My Salinger Year (2021)
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| Theatrical Performance | ||
| Domestic Box Office | $54,730 | Details |
| International Box Office | $912,722 | Details |
| Worldwide Box Office | $967,452 | |
| OpusData ID: 446160100 More info... | ||
| Further financial details... | ||
Synopsis
In New York City in the late ‘90s, Joanna is a young aspiring writer who lands a day job at J.D. Salinger’s literary agency. While her eccentric, old-fashioned boss Margaret assigns her to answer Salinger’s voluminous fan mail, Joanna struggles to find her own voice.
Metrics
| Opening Weekend: | $28,851 (52.7% of total gross) |
| Legs: | 1.90 (domestic box office/biggest weekend) |
| Domestic Share: | 5.7% (domestic box office/worldwide) |
| Theater counts: | 123 opening theaters/123 max. theaters, 2.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $64,369 |
Movie Details
| Domestic Releases: | March 5th, 2021 (Limited) by IFC Films |
| International Releases: | January 1st, 2021 (Limited) (Australia)
April 15th, 2021 (Wide), released as Мой год в Нью-Йорке (Russia (CIS)) May 21st, 2021 (Wide), released as My New York Year (United Kingdom) June 3rd, 2021 (Wide), released as El Trabajo De Mis Sueños (Mexico) June 4th, 2021 (Wide), released as Sueños de una escritora en Nueva York (Spain) ... Show all releases |
| Video Release: | April 6th, 2021 by Shout Factory |
| MPA Rating: | R or language and some sexual references. (Rating bulletin 2665 (cert #53069), 1/27/2021) |
| Running Time: | 101 minutes |
| Geographical setting: | New York City |
| Plot point: | Writing and Writers |
| Subgenre: | Life Drama |
| Time period setting: | 1990s |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Micro_Scope, Parallel Films, Memento Films International, Screen Ireland, Crave Films, Mongrel Media |
| Production Countries: | Canada, Ireland |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 5, 2021 | - | $28,851 | 123 | $235 | $28,851 | 1 | |
| Mar 12, 2021 | - | $7,053 | -76% | 86 | $82 | $45,111 | 2 |
| Mar 19, 2021 | - | $2,807 | -60% | 25 | $112 | $51,500 | 3 |
| Mar 26, 2021 | - | $1,153 | -59% | 9 | $128 | $53,990 | 4 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Mar 5, 2021 | - | $8,245 | 123 | $67 | $8,245 | 1 | |
| Mar 6, 2021 | - | $13,354 | +62% | 123 | $109 | $21,599 | 2 |
| Mar 7, 2021 | - | $7,252 | -46% | 123 | $59 | $28,851 | 3 |
| Mar 8, 2021 | - | $1,311 | -82% | 123 | $11 | $30,162 | 4 |
| Mar 9, 2021 | - | $2,496 | +90% | 123 | $20 | $32,658 | 5 |
| Mar 10, 2021 | - | $2,962 | +19% | 123 | $24 | $35,620 | 6 |
| Mar 11, 2021 | - | $2,438 | -18% | 123 | $20 | $38,058 | 7 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 5, 2021 | - | $38,058 | 123 | $309 | $38,058 | 1 | |
| Mar 12, 2021 | - | $10,635 | -72% | 86 | $124 | $48,693 | 2 |
| Mar 19, 2021 | - | $4,144 | -61% | 25 | $166 | $52,837 | 3 |
| Mar 26, 2021 | - | $1,893 | -54% | 9 | $210 | $54,730 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 1/1/2021 | $0 | 0 | 27 | 177 | $294,690 | 6/15/2021 | |||
| Italy | 11/11/2021 | $69,000 | 0 | 0 | 0 | $114,378 | 10/20/2022 | |||
| Mexico | 6/3/2021 | $95,348 | 0 | 0 | 0 | $160,995 | 10/20/2022 | |||
| Netherlands | 7/16/2021 | $24,456 | 37 | 37 | 37 | $42,204 | 7/20/2021 | |||
| New Zealand | 11/5/2021 | $0 | 0 | 2 | 2 | $413 | 10/20/2022 | |||
| Portugal | 10/28/2021 | $4,950 | 13 | 13 | 25 | $15,589 | 10/20/2022 | |||
| Romania | 9/24/2021 | $1,610 | 9 | 9 | 21 | $3,268 | 10/20/2022 | |||
| Russia (CIS) | 4/15/2021 | $18,184 | 178 | 178 | 275 | $65,365 | 10/20/2022 | |||
| South Korea | 12/9/2021 | $35,172 | 180 | 180 | 231 | $91,238 | 1/12/2022 | |||
| Spain | 6/4/2021 | $37,837 | 67 | 80 | 183 | $91,434 | 6/24/2021 | |||
| Turkey | 7/2/2021 | $1,858 | 30 | 30 | 35 | $3,575 | 4/4/2026 | |||
| United Kingdom | 5/21/2021 | $27,705 | 110 | 110 | 110 | $27,705 | 5/26/2021 | |||
| Rest of World | $1,868 | |||||||||
| International Total | $912,722 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Margaret Qualley | Joanna | |
| Sigourney Weaver | Margaret |
Supporting
| Douglas Booth | Don | |
| Seána Kerslake | Jenny | |
| Colm Feore | Daniel | |
| Brian F. O'Byrne | Hugh | |
| Theodore Pellerin | Boy from Winston-Salem | |
| Hamza Haq | Karl | |
| Ellen David | Placement Agent | |
| Tim Post | J.D. Salinger |
Production and Technical Credits
| Philippe Falardeau | Director | |
| Philippe Falardeau | Screenwriter | |
| Luc Dery | Producer | |
| Kim McCraw | Producer | |
| Ruth Coady | Co-Producer | |
| Susan Mullen | Co-Producer | |
| Philippe Falardeau | Executive Producer | |
| Joanna Smith Rakoff | Executive Producer | |
| Mary Jane Skalski | Executive Producer | |
| Hussain Amarshi | Executive Producer | |
| Emilie Georges | Executive Producer | |
| Naima Abed | Executive Producer | |
| Joanna Smith Rakoff | Story based on the novel by | |
| Erik Daniel | Post-Production Supervisor | |
| Michelle Quinn | Production Manager | |
| Claude Paiement | Line Producer | |
| Bernard Gariepy-Strobl | Re-recording Mixer | |
| Fionan Higgins | Sound Designer | |
| Claude La Haye | Sound Mixer | |
| Martin Leon | Composer | |
| Patricia McNeil | Costume Designer | |
| Claude Tremblay | Art Director | |
| Elise de Blois | Production Designer | |
| Mary Finlay | Editor | |
| Sara Mishara | Director of Photography | |
| Rosina Bucci | Casting Director | |
| Nadia Rona | Casting Director | |
| Billy Hopkins | Casting Director | |
| Ashley Ingram | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
In New York City in the late ‘90s, Joanna is a young aspiring writer who lands a day job at J.D. Salinger’s literary agency. While her eccentric, old-fashioned boss Margaret assigns her to answer Salinger’s voluminous fan mail, Joanna struggles to find her own voice.
Metrics
| Opening Weekend: | $28,851 (52.7% of total gross) |
| Legs: | 1.90 (domestic box office/biggest weekend) |
| Domestic Share: | 5.7% (domestic box office/worldwide) |
| Theater counts: | 123 opening theaters/123 max. theaters, 2.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $64,369 |
Movie Details
| Domestic Releases: | March 5th, 2021 (Limited) by IFC Films |
| International Releases: | January 1st, 2021 (Limited) (Australia)
April 15th, 2021 (Wide), released as Мой год в Нью-Йорке (Russia (CIS)) May 21st, 2021 (Wide), released as My New York Year (United Kingdom) June 3rd, 2021 (Wide), released as El Trabajo De Mis Sueños (Mexico) June 4th, 2021 (Wide), released as Sueños de una escritora en Nueva York (Spain) ... Show all releases |
| Video Release: | April 6th, 2021 by Shout Factory |
| MPA Rating: | R or language and some sexual references. (Rating bulletin 2665 (cert #53069), 1/27/2021) |
| Running Time: | 101 minutes |
| Geographical setting: | New York City |
| Plot point: | Writing and Writers |
| Subgenre: | Life Drama |
| Time period setting: | 1990s |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Micro_Scope, Parallel Films, Memento Films International, Screen Ireland, Crave Films, Mongrel Media |
| Production Countries: | Canada, Ireland |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 5, 2021 | - | $28,851 | 123 | $235 | $28,851 | 1 | |
| Mar 12, 2021 | - | $7,053 | -76% | 86 | $82 | $45,111 | 2 |
| Mar 19, 2021 | - | $2,807 | -60% | 25 | $112 | $51,500 | 3 |
| Mar 26, 2021 | - | $1,153 | -59% | 9 | $128 | $53,990 | 4 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Mar 5, 2021 | - | $8,245 | 123 | $67 | $8,245 | 1 | |
| Mar 6, 2021 | - | $13,354 | +62% | 123 | $109 | $21,599 | 2 |
| Mar 7, 2021 | - | $7,252 | -46% | 123 | $59 | $28,851 | 3 |
| Mar 8, 2021 | - | $1,311 | -82% | 123 | $11 | $30,162 | 4 |
| Mar 9, 2021 | - | $2,496 | +90% | 123 | $20 | $32,658 | 5 |
| Mar 10, 2021 | - | $2,962 | +19% | 123 | $24 | $35,620 | 6 |
| Mar 11, 2021 | - | $2,438 | -18% | 123 | $20 | $38,058 | 7 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 5, 2021 | - | $38,058 | 123 | $309 | $38,058 | 1 | |
| Mar 12, 2021 | - | $10,635 | -72% | 86 | $124 | $48,693 | 2 |
| Mar 19, 2021 | - | $4,144 | -61% | 25 | $166 | $52,837 | 3 |
| Mar 26, 2021 | - | $1,893 | -54% | 9 | $210 | $54,730 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 1/1/2021 | $0 | 0 | 27 | 177 | $294,690 | 6/15/2021 | |||
| Italy | 11/11/2021 | $69,000 | 0 | 0 | 0 | $114,378 | 10/20/2022 | |||
| Mexico | 6/3/2021 | $95,348 | 0 | 0 | 0 | $160,995 | 10/20/2022 | |||
| Netherlands | 7/16/2021 | $24,456 | 37 | 37 | 37 | $42,204 | 7/20/2021 | |||
| New Zealand | 11/5/2021 | $0 | 0 | 2 | 2 | $413 | 10/20/2022 | |||
| Portugal | 10/28/2021 | $4,950 | 13 | 13 | 25 | $15,589 | 10/20/2022 | |||
| Romania | 9/24/2021 | $1,610 | 9 | 9 | 21 | $3,268 | 10/20/2022 | |||
| Russia (CIS) | 4/15/2021 | $18,184 | 178 | 178 | 275 | $65,365 | 10/20/2022 | |||
| South Korea | 12/9/2021 | $35,172 | 180 | 180 | 231 | $91,238 | 1/12/2022 | |||
| Spain | 6/4/2021 | $37,837 | 67 | 80 | 183 | $91,434 | 6/24/2021 | |||
| Turkey | 7/2/2021 | $1,858 | 30 | 30 | 35 | $3,575 | 4/4/2026 | |||
| United Kingdom | 5/21/2021 | $27,705 | 110 | 110 | 110 | $27,705 | 5/26/2021 | |||
| Rest of World | $1,868 | |||||||||
| International Total | $912,722 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Margaret Qualley | Joanna | |
| Sigourney Weaver | Margaret |
Supporting
| Douglas Booth | Don | |
| Seána Kerslake | Jenny | |
| Colm Feore | Daniel | |
| Brian F. O'Byrne | Hugh | |
| Theodore Pellerin | Boy from Winston-Salem | |
| Hamza Haq | Karl | |
| Ellen David | Placement Agent | |
| Tim Post | J.D. Salinger |
Production and Technical Credits
| Philippe Falardeau | Director | |
| Philippe Falardeau | Screenwriter | |
| Luc Dery | Producer | |
| Kim McCraw | Producer | |
| Ruth Coady | Co-Producer | |
| Susan Mullen | Co-Producer | |
| Philippe Falardeau | Executive Producer | |
| Joanna Smith Rakoff | Executive Producer | |
| Mary Jane Skalski | Executive Producer | |
| Hussain Amarshi | Executive Producer | |
| Emilie Georges | Executive Producer | |
| Naima Abed | Executive Producer | |
| Joanna Smith Rakoff | Story based on the novel by | |
| Erik Daniel | Post-Production Supervisor | |
| Michelle Quinn | Production Manager | |
| Claude Paiement | Line Producer | |
| Bernard Gariepy-Strobl | Re-recording Mixer | |
| Fionan Higgins | Sound Designer | |
| Claude La Haye | Sound Mixer | |
| Martin Leon | Composer | |
| Patricia McNeil | Costume Designer | |
| Claude Tremblay | Art Director | |
| Elise de Blois | Production Designer | |
| Mary Finlay | Editor | |
| Sara Mishara | Director of Photography | |
| Rosina Bucci | Casting Director | |
| Nadia Rona | Casting Director | |
| Billy Hopkins | Casting Director | |
| Ashley Ingram | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.