My Dead Friend Zoe (2025)
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| Theatrical Performance | ||
| Domestic Box Office | $1,250,703 | Details |
| International Box Office | $14,268 | Details |
| Worldwide Box Office | $1,264,971 | |
| OpusData ID: 669550100 More info... | ||
| Further financial details... | ||
Synopsis
Merit, a U.S. Army veteran, struggles to reconnect with her family and move on from her past due to the lingering presence of her deceased best friend Zoe. Merit’s life is further complicated by her grandfather’s need for help at the family’s lake house, forcing her to confront her emotions and reevaluate her relationships.
Metrics
| Opening Weekend: | $740,088 (59.2% of total gross) |
| Legs: | 1.69 (domestic box office/biggest weekend) |
| Domestic Share: | 98.9% (domestic box office/worldwide) |
| Theater counts: | 780 opening theaters/780 max. theaters, 2.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $1,250,703 |
Movie Details
| Domestic Releases: | February 28th, 2025 (Wide) by Briarcliff Entertainment |
| International Releases: | June 11th, 2025 (Limited), released as La Mia Amica Zoe (Italy) |
| Video Release: | March 18th, 2025 by Universal Home Entertainment |
| MPA Rating: | R for language. (Rating bulletin 2867 (cert #55093), 1/8/2025) |
| Running Time: | 98 minutes |
| Cast, crew, or production detail: | Director Remaking Their Own Movie, Remake |
| Filming location (country): | United States |
| Filming location (state or county): | Oregon, United States |
| Plot point: | Hallucinations, PTSD, Returning Soldiers |
| Subgenre: | Black Comedy |
| Source: | Based on Short Film |
| Genre: | Black Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Legion M, Blue Three Productions, ReCre8 Entertainment, Radiant Media Studios |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 28, 2025 | 15 | $740,088 | 780 | $949 | $740,088 | 1 | |
| Mar 7, 2025 | - | $150,695 | -80% | 590 | $255 | $1,157,546 | 2 |
| Mar 14, 2025 | - | $875 | -99% | 590 | $1 | $1,238,693 | 3 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 28, 2025 | 9 | $367,894 | 780 | $472 | $367,894 | 1 | ||
| Mar 1, 2025 | 15 | $226,546 | -38% | 780 | $290 | $594,440 | 2 | |
| Mar 2, 2025 | - | $145,648 | -36% | 780 | $187 | $740,088 | 3 | |
| Mar 3, 2025 | - | $59,987 | -59% | 780 | $77 | $800,075 | 4 | |
| Mar 4, 2025 | - | $98,430 | +64% | 780 | $126 | $898,505 | 5 | |
| Mar 5, 2025 | - | $67,206 | -32% | 780 | $86 | $965,711 | 6 | |
| Mar 6, 2025 | - | $41,140 | -39% | 780 | $53 | $1,006,851 | 7 | |
| Mar 7, 2025 | - | $48,925 | +19% | -87% | 590 | $83 | $1,055,776 | 8 |
| Mar 8, 2025 | - | $59,689 | +22% | -74% | 590 | $101 | $1,115,465 | 9 |
| Mar 9, 2025 | - | $42,081 | -29% | -71% | 590 | $71 | $1,157,546 | 10 |
| Mar 10, 2025 | - | $16,838 | -60% | -72% | 590 | $29 | $1,174,384 | 11 |
| Mar 11, 2025 | - | $32,503 | +93% | -67% | 590 | $55 | $1,206,887 | 12 |
| Mar 12, 2025 | - | $20,914 | -36% | -69% | 590 | $35 | $1,227,801 | 13 |
| Mar 13, 2025 | - | $10,017 | -52% | -76% | 590 | $17 | $1,237,818 | 14 |
| Mar 14, 2025 | - | $2,578 | -74% | -95% | 40 | $64 | $1,240,396 | 15 |
| Mar 15, 2025 | - | $3,996 | +55% | -93% | 40 | $100 | $1,244,392 | 16 |
| Mar 16, 2025 | - | $2,209 | -45% | -95% | 40 | $55 | $1,246,601 | 17 |
| Mar 17, 2025 | - | $875 | -60% | -95% | 40 | $22 | $1,247,476 | 18 |
| Mar 18, 2025 | - | $1,602 | +83% | -95% | 40 | $40 | $1,249,078 | 19 |
| Mar 19, 2025 | - | $938 | -41% | -96% | 40 | $23 | $1,250,016 | 20 |
| Mar 20, 2025 | - | $687 | -27% | -93% | 40 | $17 | $1,250,703 | 21 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 28, 2025 | 14 | $1,006,851 | 780 | $1,291 | $1,006,851 | 1 | |
| Mar 7, 2025 | 24 | $230,967 | -77% | 590 | $391 | $1,237,818 | 2 |
| Mar 14, 2025 | 38 | $12,885 | -94% | 40 | $322 | $1,250,703 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Italy | 6/11/2025 | $13,733 | 0 | 0 | 0 | $14,268 | 4/4/2026 | |||
| International Total | $14,268 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Sonequa Martin-Green | Merit |
Supporting
| Natalie Morales | Zoe | |
| Gloria Reuben | Kris | |
| Utkarsh Ambudkar | Alex | |
| Ed Harris | Dale | |
| Morgan Freeman | Dr. Cole |
Production and Technical Credits
| Kyle Hausmann-Stokes | Director | |
| Kyle Hausmann-Stokes | Screenwriter | |
| A.J. Bermudez | Screenwriter | |
| Kyle Hausmann-Stokes | Story Creator | |
| Richard Silverman | Producer | |
| Robert Paschall, Jr | Producer | |
| Ray Maiello | Producer | |
| Mike Field | Producer | |
| Paul Scanlan | Producer | |
| Kyle Hausmann-Stokes | Producer | |
| Terri Lubaroff | Producer | |
| Travis Kelce | Executive Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Merit, a U.S. Army veteran, struggles to reconnect with her family and move on from her past due to the lingering presence of her deceased best friend Zoe. Merit’s life is further complicated by her grandfather’s need for help at the family’s lake house, forcing her to confront her emotions and reevaluate her relationships.
Metrics
| Opening Weekend: | $740,088 (59.2% of total gross) |
| Legs: | 1.69 (domestic box office/biggest weekend) |
| Domestic Share: | 98.9% (domestic box office/worldwide) |
| Theater counts: | 780 opening theaters/780 max. theaters, 2.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $1,250,703 |
Movie Details
| Domestic Releases: | February 28th, 2025 (Wide) by Briarcliff Entertainment |
| International Releases: | June 11th, 2025 (Limited), released as La Mia Amica Zoe (Italy) |
| Video Release: | March 18th, 2025 by Universal Home Entertainment |
| MPA Rating: | R for language. (Rating bulletin 2867 (cert #55093), 1/8/2025) |
| Running Time: | 98 minutes |
| Cast, crew, or production detail: | Director Remaking Their Own Movie, Remake |
| Filming location (country): | United States |
| Filming location (state or county): | Oregon, United States |
| Plot point: | Hallucinations, PTSD, Returning Soldiers |
| Subgenre: | Black Comedy |
| Source: | Based on Short Film |
| Genre: | Black Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Legion M, Blue Three Productions, ReCre8 Entertainment, Radiant Media Studios |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 28, 2025 | 15 | $740,088 | 780 | $949 | $740,088 | 1 | |
| Mar 7, 2025 | - | $150,695 | -80% | 590 | $255 | $1,157,546 | 2 |
| Mar 14, 2025 | - | $875 | -99% | 590 | $1 | $1,238,693 | 3 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 28, 2025 | 9 | $367,894 | 780 | $472 | $367,894 | 1 | ||
| Mar 1, 2025 | 15 | $226,546 | -38% | 780 | $290 | $594,440 | 2 | |
| Mar 2, 2025 | - | $145,648 | -36% | 780 | $187 | $740,088 | 3 | |
| Mar 3, 2025 | - | $59,987 | -59% | 780 | $77 | $800,075 | 4 | |
| Mar 4, 2025 | - | $98,430 | +64% | 780 | $126 | $898,505 | 5 | |
| Mar 5, 2025 | - | $67,206 | -32% | 780 | $86 | $965,711 | 6 | |
| Mar 6, 2025 | - | $41,140 | -39% | 780 | $53 | $1,006,851 | 7 | |
| Mar 7, 2025 | - | $48,925 | +19% | -87% | 590 | $83 | $1,055,776 | 8 |
| Mar 8, 2025 | - | $59,689 | +22% | -74% | 590 | $101 | $1,115,465 | 9 |
| Mar 9, 2025 | - | $42,081 | -29% | -71% | 590 | $71 | $1,157,546 | 10 |
| Mar 10, 2025 | - | $16,838 | -60% | -72% | 590 | $29 | $1,174,384 | 11 |
| Mar 11, 2025 | - | $32,503 | +93% | -67% | 590 | $55 | $1,206,887 | 12 |
| Mar 12, 2025 | - | $20,914 | -36% | -69% | 590 | $35 | $1,227,801 | 13 |
| Mar 13, 2025 | - | $10,017 | -52% | -76% | 590 | $17 | $1,237,818 | 14 |
| Mar 14, 2025 | - | $2,578 | -74% | -95% | 40 | $64 | $1,240,396 | 15 |
| Mar 15, 2025 | - | $3,996 | +55% | -93% | 40 | $100 | $1,244,392 | 16 |
| Mar 16, 2025 | - | $2,209 | -45% | -95% | 40 | $55 | $1,246,601 | 17 |
| Mar 17, 2025 | - | $875 | -60% | -95% | 40 | $22 | $1,247,476 | 18 |
| Mar 18, 2025 | - | $1,602 | +83% | -95% | 40 | $40 | $1,249,078 | 19 |
| Mar 19, 2025 | - | $938 | -41% | -96% | 40 | $23 | $1,250,016 | 20 |
| Mar 20, 2025 | - | $687 | -27% | -93% | 40 | $17 | $1,250,703 | 21 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 28, 2025 | 14 | $1,006,851 | 780 | $1,291 | $1,006,851 | 1 | |
| Mar 7, 2025 | 24 | $230,967 | -77% | 590 | $391 | $1,237,818 | 2 |
| Mar 14, 2025 | 38 | $12,885 | -94% | 40 | $322 | $1,250,703 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Italy | 6/11/2025 | $13,733 | 0 | 0 | 0 | $14,268 | 4/4/2026 | |||
| International Total | $14,268 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Sonequa Martin-Green | Merit |
Supporting
| Natalie Morales | Zoe | |
| Gloria Reuben | Kris | |
| Utkarsh Ambudkar | Alex | |
| Ed Harris | Dale | |
| Morgan Freeman | Dr. Cole |
Production and Technical Credits
| Kyle Hausmann-Stokes | Director | |
| Kyle Hausmann-Stokes | Screenwriter | |
| A.J. Bermudez | Screenwriter | |
| Kyle Hausmann-Stokes | Story Creator | |
| Richard Silverman | Producer | |
| Robert Paschall, Jr | Producer | |
| Ray Maiello | Producer | |
| Mike Field | Producer | |
| Paul Scanlan | Producer | |
| Kyle Hausmann-Stokes | Producer | |
| Terri Lubaroff | Producer | |
| Travis Kelce | Executive Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.