My Brother’s Wedding (2007)
| Theatrical Performance | ||
| Domestic Box Office | $29,932 | Details |
| OpusData ID: 100350100 More info... | ||
| Further financial details... | ||
Synopsis
South Central LA, the beginning of the 1980s. Pierce Mundy is always on the move, but without ever really getting anywhere. The young man is kept busy — by his parents, their tailor’s shop, friends and neighbours. Together with Soldier, who is about to be released from prison, he is the last remaining member of their friendship circle. Unlike his brother, who is going to marry a lawyer, Pierce is entirely lacking in ambition, which drives especially his mother mad. And yet Pierce is an integral part of life in the neighbourhood. It’s his brother’s rapidly approaching wedding that starts posing existential questions for him.
Metrics
| Opening Weekend: | $4,294 (14.3% of total gross) |
| Legs: | 3.32 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/4 max. theaters, 5.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $33,101 |
Movie Details
| Domestic Releases: | September 14th, 2007 (Limited) by Milestone, released as My Brother's Wedding September 18th, 2026 (Limited) by Kino Lorber, released as My Brother's Wedding (4K Restoration) |
| International Releases: | February 7th, 2026 (Limited), released as My Brother's Wedding (マイ・ブラザーズ・ウェディング) (Japan) |
| MPA Rating: | Not Rated |
| Running Time: | 81 minutes |
| Geographical setting: | California, Los Angeles |
| Plot point: | African Americans, Car Accident, Death of a Best Friend, Delayed Adulthood, Dysfunctional Family, Life on the Outside, Upcoming Wedding |
| Subgenre: | Family Drama |
| Time period setting: | 1980s |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United States, Germany |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 14, 2007 | 93 | $4,294 | 1 | $4,294 | $4,294 | 1 | |
| Sep 18, 2026 | - | $9,012 | 3 | $3,004 | $13,306 | 993 | |
| Sep 25, 2026 | - | $2,263 | -75% | 4 | $566 | $19,501 | 994 |
| Oct 2, 2026 | - | $2,945 | +30% | 3 | $982 | $23,888 | 995 |
| Oct 9, 2026 | - | $1,443 | -51% | 3 | $481 | $25,393 | 996 |
| Oct 16, 2026 | - | $599 | -58% | 3 | $200 | $27,437 | 997 |
| Oct 23, 2026 | - | $1,141 | +90% | 2 | $571 | $28,645 | 998 |
| Oct 30, 2026 | - | $724 | -37% | 2 | $362 | $29,687 | 999 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 18, 2026 | 43 | $12,944 | 3 | $4,315 | $17,238 | 993 | |
| Sep 25, 2026 | 55 | $3,705 | -71% | 4 | $926 | $20,943 | 994 |
| Oct 2, 2026 | 56 | $3,007 | -19% | 3 | $1,002 | $23,950 | 995 |
| Oct 9, 2026 | 53 | $2,888 | -4% | 3 | $963 | $26,838 | 996 |
| Oct 16, 2026 | 59 | $666 | -77% | 3 | $222 | $27,504 | 997 |
| Oct 23, 2026 | 55 | $1,459 | +119% | 2 | $730 | $28,963 | 998 |
| Oct 30, 2026 | 54 | $969 | -34% | 2 | $485 | $29,932 | 999 |
Leading
| Everett Silas | Pierce Mundy |
Supporting
| Ronnie Bell | Soldier | |
| Monte Easter | Wendell | |
| Gaye Shannon-Burnett | Sonia Debois | |
| Jessie Holmes | Mrs. Mundy | |
| Dennis Kemper | Mr. Mundy | |
| Sally Easter | Mrs. Richards | |
| Hobert Durham Jr. | Mr. Richards | |
| Angela Burnett | Angela | |
| Tim Wright | Big Daddy |
Production and Technical Credits
| Charles Burnett | Director | |
| Charles Burnett | Screenwriter | |
| Charles Burnett | Producer | |
| Gaye Shannon-Burnett | Producer | |
| Gaye Shannon-Burnett | Executive Producer | |
| Brigitte Kramer | Associate Producer | |
| Earl C. William Sr. | Supervising Producer | |
| Thomas M. Penick | Production Manager | |
| Garnett Hargrave | Line Producer | |
| Garnett Hargrave | Casting Director | |
| Charles Burnett | Cinematographer | |
| Thomas Penick | Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
South Central LA, the beginning of the 1980s. Pierce Mundy is always on the move, but without ever really getting anywhere. The young man is kept busy — by his parents, their tailor’s shop, friends and neighbours. Together with Soldier, who is about to be released from prison, he is the last remaining member of their friendship circle. Unlike his brother, who is going to marry a lawyer, Pierce is entirely lacking in ambition, which drives especially his mother mad. And yet Pierce is an integral part of life in the neighbourhood. It’s his brother’s rapidly approaching wedding that starts posing existential questions for him.
Metrics
| Opening Weekend: | $4,294 (14.3% of total gross) |
| Legs: | 3.32 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/4 max. theaters, 5.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $33,101 |
Movie Details
| Domestic Releases: | September 14th, 2007 (Limited) by Milestone, released as My Brother's Wedding September 18th, 2026 (Limited) by Kino Lorber, released as My Brother's Wedding (4K Restoration) |
| International Releases: | February 7th, 2026 (Limited), released as My Brother's Wedding (マイ・ブラザーズ・ウェディング) (Japan) |
| MPA Rating: | Not Rated |
| Running Time: | 81 minutes |
| Geographical setting: | California, Los Angeles |
| Plot point: | African Americans, Car Accident, Death of a Best Friend, Delayed Adulthood, Dysfunctional Family, Life on the Outside, Upcoming Wedding |
| Subgenre: | Family Drama |
| Time period setting: | 1980s |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United States, Germany |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 14, 2007 | 93 | $4,294 | 1 | $4,294 | $4,294 | 1 | |
| Sep 18, 2026 | - | $9,012 | 3 | $3,004 | $13,306 | 993 | |
| Sep 25, 2026 | - | $2,263 | -75% | 4 | $566 | $19,501 | 994 |
| Oct 2, 2026 | - | $2,945 | +30% | 3 | $982 | $23,888 | 995 |
| Oct 9, 2026 | - | $1,443 | -51% | 3 | $481 | $25,393 | 996 |
| Oct 16, 2026 | - | $599 | -58% | 3 | $200 | $27,437 | 997 |
| Oct 23, 2026 | - | $1,141 | +90% | 2 | $571 | $28,645 | 998 |
| Oct 30, 2026 | - | $724 | -37% | 2 | $362 | $29,687 | 999 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 18, 2026 | 43 | $12,944 | 3 | $4,315 | $17,238 | 993 | |
| Sep 25, 2026 | 55 | $3,705 | -71% | 4 | $926 | $20,943 | 994 |
| Oct 2, 2026 | 56 | $3,007 | -19% | 3 | $1,002 | $23,950 | 995 |
| Oct 9, 2026 | 53 | $2,888 | -4% | 3 | $963 | $26,838 | 996 |
| Oct 16, 2026 | 59 | $666 | -77% | 3 | $222 | $27,504 | 997 |
| Oct 23, 2026 | 55 | $1,459 | +119% | 2 | $730 | $28,963 | 998 |
| Oct 30, 2026 | 54 | $969 | -34% | 2 | $485 | $29,932 | 999 |
Leading
| Everett Silas | Pierce Mundy |
Supporting
| Ronnie Bell | Soldier | |
| Monte Easter | Wendell | |
| Gaye Shannon-Burnett | Sonia Debois | |
| Jessie Holmes | Mrs. Mundy | |
| Dennis Kemper | Mr. Mundy | |
| Sally Easter | Mrs. Richards | |
| Hobert Durham Jr. | Mr. Richards | |
| Angela Burnett | Angela | |
| Tim Wright | Big Daddy |
Production and Technical Credits
| Charles Burnett | Director | |
| Charles Burnett | Screenwriter | |
| Charles Burnett | Producer | |
| Gaye Shannon-Burnett | Producer | |
| Gaye Shannon-Burnett | Executive Producer | |
| Brigitte Kramer | Associate Producer | |
| Earl C. William Sr. | Supervising Producer | |
| Thomas M. Penick | Production Manager | |
| Garnett Hargrave | Line Producer | |
| Garnett Hargrave | Casting Director | |
| Charles Burnett | Cinematographer | |
| Thomas Penick | Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.