Mothering Sunday (2021)
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| Theatrical Performance | ||
| Domestic Box Office | $275,352 | Details |
| International Box Office | $1,761,331 | Details |
| Worldwide Box Office | $2,036,683 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $13,492 | |
| Blu-ray Sales (estimated) | $7,027 | |
| Total | $20,519 | |
| OpusData ID: 464570100 More info... | ||
| Further financial details... | ||
Synopsis
On a warm spring day in 1924, house maid and foundling Jane Fairchild finds herself alone on Mother’s Day. Her employers, Mr. and Mrs. Niven, are out and she has the rare chance to spend quality time with her secret lover. Paul is the boy from the manor house nearby, Jane's long-term love despite the fact that he's engaged to be married to another woman, a childhood friend and daughter of his parents’ friends. But events that neither can foresee will change the course of Jane’s life forever.
Metrics
| Opening Weekend: | $9,322 (3.4% of total gross) |
| Legs: | 3.13 (domestic box office/biggest weekend) |
| Domestic Share: | 13.5% (domestic box office/worldwide) |
| Theater counts: | 5 opening theaters/293 max. theaters, 1.9 weeks average run per theater |
| Infl. Adj. Dom. BO | $309,381 |
Movie Details
| Domestic Releases: | March 25th, 2022 (Limited) by Sony Pictures Classics |
| International Releases: | November 12th, 2021 (Wide) (United Kingdom)
February 18th, 2022 (Wide), released as Primavera en Beechwood (Spain) March 31st, 2022 (Wide), released as O Domingo das Mães (Portugal) April 15th, 2022 (Limited) (Finland) May 12th, 2022 (Wide) (Netherlands) ... Show all releases |
| Video Release: | June 28th, 2022 by Sony Pictures Home Entertainment |
| MPA Rating: | R for sexual content, graphic nudity and some language. (Rating bulletin 2692 (cert #53342), 8/4/2021) |
| Running Time: | 110 minutes |
| Geographical setting: | England |
| Plot point: | Relationships Gone Wrong, Romance, The Other Woman |
| Subgenre: | Romantic Drama |
| Time period setting: | 1920s |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Number 9 Films, Film4, Ingenious Media, BFI, Lipsync Productions |
| Production Countries: | United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 25, 2022 | - | $9,322 | 5 | $1,864 | $11,036 | 1 | |
| Apr 1, 2022 | - | $14,236 | +53% | 19 | $749 | $29,875 | 2 |
| Apr 8, 2022 | - | $87,834 | +517% | 293 | $300 | $126,129 | 3 |
| Apr 15, 2022 | - | $35,814 | -59% | 139 | $258 | $212,220 | 4 |
| Apr 22, 2022 | - | $17,016 | -52% | 56 | $304 | $254,524 | 5 |
| Apr 29, 2022 | - | $6,742 | -60% | 26 | $259 | $268,810 | 6 |
| May 6, 2022 | - | $1,569 | -77% | 10 | $157 | $272,169 | 7 |
| May 13, 2022 | - | $1,456 | -7% | 4 | $364 | $274,330 | 8 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 25, 2022 | - | $12,680 | 5 | $2,536 | $15,639 | 1 | |
| Apr 1, 2022 | - | $22,656 | +79% | 19 | $1,192 | $38,295 | 2 |
| Apr 8, 2022 | - | $138,111 | +510% | 293 | $471 | $176,406 | 3 |
| Apr 15, 2022 | - | $61,102 | -56% | 293 | $209 | $237,508 | 4 |
| Apr 22, 2022 | - | $24,560 | -60% | 56 | $439 | $262,068 | 5 |
| Apr 29, 2022 | - | $8,532 | -65% | 26 | $328 | $270,600 | 6 |
| May 6, 2022 | - | $2,274 | -73% | 10 | $227 | $272,874 | 7 |
| May 13, 2022 | - | $2,478 | +9% | 4 | $620 | $275,352 | 8 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 6/2/2022 | $82,794 | 88 | 88 | 367 | $401,467 | 9/19/2022 | |||
| Finland | 4/15/2022 | $8,783 | 39 | 39 | 39 | $22,024 | 10/20/2022 | |||
| Italy | 7/20/2022 | $39,815 | 0 | 0 | 0 | $105,798 | 8/22/2022 | |||
| Netherlands | 5/12/2022 | $39,707 | 39 | 49 | 260 | $300,781 | 6/20/2022 | |||
| New Zealand | 6/2/2022 | $28,606 | 62 | 62 | 235 | $102,331 | 8/1/2022 | |||
| Portugal | 3/31/2022 | $5,125 | 15 | 15 | 36 | $15,729 | 5/10/2022 | |||
| Spain | 2/18/2022 | $54,933 | 96 | 96 | 192 | $137,583 | 3/12/2022 | |||
| United Kingdom | 11/12/2021 | $210,488 | 170 | 170 | 448 | $675,618 | 4/4/2026 | |||
| International Total | $1,761,331 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Odessa Young | Jane Fairchild | |
| Colin Firth | Mr. Niven | |
| Josh O’Connor | Paul | |
| Olivia Colman | Mrs. Niven |
Production and Technical Credits
| Eva Husson | Director | |
| Alice Birch | Screenwriter | |
| Graham Swift | Story based on the novel by | |
| Elizabeth Karlsen | Producer | |
| Stephen Woolley | Producer | |
| Helen Scott | Production Designer | |
| Emilie Orsini | Editor | |
| Jamie Ramsay | Directof of Photography |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
On a warm spring day in 1924, house maid and foundling Jane Fairchild finds herself alone on Mother’s Day. Her employers, Mr. and Mrs. Niven, are out and she has the rare chance to spend quality time with her secret lover. Paul is the boy from the manor house nearby, Jane's long-term love despite the fact that he's engaged to be married to another woman, a childhood friend and daughter of his parents’ friends. But events that neither can foresee will change the course of Jane’s life forever.
Metrics
| Opening Weekend: | $9,322 (3.4% of total gross) |
| Legs: | 3.13 (domestic box office/biggest weekend) |
| Domestic Share: | 13.5% (domestic box office/worldwide) |
| Theater counts: | 5 opening theaters/293 max. theaters, 1.9 weeks average run per theater |
| Infl. Adj. Dom. BO | $309,381 |
Movie Details
| Domestic Releases: | March 25th, 2022 (Limited) by Sony Pictures Classics |
| International Releases: | November 12th, 2021 (Wide) (United Kingdom)
February 18th, 2022 (Wide), released as Primavera en Beechwood (Spain) March 31st, 2022 (Wide), released as O Domingo das Mães (Portugal) April 15th, 2022 (Limited) (Finland) May 12th, 2022 (Wide) (Netherlands) ... Show all releases |
| Video Release: | June 28th, 2022 by Sony Pictures Home Entertainment |
| MPA Rating: | R for sexual content, graphic nudity and some language. (Rating bulletin 2692 (cert #53342), 8/4/2021) |
| Running Time: | 110 minutes |
| Geographical setting: | England |
| Plot point: | Relationships Gone Wrong, Romance, The Other Woman |
| Subgenre: | Romantic Drama |
| Time period setting: | 1920s |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Number 9 Films, Film4, Ingenious Media, BFI, Lipsync Productions |
| Production Countries: | United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 25, 2022 | - | $9,322 | 5 | $1,864 | $11,036 | 1 | |
| Apr 1, 2022 | - | $14,236 | +53% | 19 | $749 | $29,875 | 2 |
| Apr 8, 2022 | - | $87,834 | +517% | 293 | $300 | $126,129 | 3 |
| Apr 15, 2022 | - | $35,814 | -59% | 139 | $258 | $212,220 | 4 |
| Apr 22, 2022 | - | $17,016 | -52% | 56 | $304 | $254,524 | 5 |
| Apr 29, 2022 | - | $6,742 | -60% | 26 | $259 | $268,810 | 6 |
| May 6, 2022 | - | $1,569 | -77% | 10 | $157 | $272,169 | 7 |
| May 13, 2022 | - | $1,456 | -7% | 4 | $364 | $274,330 | 8 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 25, 2022 | - | $12,680 | 5 | $2,536 | $15,639 | 1 | |
| Apr 1, 2022 | - | $22,656 | +79% | 19 | $1,192 | $38,295 | 2 |
| Apr 8, 2022 | - | $138,111 | +510% | 293 | $471 | $176,406 | 3 |
| Apr 15, 2022 | - | $61,102 | -56% | 293 | $209 | $237,508 | 4 |
| Apr 22, 2022 | - | $24,560 | -60% | 56 | $439 | $262,068 | 5 |
| Apr 29, 2022 | - | $8,532 | -65% | 26 | $328 | $270,600 | 6 |
| May 6, 2022 | - | $2,274 | -73% | 10 | $227 | $272,874 | 7 |
| May 13, 2022 | - | $2,478 | +9% | 4 | $620 | $275,352 | 8 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 6/2/2022 | $82,794 | 88 | 88 | 367 | $401,467 | 9/19/2022 | |||
| Finland | 4/15/2022 | $8,783 | 39 | 39 | 39 | $22,024 | 10/20/2022 | |||
| Italy | 7/20/2022 | $39,815 | 0 | 0 | 0 | $105,798 | 8/22/2022 | |||
| Netherlands | 5/12/2022 | $39,707 | 39 | 49 | 260 | $300,781 | 6/20/2022 | |||
| New Zealand | 6/2/2022 | $28,606 | 62 | 62 | 235 | $102,331 | 8/1/2022 | |||
| Portugal | 3/31/2022 | $5,125 | 15 | 15 | 36 | $15,729 | 5/10/2022 | |||
| Spain | 2/18/2022 | $54,933 | 96 | 96 | 192 | $137,583 | 3/12/2022 | |||
| United Kingdom | 11/12/2021 | $210,488 | 170 | 170 | 448 | $675,618 | 4/4/2026 | |||
| International Total | $1,761,331 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Odessa Young | Jane Fairchild | |
| Colin Firth | Mr. Niven | |
| Josh O’Connor | Paul | |
| Olivia Colman | Mrs. Niven |
Production and Technical Credits
| Eva Husson | Director | |
| Alice Birch | Screenwriter | |
| Graham Swift | Story based on the novel by | |
| Elizabeth Karlsen | Producer | |
| Stephen Woolley | Producer | |
| Helen Scott | Production Designer | |
| Emilie Orsini | Editor | |
| Jamie Ramsay | Directof of Photography |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.