My Favorite Year (1982)

My Favorite Year
Theatrical Performance
Domestic Box Office $17,458,105Details
OpusData ID: 27640100 More info...
Further financial details...

Metrics

Opening Weekend:$266,009 (1.5% of total gross)
Legs:7.27 (domestic box office/biggest weekend)
Domestic Share:100.0% (domestic box office/worldwide)
Theater counts:52 opening theaters/720 max. theaters, 7.6 weeks average run per theater
Infl. Adj. Dom. BO $67,160,250

Movie Details

Domestic Releases: October 1st, 1982 (Wide) by MGM
Video Release: May 6th, 2016 by Warner Archive
MPA Rating: PG
Running Time: 92 minutes
Cast, crew, or production detail: Voiceover/Narration
Plot point: Addiction, Dysfunctional Family, Film Actor, Off the Wagon / Relapse, Relationships Gone Wrong, Romance
Social setting: TV Industry
Subgenre: Comedy Drama
Time period setting: 1950s
Source:Original Screenplay
Genre:Comedy
Production Method:Live Action
Creative Type:Historical Fiction
Production/Financing Companies: Metro-Goldwyn-Mayer Pictures, BrooksFilms Limited
Production Countries: United States
Languages: English

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Oct 1, 1982 26 $266,009   52 $5,116   $266,009 1
Oct 8, 1982 3 $2,400,696 +802% 714 $3,362   $2,783,008 2
Oct 15, 1982 3 $2,205,749 -8% 720 $3,064   $5,567,783 3
Oct 22, 1982 6 $1,706,802 -23% 632 $2,701   $7,886,961 4
Oct 29, 1982 7 $1,481,129 -13% 541 $2,738   $9,815,529 5
Nov 5, 1982 7 $1,434,011 -3% 559 $2,565   $11,659,508 6
Nov 12, 1982 7 $1,105,683 -23% 544 $2,033   $13,124,571 7
Nov 19, 1982 9 $953,511 -14% 431 $2,212   $14,372,201 8
Nov 26, 1982 8 $1,111,649 +17% 436 $2,550   $15,963,486 9
Dec 3, 1982 7 $749,113 -33% 444 $1,687   $16,939,206 10
Dec 10, 1982 10 $359,691 -52% 388 $927   $17,458,105 11

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Oct 1, 1982 18 $382,312   52 $7,352   $382,312 1
Oct 8, 1982 4 $2,979,722 +679% 714 $4,173   $3,362,034 2
Oct 15, 1982 5 $2,818,125 -5% 720 $3,914   $6,180,159 3
Oct 22, 1982 6 $2,154,241 -24% 632 $3,409   $8,334,400 4
Oct 29, 1982 7 $1,891,097 -12% 541 $3,496   $10,225,497 5
Nov 5, 1982 7 $1,793,391 -5% 559 $3,208   $12,018,888 6
Nov 12, 1982 7 $1,399,802 -22% 544 $2,573   $13,418,690 7
Nov 19, 1982 8 $1,433,147 +2% 431 $3,325   $14,851,837 8
Nov 26, 1982 9 $1,338,256 -7% 436 $3,069   $16,190,093 9
Dec 3, 1982 6 $908,321 -32% 444 $2,046   $17,098,414 10

Leading

Peter O'Toole    Alan Swann

Supporting

Jessica Harper    K. C. Downing
Joseph Bologna    King Kaiser

Leading

Mark Linn-Baker    Benjy Stone

Supporting

Gloria Stuart    Mrs. Horn
Lainie Kazan    Belle Carroca
Bill Macy    Sy Benson
Anne De Salvo    Alice Miller
Basil Hoffman    Herb Lee
Lou Jacobi    Uncle Morty

Production and Technical Credits

Richard Benjamin    Director
Michael Gruskoff    Producer
Dennis Palumbo    Story by
Norman Steinberg    Screenwriter
Richard Chew    Editor
Ralph Burns    Composer
Gerald Hirschfeld    Director of Photography
Charles Rosen    Art Director

Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.


Metrics

Opening Weekend:$266,009 (1.5% of total gross)
Legs:7.27 (domestic box office/biggest weekend)
Domestic Share:100.0% (domestic box office/worldwide)
Theater counts:52 opening theaters/720 max. theaters, 7.6 weeks average run per theater
Infl. Adj. Dom. BO $67,160,250

Movie Details

Domestic Releases: October 1st, 1982 (Wide) by MGM
Video Release: May 6th, 2016 by Warner Archive
MPA Rating: PG
Running Time: 92 minutes
Cast, crew, or production detail: Voiceover/Narration
Plot point: Addiction, Dysfunctional Family, Film Actor, Off the Wagon / Relapse, Relationships Gone Wrong, Romance
Social setting: TV Industry
Subgenre: Comedy Drama
Time period setting: 1950s
Source:Original Screenplay
Genre:Comedy
Production Method:Live Action
Creative Type:Historical Fiction
Production/Financing Companies: Metro-Goldwyn-Mayer Pictures, BrooksFilms Limited
Production Countries: United States
Languages: English

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Oct 1, 1982 26 $266,009   52 $5,116   $266,009 1
Oct 8, 1982 3 $2,400,696 +802% 714 $3,362   $2,783,008 2
Oct 15, 1982 3 $2,205,749 -8% 720 $3,064   $5,567,783 3
Oct 22, 1982 6 $1,706,802 -23% 632 $2,701   $7,886,961 4
Oct 29, 1982 7 $1,481,129 -13% 541 $2,738   $9,815,529 5
Nov 5, 1982 7 $1,434,011 -3% 559 $2,565   $11,659,508 6
Nov 12, 1982 7 $1,105,683 -23% 544 $2,033   $13,124,571 7
Nov 19, 1982 9 $953,511 -14% 431 $2,212   $14,372,201 8
Nov 26, 1982 8 $1,111,649 +17% 436 $2,550   $15,963,486 9
Dec 3, 1982 7 $749,113 -33% 444 $1,687   $16,939,206 10
Dec 10, 1982 10 $359,691 -52% 388 $927   $17,458,105 11

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Oct 1, 1982 18 $382,312   52 $7,352   $382,312 1
Oct 8, 1982 4 $2,979,722 +679% 714 $4,173   $3,362,034 2
Oct 15, 1982 5 $2,818,125 -5% 720 $3,914   $6,180,159 3
Oct 22, 1982 6 $2,154,241 -24% 632 $3,409   $8,334,400 4
Oct 29, 1982 7 $1,891,097 -12% 541 $3,496   $10,225,497 5
Nov 5, 1982 7 $1,793,391 -5% 559 $3,208   $12,018,888 6
Nov 12, 1982 7 $1,399,802 -22% 544 $2,573   $13,418,690 7
Nov 19, 1982 8 $1,433,147 +2% 431 $3,325   $14,851,837 8
Nov 26, 1982 9 $1,338,256 -7% 436 $3,069   $16,190,093 9
Dec 3, 1982 6 $908,321 -32% 444 $2,046   $17,098,414 10

Leading

Peter O'Toole    Alan Swann

Supporting

Jessica Harper    K. C. Downing
Joseph Bologna    King Kaiser

Leading

Mark Linn-Baker    Benjy Stone

Supporting

Gloria Stuart    Mrs. Horn
Lainie Kazan    Belle Carroca
Bill Macy    Sy Benson
Anne De Salvo    Alice Miller
Basil Hoffman    Herb Lee
Lou Jacobi    Uncle Morty

Production and Technical Credits

Richard Benjamin    Director
Michael Gruskoff    Producer
Dennis Palumbo    Story by
Norman Steinberg    Screenwriter
Richard Chew    Editor
Ralph Burns    Composer
Gerald Hirschfeld    Director of Photography
Charles Rosen    Art Director

Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.