Motor City (2026)
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| Theatrical Performance | ||
| Domestic Box Office | $475,000 | Details |
| OpusData ID: 615630100 More info... | ||
| Further financial details... | ||
Synopsis
In 1970s Detroit a working-class romantic is framed by a ruthless gangster after falling for his girlfriend. After years in prison, he returns with only one mission: revenge.
Metrics
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Production Budget: | $30,000,000 (worldwide box office is 0.0 times production budget) |
| Infl. Adj. Dom. BO | $475,000 |
Movie Details
| Domestic Releases: | July 24th, 2026 (Wide) by IFC Entertainment Group |
| International Releases: | July 24th, 2026 (Limited) (Spain)
August 20th, 2026 (Wide), released as Motor City (Мотор Сити) (Russia (CIS)) |
| MPA Rating: | R for strong bloody violence, some grisly images, drug content, sexuality/nudity and language. (Rating bulletin 2907 (cert #55729), 10/15/2025) |
| Running Time: | 103 minutes |
| Cast, crew, or production detail: | Black List Graduates |
| Film festival: | Toronto International Film Festival 2025, Venice Film Festival 2025 |
| Geographical setting: | Detroit, Michigan |
| Plot point: | Framed, Revenge |
| Social setting: | Organized Crime |
| Subgenre: | Action Thriller |
| Time period setting: | 1970s |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Stampede Ventures, Gramercy Park Media, Independent Film Co., Peachtree Media Partners, Ace of Spades, Syndicate Entertainment, Third Man Records |
| Production Countries: | United States |
| Languages: | English |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Jul 23, 2026 | P | $475,000 | 0 | $475,000 |
Leading
| Alan Ritchson | John Miller |
Supporting
| Ben Foster | Reynolds | |
| Pablo Schreiber | Savick | |
| Lionel Boyce | Youngblood | |
| Shailene Woodley | Sophia | |
| Ben McKenzie | Kent | |
| Amer Chadha-Patel | Singh | |
| Rafael Cebrián | Athos |
Production and Technical Credits
| Potsy Ponciroli | Director | |
| Chad St. John | Screenwriter | |
| Greg Silverman | Producer | |
| Jon Berg | Producer | |
| Cliff Roberts | Producer | |
| Chad St. John | Producer | |
| Alan Ritchson | Producer | |
| Joshua Harris | Producer | |
| John Matysiak | Cinematographer | |
| Joe Galdo | Editor | |
| Steve Jablonsky | Composer | |
| Gideon Yu | Executive Producer | |
| Chris Bosco | Executive Producer | |
| Jim Meenaghan | Executive Producer | |
| Elizabeth A. Bell | Executive Producer | |
| Michael Tadross | Executive Producer | |
| Grant Torre | Executive Producer | |
| Bjorn Hovland | Executive Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
In 1970s Detroit a working-class romantic is framed by a ruthless gangster after falling for his girlfriend. After years in prison, he returns with only one mission: revenge.
Metrics
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Production Budget: | $30,000,000 (worldwide box office is 0.0 times production budget) |
| Infl. Adj. Dom. BO | $475,000 |
Movie Details
| Domestic Releases: | July 24th, 2026 (Wide) by IFC Entertainment Group |
| International Releases: | July 24th, 2026 (Limited) (Spain)
August 20th, 2026 (Wide), released as Motor City (Мотор Сити) (Russia (CIS)) |
| MPA Rating: | R for strong bloody violence, some grisly images, drug content, sexuality/nudity and language. (Rating bulletin 2907 (cert #55729), 10/15/2025) |
| Running Time: | 103 minutes |
| Cast, crew, or production detail: | Black List Graduates |
| Film festival: | Toronto International Film Festival 2025, Venice Film Festival 2025 |
| Geographical setting: | Detroit, Michigan |
| Plot point: | Framed, Revenge |
| Social setting: | Organized Crime |
| Subgenre: | Action Thriller |
| Time period setting: | 1970s |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Stampede Ventures, Gramercy Park Media, Independent Film Co., Peachtree Media Partners, Ace of Spades, Syndicate Entertainment, Third Man Records |
| Production Countries: | United States |
| Languages: | English |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Jul 23, 2026 | P | $475,000 | 0 | $475,000 |
Leading
| Alan Ritchson | John Miller |
Supporting
| Ben Foster | Reynolds | |
| Pablo Schreiber | Savick | |
| Lionel Boyce | Youngblood | |
| Shailene Woodley | Sophia | |
| Ben McKenzie | Kent | |
| Amer Chadha-Patel | Singh | |
| Rafael Cebrián | Athos |
Production and Technical Credits
| Potsy Ponciroli | Director | |
| Chad St. John | Screenwriter | |
| Greg Silverman | Producer | |
| Jon Berg | Producer | |
| Cliff Roberts | Producer | |
| Chad St. John | Producer | |
| Alan Ritchson | Producer | |
| Joshua Harris | Producer | |
| John Matysiak | Cinematographer | |
| Joe Galdo | Editor | |
| Steve Jablonsky | Composer | |
| Gideon Yu | Executive Producer | |
| Chris Bosco | Executive Producer | |
| Jim Meenaghan | Executive Producer | |
| Elizabeth A. Bell | Executive Producer | |
| Michael Tadross | Executive Producer | |
| Grant Torre | Executive Producer | |
| Bjorn Hovland | Executive Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.