My Happy Ending (2023)
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| Theatrical Performance | ||
| Domestic Box Office | $59,329 | Details |
| OpusData ID: 597280100 More info... | ||
| Further financial details... | ||
Synopsis
A famous actor goes incognito to seek treatment for a medical issue. While at the hospital, she meets three unique and remarkable women — an aging rocker, a young mother, and a forever single retired schoolteacher. Together, they help her face adversity with humor and camaraderie while coaching her for the most challenging role she has ever played…herself.
Metrics
| Opening Weekend: | $26,572 (44.8% of total gross) |
| Legs: | 2.23 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 126 opening theaters/126 max. theaters, 1.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $64,859 |
Movie Details
| Domestic Releases: | February 24th, 2023 (Limited) by Roadside Attractions |
| Video Release: | April 25th, 2023 by Lionsgate Home Entertainment |
| MPA Rating: | R for language and brief drug use. (Rating bulletin 2769 (cert #54261), 3/8/2023) |
| Running Time: | 89 minutes |
| Cast, crew, or production detail: | F-Rated, F-Rated, Triple |
| Plot point: | Cancer, Medical and Hospitals, Terminal Illness |
| Subgenre: | Comedy Drama |
| Source: | Based on Play |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Pie Films, Roadside Attractions, United King Films, Media Finance Capital, BBM, Archface Films |
| Production Countries: | United Kingdom, United States, Israel |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 24, 2023 | - | $26,572 | 126 | $211 | $26,572 | 1 | |
| Mar 3, 2023 | - | $7,080 | -73% | 91 | $78 | $52,874 | 2 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 24, 2023 | - | $8,385 | 126 | $67 | $8,385 | 1 | ||
| Feb 25, 2023 | - | $10,104 | +21% | 126 | $80 | $18,489 | 2 | |
| Feb 26, 2023 | - | $8,083 | -20% | 126 | $64 | $26,572 | 3 | |
| Feb 27, 2023 | - | $4,095 | -49% | 126 | $33 | $30,667 | 4 | |
| Feb 28, 2023 | - | $6,763 | +65% | 126 | $54 | $37,430 | 5 | |
| Mar 1, 2023 | - | $4,814 | -29% | 126 | $38 | $42,244 | 6 | |
| Mar 2, 2023 | - | $3,550 | -26% | 126 | $28 | $45,794 | 7 | |
| Mar 3, 2023 | - | $2,367 | -33% | -72% | 91 | $26 | $48,161 | 8 |
| Mar 4, 2023 | - | $2,705 | +14% | -73% | 91 | $30 | $50,866 | 9 |
| Mar 5, 2023 | - | $2,008 | -26% | -75% | 91 | $22 | $52,874 | 10 |
| Mar 6, 2023 | - | $1,402 | -30% | -66% | 91 | $15 | $54,276 | 11 |
| Mar 7, 2023 | - | $1,848 | +32% | -73% | 91 | $20 | $56,124 | 12 |
| Mar 8, 2023 | - | $1,855 | n/c | -61% | 91 | $20 | $57,979 | 13 |
| Mar 9, 2023 | - | $1,350 | -27% | -62% | 91 | $15 | $59,329 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 24, 2023 | 37 | $45,794 | 126 | $363 | $45,794 | 1 | |
| Mar 3, 2023 | 49 | $13,535 | -70% | 91 | $149 | $59,329 | 2 |
Leading
| Andie MacDowell | ||
| Miriam Margolyes | ||
| Sally Phillips | ||
| Rakhee Thakrar |
Supporting
| Tom Cullen | ||
| Michelle Greenidge | ||
| Tamsin Greig | ||
| David Walliams |
Production and Technical Credits
| Tal Granit | Director | |
| Sharon Maymon | Director | |
| Rona Tamir | Screenwriter | |
| Anat Gov | Story based on the play by | |
| Hannah Leader | Producer | |
| Daisy Allsop | Producer | |
| Talia Kleinhendler | Producer | |
| Osnat Handelsman-Keren | Producer | |
| Andie MacDowell | Executive Producer | |
| Charles Dorfman | Executive Producer | |
| Marlon Vogelgesang | Executive Producer | |
| Moshe Edery | Executive Producer | |
| Tmira Yardeni | Executive Producer | |
| Bonnie Timmermann | Executive Producer | |
| Arik Kneller | Executive Producer | |
| Huw Penallt Jones | Co-Producer | |
| Cheryl Keatley | Line Producer | |
| Ffion Elinor | Costume Designer | |
| Freddie Stopler | Make-up and Hair Designer | |
| David Schweitzer | Composer | |
| Bonnie Timmermann | Casting Director | |
| Aviv Aldema | Sound Designer | |
| Arad Sawat | Production Designer | |
| Einat Glaser-Zarhin | Editor | |
| Bartosz Nalazek | Director of Photography |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
A famous actor goes incognito to seek treatment for a medical issue. While at the hospital, she meets three unique and remarkable women — an aging rocker, a young mother, and a forever single retired schoolteacher. Together, they help her face adversity with humor and camaraderie while coaching her for the most challenging role she has ever played…herself.
Metrics
| Opening Weekend: | $26,572 (44.8% of total gross) |
| Legs: | 2.23 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 126 opening theaters/126 max. theaters, 1.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $64,859 |
Movie Details
| Domestic Releases: | February 24th, 2023 (Limited) by Roadside Attractions |
| Video Release: | April 25th, 2023 by Lionsgate Home Entertainment |
| MPA Rating: | R for language and brief drug use. (Rating bulletin 2769 (cert #54261), 3/8/2023) |
| Running Time: | 89 minutes |
| Cast, crew, or production detail: | F-Rated, F-Rated, Triple |
| Plot point: | Cancer, Medical and Hospitals, Terminal Illness |
| Subgenre: | Comedy Drama |
| Source: | Based on Play |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Pie Films, Roadside Attractions, United King Films, Media Finance Capital, BBM, Archface Films |
| Production Countries: | United Kingdom, United States, Israel |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 24, 2023 | - | $26,572 | 126 | $211 | $26,572 | 1 | |
| Mar 3, 2023 | - | $7,080 | -73% | 91 | $78 | $52,874 | 2 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 24, 2023 | - | $8,385 | 126 | $67 | $8,385 | 1 | ||
| Feb 25, 2023 | - | $10,104 | +21% | 126 | $80 | $18,489 | 2 | |
| Feb 26, 2023 | - | $8,083 | -20% | 126 | $64 | $26,572 | 3 | |
| Feb 27, 2023 | - | $4,095 | -49% | 126 | $33 | $30,667 | 4 | |
| Feb 28, 2023 | - | $6,763 | +65% | 126 | $54 | $37,430 | 5 | |
| Mar 1, 2023 | - | $4,814 | -29% | 126 | $38 | $42,244 | 6 | |
| Mar 2, 2023 | - | $3,550 | -26% | 126 | $28 | $45,794 | 7 | |
| Mar 3, 2023 | - | $2,367 | -33% | -72% | 91 | $26 | $48,161 | 8 |
| Mar 4, 2023 | - | $2,705 | +14% | -73% | 91 | $30 | $50,866 | 9 |
| Mar 5, 2023 | - | $2,008 | -26% | -75% | 91 | $22 | $52,874 | 10 |
| Mar 6, 2023 | - | $1,402 | -30% | -66% | 91 | $15 | $54,276 | 11 |
| Mar 7, 2023 | - | $1,848 | +32% | -73% | 91 | $20 | $56,124 | 12 |
| Mar 8, 2023 | - | $1,855 | n/c | -61% | 91 | $20 | $57,979 | 13 |
| Mar 9, 2023 | - | $1,350 | -27% | -62% | 91 | $15 | $59,329 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 24, 2023 | 37 | $45,794 | 126 | $363 | $45,794 | 1 | |
| Mar 3, 2023 | 49 | $13,535 | -70% | 91 | $149 | $59,329 | 2 |
Leading
| Andie MacDowell | ||
| Miriam Margolyes | ||
| Sally Phillips | ||
| Rakhee Thakrar |
Supporting
| Tom Cullen | ||
| Michelle Greenidge | ||
| Tamsin Greig | ||
| David Walliams |
Production and Technical Credits
| Tal Granit | Director | |
| Sharon Maymon | Director | |
| Rona Tamir | Screenwriter | |
| Anat Gov | Story based on the play by | |
| Hannah Leader | Producer | |
| Daisy Allsop | Producer | |
| Talia Kleinhendler | Producer | |
| Osnat Handelsman-Keren | Producer | |
| Andie MacDowell | Executive Producer | |
| Charles Dorfman | Executive Producer | |
| Marlon Vogelgesang | Executive Producer | |
| Moshe Edery | Executive Producer | |
| Tmira Yardeni | Executive Producer | |
| Bonnie Timmermann | Executive Producer | |
| Arik Kneller | Executive Producer | |
| Huw Penallt Jones | Co-Producer | |
| Cheryl Keatley | Line Producer | |
| Ffion Elinor | Costume Designer | |
| Freddie Stopler | Make-up and Hair Designer | |
| David Schweitzer | Composer | |
| Bonnie Timmermann | Casting Director | |
| Aviv Aldema | Sound Designer | |
| Arad Sawat | Production Designer | |
| Einat Glaser-Zarhin | Editor | |
| Bartosz Nalazek | Director of Photography |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.