My Old School (2022)
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| Theatrical Performance | ||
| Domestic Box Office | $103,966 | Details |
| International Box Office | $284,472 | Details |
| Worldwide Box Office | $388,438 | |
| OpusData ID: 530910100 More info... | ||
| Further financial details... | ||
Synopsis
In 1993, 16-year-old Brandon Lee enrolled at Bearsden Academy, a secondary school in a well-to-do suburb of Glasgow, Scotland. What followed over the next two years would become the stuff of legend. Brandon had been privately tutored in Canada while he accompanied his mother, an opera diva, on tour before her tragic death. The preternaturally bright student surprised teachers by blazing toward his goal of entering medical school, displaying a wealth of knowledge beyond his years. Brandon found friends despite his initial awkwardness. He took bullied students under his wing, introduced classmates to seminal retro bands, and even starred in the school's production of South Pacific. But then his unbelievable secret was revealed.
Metrics
| Opening Weekend: | $4,364 (4.2% of total gross) |
| Legs: | 8.01 (domestic box office/biggest weekend) |
| Domestic Share: | 26.8% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/38 max. theaters, 4.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $118,081 |
Movie Details
| Domestic Releases: | July 22nd, 2022 (Limited) by Magnolia Pictures |
| International Releases: | August 4th, 2022 (Limited) (New Zealand)
August 19th, 2022 (Wide) (United Kingdom) January 19th, 2023 (Limited) (Australia) |
| Running Time: | 104 minutes |
| Film festival: | Sundance Film Festival 2022 |
| Plot point: | False Identity |
| Subgenre: | True Crime Documentary |
| Time period setting: | 1990s |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Hopscotch Films, Creative Scotland |
| Production Countries: | United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 22, 2022 | - | $4,364 | 1 | $4,364 | $4,364 | 1 | |
| Jul 29, 2022 | - | $8,433 | +93% | 16 | $527 | $15,364 | 2 |
| Aug 5, 2022 | - | $12,976 | +54% | 21 | $618 | $35,287 | 3 |
| Aug 12, 2022 | - | $10,164 | -22% | 37 | $275 | $52,682 | 4 |
| Aug 19, 2022 | - | $7,981 | -21% | 25 | $319 | $67,411 | 5 |
| Aug 26, 2022 | - | $8,202 | +3% | 20 | $410 | $82,619 | 6 |
| Sep 2, 2022 | - | $4,225 | -48% | 11 | $384 | $91,519 | 7 |
| Sep 9, 2022 | - | $2,777 | -34% | 11 | $252 | $96,193 | 8 |
| Sep 16, 2022 | - | $1,302 | -53% | 7 | $186 | $99,181 | 9 |
| Sep 23, 2022 | - | $505 | -61% | 5 | $101 | $100,361 | 10 |
| Sep 30, 2022 | - | $2,561 | +407% | 4 | $640 | $103,435 | 11 |
| Oct 7, 2022 | - | $239 | -91% | 1 | $239 | $103,854 | 12 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 22, 2022 | - | $6,931 | 1 | $6,931 | $6,931 | 1 | |
| Jul 29, 2022 | - | $15,380 | +122% | 16 | $961 | $22,311 | 2 |
| Aug 5, 2022 | - | $20,207 | +31% | 21 | $962 | $42,518 | 3 |
| Aug 12, 2022 | - | $16,912 | -16% | 38 | $445 | $59,430 | 4 |
| Aug 19, 2022 | - | $14,987 | -11% | 26 | $576 | $74,417 | 5 |
| Aug 26, 2022 | - | $12,877 | -14% | 20 | $644 | $87,294 | 6 |
| Sep 2, 2022 | - | $6,122 | -52% | 11 | $557 | $93,416 | 7 |
| Sep 9, 2022 | - | $4,463 | -27% | 12 | $372 | $97,879 | 8 |
| Sep 16, 2022 | - | $1,977 | -56% | 7 | $282 | $99,856 | 9 |
| Sep 23, 2022 | - | $1,018 | -49% | 5 | $204 | $100,874 | 10 |
| Sep 30, 2022 | 51 | $2,741 | +169% | 4 | $685 | $103,615 | 11 |
| Oct 7, 2022 | 59 | $351 | -87% | 1 | $351 | $103,966 | 12 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 1/19/2023 | $35,119 | 8 | 8 | 28 | $85,347 | 5/8/2023 | |||
| New Zealand | 8/4/2022 | $0 | 0 | 19 | 93 | $24,446 | 3/20/2023 | |||
| United Kingdom | 8/19/2022 | $52,251 | 34 | 37 | 141 | $174,679 | 9/28/2022 | |||
| International Total | $284,472 | 5/8/2023 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Production and Technical Credits
| Jono McLeod | Director | |
| Jono McLeod | Screenwriter | |
| John Archer | Producer | |
| Olivia Lichtenstein | Producer | |
| Mark Thomas | Executive Producer | |
| Berny McGurk | Editor | |
| Jono McLeod | Editor | |
| Shelly Poole | Composer | |
| George Geddes | Director of Photography | |
| Gemma Dempsey | Music Supervisor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
In 1993, 16-year-old Brandon Lee enrolled at Bearsden Academy, a secondary school in a well-to-do suburb of Glasgow, Scotland. What followed over the next two years would become the stuff of legend. Brandon had been privately tutored in Canada while he accompanied his mother, an opera diva, on tour before her tragic death. The preternaturally bright student surprised teachers by blazing toward his goal of entering medical school, displaying a wealth of knowledge beyond his years. Brandon found friends despite his initial awkwardness. He took bullied students under his wing, introduced classmates to seminal retro bands, and even starred in the school's production of South Pacific. But then his unbelievable secret was revealed.
Metrics
| Opening Weekend: | $4,364 (4.2% of total gross) |
| Legs: | 8.01 (domestic box office/biggest weekend) |
| Domestic Share: | 26.8% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/38 max. theaters, 4.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $118,081 |
Movie Details
| Domestic Releases: | July 22nd, 2022 (Limited) by Magnolia Pictures |
| International Releases: | August 4th, 2022 (Limited) (New Zealand)
August 19th, 2022 (Wide) (United Kingdom) January 19th, 2023 (Limited) (Australia) |
| Running Time: | 104 minutes |
| Film festival: | Sundance Film Festival 2022 |
| Plot point: | False Identity |
| Subgenre: | True Crime Documentary |
| Time period setting: | 1990s |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Hopscotch Films, Creative Scotland |
| Production Countries: | United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 22, 2022 | - | $4,364 | 1 | $4,364 | $4,364 | 1 | |
| Jul 29, 2022 | - | $8,433 | +93% | 16 | $527 | $15,364 | 2 |
| Aug 5, 2022 | - | $12,976 | +54% | 21 | $618 | $35,287 | 3 |
| Aug 12, 2022 | - | $10,164 | -22% | 37 | $275 | $52,682 | 4 |
| Aug 19, 2022 | - | $7,981 | -21% | 25 | $319 | $67,411 | 5 |
| Aug 26, 2022 | - | $8,202 | +3% | 20 | $410 | $82,619 | 6 |
| Sep 2, 2022 | - | $4,225 | -48% | 11 | $384 | $91,519 | 7 |
| Sep 9, 2022 | - | $2,777 | -34% | 11 | $252 | $96,193 | 8 |
| Sep 16, 2022 | - | $1,302 | -53% | 7 | $186 | $99,181 | 9 |
| Sep 23, 2022 | - | $505 | -61% | 5 | $101 | $100,361 | 10 |
| Sep 30, 2022 | - | $2,561 | +407% | 4 | $640 | $103,435 | 11 |
| Oct 7, 2022 | - | $239 | -91% | 1 | $239 | $103,854 | 12 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 22, 2022 | - | $6,931 | 1 | $6,931 | $6,931 | 1 | |
| Jul 29, 2022 | - | $15,380 | +122% | 16 | $961 | $22,311 | 2 |
| Aug 5, 2022 | - | $20,207 | +31% | 21 | $962 | $42,518 | 3 |
| Aug 12, 2022 | - | $16,912 | -16% | 38 | $445 | $59,430 | 4 |
| Aug 19, 2022 | - | $14,987 | -11% | 26 | $576 | $74,417 | 5 |
| Aug 26, 2022 | - | $12,877 | -14% | 20 | $644 | $87,294 | 6 |
| Sep 2, 2022 | - | $6,122 | -52% | 11 | $557 | $93,416 | 7 |
| Sep 9, 2022 | - | $4,463 | -27% | 12 | $372 | $97,879 | 8 |
| Sep 16, 2022 | - | $1,977 | -56% | 7 | $282 | $99,856 | 9 |
| Sep 23, 2022 | - | $1,018 | -49% | 5 | $204 | $100,874 | 10 |
| Sep 30, 2022 | 51 | $2,741 | +169% | 4 | $685 | $103,615 | 11 |
| Oct 7, 2022 | 59 | $351 | -87% | 1 | $351 | $103,966 | 12 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 1/19/2023 | $35,119 | 8 | 8 | 28 | $85,347 | 5/8/2023 | |||
| New Zealand | 8/4/2022 | $0 | 0 | 19 | 93 | $24,446 | 3/20/2023 | |||
| United Kingdom | 8/19/2022 | $52,251 | 34 | 37 | 141 | $174,679 | 9/28/2022 | |||
| International Total | $284,472 | 5/8/2023 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Production and Technical Credits
| Jono McLeod | Director | |
| Jono McLeod | Screenwriter | |
| John Archer | Producer | |
| Olivia Lichtenstein | Producer | |
| Mark Thomas | Executive Producer | |
| Berny McGurk | Editor | |
| Jono McLeod | Editor | |
| Shelly Poole | Composer | |
| George Geddes | Director of Photography | |
| Gemma Dempsey | Music Supervisor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.