Mr. Nobody Against Putin (2025)
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| Theatrical Performance | ||
| Domestic Box Office | $270,123 | Details |
| International Box Office | $985,782 | Details |
| Worldwide Box Office | $1,255,905 | |
| OpusData ID: 784870100 More info... | ||
| Further financial details... | ||
Synopsis
As Russia launches its full-scale invasion of Ukraine, primary schools across the country are being transformed into recruitment centers for the war. Faced with the ethical dilemma of working within a system defined by propaganda and violence, a courageous teacher films what is really happening in his own school.
Metrics
| Opening Weekend: | $4,464 (1.7% of total gross) |
| Legs: | 7.53 (domestic box office/biggest weekend) |
| Domestic Share: | 21.5% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/53 max. theaters, 5.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $270,123 |
Movie Details
| Domestic Releases: | January 21st, 2026 (Limited) by Kino Lorber |
| International Releases: | June 26th, 2025 (Limited) (New Zealand)
November 6th, 2025 (Limited), released as Pan Nikdo proti Putinovi (Czech Republic) January 7th, 2026 (Limited) (France) January 15th, 2026 (Limited) (Netherlands) February 26th, 2026 (Limited) (Australia) ... Show all releases |
| MPA Rating: | Not Rated (Rated 1/26/2026) |
| Running Time: | 90 minutes |
| Plot point: | Government Corruption, Propaganda, War |
| Subgenre: | Social and Cultural Documentary |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production Countries: | Denmark, Germany |
| Languages: | Russian |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 23, 2026 | - | $4,464 | 1 | $4,464 | $11,787 | 1 | |
| Jan 30, 2026 | - | $3,755 | -16% | 4 | $939 | $19,376 | 2 |
| Feb 6, 2026 | - | $11,018 | +193% | 20 | $551 | $35,941 | 3 |
| Feb 13, 2026 | - | $16,903 | +53% | 25 | $676 | $58,751 | 4 |
| Feb 20, 2026 | - | $8,301 | -51% | 17 | $488 | $78,453 | 5 |
| Feb 27, 2026 | - | $5,091 | -39% | 15 | $339 | $87,248 | 6 |
| Mar 6, 2026 | - | $11,147 | +119% | 17 | $656 | $101,625 | 7 |
| Mar 13, 2026 | - | $4,555 | -59% | 11 | $414 | $114,060 | 8 |
| Mar 20, 2026 | - | $35,879 | +688% | 46 | $780 | $158,170 | 9 |
| Mar 27, 2026 | - | $20,445 | -43% | 43 | $475 | $201,898 | 10 |
| Apr 3, 2026 | - | $9,072 | -56% | 18 | $504 | $223,159 | 11 |
| Apr 10, 2026 | - | $4,526 | -50% | 11 | $411 | $236,311 | 12 |
| Apr 17, 2026 | - | $5,083 | +12% | 8 | $635 | $243,346 | 13 |
| Apr 24, 2026 | - | $1,507 | -70% | 4 | $377 | $246,235 | 14 |
| May 1, 2026 | - | $2,527 | +68% | 6 | $421 | $250,326 | 15 |
| May 8, 2026 | - | $4,508 | +78% | 5 | $902 | $255,094 | 16 |
| May 15, 2026 | - | $3,188 | -29% | 3 | $1,063 | $259,731 | 17 |
| May 22, 2026 | - | $2,973 | -7% | 4 | $743 | $264,997 | 18 |
| May 29, 2026 | - | $120 | -96% | 1 | $120 | $266,122 | 19 |
| Jun 5, 2026 | - | $2,143 | +1,686% | 3 | $714 | $268,264 | 20 |
| Jun 12, 2026 | - | $429 | -80% | 1 | $429 | $269,343 | 21 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Jan 21, 2026 | - | $3,696 | 1 | $3,696 | $3,696 | 1 | |
| Jan 22, 2026 | - | $3,627 | -2% | 1 | $3,627 | $7,323 | 2 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 16, 2026 | 47 | $7,323 | 1 | $7,323 | $7,323 | 1 | |
| Jan 23, 2026 | 52 | $8,298 | +13% | 1 | $8,298 | $15,621 | 2 |
| Jan 30, 2026 | 50 | $9,302 | +12% | 5 | $1,860 | $24,923 | 3 |
| Feb 6, 2026 | 47 | $16,925 | +82% | 21 | $806 | $41,848 | 4 |
| Feb 13, 2026 | 52 | $28,304 | +67% | 25 | $1,132 | $70,152 | 5 |
| Feb 20, 2026 | 55 | $12,005 | -58% | 17 | $706 | $82,157 | 6 |
| Feb 27, 2026 | 57 | $8,321 | -31% | 16 | $520 | $90,478 | 7 |
| Mar 6, 2026 | 40 | $19,027 | +129% | 23 | $827 | $109,505 | 8 |
| Mar 13, 2026 | 44 | $12,786 | -33% | 14 | $913 | $122,291 | 9 |
| Mar 20, 2026 | 28 | $59,162 | +363% | 53 | $1,116 | $181,453 | 10 |
| Mar 27, 2026 | 33 | $32,634 | -45% | 46 | $709 | $214,087 | 11 |
| Apr 3, 2026 | 34 | $17,698 | -46% | 20 | $885 | $231,785 | 12 |
| Apr 10, 2026 | 39 | $6,478 | -63% | 15 | $432 | $238,263 | 13 |
| Apr 17, 2026 | 51 | $6,465 | n/c | 8 | $808 | $244,728 | 14 |
| Apr 24, 2026 | 55 | $3,071 | -52% | 6 | $512 | $247,799 | 15 |
| May 1, 2026 | 47 | $2,787 | -9% | 6 | $465 | $250,586 | 16 |
| May 8, 2026 | 42 | $5,957 | +114% | 5 | $1,191 | $256,543 | 17 |
| May 15, 2026 | 43 | $5,482 | -8% | 5 | $1,096 | $262,025 | 18 |
| May 22, 2026 | 46 | $3,977 | -27% | 4 | $994 | $266,002 | 19 |
| May 29, 2026 | 58 | $120 | -97% | 1 | $120 | $266,122 | 20 |
| Jun 5, 2026 | 42 | $2,793 | +2,228% | 3 | $931 | $268,914 | 21 |
| Jun 12, 2026 | 42 | $1,209 | -57% | 2 | $605 | $270,123 | 22 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 2/26/2026 | $604 | 1 | 3 | 0 | $79,454 | 6/1/2026 | |||
| Czech Republic | 11/6/2025 | $0 | 0 | 31 | 72 | $196,120 | 4/21/2026 | |||
| Netherlands | 1/15/2026 | $115,419 | 58 | 72 | 384 | $654,496 | 4/6/2026 | |||
| New Zealand | 6/26/2025 | $0 | 0 | 7 | 0 | $23,270 | 7/20/2026 | |||
| Portugal | 3/5/2026 | $0 | 0 | 2 | 0 | $10,481 | 4/7/2026 | |||
| Slovakia | 3/19/2026 | $0 | 0 | 3 | 3 | $21,961 | 4/7/2026 | |||
| International Total | $985,782 | 7/20/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Narrator
| Pavel Talankin | Himself / Narrator |
Production and Technical Credits
| David Borenstein | Director | |
| Pavel Talankin | Director | |
| David Borenstein | Screenwriter | |
| Helle Faber | Producer | |
| Alžběta Karásková | Co-Producer | |
| Radovan Sibrt | Co-Producer | |
| Pavel Talankin | Cinematographer | |
| Nicolaj Monberg | Editor | |
| Rebekka Lonqvist | Editor | |
| Michal Rataj | Composer | |
| Jonas Struck | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
As Russia launches its full-scale invasion of Ukraine, primary schools across the country are being transformed into recruitment centers for the war. Faced with the ethical dilemma of working within a system defined by propaganda and violence, a courageous teacher films what is really happening in his own school.
Metrics
| Opening Weekend: | $4,464 (1.7% of total gross) |
| Legs: | 7.53 (domestic box office/biggest weekend) |
| Domestic Share: | 21.5% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/53 max. theaters, 5.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $270,123 |
Movie Details
| Domestic Releases: | January 21st, 2026 (Limited) by Kino Lorber |
| International Releases: | June 26th, 2025 (Limited) (New Zealand)
November 6th, 2025 (Limited), released as Pan Nikdo proti Putinovi (Czech Republic) January 7th, 2026 (Limited) (France) January 15th, 2026 (Limited) (Netherlands) February 26th, 2026 (Limited) (Australia) ... Show all releases |
| MPA Rating: | Not Rated (Rated 1/26/2026) |
| Running Time: | 90 minutes |
| Plot point: | Government Corruption, Propaganda, War |
| Subgenre: | Social and Cultural Documentary |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production Countries: | Denmark, Germany |
| Languages: | Russian |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 23, 2026 | - | $4,464 | 1 | $4,464 | $11,787 | 1 | |
| Jan 30, 2026 | - | $3,755 | -16% | 4 | $939 | $19,376 | 2 |
| Feb 6, 2026 | - | $11,018 | +193% | 20 | $551 | $35,941 | 3 |
| Feb 13, 2026 | - | $16,903 | +53% | 25 | $676 | $58,751 | 4 |
| Feb 20, 2026 | - | $8,301 | -51% | 17 | $488 | $78,453 | 5 |
| Feb 27, 2026 | - | $5,091 | -39% | 15 | $339 | $87,248 | 6 |
| Mar 6, 2026 | - | $11,147 | +119% | 17 | $656 | $101,625 | 7 |
| Mar 13, 2026 | - | $4,555 | -59% | 11 | $414 | $114,060 | 8 |
| Mar 20, 2026 | - | $35,879 | +688% | 46 | $780 | $158,170 | 9 |
| Mar 27, 2026 | - | $20,445 | -43% | 43 | $475 | $201,898 | 10 |
| Apr 3, 2026 | - | $9,072 | -56% | 18 | $504 | $223,159 | 11 |
| Apr 10, 2026 | - | $4,526 | -50% | 11 | $411 | $236,311 | 12 |
| Apr 17, 2026 | - | $5,083 | +12% | 8 | $635 | $243,346 | 13 |
| Apr 24, 2026 | - | $1,507 | -70% | 4 | $377 | $246,235 | 14 |
| May 1, 2026 | - | $2,527 | +68% | 6 | $421 | $250,326 | 15 |
| May 8, 2026 | - | $4,508 | +78% | 5 | $902 | $255,094 | 16 |
| May 15, 2026 | - | $3,188 | -29% | 3 | $1,063 | $259,731 | 17 |
| May 22, 2026 | - | $2,973 | -7% | 4 | $743 | $264,997 | 18 |
| May 29, 2026 | - | $120 | -96% | 1 | $120 | $266,122 | 19 |
| Jun 5, 2026 | - | $2,143 | +1,686% | 3 | $714 | $268,264 | 20 |
| Jun 12, 2026 | - | $429 | -80% | 1 | $429 | $269,343 | 21 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Jan 21, 2026 | - | $3,696 | 1 | $3,696 | $3,696 | 1 | |
| Jan 22, 2026 | - | $3,627 | -2% | 1 | $3,627 | $7,323 | 2 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 16, 2026 | 47 | $7,323 | 1 | $7,323 | $7,323 | 1 | |
| Jan 23, 2026 | 52 | $8,298 | +13% | 1 | $8,298 | $15,621 | 2 |
| Jan 30, 2026 | 50 | $9,302 | +12% | 5 | $1,860 | $24,923 | 3 |
| Feb 6, 2026 | 47 | $16,925 | +82% | 21 | $806 | $41,848 | 4 |
| Feb 13, 2026 | 52 | $28,304 | +67% | 25 | $1,132 | $70,152 | 5 |
| Feb 20, 2026 | 55 | $12,005 | -58% | 17 | $706 | $82,157 | 6 |
| Feb 27, 2026 | 57 | $8,321 | -31% | 16 | $520 | $90,478 | 7 |
| Mar 6, 2026 | 40 | $19,027 | +129% | 23 | $827 | $109,505 | 8 |
| Mar 13, 2026 | 44 | $12,786 | -33% | 14 | $913 | $122,291 | 9 |
| Mar 20, 2026 | 28 | $59,162 | +363% | 53 | $1,116 | $181,453 | 10 |
| Mar 27, 2026 | 33 | $32,634 | -45% | 46 | $709 | $214,087 | 11 |
| Apr 3, 2026 | 34 | $17,698 | -46% | 20 | $885 | $231,785 | 12 |
| Apr 10, 2026 | 39 | $6,478 | -63% | 15 | $432 | $238,263 | 13 |
| Apr 17, 2026 | 51 | $6,465 | n/c | 8 | $808 | $244,728 | 14 |
| Apr 24, 2026 | 55 | $3,071 | -52% | 6 | $512 | $247,799 | 15 |
| May 1, 2026 | 47 | $2,787 | -9% | 6 | $465 | $250,586 | 16 |
| May 8, 2026 | 42 | $5,957 | +114% | 5 | $1,191 | $256,543 | 17 |
| May 15, 2026 | 43 | $5,482 | -8% | 5 | $1,096 | $262,025 | 18 |
| May 22, 2026 | 46 | $3,977 | -27% | 4 | $994 | $266,002 | 19 |
| May 29, 2026 | 58 | $120 | -97% | 1 | $120 | $266,122 | 20 |
| Jun 5, 2026 | 42 | $2,793 | +2,228% | 3 | $931 | $268,914 | 21 |
| Jun 12, 2026 | 42 | $1,209 | -57% | 2 | $605 | $270,123 | 22 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 2/26/2026 | $604 | 1 | 3 | 0 | $79,454 | 6/1/2026 | |||
| Czech Republic | 11/6/2025 | $0 | 0 | 31 | 72 | $196,120 | 4/21/2026 | |||
| Netherlands | 1/15/2026 | $115,419 | 58 | 72 | 384 | $654,496 | 4/6/2026 | |||
| New Zealand | 6/26/2025 | $0 | 0 | 7 | 0 | $23,270 | 7/20/2026 | |||
| Portugal | 3/5/2026 | $0 | 0 | 2 | 0 | $10,481 | 4/7/2026 | |||
| Slovakia | 3/19/2026 | $0 | 0 | 3 | 3 | $21,961 | 4/7/2026 | |||
| International Total | $985,782 | 7/20/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Narrator
| Pavel Talankin | Himself / Narrator |
Production and Technical Credits
| David Borenstein | Director | |
| Pavel Talankin | Director | |
| David Borenstein | Screenwriter | |
| Helle Faber | Producer | |
| Alžběta Karásková | Co-Producer | |
| Radovan Sibrt | Co-Producer | |
| Pavel Talankin | Cinematographer | |
| Nicolaj Monberg | Editor | |
| Rebekka Lonqvist | Editor | |
| Michal Rataj | Composer | |
| Jonas Struck | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.