Mute Witness (1995)
| Theatrical Performance | ||
| Domestic Box Office | $1,125,910 | Details |
| OpusData ID: 60440100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $560,048 (49.7% of total gross) |
| Legs: | 2.01 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 284 opening theaters/284 max. theaters, 1.9 weeks average run per theater |
| Infl. Adj. Dom. BO | $2,927,356 |
Movie Details
| Domestic Releases: | September 15th, 1995 (Limited) by Sony Pictures Classics |
| International Releases: | August 15th, 2025 (Limited), released as Mute Witness (ミュート・ウィットネス) (Japan) |
| Video Release: | August 26th, 2003 by Sony Pictures Home Entertainment |
| MPA Rating: | R for violence and a strong scene combining sex and violence |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 15, 1995 | 23 | $560,048 | 284 | $1,972 | $560,048 | 1 | |
| Sep 22, 1995 | 33 | $201,189 | -64% | 204 | $986 | $961,504 | 2 |
| Sep 29, 1995 | 66 | $19,189 | -90% | 21 | $914 | $1,043,415 | 3 |
| Oct 13, 1995 | 55 | $26,599 | 29 | $917 | $1,086,723 | 5 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 15, 1995 | 21 | $760,315 | 284 | $2,677 | $760,315 | 1 | |
| Sep 22, 1995 | 31 | $263,911 | -65% | 204 | $1,294 | $1,024,226 | 2 |
Leading
| Mary Sudina | Billy | |
| Fay Ripley | Karen | |
| Evan Richards | Andy |
Supporting
| Oleg Jankowskij | Larsen | |
| Igor Volkow | Arkadi | |
| Sergei Karlenkov | Lyosha | |
| Alec Guinness | The Reaper |
Production and Technical Credits
| Anthony Waller | Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Opening Weekend: | $560,048 (49.7% of total gross) |
| Legs: | 2.01 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 284 opening theaters/284 max. theaters, 1.9 weeks average run per theater |
| Infl. Adj. Dom. BO | $2,927,356 |
Movie Details
| Domestic Releases: | September 15th, 1995 (Limited) by Sony Pictures Classics |
| International Releases: | August 15th, 2025 (Limited), released as Mute Witness (ミュート・ウィットネス) (Japan) |
| Video Release: | August 26th, 2003 by Sony Pictures Home Entertainment |
| MPA Rating: | R for violence and a strong scene combining sex and violence |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 15, 1995 | 23 | $560,048 | 284 | $1,972 | $560,048 | 1 | |
| Sep 22, 1995 | 33 | $201,189 | -64% | 204 | $986 | $961,504 | 2 |
| Sep 29, 1995 | 66 | $19,189 | -90% | 21 | $914 | $1,043,415 | 3 |
| Oct 13, 1995 | 55 | $26,599 | 29 | $917 | $1,086,723 | 5 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 15, 1995 | 21 | $760,315 | 284 | $2,677 | $760,315 | 1 | |
| Sep 22, 1995 | 31 | $263,911 | -65% | 204 | $1,294 | $1,024,226 | 2 |
Leading
| Mary Sudina | Billy | |
| Fay Ripley | Karen | |
| Evan Richards | Andy |
Supporting
| Oleg Jankowskij | Larsen | |
| Igor Volkow | Arkadi | |
| Sergei Karlenkov | Lyosha | |
| Alec Guinness | The Reaper |
Production and Technical Credits
| Anthony Waller | Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.