Mr. Turner (2014)
| Theatrical Performance | ||
| Domestic Box Office | $3,958,546 | Details |
| International Box Office | $21,142,096 | Details |
| Worldwide Box Office | $25,100,642 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $451,551 | |
| Blu-ray Sales (estimated) | $389,242 | |
| Total | $840,793 | |
| OpusData ID: 207150100 More info... | ||
| Further financial details... | ||
Synopsis
The last quarter century of the great if eccentric British painter J.M.W.Turner (1775-1851). Profoundly affected by the death of his father, loved by a housekeeper he takes for granted and occasionally exploits sexually, he forms a close relationship with a seaside landlady with whom he eventually lives incognito in Chelsea.Throughout this, he travels, paints, stays with the country aristocracy, visits brothels, is a popular if anarchic member of the Royal Academy of Arts, has himself strapped to the mast of a ship so that he can paint a snowstorm, and is both celebrated and reviled by the public and by royalty.
Metrics
| Opening Weekend: | $108,638 (2.7% of total gross) |
| Legs: | 15.71 (domestic box office/biggest weekend) |
| Domestic Share: | 15.8% (domestic box office/worldwide) |
| Production Budget: | $14,000,000 (worldwide box office is 1.8 times production budget) |
| Theater counts: | 5 opening theaters/217 max. theaters, 5.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $5,649,186 |
Movie Details
| Domestic Releases: | December 19th, 2014 (Limited) by Sony Pictures Classics |
| International Releases: | October 31st, 2014 (Wide) (United Kingdom)
November 6th, 2014 (Wide) (Germany) December 11th, 2014 (Wide) (Netherlands) December 19th, 2014 (Wide) (Spain) January 22nd, 2015 (Wide) (Australia) ... Show all releases |
| Video Release: | May 5th, 2015 by Sony Pictures Home Entertainment |
| MPA Rating: | R for some sexual content. (Rating bulletin 2337, 8/27/2014) |
| Running Time: | 149 minutes |
| Plot point: | Artists, Biography |
| Subgenre: | Biographical Drama |
| Time period setting: | 1800s |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Xofa Productions, Diaphana, France 3 Cinema, Amusement Park, Canal Plus, Cine Plus |
| Production Countries: | United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 19, 2014 | 29 | $108,638 | 5 | $21,728 | $108,638 | 1 | |
| Dec 26, 2014 | 28 | $251,948 | +132% | 24 | $10,498 | $493,576 | 2 |
| Jan 2, 2015 | 30 | $231,227 | -8% | 24 | $9,634 | $962,818 | 3 |
| Jan 9, 2015 | 29 | $242,177 | +5% | 39 | $6,210 | $1,290,141 | 4 |
| Jan 16, 2015 | 33 | $201,000 | -17% | 37 | $5,432 | $1,593,000 | 5 |
| Jan 23, 2015 | 34 | $162,000 | -19% | 43 | $3,767 | $1,851,000 | 6 |
| Jan 30, 2015 | 35 | $167,000 | +3% | 54 | $3,093 | $2,018,000 | 7 |
| Feb 6, 2015 | 30 | $244,306 | +46% | 79 | $3,092 | $2,418,000 | 8 |
| Feb 13, 2015 | 33 | $205,095 | -16% | 95 | $2,159 | $2,714,938 | 9 |
| Feb 20, 2015 | 28 | $189,000 | -8% | 120 | $1,575 | $3,006,632 | 10 |
| Feb 27, 2015 | 30 | $210,000 | +11% | 217 | $968 | $3,334,000 | 11 |
| Mar 6, 2015 | 35 | $127,000 | -40% | 114 | $1,114 | $3,532,114 | 12 |
| Mar 13, 2015 | 32 | $129,000 | +2% | 89 | $1,449 | $3,729,114 | 13 |
| Mar 20, 2015 | 34 | $87,089 | -32% | 79 | $1,102 | $3,839,130 | 14 |
| Mar 27, 2015 | 39 | $71,075 | -18% | 71 | $1,001 | $3,958,546 | 15 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 19, 2014 | 32 | $241,628 | 5 | $48,326 | $241,628 | 1 | |
| Dec 26, 2014 | 27 | $489,963 | +103% | 24 | $20,415 | $731,591 | 2 |
| Jan 2, 2015 | 30 | $316,373 | -35% | 24 | $13,182 | $1,047,964 | 3 |
| Jan 9, 2015 | 28 | $343,876 | +9% | 105 | $3,275 | $1,391,840 | 4 |
| Jan 16, 2015 | 32 | $297,306 | -14% | 37 | $8,035 | $1,689,146 | 5 |
| Jan 23, 2015 | 34 | $252,484 | -15% | 43 | $5,872 | $1,941,630 | 6 |
| Feb 20, 2015 | 28 | $305,511 | 120 | $2,546 | $3,123,223 | 10 | |
| Feb 27, 2015 | 31 | $281,403 | -8% | 114 | $2,468 | $3,404,626 | 11 |
| Mar 6, 2015 | 34 | $195,510 | -31% | 114 | $1,715 | $3,600,136 | 12 |
| Mar 13, 2015 | 32 | $151,791 | -22% | 89 | $1,706 | $3,751,927 | 13 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 1/22/2015 | $14,276 | 1 | 53 | 344 | $1,433,031 | 7/1/2015 | |||
| Germany | 11/6/2014 | $0 | 0 | 1 | 1 | $1,715,494 | 10/13/2015 | |||
| Italy | 1/29/2015 | $388,405 | 0 | 4 | 4 | $5,598 | 11/6/2018 | |||
| Netherlands | 12/11/2014 | $0 | 0 | 27 | 83 | $734,936 | 11/3/2015 | |||
| Spain | 12/19/2014 | $0 | 0 | 38 | 104 | $418,927 | 11/27/2018 | |||
| United Kingdom | 10/31/2014 | $0 | 0 | 1 | 2 | $9,353,074 | 4/30/2025 | |||
| Rest of World | $7,481,036 | |||||||||
| International Total | $21,142,096 | 4/30/2025 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Timothy Spall | J.M.W. Turner |
Supporting
| Dorothy Atkinson | Hannah Danby | |
| Marion Bailey | Sophia Booth | |
| Paul Jesson | William Turner, Sr. | |
| Lesley Manville | Mary Somerville | |
| Martin Savage | Benjamin Robert Haydon | |
| Ruth Sheen | Sarah Danby | |
| Joshua McGuire | John Ruskin | |
| David Horovitch | Dr. Price | |
| Karl Johnson | Mr. Booth | |
| Sandy Foster | Evelina Dupuis | |
| Amy Dawson | Georgiana Thompson | |
| Richard Bremmer | George Jones | |
| Fred Pearson | Sir William Beechey | |
| Tom Edden | C.R. Leslie | |
| Jamie Thomas King | David Roberts | |
| Mark Stanley | Clarkson Stanfield | |
| Nicholas Jones | Sir John Soane | |
| Clive Francis | Sir Martin Archer Shee | |
| Robert Portal | Sir Charles Eastlake | |
| Simon Chandler | Sir Augustus Wall Callcott | |
| Edward de Souza | Thomas Stothard | |
| James Fleet | John Constable | |
| Patrick Godfrey | Lord Egremont | |
| Leo Bill | J.J.E. Mayall | |
| Sinead Matthews | Queen Victoria | |
| Peter Wight | Joseph Gillott |
Production and Technical Credits
| Mike Leigh | Director | |
| Mike Leigh | Screenwriter | |
| Georgina Lowe | Producer | |
| Tessa Ross | Executive Producer | |
| Norman Merry | Executive Producer | |
| Gail Egan | Executive Producer | |
| Michel Saint-Jean | Co-Producer | |
| Malte Grunert | Co-Producer | |
| Suzie Davies | Production Designer | |
| Jon Gregory | Editor | |
| Gary Yershon | Composer | |
| Dick Pope | Cinematographer | |
| Jacqueline Durran | Costume Designer | |
| Christine Blundell | Make-up and Hair Designer | |
| Nina Gold | Casting Director | |
| Charlotte Watts | Set Decorator | |
| Ben Howard | Second Assistant Director | |
| Josh Robertson | First Assistant Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
The last quarter century of the great if eccentric British painter J.M.W.Turner (1775-1851). Profoundly affected by the death of his father, loved by a housekeeper he takes for granted and occasionally exploits sexually, he forms a close relationship with a seaside landlady with whom he eventually lives incognito in Chelsea.Throughout this, he travels, paints, stays with the country aristocracy, visits brothels, is a popular if anarchic member of the Royal Academy of Arts, has himself strapped to the mast of a ship so that he can paint a snowstorm, and is both celebrated and reviled by the public and by royalty.
Metrics
| Opening Weekend: | $108,638 (2.7% of total gross) |
| Legs: | 15.71 (domestic box office/biggest weekend) |
| Domestic Share: | 15.8% (domestic box office/worldwide) |
| Production Budget: | $14,000,000 (worldwide box office is 1.8 times production budget) |
| Theater counts: | 5 opening theaters/217 max. theaters, 5.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $5,649,186 |
Movie Details
| Domestic Releases: | December 19th, 2014 (Limited) by Sony Pictures Classics |
| International Releases: | October 31st, 2014 (Wide) (United Kingdom)
November 6th, 2014 (Wide) (Germany) December 11th, 2014 (Wide) (Netherlands) December 19th, 2014 (Wide) (Spain) January 22nd, 2015 (Wide) (Australia) ... Show all releases |
| Video Release: | May 5th, 2015 by Sony Pictures Home Entertainment |
| MPA Rating: | R for some sexual content. (Rating bulletin 2337, 8/27/2014) |
| Running Time: | 149 minutes |
| Plot point: | Artists, Biography |
| Subgenre: | Biographical Drama |
| Time period setting: | 1800s |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Xofa Productions, Diaphana, France 3 Cinema, Amusement Park, Canal Plus, Cine Plus |
| Production Countries: | United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 19, 2014 | 29 | $108,638 | 5 | $21,728 | $108,638 | 1 | |
| Dec 26, 2014 | 28 | $251,948 | +132% | 24 | $10,498 | $493,576 | 2 |
| Jan 2, 2015 | 30 | $231,227 | -8% | 24 | $9,634 | $962,818 | 3 |
| Jan 9, 2015 | 29 | $242,177 | +5% | 39 | $6,210 | $1,290,141 | 4 |
| Jan 16, 2015 | 33 | $201,000 | -17% | 37 | $5,432 | $1,593,000 | 5 |
| Jan 23, 2015 | 34 | $162,000 | -19% | 43 | $3,767 | $1,851,000 | 6 |
| Jan 30, 2015 | 35 | $167,000 | +3% | 54 | $3,093 | $2,018,000 | 7 |
| Feb 6, 2015 | 30 | $244,306 | +46% | 79 | $3,092 | $2,418,000 | 8 |
| Feb 13, 2015 | 33 | $205,095 | -16% | 95 | $2,159 | $2,714,938 | 9 |
| Feb 20, 2015 | 28 | $189,000 | -8% | 120 | $1,575 | $3,006,632 | 10 |
| Feb 27, 2015 | 30 | $210,000 | +11% | 217 | $968 | $3,334,000 | 11 |
| Mar 6, 2015 | 35 | $127,000 | -40% | 114 | $1,114 | $3,532,114 | 12 |
| Mar 13, 2015 | 32 | $129,000 | +2% | 89 | $1,449 | $3,729,114 | 13 |
| Mar 20, 2015 | 34 | $87,089 | -32% | 79 | $1,102 | $3,839,130 | 14 |
| Mar 27, 2015 | 39 | $71,075 | -18% | 71 | $1,001 | $3,958,546 | 15 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 19, 2014 | 32 | $241,628 | 5 | $48,326 | $241,628 | 1 | |
| Dec 26, 2014 | 27 | $489,963 | +103% | 24 | $20,415 | $731,591 | 2 |
| Jan 2, 2015 | 30 | $316,373 | -35% | 24 | $13,182 | $1,047,964 | 3 |
| Jan 9, 2015 | 28 | $343,876 | +9% | 105 | $3,275 | $1,391,840 | 4 |
| Jan 16, 2015 | 32 | $297,306 | -14% | 37 | $8,035 | $1,689,146 | 5 |
| Jan 23, 2015 | 34 | $252,484 | -15% | 43 | $5,872 | $1,941,630 | 6 |
| Feb 20, 2015 | 28 | $305,511 | 120 | $2,546 | $3,123,223 | 10 | |
| Feb 27, 2015 | 31 | $281,403 | -8% | 114 | $2,468 | $3,404,626 | 11 |
| Mar 6, 2015 | 34 | $195,510 | -31% | 114 | $1,715 | $3,600,136 | 12 |
| Mar 13, 2015 | 32 | $151,791 | -22% | 89 | $1,706 | $3,751,927 | 13 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 1/22/2015 | $14,276 | 1 | 53 | 344 | $1,433,031 | 7/1/2015 | |||
| Germany | 11/6/2014 | $0 | 0 | 1 | 1 | $1,715,494 | 10/13/2015 | |||
| Italy | 1/29/2015 | $388,405 | 0 | 4 | 4 | $5,598 | 11/6/2018 | |||
| Netherlands | 12/11/2014 | $0 | 0 | 27 | 83 | $734,936 | 11/3/2015 | |||
| Spain | 12/19/2014 | $0 | 0 | 38 | 104 | $418,927 | 11/27/2018 | |||
| United Kingdom | 10/31/2014 | $0 | 0 | 1 | 2 | $9,353,074 | 4/30/2025 | |||
| Rest of World | $7,481,036 | |||||||||
| International Total | $21,142,096 | 4/30/2025 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Timothy Spall | J.M.W. Turner |
Supporting
| Dorothy Atkinson | Hannah Danby | |
| Marion Bailey | Sophia Booth | |
| Paul Jesson | William Turner, Sr. | |
| Lesley Manville | Mary Somerville | |
| Martin Savage | Benjamin Robert Haydon | |
| Ruth Sheen | Sarah Danby | |
| Joshua McGuire | John Ruskin | |
| David Horovitch | Dr. Price | |
| Karl Johnson | Mr. Booth | |
| Sandy Foster | Evelina Dupuis | |
| Amy Dawson | Georgiana Thompson | |
| Richard Bremmer | George Jones | |
| Fred Pearson | Sir William Beechey | |
| Tom Edden | C.R. Leslie | |
| Jamie Thomas King | David Roberts | |
| Mark Stanley | Clarkson Stanfield | |
| Nicholas Jones | Sir John Soane | |
| Clive Francis | Sir Martin Archer Shee | |
| Robert Portal | Sir Charles Eastlake | |
| Simon Chandler | Sir Augustus Wall Callcott | |
| Edward de Souza | Thomas Stothard | |
| James Fleet | John Constable | |
| Patrick Godfrey | Lord Egremont | |
| Leo Bill | J.J.E. Mayall | |
| Sinead Matthews | Queen Victoria | |
| Peter Wight | Joseph Gillott |
Production and Technical Credits
| Mike Leigh | Director | |
| Mike Leigh | Screenwriter | |
| Georgina Lowe | Producer | |
| Tessa Ross | Executive Producer | |
| Norman Merry | Executive Producer | |
| Gail Egan | Executive Producer | |
| Michel Saint-Jean | Co-Producer | |
| Malte Grunert | Co-Producer | |
| Suzie Davies | Production Designer | |
| Jon Gregory | Editor | |
| Gary Yershon | Composer | |
| Dick Pope | Cinematographer | |
| Jacqueline Durran | Costume Designer | |
| Christine Blundell | Make-up and Hair Designer | |
| Nina Gold | Casting Director | |
| Charlotte Watts | Set Decorator | |
| Ben Howard | Second Assistant Director | |
| Josh Robertson | First Assistant Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.