | 611 | $149 | $42,201,013 | 9 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 4/15/2021 | $0 | 0 | 406 | 1,805 | $6,982,338 | 7/8/2021 | |||
| Germany | 6/17/2021 | $12,043 | 0 | 0 | 0 | $35,742 | 7/6/2021 | |||
| Hong Kong | 4/16/2021 | $0 | 0 | 0 | 0 | $559,392 | 5/5/2021 | |||
| Indonesia | 4/16/2021 | $662,000 | 733 | 733 | 733 | $1,900,000 | 10/20/2022 | |||
| Japan | 6/25/2021 | $0 | 0 | 0 | 0 | $907,000 | 10/20/2022 | |||
| Lithuania | 4/30/2021 | $15,130 | 11 | 11 | 34 | $37,355 | 10/20/2022 | |||
| Malaysia | 4/16/2021 | $0 | 0 | 0 | 0 | $858,000 | 10/20/2022 | |||
| Mexico | 4/15/2021 | $748,292 | 0 | 0 | 0 | $1,900,000 | 10/20/2022 | |||
| New Zealand | 4/23/2021 | $409,939 | 72 | 72 | 356 | $963,000 | 10/20/2022 | |||
| Poland | 5/28/2021 | $129,437 | 155 | 220 | 375 | $362,290 | 10/19/2022 | |||
| Portugal | 4/20/2021 | $67,364 | 106 | 107 | 297 | $179,573 | 10/19/2022 | |||
| Romania | 6/18/2021 | $51,134 | 80 | 80 | 181 | $100,756 | 10/20/2022 | |||
| Russia (CIS) | 4/9/2021 | $6,355,601 | 1,721 | 1,785 | 6,546 | $11,300,000 | 10/20/2022 | |||
| Saudi Arabia | 4/9/2021 | $704,000 | 43 | 43 | 43 | $1,100,000 | 10/20/2022 | |||
| Singapore | 4/16/2021 | $0 | 0 | 0 | 0 | $1,100,000 | 10/20/2022 | |||
| Slovakia | 5/27/2021 | $0 | 0 | 12 | 24 | $29,025 | 7/2/2021 | |||
| South Korea | 4/8/2021 | $210,630 | 672 | 672 | 834 | $374,164 | 4/28/2021 | |||
| Spain | 4/16/2021 | $572,000 | 479 | 479 | 939 | $1,600,000 | 10/20/2022 | |||
| Taiwan | 4/9/2021 | $524,000 | 149 | 149 | 149 | $1,100,000 | 10/20/2022 | |||
| Thailand | 4/9/2021 | $562,000 | 454 | 454 | 816 | $994,000 | 10/20/2022 | |||
| United Arab Emirates | 4/9/2021 | $721,000 | 139 | 139 | 139 | $1,500,000 | 6/7/2021 | |||
| United Kingdom | 5/17/2021 | $452,093 | 340 | 340 | 528 | $659,991 | 6/2/2021 | |||
| Vietnam | 4/16/2021 | $0 | 0 | 0 | 0 | $783,000 | 10/20/2022 | |||
| Rest of World | $6,774,374 | |||||||||
| International Total | $42,100,000 | 10/20/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Lewis Tan | Cole Young | |
| Jessica McNamee | Sonya Blade | |
| Josh Lawson | Kano | |
| Tadanobu Asano | Lord Raiden | |
| Mehcad Brooks | Jax | |
| Ludi Lin | Liu Kang | |
| Chin Han | Shang Tsung | |
| Joe Taslim | Bi-Han / Sub-Zero | |
| Hiroyuki Sanada | Hanzo Hasashi / Scorpion |
Supporting
| Max Huang | Kung Lao | |
| Sisi Stringer | Mileena | |
| Matilda Kimber | Emily | |
| Laura Brent | Allison | |
| Mel Jarnson | Nitara | |
| Nathan Jones | Reiko | |
| Nelson Daniel | Kabal | |
| Ian Streetz | Ramirez | |
| Yukiko Shinohara | Harumi Hasashi | |
| Ren Miyagawa | Satoshi “Jubei” Hasashi | |
| Mia Hall | Hasashi’s Baby | |
| David Field | Referee | |
| Kris McQuade | Cargo Plane Pilot | |
| Angus Sampson | Goro | |
| Alice Nassery | Shang Tsung Elite Guard | |
| Damon Herriman | Kabal |
Production and Technical Credits
| Simon McQuoid | Director | |
| James Wan | Producer | |
| Todd Garner | Producer | |
| Simon McQuoid | Producer | |
| E. Bennett Walsh | Producer | |
| Greg Russo | Screenwriter | |
| David Callaham | Screenwriter | |
| Oren Uziel | Story by | |
| Greg Russo | Story by | |
| Ed Boon | Story based on the video game created by | |
| John Tobias | Story based on the video game created by | |
| Richard Brener | Executive Producer | |
| Dave Neustadter | Executive Producer | |
| Victoria Palmeri | Executive Producer | |
| Michael Clear | Executive Producer | |
| Jeremy Stein | Executive Producer | |
| Lawrence Kasanoff | Executive Producer | |
| Germain McMicking | Director of Photography | |
| Naaman Marshall | Production Designer | |
| Dan Lebental | Editor | |
| Scott Gray | Editor | |
| Benjamin Wallfisch | Composer | |
| Rich Delia | Casting Director | |
| Chris Godfrey | Visual Effects Supervisor | |
| Cappi Ireland | Costume Designer | |
| Anna Steel | Unit Production Manager | |
| E. Bennett Walsh | Unit Production Manager | |
| Chris Webb | First Assistant Director | |
| P.J. Voeten | First Assistant Director | |
| Danielle Blake | Second Assistant Director | |
| Prue Fletcher | Visual Effects Producer | |
| Tom Nursey | Supervising Art Director | |
| Michael Turner | Art Director | |
| Rolland Pike | Set Decorator | |
| Des Kenneally | Sound Mixer | |
| Jane Maguire | Post-Production Supervisor | |
| Dawn Michelle King | First Assistant Editor | |
| Peter Skarratt | First Assistant Editor | |
| Daniel O’Brien | First Assistant Editor | |
| Kathy Freeman | First Assistant Editor | |
| Katrina Schiller | Music Editor | |
| Rep. Tim Ryan | Music Editor | |
| Robert Mackenzie | Supervising Sound Editor | |
| Robert Mackenzie | Sound Designer | |
| Robert Mackenzie | Re-recording Mixer | |
| Phil Heywood | Re-recording Mixer | |
| James Ashton | Sound Designer | |
| Mick Boraso | Sound Designer | |
| Steve Burgess | Sound Designer | |
| Tara Webb | Sound Editor | |
| Steve Burgess | Sound Editor | |
| Duncan Campbell | Foley Mixer | |
| Adrian Medhurst | Foley Editor | |
| Ryan Squires | Foley Editor | |
| Jacob McIntyre | Location Manager | |
| Mark Evans | Location Manager | |
| Gavin Greenstone | Location Manager | |
| Sharon Kerrigan | Location Manager | |
| Lauren Cooper | Location Manager | |
| Taera Shroff | Script Supervisor | |
| Robyn Elliott | Costume Supervisor | |
| Katrina Henley | Costume Supervisor | |
| Peter Stubbs | Special Effects Supervisor | |
| Kyle Gardiner | Stunt Coordinator | |
| Chan Griffin | Fight Choreographer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
MMA fighter Cole Young, accustomed to taking a beating for money, is unaware of his heritage—or why Outworld's Emperor Shang Tsung has sent his best warrior, Sub-Zero, an otherworldly Cryomancer, to hunt Cole down. Fearing for his family’s safety, Cole goes in search of Sonya Blade at the direction of Jax, a Special Forces Major who bears the same strange dragon marking Cole was born with. Soon, he finds himself at the temple of Lord Raiden, an Elder God and the protector of Earthrealm, who grants sanctuary to those who bear the mark. Here, Cole trains with experienced warriors Liu Kang, Kung Lao and rogue mercenary Kano, as he prepares to stand with Earth’s greatest champions against the enemies of Outworld in a high stakes battle for the universe. But will Cole be pushed hard enough to unlock his arcana—the immense power from within his soul—in time to save not only his family, but to stop Outworld once and for all?
Metrics
| Opening Weekend: | $23,302,503 (55.1% of total gross) |
| Legs: | 1.82 (domestic box office/biggest weekend) |
| Domestic Share: | 50.1% (domestic box office/worldwide) |
| Production Budget: | $55,000,000 (worldwide box office is 1.5 times production budget) |
| Theater counts: | 3,073 opening theaters/3,114 max. theaters, 5.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $49,775,750 |
Movie Details
| Domestic Releases: | April 23rd, 2021 (Wide) by Warner Bros. April 23rd, 2021 (IMAX) by Warner Bros. |
| International Releases: | April 8th, 2021 (Wide) (South Korea)
April 9th, 2021 (Wide) (Russia (CIS)) April 9th, 2021 (Wide) (United Arab Emirates) April 9th, 2021 (Wide) (Saudi Arabia) April 9th, 2021 (Wide) (Thailand) ... Show all releases |
| Video Release: | April 23rd, 2021 by Max |
| MPA Rating: | R for strong bloody violence and language throughout, and some crude references. (Rating bulletin 2671 (cert #53095), 3/10/2021) |
| Running Time: | 110 minutes |
| Franchise: | Mortal Kombat |
| Cast, crew, or production detail: | Reboot |
| Plot point: | Mixed Martial Arts, Tournament |
| Subgenre: | Action Adventure |
| Source: | Based on Game |
| Genre: | Action |
| Production Method: | Animation/Live Action |
| Creative Type: | Fantasy |
| Production/Financing Companies: | New Line Cinema, Atomic Monster, Broken Road |
| Production Countries: | United States, Canada |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 23, 2021 | 1 | $23,302,503 | 3,073 | $7,583 | $23,302,503 | 1 | |
| Apr 30, 2021 | 2 | $6,225,457 | -73% | 3,114 | $1,999 | $34,077,241 | 2 |
| May 7, 2021 | 3 | $2,405,981 | -61% | 2,973 | $809 | $37,876,529 | 3 |
| May 14, 2021 | 7 | $1,328,814 | -45% | 2,465 | $539 | $39,915,039 | 4 |
| May 21, 2021 | 7 | $950,036 | -29% | 2,386 | $398 | $41,254,419 | 5 |
| May 28, 2021 | 12 | $266,526 | -72% | 960 | $278 | $41,254,419 | 6 |
| Jun 4, 2021 | 15 | $69,043 | -74% | 611 | $113 | $41,418,462 | 7 |
| Jun 11, 2021 | - | $23,949 | -65% | 87 | $275 | $41,477,513 | 8 |
| Jun 18, 2021 | - | $79,827 | +233% | 67 | $1,191 | $41,574,027 | 9 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Apr 23, 2021 | 2 | $9,090,000 | 3,073 | $2,958 | $9,090,000 | 1 | ||
| Apr 24, 2021 | 1 | $8,675,000 | -5% | 3,073 | $2,823 | $17,765,000 | 2 | |
| Apr 25, 2021 | 1 | $5,535,000 | -36% | 3,073 | $1,801 | $23,300,000 | 3 | |
| Apr 30, 2021 | - | $1,850,000 | -80% | 3,114 | $594 | $29,702,000 | 8 | |
| May 7, 2021 | 3 | $700,000 | -62% | 2,973 | $235 | $36,171,000 | 15 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 23, 2021 | 1 | $27,851,784 | 3,073 | $9,063 | $27,851,784 | 1 | |
| Apr 30, 2021 | 2 | $7,618,764 | -73% | 3,114 | $2,447 | $35,470,548 | 2 |
| May 7, 2021 | 3 | $3,115,677 | -59% | 2,973 | $1,048 | $38,586,225 | 3 |
| May 14, 2021 | 7 | $1,718,158 | -45% | 2,465 | $697 | $40,304,383 | 4 |
| May 28, 2021 | 11 | $416,040 | 960 | $433 | $41,965,058 | 6 | |
| Jun 4, 2021 | 15 | $104,087 | -75% | 611 | $170 | $42,069,145 | 7 |
| Jun 11, 2021 | 22 | $40,636 | -61% | 611 | $67 | $42,109,781 | 8 |
| Jun 18, 2021 | 19 | $91,232 | +125% | 611 | $149 | $42,201,013 | 9 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 4/15/2021 | $0 | 0 | 406 | 1,805 | $6,982,338 | 7/8/2021 | |||
| Germany | 6/17/2021 | $12,043 | 0 | 0 | 0 | $35,742 | 7/6/2021 | |||
| Hong Kong | 4/16/2021 | $0 | 0 | 0 | 0 | $559,392 | 5/5/2021 | |||
| Indonesia | 4/16/2021 | $662,000 | 733 | 733 | 733 | $1,900,000 | 10/20/2022 | |||
| Japan | 6/25/2021 | $0 | 0 | 0 | 0 | $907,000 | 10/20/2022 | |||
| Lithuania | 4/30/2021 | $15,130 | 11 | 11 | 34 | $37,355 | 10/20/2022 | |||
| Malaysia | 4/16/2021 | $0 | 0 | 0 | 0 | $858,000 | 10/20/2022 | |||
| Mexico | 4/15/2021 | $748,292 | 0 | 0 | 0 | $1,900,000 | 10/20/2022 | |||
| New Zealand | 4/23/2021 | $409,939 | 72 | 72 | 356 | $963,000 | 10/20/2022 | |||
| Poland | 5/28/2021 | $129,437 | 155 | 220 | 375 | $362,290 | 10/19/2022 | |||
| Portugal | 4/20/2021 | $67,364 | 106 | 107 | 297 | $179,573 | 10/19/2022 | |||
| Romania | 6/18/2021 | $51,134 | 80 | 80 | 181 | $100,756 | 10/20/2022 | |||
| Russia (CIS) | 4/9/2021 | $6,355,601 | 1,721 | 1,785 | 6,546 | $11,300,000 | 10/20/2022 | |||
| Saudi Arabia | 4/9/2021 | $704,000 | 43 | 43 | 43 | $1,100,000 | 10/20/2022 | |||
| Singapore | 4/16/2021 | $0 | 0 | 0 | 0 | $1,100,000 | 10/20/2022 | |||
| Slovakia | 5/27/2021 | $0 | 0 | 12 | 24 | $29,025 | 7/2/2021 | |||
| South Korea | 4/8/2021 | $210,630 | 672 | 672 | 834 | $374,164 | 4/28/2021 | |||
| Spain | 4/16/2021 | $572,000 | 479 | 479 | 939 | $1,600,000 | 10/20/2022 | |||
| Taiwan | 4/9/2021 | $524,000 | 149 | 149 | 149 | $1,100,000 | 10/20/2022 | |||
| Thailand | 4/9/2021 | $562,000 | 454 | 454 | 816 | $994,000 | 10/20/2022 | |||
| United Arab Emirates | 4/9/2021 | $721,000 | 139 | 139 | 139 | $1,500,000 | 6/7/2021 | |||
| United Kingdom | 5/17/2021 | $452,093 | 340 | 340 | 528 | $659,991 | 6/2/2021 | |||
| Vietnam | 4/16/2021 | $0 | 0 | 0 | 0 | $783,000 | 10/20/2022 | |||
| Rest of World | $6,774,374 | |||||||||
| International Total | $42,100,000 | 10/20/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Lewis Tan | Cole Young | |
| Jessica McNamee | Sonya Blade | |
| Josh Lawson | Kano | |
| Tadanobu Asano | Lord Raiden | |
| Mehcad Brooks | Jax | |
| Ludi Lin | Liu Kang | |
| Chin Han | Shang Tsung | |
| Joe Taslim | Bi-Han / Sub-Zero | |
| Hiroyuki Sanada | Hanzo Hasashi / Scorpion |
Supporting
| Max Huang | Kung Lao | |
| Sisi Stringer | Mileena | |
| Matilda Kimber | Emily | |
| Laura Brent | Allison | |
| Mel Jarnson | Nitara | |
| Nathan Jones | Reiko | |
| Nelson Daniel | Kabal | |
| Ian Streetz | Ramirez | |
| Yukiko Shinohara | Harumi Hasashi | |
| Ren Miyagawa | Satoshi “Jubei” Hasashi | |
| Mia Hall | Hasashi’s Baby | |
| David Field | Referee | |
| Kris McQuade | Cargo Plane Pilot | |
| Angus Sampson | Goro | |
| Alice Nassery | Shang Tsung Elite Guard | |
| Damon Herriman | Kabal |
Production and Technical Credits
| Simon McQuoid | Director | |
| James Wan | Producer | |
| Todd Garner | Producer | |
| Simon McQuoid | Producer | |
| E. Bennett Walsh | Producer | |
| Greg Russo | Screenwriter | |
| David Callaham | Screenwriter | |
| Oren Uziel | Story by | |
| Greg Russo | Story by | |
| Ed Boon | Story based on the video game created by | |
| John Tobias | Story based on the video game created by | |
| Richard Brener | Executive Producer | |
| Dave Neustadter | Executive Producer | |
| Victoria Palmeri | Executive Producer | |
| Michael Clear | Executive Producer | |
| Jeremy Stein | Executive Producer | |
| Lawrence Kasanoff | Executive Producer | |
| Germain McMicking | Director of Photography | |
| Naaman Marshall | Production Designer | |
| Dan Lebental | Editor | |
| Scott Gray | Editor | |
| Benjamin Wallfisch | Composer | |
| Rich Delia | Casting Director | |
| Chris Godfrey | Visual Effects Supervisor | |
| Cappi Ireland | Costume Designer | |
| Anna Steel | Unit Production Manager | |
| E. Bennett Walsh | Unit Production Manager | |
| Chris Webb | First Assistant Director | |
| P.J. Voeten | First Assistant Director | |
| Danielle Blake | Second Assistant Director | |
| Prue Fletcher | Visual Effects Producer | |
| Tom Nursey | Supervising Art Director | |
| Michael Turner | Art Director | |
| Rolland Pike | Set Decorator | |
| Des Kenneally | Sound Mixer | |
| Jane Maguire | Post-Production Supervisor | |
| Dawn Michelle King | First Assistant Editor | |
| Peter Skarratt | First Assistant Editor | |
| Daniel O’Brien | First Assistant Editor | |
| Kathy Freeman | First Assistant Editor | |
| Katrina Schiller | Music Editor | |
| Rep. Tim Ryan | Music Editor | |
| Robert Mackenzie | Supervising Sound Editor | |
| Robert Mackenzie | Sound Designer | |
| Robert Mackenzie | Re-recording Mixer | |
| Phil Heywood | Re-recording Mixer | |
| James Ashton | Sound Designer | |
| Mick Boraso | Sound Designer | |
| Steve Burgess | Sound Designer | |
| Tara Webb | Sound Editor | |
| Steve Burgess | Sound Editor | |
| Duncan Campbell | Foley Mixer | |
| Adrian Medhurst | Foley Editor | |
| Ryan Squires | Foley Editor | |
| Jacob McIntyre | Location Manager | |
| Mark Evans | Location Manager | |
| Gavin Greenstone | Location Manager | |
| Sharon Kerrigan | Location Manager | |
| Lauren Cooper | Location Manager | |
| Taera Shroff | Script Supervisor | |
| Robyn Elliott | Costume Supervisor | |
| Katrina Henley | Costume Supervisor | |
| Peter Stubbs | Special Effects Supervisor | |
| Kyle Gardiner | Stunt Coordinator | |
| Chan Griffin | Fight Choreographer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.