Mr. Wonderful (1993)
| Theatrical Performance | ||
| Domestic Box Office | $3,125,000 | Details |
| OpusData ID: 51610100 More info... | ||
| Further financial details... | ||
Metrics
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Infl. Adj. Dom. BO | $8,537,127 |
Movie Details
| Domestic Releases: | October 1st, 1993 (Wide) by Warner Bros. |
| MPA Rating: | PG-13 for some language and sensuality. |
| Running Time: | 98 minutes |
| Source: | Original Screenplay |
| Genre: | Romantic Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United States |
| Languages: | English |
Leading
| Annabella Sciorra | Leonora | |
| Matt Dillon | Gus |
Supporting
| James Gandolfini | Mike | |
| William Hurt | Tom | |
| Dan Hedaya | Harvey | |
| Mary-Louise Parker | Rita | |
| Vincent D'Onofrio | Dominic | |
| Luis Guzmán | Juice | |
| Saverio Guerra | Paul |
Production and Technical Credits
| Anthony Minghella | Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Infl. Adj. Dom. BO | $8,537,127 |
Movie Details
| Domestic Releases: | October 1st, 1993 (Wide) by Warner Bros. |
| MPA Rating: | PG-13 for some language and sensuality. |
| Running Time: | 98 minutes |
| Source: | Original Screenplay |
| Genre: | Romantic Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United States |
| Languages: | English |
Leading
| Annabella Sciorra | Leonora | |
| Matt Dillon | Gus |
Supporting
| James Gandolfini | Mike | |
| William Hurt | Tom | |
| Dan Hedaya | Harvey | |
| Mary-Louise Parker | Rita | |
| Vincent D'Onofrio | Dominic | |
| Luis Guzmán | Juice | |
| Saverio Guerra | Paul |
Production and Technical Credits
| Anthony Minghella | Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.