Mrs. Soffel (1984)
| Theatrical Performance | ||
| Domestic Box Office | $4,012,827 | Details |
| OpusData ID: 49070100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $86,280 (2.2% of total gross) |
| Legs: | 2.59 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/801 max. theaters, 2.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $12,818,189 |
Movie Details
| Domestic Releases: | December 26th, 1984 (Wide) by MGM/UA Classics |
| Running Time: | 112 minutes |
| Cast, crew, or production detail: | F-Rated |
| Plot point: | Fugitive / On the Run, Infidelity, Prison, Prison Break, Relationships Gone Wrong, Romance |
| Subgenre: | Historical Drama |
| Time period setting: | 1900s |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production Countries: | United States |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 28, 1984 | 31 | $86,280 | 2 | $43,140 | $109,436 | 1 | |
| Jan 4, 1985 | 29 | $60,051 | -30% | 3 | $20,017 | $186,919 | 2 |
| Jan 11, 1985 | 30 | $61,506 | +2% | 4 | $15,377 | $275,725 | 3 |
| Jan 18, 1985 | 32 | $39,666 | -36% | 4 | $9,917 | $337,916 | 4 |
| Jan 25, 1985 | 32 | $35,472 | -11% | 4 | $8,868 | $389,479 | 5 |
| Feb 1, 1985 | 29 | $46,331 | +31% | 4 | $11,583 | $450,767 | 6 |
| Feb 8, 1985 | 8 | $1,550,034 | +3,246% | 801 | $1,935 | $2,020,289 | 7 |
| Feb 15, 1985 | 15 | $758,102 | -51% | 468 | $1,620 | $3,208,858 | 8 |
| Feb 22, 1985 | 20 | $338,337 | -55% | 234 | $1,446 | $3,724,524 | 9 |
| Mar 1, 1985 | 26 | $179,014 | -47% | 131 | $1,367 | $4,012,827 | 10 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 28, 1984 | 27 | $103,712 | 2 | $51,856 | $126,868 | 2 | |
| Jan 4, 1985 | 26 | $87,351 | -16% | 3 | $29,117 | $214,219 | 3 |
| Jan 11, 1985 | 28 | $84,031 | -4% | 4 | $21,008 | $298,250 | 4 |
| Jan 18, 1985 | 30 | $55,757 | -34% | 4 | $13,939 | $354,007 | 5 |
| Jan 25, 1985 | 29 | $50,429 | -10% | 4 | $12,607 | $404,436 | 6 |
| Feb 1, 1985 | 26 | $65,819 | +31% | 4 | $16,455 | $470,255 | 7 |
| Feb 8, 1985 | 8 | $1,980,501 | +2,909% | 801 | $2,473 | $2,450,756 | 8 |
| Feb 15, 1985 | 15 | $935,431 | -53% | 468 | $1,999 | $3,386,187 | 9 |
| Feb 22, 1985 | 19 | $447,626 | -52% | 234 | $1,913 | $3,833,813 | 10 |
| Heather Graham | Factory Girl | |
| Matthew Modine | Jack Biddle | |
| Edward Herrmann | Peter K. Soffel, Warden Allegheny Co. Prison | |
| Maury Chaykin | Guard Charlie Reynolds | |
| Terry O'Quinn | Detective Buck McGovern | |
| Trini Alvarado | Irene Soffel | |
| Dana Wheeler-Nicholson | Jessie Bodyne |
Leading
| Mel Gibson | Ed Biddle | |
| Diane Keaton | Kate Soffel |
Production and Technical Credits
| Gillian Armstrong | Director | |
| Ron Nyswaner | Screenwriter | |
| Mark Isham | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Opening Weekend: | $86,280 (2.2% of total gross) |
| Legs: | 2.59 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/801 max. theaters, 2.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $12,818,189 |
Movie Details
| Domestic Releases: | December 26th, 1984 (Wide) by MGM/UA Classics |
| Running Time: | 112 minutes |
| Cast, crew, or production detail: | F-Rated |
| Plot point: | Fugitive / On the Run, Infidelity, Prison, Prison Break, Relationships Gone Wrong, Romance |
| Subgenre: | Historical Drama |
| Time period setting: | 1900s |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production Countries: | United States |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 28, 1984 | 31 | $86,280 | 2 | $43,140 | $109,436 | 1 | |
| Jan 4, 1985 | 29 | $60,051 | -30% | 3 | $20,017 | $186,919 | 2 |
| Jan 11, 1985 | 30 | $61,506 | +2% | 4 | $15,377 | $275,725 | 3 |
| Jan 18, 1985 | 32 | $39,666 | -36% | 4 | $9,917 | $337,916 | 4 |
| Jan 25, 1985 | 32 | $35,472 | -11% | 4 | $8,868 | $389,479 | 5 |
| Feb 1, 1985 | 29 | $46,331 | +31% | 4 | $11,583 | $450,767 | 6 |
| Feb 8, 1985 | 8 | $1,550,034 | +3,246% | 801 | $1,935 | $2,020,289 | 7 |
| Feb 15, 1985 | 15 | $758,102 | -51% | 468 | $1,620 | $3,208,858 | 8 |
| Feb 22, 1985 | 20 | $338,337 | -55% | 234 | $1,446 | $3,724,524 | 9 |
| Mar 1, 1985 | 26 | $179,014 | -47% | 131 | $1,367 | $4,012,827 | 10 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 28, 1984 | 27 | $103,712 | 2 | $51,856 | $126,868 | 2 | |
| Jan 4, 1985 | 26 | $87,351 | -16% | 3 | $29,117 | $214,219 | 3 |
| Jan 11, 1985 | 28 | $84,031 | -4% | 4 | $21,008 | $298,250 | 4 |
| Jan 18, 1985 | 30 | $55,757 | -34% | 4 | $13,939 | $354,007 | 5 |
| Jan 25, 1985 | 29 | $50,429 | -10% | 4 | $12,607 | $404,436 | 6 |
| Feb 1, 1985 | 26 | $65,819 | +31% | 4 | $16,455 | $470,255 | 7 |
| Feb 8, 1985 | 8 | $1,980,501 | +2,909% | 801 | $2,473 | $2,450,756 | 8 |
| Feb 15, 1985 | 15 | $935,431 | -53% | 468 | $1,999 | $3,386,187 | 9 |
| Feb 22, 1985 | 19 | $447,626 | -52% | 234 | $1,913 | $3,833,813 | 10 |
| Heather Graham | Factory Girl | |
| Matthew Modine | Jack Biddle | |
| Edward Herrmann | Peter K. Soffel, Warden Allegheny Co. Prison | |
| Maury Chaykin | Guard Charlie Reynolds | |
| Terry O'Quinn | Detective Buck McGovern | |
| Trini Alvarado | Irene Soffel | |
| Dana Wheeler-Nicholson | Jessie Bodyne |
Leading
| Mel Gibson | Ed Biddle | |
| Diane Keaton | Kate Soffel |
Production and Technical Credits
| Gillian Armstrong | Director | |
| Ron Nyswaner | Screenwriter | |
| Mark Isham | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.