My Old Lady (2014)
| Theatrical Performance | ||
| Domestic Box Office | $4,011,530 | Details |
| International Box Office | $11,208,778 | Details |
| Worldwide Box Office | $15,220,308 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $995,701 | |
| Blu-ray Sales (estimated) | $145,802 | |
| Total | $1,141,503 | |
| OpusData ID: 203400100 More info... | ||
| Further financial details... | ||
Synopsis
Mathias Gold is a down-on-his-luck New Yorker who inherits a Parisian apartment from his estranged father. But when he arrives in France to sell the vast domicile, he’s shocked to discover a live-in tenant who is not prepared to budge. His apartment is a viager—an ancient French real estate system with complex rules pertaining to its resale—and the feisty Englishwoman Mathilde Girard, who has lived in the apartment with her daughter Chloé for many years, can by contract collect monthly payments from Mathias until her death. With no place to go, Mathias strikes a tentative lodging arrangement with Mathilde, instantly clashing with suspicious, lovelorn Chloé over his private dealings with a rapacious property developer, who wants to purchase the apartment. An uneasy détente settles in as the quarreling Mathias and Chloé come to discover a common ground of childhood pain and neglect. As they draw increasingly closer, Mathilde unveils a complex labyrinth of secrets that unites the trio in unexpected ways.
Metrics
| Opening Weekend: | $124,680 (3.1% of total gross) |
| Legs: | 8.29 (domestic box office/biggest weekend) |
| Domestic Share: | 26.4% (domestic box office/worldwide) |
| Production Budget: | $5,000,000 (worldwide box office is 3.0 times production budget) |
| Theater counts: | 11 opening theaters/170 max. theaters, 3.9 weeks average run per theater |
| Infl. Adj. Dom. BO | $5,870,985 |
Movie Details
| Domestic Releases: | September 10th, 2014 (Limited) by Cohen Media Group |
| International Releases: | November 13th, 2014 (Wide) (Australia)
November 20th, 2014 (Wide) (Germany) June 18th, 2015 (Wide) (Brazil) July 9th, 2015 (Wide) (Argentina) August 7th, 2015 (Wide) (Spain) ... Show all releases |
| Video Release: | January 27th, 2015 by Universal Home Entertainment |
| MPA Rating: | PG-13 PG-13 for thematic material and some sexual references. (Rating bulletin 2308, 2/5/2014) |
| Running Time: | 107 minutes |
| Cast, crew, or production detail: | Scene in End Credits |
| Geographical setting: | Paris |
| Plot point: | Dysfunctional Family, Infidelity, Inheritance, Romance |
| Source material: | Novel or Other Work Adapted by Author |
| Subgenre: | Comedy Drama |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Cohen Media Group, Deux Chevaux, Katsize Films |
| Production Countries: | United States, France |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 12, 2014 | 36 | $124,680 | 11 | $11,335 | $147,380 | 1 | |
| Sep 19, 2014 | 18 | $483,706 | +288% | 170 | $2,845 | $681,066 | 2 |
| Oct 17, 2014 | 25 | $220,840 | 128 | $1,725 | $3,181,718 | 6 | |
| Oct 24, 2014 | 29 | $134,280 | -39% | 103 | $1,304 | $3,431,186 | 7 |
| Oct 31, 2014 | 28 | $113,997 | -15% | 84 | $1,357 | $3,612,487 | 8 |
| Nov 7, 2014 | 40 | $58,149 | -49% | 46 | $1,264 | $3,721,218 | 9 |
| Nov 14, 2014 | 41 | $45,492 | -22% | 42 | $1,083 | $3,814,321 | 10 |
| Nov 21, 2014 | 42 | $26,292 | -42% | 26 | $1,011 | $3,871,611 | 11 |
| Dec 5, 2014 | 52 | $16,200 | 19 | $853 | $3,942,000 | 13 | |
| Dec 12, 2014 | 55 | $8,732 | -46% | 18 | $485 | $3,962,540 | 14 |
| Dec 19, 2014 | 56 | $5,400 | -38% | 10 | $540 | $3,979,200 | 15 |
| Jan 2, 2015 | 64 | $6,324 | 7 | $903 | $4,001,608 | 17 | |
| Jan 9, 2015 | 63 | $7,381 | +17% | 5 | $1,476 | $4,011,530 | 18 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 12, 2014 | 36 | $174,660 | 11 | $15,878 | $197,360 | 2 | |
| Oct 17, 2014 | 26 | $336,028 | 128 | $2,625 | $3,296,906 | 7 | |
| Oct 24, 2014 | 27 | $201,584 | -40% | 103 | $1,957 | $3,498,490 | 8 |
| Oct 31, 2014 | 29 | $164,579 | -18% | 84 | $1,959 | $3,663,069 | 9 |
| Nov 7, 2014 | 37 | $105,760 | -36% | 46 | $2,299 | $3,768,829 | 10 |
| Nov 14, 2014 | 39 | $76,490 | -28% | 42 | $1,821 | $3,845,319 | 11 |
| Jan 2, 2015 | 68 | $8,865 | 6 | $1,478 | $4,004,149 | 18 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 7/9/2015 | $47,935 | 9 | 10 | 43 | $152,447 | 11/24/2018 | |||
| Australia | 11/13/2014 | $423,414 | 93 | 130 | 728 | $2,084,034 | 4/1/2020 | |||
| Brazil | 6/18/2015 | $77,703 | 41 | 41 | 110 | $187,085 | 11/7/2018 | |||
| Chile | 8/27/2015 | $11,982 | 13 | 13 | 19 | $18,650 | 12/30/2018 | |||
| Germany | 11/20/2014 | $0 | 0 | 1 | 1 | $1,036 | 9/22/2015 | |||
| Mexico | 12/4/2015 | $0 | 0 | 3 | 3 | $51,489 | 12/29/2015 | |||
| Peru | 11/19/2015 | $0 | 0 | 8 | 10 | $47,138 | 12/30/2018 | |||
| Spain | 8/7/2015 | $148,073 | 54 | 79 | 465 | $963,549 | 6/9/2016 | |||
| Uruguay | 9/17/2015 | $4,142 | 2 | 2 | 6 | $11,868 | 12/30/2018 | |||
| Rest of World | $7,691,482 | |||||||||
| International Total | $11,208,778 | 4/1/2020 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Kevin Kline | Mathias | |
| Kristin Scott Thomas | Chloe | |
| Maggie Smith | Mathilde Girard |
Supporting
| Stéphane Freiss | Francois | |
| Dominique Pinon | Lefebvre | |
| Noemie Lvovsky | Mme Girard's physician | |
| Elie Wajeman | Man at Gate | |
| Raphaele Moutier | Woman on Bicycle | |
| Delphine Lanson | Femme de Menage | |
| Sophie Touitou | Female Opera Singer |
Production and Technical Credits
| Israel Horovitz | Director | |
| Israel Horovitz | Screenwriter | |
| Israel Horovitz | Story Creator | |
| Rachael Horovitz | Producer | |
| Gary Foster | Producer | |
| Nitsa Benchetrit | Producer | |
| David C. Barrot | Producer | |
| Christine Langan | Executive Producer | |
| Joe Oppenheimer | Executive Producer | |
| Charles S. Cohen | Executive Producer | |
| Daniel Battsek | Executive Producer | |
| Mike Goodridge | Executive Producer | |
| Israel Horovitz | Executive Producer | |
| Raphael Benoliel | Executive Producer | |
| Russ Krasnoff | Executive Producer | |
| David Atrakchi | Co-Producer | |
| Gael Cabouat | Co-Producer | |
| Boris Mendza | Co-Producer | |
| Marie-Cecile Renauld | Co-Producer | |
| Mac Bell | Associate Producer | |
| Michel Amathieu | Director of Photography | |
| Pierre-Francois Limbosch | Production Designer | |
| Jacob Craycroft | Editor | |
| Stephanie Ahn | Editor | |
| Jacqueline Bouchard | Costume Supervisor | |
| Mark Orton | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Mathias Gold is a down-on-his-luck New Yorker who inherits a Parisian apartment from his estranged father. But when he arrives in France to sell the vast domicile, he’s shocked to discover a live-in tenant who is not prepared to budge. His apartment is a viager—an ancient French real estate system with complex rules pertaining to its resale—and the feisty Englishwoman Mathilde Girard, who has lived in the apartment with her daughter Chloé for many years, can by contract collect monthly payments from Mathias until her death. With no place to go, Mathias strikes a tentative lodging arrangement with Mathilde, instantly clashing with suspicious, lovelorn Chloé over his private dealings with a rapacious property developer, who wants to purchase the apartment. An uneasy détente settles in as the quarreling Mathias and Chloé come to discover a common ground of childhood pain and neglect. As they draw increasingly closer, Mathilde unveils a complex labyrinth of secrets that unites the trio in unexpected ways.
Metrics
| Opening Weekend: | $124,680 (3.1% of total gross) |
| Legs: | 8.29 (domestic box office/biggest weekend) |
| Domestic Share: | 26.4% (domestic box office/worldwide) |
| Production Budget: | $5,000,000 (worldwide box office is 3.0 times production budget) |
| Theater counts: | 11 opening theaters/170 max. theaters, 3.9 weeks average run per theater |
| Infl. Adj. Dom. BO | $5,870,985 |
Movie Details
| Domestic Releases: | September 10th, 2014 (Limited) by Cohen Media Group |
| International Releases: | November 13th, 2014 (Wide) (Australia)
November 20th, 2014 (Wide) (Germany) June 18th, 2015 (Wide) (Brazil) July 9th, 2015 (Wide) (Argentina) August 7th, 2015 (Wide) (Spain) ... Show all releases |
| Video Release: | January 27th, 2015 by Universal Home Entertainment |
| MPA Rating: | PG-13 PG-13 for thematic material and some sexual references. (Rating bulletin 2308, 2/5/2014) |
| Running Time: | 107 minutes |
| Cast, crew, or production detail: | Scene in End Credits |
| Geographical setting: | Paris |
| Plot point: | Dysfunctional Family, Infidelity, Inheritance, Romance |
| Source material: | Novel or Other Work Adapted by Author |
| Subgenre: | Comedy Drama |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Cohen Media Group, Deux Chevaux, Katsize Films |
| Production Countries: | United States, France |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 12, 2014 | 36 | $124,680 | 11 | $11,335 | $147,380 | 1 | |
| Sep 19, 2014 | 18 | $483,706 | +288% | 170 | $2,845 | $681,066 | 2 |
| Oct 17, 2014 | 25 | $220,840 | 128 | $1,725 | $3,181,718 | 6 | |
| Oct 24, 2014 | 29 | $134,280 | -39% | 103 | $1,304 | $3,431,186 | 7 |
| Oct 31, 2014 | 28 | $113,997 | -15% | 84 | $1,357 | $3,612,487 | 8 |
| Nov 7, 2014 | 40 | $58,149 | -49% | 46 | $1,264 | $3,721,218 | 9 |
| Nov 14, 2014 | 41 | $45,492 | -22% | 42 | $1,083 | $3,814,321 | 10 |
| Nov 21, 2014 | 42 | $26,292 | -42% | 26 | $1,011 | $3,871,611 | 11 |
| Dec 5, 2014 | 52 | $16,200 | 19 | $853 | $3,942,000 | 13 | |
| Dec 12, 2014 | 55 | $8,732 | -46% | 18 | $485 | $3,962,540 | 14 |
| Dec 19, 2014 | 56 | $5,400 | -38% | 10 | $540 | $3,979,200 | 15 |
| Jan 2, 2015 | 64 | $6,324 | 7 | $903 | $4,001,608 | 17 | |
| Jan 9, 2015 | 63 | $7,381 | +17% | 5 | $1,476 | $4,011,530 | 18 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 12, 2014 | 36 | $174,660 | 11 | $15,878 | $197,360 | 2 | |
| Oct 17, 2014 | 26 | $336,028 | 128 | $2,625 | $3,296,906 | 7 | |
| Oct 24, 2014 | 27 | $201,584 | -40% | 103 | $1,957 | $3,498,490 | 8 |
| Oct 31, 2014 | 29 | $164,579 | -18% | 84 | $1,959 | $3,663,069 | 9 |
| Nov 7, 2014 | 37 | $105,760 | -36% | 46 | $2,299 | $3,768,829 | 10 |
| Nov 14, 2014 | 39 | $76,490 | -28% | 42 | $1,821 | $3,845,319 | 11 |
| Jan 2, 2015 | 68 | $8,865 | 6 | $1,478 | $4,004,149 | 18 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 7/9/2015 | $47,935 | 9 | 10 | 43 | $152,447 | 11/24/2018 | |||
| Australia | 11/13/2014 | $423,414 | 93 | 130 | 728 | $2,084,034 | 4/1/2020 | |||
| Brazil | 6/18/2015 | $77,703 | 41 | 41 | 110 | $187,085 | 11/7/2018 | |||
| Chile | 8/27/2015 | $11,982 | 13 | 13 | 19 | $18,650 | 12/30/2018 | |||
| Germany | 11/20/2014 | $0 | 0 | 1 | 1 | $1,036 | 9/22/2015 | |||
| Mexico | 12/4/2015 | $0 | 0 | 3 | 3 | $51,489 | 12/29/2015 | |||
| Peru | 11/19/2015 | $0 | 0 | 8 | 10 | $47,138 | 12/30/2018 | |||
| Spain | 8/7/2015 | $148,073 | 54 | 79 | 465 | $963,549 | 6/9/2016 | |||
| Uruguay | 9/17/2015 | $4,142 | 2 | 2 | 6 | $11,868 | 12/30/2018 | |||
| Rest of World | $7,691,482 | |||||||||
| International Total | $11,208,778 | 4/1/2020 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Kevin Kline | Mathias | |
| Kristin Scott Thomas | Chloe | |
| Maggie Smith | Mathilde Girard |
Supporting
| Stéphane Freiss | Francois | |
| Dominique Pinon | Lefebvre | |
| Noemie Lvovsky | Mme Girard's physician | |
| Elie Wajeman | Man at Gate | |
| Raphaele Moutier | Woman on Bicycle | |
| Delphine Lanson | Femme de Menage | |
| Sophie Touitou | Female Opera Singer |
Production and Technical Credits
| Israel Horovitz | Director | |
| Israel Horovitz | Screenwriter | |
| Israel Horovitz | Story Creator | |
| Rachael Horovitz | Producer | |
| Gary Foster | Producer | |
| Nitsa Benchetrit | Producer | |
| David C. Barrot | Producer | |
| Christine Langan | Executive Producer | |
| Joe Oppenheimer | Executive Producer | |
| Charles S. Cohen | Executive Producer | |
| Daniel Battsek | Executive Producer | |
| Mike Goodridge | Executive Producer | |
| Israel Horovitz | Executive Producer | |
| Raphael Benoliel | Executive Producer | |
| Russ Krasnoff | Executive Producer | |
| David Atrakchi | Co-Producer | |
| Gael Cabouat | Co-Producer | |
| Boris Mendza | Co-Producer | |
| Marie-Cecile Renauld | Co-Producer | |
| Mac Bell | Associate Producer | |
| Michel Amathieu | Director of Photography | |
| Pierre-Francois Limbosch | Production Designer | |
| Jacob Craycroft | Editor | |
| Stephanie Ahn | Editor | |
| Jacqueline Bouchard | Costume Supervisor | |
| Mark Orton | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.