Mr. Right (2016)
| Theatrical Performance | ||
| Domestic Box Office | $34,694 | Details |
| International Box Office | $795,680 | Details |
| Worldwide Box Office | $830,374 | |
| OpusData ID: 217450100 More info... | ||
| Further financial details... | ||
Synopsis
Hyperactive at the best of times, Martha has gone full-on manic since her latest breakup. She babbles, parties like a monster—and is looking to do something terrible when she meets Francis. They seem a perfect match: she’s bananas, he’s bananas. Except he’s a deadly sort of bananas—a professional assassin. Francis is a hitman with a cause: he unexpectedly kills the people ordering the hits. Just as Martha begins to realize her new beau wasn’t joking when he said he had to step out for a moment to shoot someone, things start heating up for Francis. His services are solicited by a dubious client who’s being sought by an equally dubious FBI agent. As the bodies pile up, Martha needs to decide whether to flee or join in the mayhem.
Metrics
| Opening Weekend: | $25,369 (73.1% of total gross) |
| Legs: | 1.37 (domestic box office/biggest weekend) |
| Domestic Share: | 4.2% (domestic box office/worldwide) |
| Theater counts: | 35 opening theaters/35 max. theaters, 1.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $47,972 |
Movie Details
| Domestic Releases: | April 8th, 2016 (Limited) by Focus World |
| International Releases: | April 7th, 2016 (Wide) (Lebanon)
April 7th, 2016 (Wide) (Oman) April 7th, 2016 (Wide) (United Arab Emirates) April 14th, 2016 (Wide) (Malaysia) April 28th, 2016 (Wide) (Slovenia) ... Show all releases |
| Video Release: | April 8th, 2016 by Focus World |
| MPA Rating: | R for violence and language throughout. (Rating bulletin 2385, 8/4/2015) |
| Running Time: | 93 minutes |
| Plot point: | Fugitive / On the Run, Hitmen, Romance |
| Release detail: | Early / Simultaneous Video-on-Demand release |
| Social setting: | Organized Crime |
| Source: | Original Screenplay |
| Genre: | Romantic Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Amasia Entertainment, Circle of Confusion, 3311 Productions, Focus World |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 8, 2016 | 53 | $25,369 | 35 | $725 | $25,369 | 1 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Apr 8, 2016 | - | $8,215 | 35 | $235 | $8,215 | 1 | |
| Apr 9, 2016 | - | $9,976 | +21% | 35 | $285 | $18,191 | 2 |
| Apr 10, 2016 | - | $7,178 | -28% | 35 | $205 | $25,369 | 3 |
| Apr 11, 2016 | - | $2,298 | -68% | 35 | $66 | $27,667 | 4 |
| Apr 12, 2016 | - | $2,590 | +13% | 35 | $74 | $30,257 | 5 |
| Apr 13, 2016 | - | $2,384 | -8% | 35 | $68 | $32,641 | 6 |
| Apr 14, 2016 | - | $2,053 | -14% | 35 | $59 | $34,694 | 7 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 8, 2016 | 57 | $34,694 | 35 | $991 | $34,694 | 1 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 6/17/2016 | $8,129 | 8 | 8 | 19 | $18,597 | 7/7/2016 | |||
| Hungary | 4/28/2016 | $12,791 | 13 | 13 | 13 | $12,791 | 12/31/2018 | |||
| Lebanon | 4/7/2016 | $4,371 | 4 | 4 | 4 | $4,371 | 12/31/2018 | |||
| Lithuania | 4/29/2016 | $8,039 | 75 | 75 | 100 | $14,905 | 6/9/2016 | |||
| Malaysia | 4/14/2016 | $23,777 | 23 | 23 | 23 | $23,777 | 6/9/2016 | |||
| New Zealand | 6/17/2016 | $2,249 | 8 | 9 | 38 | $9,567 | 7/18/2016 | |||
| Oman | 4/7/2016 | $11,150 | 7 | 7 | 7 | $11,150 | 12/31/2018 | |||
| Portugal | 9/2/2016 | $8,770 | 12 | 12 | 24 | $16,883 | 9/15/2016 | |||
| Slovakia | 7/29/2016 | $9,035 | 29 | 29 | 54 | $22,354 | 8/18/2016 | |||
| Slovenia | 4/28/2016 | $6,375 | 8 | 8 | 19 | $12,651 | 6/9/2016 | |||
| South Korea | 6/16/2016 | $35,352 | 79 | 79 | 100 | $81,046 | 4/4/2026 | |||
| Turkey | 4/29/2016 | $2,891 | 0 | 0 | 0 | $5,090 | 12/31/2018 | |||
| United Arab Emirates | 4/7/2016 | $102,814 | 36 | 36 | 44 | $135,223 | 12/31/2018 | |||
| Rest of World | $427,275 | |||||||||
| International Total | $795,680 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Sam Rockwell | Mr. Right / Francis | |
| Anna Kendrick | Martha |
Supporting
| Tim Roth | Hopper | |
| James Ransone | Von Cartigan | |
| Anson Mount | Richard Cartigan | |
| Michael Eklund | Johnny Moon | |
| RZA | Shotgun Steve | |
| Jaiden Kaine | Bruce | |
| Katie Nehra | Sophie | |
| Luis Dasilva, Jr. | Espinoza |
Production and Technical Credits
| Paco Cabezas | Director | |
| Max Landis | Screenwriter | |
| Michael Helfant | Producer | |
| Bradley Gallo | Producer | |
| Lawrence Mattis | Producer | |
| Rick Jacobs | Producer | |
| William C. Gallo | Executive Producer | |
| Allen Church | Executive Producer | |
| Stephen Emery | Executive Producer | |
| Max Landis | Executive Producer | |
| Avram Butch Kaplan | Executive Producer | |
| Mark Roberts | Executive Producer | |
| P. Jennifer Dana | Executive Producer | |
| Ross Jacobson | Executive Producer | |
| Sheldon Rabinowitz | Executive Producer | |
| Daniel Aranyo | Director of Photography | |
| Mara Lepere-Schloop | Production Designer | |
| Tom Wilson | Editor | |
| Jillian Ann Kreiner* | Costume Designer | |
| Maureen Crowe | Music Supervisor | |
| David A. Helfant | Music Supervisor | |
| Aaron Zigman | Composer | |
| Orly Sitowitz | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Hyperactive at the best of times, Martha has gone full-on manic since her latest breakup. She babbles, parties like a monster—and is looking to do something terrible when she meets Francis. They seem a perfect match: she’s bananas, he’s bananas. Except he’s a deadly sort of bananas—a professional assassin. Francis is a hitman with a cause: he unexpectedly kills the people ordering the hits. Just as Martha begins to realize her new beau wasn’t joking when he said he had to step out for a moment to shoot someone, things start heating up for Francis. His services are solicited by a dubious client who’s being sought by an equally dubious FBI agent. As the bodies pile up, Martha needs to decide whether to flee or join in the mayhem.
Metrics
| Opening Weekend: | $25,369 (73.1% of total gross) |
| Legs: | 1.37 (domestic box office/biggest weekend) |
| Domestic Share: | 4.2% (domestic box office/worldwide) |
| Theater counts: | 35 opening theaters/35 max. theaters, 1.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $47,972 |
Movie Details
| Domestic Releases: | April 8th, 2016 (Limited) by Focus World |
| International Releases: | April 7th, 2016 (Wide) (Lebanon)
April 7th, 2016 (Wide) (Oman) April 7th, 2016 (Wide) (United Arab Emirates) April 14th, 2016 (Wide) (Malaysia) April 28th, 2016 (Wide) (Slovenia) ... Show all releases |
| Video Release: | April 8th, 2016 by Focus World |
| MPA Rating: | R for violence and language throughout. (Rating bulletin 2385, 8/4/2015) |
| Running Time: | 93 minutes |
| Plot point: | Fugitive / On the Run, Hitmen, Romance |
| Release detail: | Early / Simultaneous Video-on-Demand release |
| Social setting: | Organized Crime |
| Source: | Original Screenplay |
| Genre: | Romantic Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Amasia Entertainment, Circle of Confusion, 3311 Productions, Focus World |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 8, 2016 | 53 | $25,369 | 35 | $725 | $25,369 | 1 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Apr 8, 2016 | - | $8,215 | 35 | $235 | $8,215 | 1 | |
| Apr 9, 2016 | - | $9,976 | +21% | 35 | $285 | $18,191 | 2 |
| Apr 10, 2016 | - | $7,178 | -28% | 35 | $205 | $25,369 | 3 |
| Apr 11, 2016 | - | $2,298 | -68% | 35 | $66 | $27,667 | 4 |
| Apr 12, 2016 | - | $2,590 | +13% | 35 | $74 | $30,257 | 5 |
| Apr 13, 2016 | - | $2,384 | -8% | 35 | $68 | $32,641 | 6 |
| Apr 14, 2016 | - | $2,053 | -14% | 35 | $59 | $34,694 | 7 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 8, 2016 | 57 | $34,694 | 35 | $991 | $34,694 | 1 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 6/17/2016 | $8,129 | 8 | 8 | 19 | $18,597 | 7/7/2016 | |||
| Hungary | 4/28/2016 | $12,791 | 13 | 13 | 13 | $12,791 | 12/31/2018 | |||
| Lebanon | 4/7/2016 | $4,371 | 4 | 4 | 4 | $4,371 | 12/31/2018 | |||
| Lithuania | 4/29/2016 | $8,039 | 75 | 75 | 100 | $14,905 | 6/9/2016 | |||
| Malaysia | 4/14/2016 | $23,777 | 23 | 23 | 23 | $23,777 | 6/9/2016 | |||
| New Zealand | 6/17/2016 | $2,249 | 8 | 9 | 38 | $9,567 | 7/18/2016 | |||
| Oman | 4/7/2016 | $11,150 | 7 | 7 | 7 | $11,150 | 12/31/2018 | |||
| Portugal | 9/2/2016 | $8,770 | 12 | 12 | 24 | $16,883 | 9/15/2016 | |||
| Slovakia | 7/29/2016 | $9,035 | 29 | 29 | 54 | $22,354 | 8/18/2016 | |||
| Slovenia | 4/28/2016 | $6,375 | 8 | 8 | 19 | $12,651 | 6/9/2016 | |||
| South Korea | 6/16/2016 | $35,352 | 79 | 79 | 100 | $81,046 | 4/4/2026 | |||
| Turkey | 4/29/2016 | $2,891 | 0 | 0 | 0 | $5,090 | 12/31/2018 | |||
| United Arab Emirates | 4/7/2016 | $102,814 | 36 | 36 | 44 | $135,223 | 12/31/2018 | |||
| Rest of World | $427,275 | |||||||||
| International Total | $795,680 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Sam Rockwell | Mr. Right / Francis | |
| Anna Kendrick | Martha |
Supporting
| Tim Roth | Hopper | |
| James Ransone | Von Cartigan | |
| Anson Mount | Richard Cartigan | |
| Michael Eklund | Johnny Moon | |
| RZA | Shotgun Steve | |
| Jaiden Kaine | Bruce | |
| Katie Nehra | Sophie | |
| Luis Dasilva, Jr. | Espinoza |
Production and Technical Credits
| Paco Cabezas | Director | |
| Max Landis | Screenwriter | |
| Michael Helfant | Producer | |
| Bradley Gallo | Producer | |
| Lawrence Mattis | Producer | |
| Rick Jacobs | Producer | |
| William C. Gallo | Executive Producer | |
| Allen Church | Executive Producer | |
| Stephen Emery | Executive Producer | |
| Max Landis | Executive Producer | |
| Avram Butch Kaplan | Executive Producer | |
| Mark Roberts | Executive Producer | |
| P. Jennifer Dana | Executive Producer | |
| Ross Jacobson | Executive Producer | |
| Sheldon Rabinowitz | Executive Producer | |
| Daniel Aranyo | Director of Photography | |
| Mara Lepere-Schloop | Production Designer | |
| Tom Wilson | Editor | |
| Jillian Ann Kreiner* | Costume Designer | |
| Maureen Crowe | Music Supervisor | |
| David A. Helfant | Music Supervisor | |
| Aaron Zigman | Composer | |
| Orly Sitowitz | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.