Mr. Baseball (1992)

Mr. Baseball
Theatrical Performance
Domestic Box Office $20,883,046Details
OpusData ID: 24540100 More info...
Further financial details...

Metrics

Opening Weekend:$5,240,375 (25.1% of total gross)
Legs:3.99 (domestic box office/biggest weekend)
Domestic Share:100.0% (domestic box office/worldwide)
Theater counts:1,855 opening theaters/1,866 max. theaters, 5.5 weeks average run per theater
Infl. Adj. Dom. BO $56,912,587

Movie Details

Domestic Releases: October 2nd, 1992 (Wide) by Universal
MPA Rating: PG-13 for sensuality and language.
Geographical setting: Japan
Plot point: Athletes Past Their Prime, Baseball, Culture Clash, Interracial Romance, Romance
Subgenre: Sports Comedy
Source:Original Screenplay
Genre:Comedy
Production Method:Live Action
Creative Type:Contemporary Fiction
Production Countries: United States

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Oct 2, 1992 3 $5,240,375   1,855 $2,825   $5,240,375 1
Oct 9, 1992 5 $3,218,850 -39% 1,866 $1,725   $9,745,340 2
Oct 16, 1992 6 $2,250,170 -30% 1,822 $1,235   $12,890,090 3
Oct 23, 1992 10 $1,535,945 -32% 1,484 $1,035   $14,957,830 4
Oct 30, 1992 11 $1,005,715 -35% 1,273 $790   $16,382,440 5
Nov 6, 1992 12 $1,002,760 n/c 1,050 $955   $17,726,930 6
Nov 13, 1992 13 $708,430 -29% 880 $805   $18,764,035 7

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Oct 2, 1992 4 $6,526,490   1,855 $3,518   $6,526,490 1
Oct 9, 1992 5 $4,113,430 -37% 1,866 $2,204   $10,639,920 2
Oct 16, 1992 6 $2,781,965 -32% 1,822 $1,527   $13,421,885 3
Oct 23, 1992 10 $1,954,840 -30% 1,484 $1,317   $15,376,725 4
Oct 30, 1992 10 $1,347,445 -31% 1,273 $1,058   $16,724,170 5
Nov 6, 1992 12 $1,331,435 -1% 1,050 $1,268   $18,055,605 6

Tom Selleck    Jack Elliott
Dennis Haysbert    Max 'Hammer' Dubois
Art LaFleur    Skip
Michael Papajohn    Rick

Production and Technical Credits

Fred Schepisi    Director
Jeffrey Silver    Producer
Jerry Goldsmith    Composer

Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.


Metrics

Opening Weekend:$5,240,375 (25.1% of total gross)
Legs:3.99 (domestic box office/biggest weekend)
Domestic Share:100.0% (domestic box office/worldwide)
Theater counts:1,855 opening theaters/1,866 max. theaters, 5.5 weeks average run per theater
Infl. Adj. Dom. BO $56,912,587

Movie Details

Domestic Releases: October 2nd, 1992 (Wide) by Universal
MPA Rating: PG-13 for sensuality and language.
Geographical setting: Japan
Plot point: Athletes Past Their Prime, Baseball, Culture Clash, Interracial Romance, Romance
Subgenre: Sports Comedy
Source:Original Screenplay
Genre:Comedy
Production Method:Live Action
Creative Type:Contemporary Fiction
Production Countries: United States

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Oct 2, 1992 3 $5,240,375   1,855 $2,825   $5,240,375 1
Oct 9, 1992 5 $3,218,850 -39% 1,866 $1,725   $9,745,340 2
Oct 16, 1992 6 $2,250,170 -30% 1,822 $1,235   $12,890,090 3
Oct 23, 1992 10 $1,535,945 -32% 1,484 $1,035   $14,957,830 4
Oct 30, 1992 11 $1,005,715 -35% 1,273 $790   $16,382,440 5
Nov 6, 1992 12 $1,002,760 n/c 1,050 $955   $17,726,930 6
Nov 13, 1992 13 $708,430 -29% 880 $805   $18,764,035 7

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Oct 2, 1992 4 $6,526,490   1,855 $3,518   $6,526,490 1
Oct 9, 1992 5 $4,113,430 -37% 1,866 $2,204   $10,639,920 2
Oct 16, 1992 6 $2,781,965 -32% 1,822 $1,527   $13,421,885 3
Oct 23, 1992 10 $1,954,840 -30% 1,484 $1,317   $15,376,725 4
Oct 30, 1992 10 $1,347,445 -31% 1,273 $1,058   $16,724,170 5
Nov 6, 1992 12 $1,331,435 -1% 1,050 $1,268   $18,055,605 6

Tom Selleck    Jack Elliott
Dennis Haysbert    Max 'Hammer' Dubois
Art LaFleur    Skip
Michael Papajohn    Rick

Production and Technical Credits

Fred Schepisi    Director
Jeffrey Silver    Producer
Jerry Goldsmith    Composer

Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.