My Spy (2020)
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| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| International Box Office | $7,074,124 | Details |
| Worldwide Box Office | $7,074,124 | |
| OpusData ID: 392300100 More info... | ||
| Further financial details... | ||
Synopsis
A hardened CIA operative who has been demoted and finds himself at the mercy of a precocious 9-year-old girl, named Sophie where he has been sent undercover begrudgingly to surveil her family. When Sophie discovers hidden cameras in her apartment, she uses her tech savviness to locate where the surveillance operation is set. In exchange for not blowing JJ’s cover Sophie convinces him to spend time with her and teach her to be a spy. Despite his reluctance JJ finds he is no match for Sophie’s disarming charm and wit.
Metrics
| Production Budget: | $18,000,000 (worldwide box office is 0.4 times production budget) |
Movie Details
| International Releases: | January 10th, 2020 (Wide) (Australia)
January 16th, 2020 (Wide) (New Zealand) March 13th, 2020 (Wide), released as Grandes espías (Mexico) March 13th, 2020 (Wide) (United Kingdom) March 13th, 2020 (Wide) (Netherlands) ... Show all releases |
| Video Release: | June 26th, 2020 by Amazon Studios |
| MPA Rating: | PG-13 for action/violence and language. (Rating bulletin 2577 (Cert #52192), 5/8/2019) |
| Running Time: | 102 minutes |
| Franchise: | My Spy |
| Plot point: | C.I.A., Demoted, Kid Spies, Shootout, Undercover |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | MWM Studios, STX Films, Good Fear Films, Dream Bros Entertainment |
| Production Countries: | United States |
| Languages: | English |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 1/10/2020 | $890,240 | 249 | 251 | 1,138 | $3,175,013 | 10/20/2022 | |||
| Brazil | 7/9/2020 | $0 | 0 | 0 | 0 | $45,031 | 4/4/2026 | |||
| Germany | 3/13/2020 | $17,247 | 313 | 313 | 313 | $1,161,793 | 5/25/2021 | |||
| Hong Kong | 3/13/2020 | $0 | 0 | 0 | 0 | $202,604 | 4/9/2020 | |||
| Lithuania | 8/7/2020 | $4,644 | 13 | 13 | 32 | $19,948 | 10/19/2022 | |||
| Mexico | 3/13/2020 | $333,562 | 0 | 0 | 0 | $470,324 | 10/19/2022 | |||
| Netherlands | 3/13/2020 | $76,415 | 71 | 71 | 395 | $433,787 | 10/19/2022 | |||
| New Zealand | 1/16/2020 | $49,050 | 63 | 63 | 285 | $189,650 | 10/19/2022 | |||
| Portugal | 6/11/2020 | $487 | 4 | 16 | 27 | $16,965 | 10/19/2022 | |||
| Russia (CIS) | 7/31/2020 | $121,292 | 297 | 297 | 1,086 | $343,199 | 4/4/2026 | |||
| South Korea | 4/29/2020 | $119,742 | 240 | 240 | 549 | $390,378 | 5/27/2020 | |||
| United Kingdom | 3/13/2020 | $428,700 | 444 | 444 | 549 | $556,847 | 8/5/2020 | |||
| Rest of World | $68,585 | |||||||||
| International Total | $7,074,124 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Dave Bautista | JJ | |
| Chloe Coleman | Sophie |
Supporting
| Kristen Schaal | Bobbi | |
| Parisa Fitz-Henley | Kate | |
| Ken Jeong | David Kim | |
| Devere Rogers | Carlos | |
| Greg Bryk | Marquez | |
| Nicola Correia-Damude | Christina | |
| Noah Danby | Todd | |
| Vieslav Krystyan | General Gregovich | |
| Basel Daoud | Hassan | |
| Ali Hassan | Azar | |
| Olivia Depatie | Selma | |
| Keller Viaene | Emmy | |
| Jean-Michel Nadeau | Koll | |
| Laura Cilevitz | Ms. Besser | |
| Darrin Baker | Dr. Weller | |
| Chris D’Silva | Andre | |
| Rakhee Morzaria | Tina | |
| Lindsay Mullan | Oak Tree Mom | |
| Robin Archer | Oak Tree Husband | |
| Karen O’Keefe | Pauline | |
| April Lee | Soccer Mom | |
| Sofie Michal Maiuri | Girl With Bad Painting | |
| Charlie Luborsky | Brad | |
| Benjamin Luborsky | Trent | |
| Michelle McLeod | Skating Attendant | |
| Emily Dupere | Emily | |
| Selena Lucchese | Tapas Dancer | |
| Jade Whitney | Tapas Dancer | |
| Karina Grzella | Tapas Dancer | |
| Apolonia Velasquez | Tapas Dancer |
Production and Technical Credits
| Peter Segal | Director | |
| Erich Hoeber | Screenwriter | |
| Jon Hoeber | Screenwriter | |
| Dave Bautista | Producer | |
| Robert Simonds | Producer | |
| Peter Segal | Producer | |
| Chris Bender | Producer | |
| Jake Weiner | Producer | |
| Jonathan Meisner | Producer | |
| Gigi Pritzker | Producer | |
| Adam Fogelson | Executive Producer | |
| Rachel Shane | Executive Producer | |
| Adrian Alperovich | Executive Producer | |
| Michael Flynn | Executive Producer | |
| Jon Hoeber | Executive Producer | |
| Erich Hoeber | Executive Producer | |
| Larry Blanford | Director of Photography | |
| Chris Spellman | Production Designer | |
| Jason Gourson | Editor | |
| Dominic Lewis | Composer | |
| Jason Markey | Music Supervisor | |
| Stacy Calabrese | Co-Producer | |
| Anne McCarthy | Casting Director | |
| Kellie Roy | Casting Director | |
| Whitney Brown | Unit Production Manager | |
| Michael Flynn | Unit Production Manager | |
| Urs Hirscvhbiegel | First Assistant Director | |
| Aric Dupere | Second Assistant Director | |
| Layton Morrison | Stunt Coordinator | |
| Rob De Groot | Fight Coordinator | |
| Richard Mirisch | Associate Producer | |
| Peter Grundy | Art Director | |
| Patricia Cuccia | Set Decorator | |
| Melissa Brockman | Visual Effects Producer | |
| Francois Archambault | Visual Effects Producer | |
| Susan Marucci | Script Supervisor | |
| Greg Chapman | Sound Mixer | |
| Warren Appleby | Special Effects Supervisor | |
| Jonathan N. Matthews* | Location Manager | |
| Georgina Yarhi | Costume Designer | |
| Erika Larner | Costume Supervisor | |
| Jordan Samuel | Make up | |
| Kristin Wayne | Make up | |
| Paula Fleet | Hairstylist | |
| Rossana Vendramini | Hairstylist | |
| Nathan Godley | First Assistant Editor | |
| Joshua A.C. Jackson | First Assistant Editor | |
| Harold Parker | First Assistant Editor | |
| Jeffrey J. Haboush | Re-recording Mixer | |
| Joel D. Catalan | Re-recording Mixer | |
| Sean McCormack | Supervising Sound Editor | |
| Will Riley | Supervising Sound Editor | |
| Paul Pirola | Sound Designer | |
| Will Riley | Dialogue Editor | |
| Hayden Collow | Sound Effects Editor | |
| James Ashton | Sound Effects Editor | |
| Brendan Croxon | Sound Effects Editor | |
| Jamie Famularo | Sound Effects Editor | |
| Ryan Squires | Foley Mixer | |
| Brendan Hill | Foley Editor | |
| Stuart Grusin | Music Editor | |
| Al Clay | Score Mixer | |
| Anthony Willis | Additional Music | |
| Antonio Andrade | Additional Music |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
A hardened CIA operative who has been demoted and finds himself at the mercy of a precocious 9-year-old girl, named Sophie where he has been sent undercover begrudgingly to surveil her family. When Sophie discovers hidden cameras in her apartment, she uses her tech savviness to locate where the surveillance operation is set. In exchange for not blowing JJ’s cover Sophie convinces him to spend time with her and teach her to be a spy. Despite his reluctance JJ finds he is no match for Sophie’s disarming charm and wit.
Metrics
| Production Budget: | $18,000,000 (worldwide box office is 0.4 times production budget) |
Movie Details
| International Releases: | January 10th, 2020 (Wide) (Australia)
January 16th, 2020 (Wide) (New Zealand) March 13th, 2020 (Wide), released as Grandes espías (Mexico) March 13th, 2020 (Wide) (United Kingdom) March 13th, 2020 (Wide) (Netherlands) ... Show all releases |
| Video Release: | June 26th, 2020 by Amazon Studios |
| MPA Rating: | PG-13 for action/violence and language. (Rating bulletin 2577 (Cert #52192), 5/8/2019) |
| Running Time: | 102 minutes |
| Franchise: | My Spy |
| Plot point: | C.I.A., Demoted, Kid Spies, Shootout, Undercover |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | MWM Studios, STX Films, Good Fear Films, Dream Bros Entertainment |
| Production Countries: | United States |
| Languages: | English |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 1/10/2020 | $890,240 | 249 | 251 | 1,138 | $3,175,013 | 10/20/2022 | |||
| Brazil | 7/9/2020 | $0 | 0 | 0 | 0 | $45,031 | 4/4/2026 | |||
| Germany | 3/13/2020 | $17,247 | 313 | 313 | 313 | $1,161,793 | 5/25/2021 | |||
| Hong Kong | 3/13/2020 | $0 | 0 | 0 | 0 | $202,604 | 4/9/2020 | |||
| Lithuania | 8/7/2020 | $4,644 | 13 | 13 | 32 | $19,948 | 10/19/2022 | |||
| Mexico | 3/13/2020 | $333,562 | 0 | 0 | 0 | $470,324 | 10/19/2022 | |||
| Netherlands | 3/13/2020 | $76,415 | 71 | 71 | 395 | $433,787 | 10/19/2022 | |||
| New Zealand | 1/16/2020 | $49,050 | 63 | 63 | 285 | $189,650 | 10/19/2022 | |||
| Portugal | 6/11/2020 | $487 | 4 | 16 | 27 | $16,965 | 10/19/2022 | |||
| Russia (CIS) | 7/31/2020 | $121,292 | 297 | 297 | 1,086 | $343,199 | 4/4/2026 | |||
| South Korea | 4/29/2020 | $119,742 | 240 | 240 | 549 | $390,378 | 5/27/2020 | |||
| United Kingdom | 3/13/2020 | $428,700 | 444 | 444 | 549 | $556,847 | 8/5/2020 | |||
| Rest of World | $68,585 | |||||||||
| International Total | $7,074,124 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Dave Bautista | JJ | |
| Chloe Coleman | Sophie |
Supporting
| Kristen Schaal | Bobbi | |
| Parisa Fitz-Henley | Kate | |
| Ken Jeong | David Kim | |
| Devere Rogers | Carlos | |
| Greg Bryk | Marquez | |
| Nicola Correia-Damude | Christina | |
| Noah Danby | Todd | |
| Vieslav Krystyan | General Gregovich | |
| Basel Daoud | Hassan | |
| Ali Hassan | Azar | |
| Olivia Depatie | Selma | |
| Keller Viaene | Emmy | |
| Jean-Michel Nadeau | Koll | |
| Laura Cilevitz | Ms. Besser | |
| Darrin Baker | Dr. Weller | |
| Chris D’Silva | Andre | |
| Rakhee Morzaria | Tina | |
| Lindsay Mullan | Oak Tree Mom | |
| Robin Archer | Oak Tree Husband | |
| Karen O’Keefe | Pauline | |
| April Lee | Soccer Mom | |
| Sofie Michal Maiuri | Girl With Bad Painting | |
| Charlie Luborsky | Brad | |
| Benjamin Luborsky | Trent | |
| Michelle McLeod | Skating Attendant | |
| Emily Dupere | Emily | |
| Selena Lucchese | Tapas Dancer | |
| Jade Whitney | Tapas Dancer | |
| Karina Grzella | Tapas Dancer | |
| Apolonia Velasquez | Tapas Dancer |
Production and Technical Credits
| Peter Segal | Director | |
| Erich Hoeber | Screenwriter | |
| Jon Hoeber | Screenwriter | |
| Dave Bautista | Producer | |
| Robert Simonds | Producer | |
| Peter Segal | Producer | |
| Chris Bender | Producer | |
| Jake Weiner | Producer | |
| Jonathan Meisner | Producer | |
| Gigi Pritzker | Producer | |
| Adam Fogelson | Executive Producer | |
| Rachel Shane | Executive Producer | |
| Adrian Alperovich | Executive Producer | |
| Michael Flynn | Executive Producer | |
| Jon Hoeber | Executive Producer | |
| Erich Hoeber | Executive Producer | |
| Larry Blanford | Director of Photography | |
| Chris Spellman | Production Designer | |
| Jason Gourson | Editor | |
| Dominic Lewis | Composer | |
| Jason Markey | Music Supervisor | |
| Stacy Calabrese | Co-Producer | |
| Anne McCarthy | Casting Director | |
| Kellie Roy | Casting Director | |
| Whitney Brown | Unit Production Manager | |
| Michael Flynn | Unit Production Manager | |
| Urs Hirscvhbiegel | First Assistant Director | |
| Aric Dupere | Second Assistant Director | |
| Layton Morrison | Stunt Coordinator | |
| Rob De Groot | Fight Coordinator | |
| Richard Mirisch | Associate Producer | |
| Peter Grundy | Art Director | |
| Patricia Cuccia | Set Decorator | |
| Melissa Brockman | Visual Effects Producer | |
| Francois Archambault | Visual Effects Producer | |
| Susan Marucci | Script Supervisor | |
| Greg Chapman | Sound Mixer | |
| Warren Appleby | Special Effects Supervisor | |
| Jonathan N. Matthews* | Location Manager | |
| Georgina Yarhi | Costume Designer | |
| Erika Larner | Costume Supervisor | |
| Jordan Samuel | Make up | |
| Kristin Wayne | Make up | |
| Paula Fleet | Hairstylist | |
| Rossana Vendramini | Hairstylist | |
| Nathan Godley | First Assistant Editor | |
| Joshua A.C. Jackson | First Assistant Editor | |
| Harold Parker | First Assistant Editor | |
| Jeffrey J. Haboush | Re-recording Mixer | |
| Joel D. Catalan | Re-recording Mixer | |
| Sean McCormack | Supervising Sound Editor | |
| Will Riley | Supervising Sound Editor | |
| Paul Pirola | Sound Designer | |
| Will Riley | Dialogue Editor | |
| Hayden Collow | Sound Effects Editor | |
| James Ashton | Sound Effects Editor | |
| Brendan Croxon | Sound Effects Editor | |
| Jamie Famularo | Sound Effects Editor | |
| Ryan Squires | Foley Mixer | |
| Brendan Hill | Foley Editor | |
| Stuart Grusin | Music Editor | |
| Al Clay | Score Mixer | |
| Anthony Willis | Additional Music | |
| Antonio Andrade | Additional Music |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.