Namsaneui Bujangdeul (2020)
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| Theatrical Performance | ||
| Domestic Box Office | $113,527 | Details |
| International Box Office | $34,843,440 | Details |
| Worldwide Box Office | $34,956,967 | |
| OpusData ID: 446280100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $16,514 (14.5% of total gross) |
| Legs: | 1.99 (domestic box office/biggest weekend) |
| Domestic Share: | 0.3% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/22 max. theaters, 1.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $147,909 |
Movie Details
| Domestic Releases: | January 24th, 2020 (Limited) by Capelight Pictures, released as The Man Standing Next |
| International Releases: | January 22nd, 2020 (Wide) (South Korea) |
| MPA Rating: | Not Rated |
| Running Time: | 114 minutes |
| Cast, crew, or production detail: | Epilogue |
| Plot point: | Government Corruption, Political, Political Assassination, Secret Agent |
| Subgenre: | Political Thriller |
| Time period setting: | 1970s |
| Source: | Based on Factual Book/Article |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Hive Media , Gemstone Pictures |
| Production Countries: | Republic of Korea |
| Languages: | Korean |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 24, 2020 | 42 | $16,514 | 2 | $8,257 | $17,126 | 1 | |
| Jan 31, 2020 | 43 | $15,973 | -3% | 2 | $7,987 | $43,739 | 2 |
| Feb 7, 2020 | 34 | $57,161 | +258% | 22 | $2,598 | $113,527 | 3 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jan 24, 2020 | - | $3,768 | 2 | $1,884 | $4,380 | 1 | ||
| Jan 25, 2020 | - | $7,205 | +91% | 2 | $3,603 | $11,585 | 2 | |
| Jan 26, 2020 | - | $5,541 | -23% | 2 | $2,771 | $17,126 | 3 | |
| Jan 27, 2020 | - | $2,488 | -55% | 2 | $1,244 | $19,614 | 4 | |
| Jan 28, 2020 | - | $4,118 | +66% | 2 | $2,059 | $23,732 | 5 | |
| Jan 29, 2020 | - | $2,398 | -42% | 2 | $1,199 | $26,130 | 6 | |
| Jan 30, 2020 | - | $1,636 | -32% | 2 | $818 | $27,766 | 7 | |
| Jan 31, 2020 | - | $3,264 | +100% | -13% | 2 | $1,632 | $31,030 | 8 |
| Feb 1, 2020 | - | $7,811 | +139% | +8% | 2 | $3,906 | $38,841 | 9 |
| Feb 2, 2020 | - | $4,898 | -37% | -12% | 2 | $2,449 | $43,739 | 10 |
| Feb 3, 2020 | - | $1,928 | -61% | -23% | 2 | $964 | $45,667 | 11 |
| Feb 4, 2020 | - | $5,693 | +195% | +38% | 2 | $2,847 | $51,360 | 12 |
| Feb 5, 2020 | - | $2,567 | -55% | +7% | 2 | $1,284 | $53,927 | 13 |
| Feb 6, 2020 | - | $2,439 | -5% | +49% | 2 | $1,220 | $56,366 | 14 |
| Feb 7, 2020 | - | $14,372 | +489% | +340% | 22 | $653 | $70,738 | 15 |
| Feb 8, 2020 | - | $24,172 | +68% | +209% | 22 | $1,099 | $94,910 | 16 |
| Feb 9, 2020 | - | $18,617 | -23% | +280% | 22 | $846 | $113,527 | 17 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 24, 2020 | 42 | $27,154 | 2 | $13,577 | $27,766 | 1 | |
| Jan 31, 2020 | 43 | $28,600 | +5% | 2 | $14,300 | $56,366 | 2 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| South Korea | 1/22/2020 | $15,469,247 | 1,659 | 1,659 | 4,648 | $29,746,662 | 4/4/2026 | |||
| Rest of World | $5,096,778 | |||||||||
| International Total | $34,843,440 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Byung-hun Lee | Kim Gyu-pyeong | |
| Lee Sung-Min | President Park | |
| Kwak Do-won | Park Yong-gak | |
| Lee Hee-Joon | Kwak Sang-cheon |
Production and Technical Credits
| Min-ho Woo | Director | |
| Min-ho Woo | Screenwriter | |
| Lee Ji-min | Screenwriter | |
| Choong-sik Kim | Story Creator | |
| Go Rak-sun | Cinematographer | |
| Ji-eun Jung | Editor | |
| Jo Yeong-wook | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Metrics
| Opening Weekend: | $16,514 (14.5% of total gross) |
| Legs: | 1.99 (domestic box office/biggest weekend) |
| Domestic Share: | 0.3% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/22 max. theaters, 1.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $147,909 |
Movie Details
| Domestic Releases: | January 24th, 2020 (Limited) by Capelight Pictures, released as The Man Standing Next |
| International Releases: | January 22nd, 2020 (Wide) (South Korea) |
| MPA Rating: | Not Rated |
| Running Time: | 114 minutes |
| Cast, crew, or production detail: | Epilogue |
| Plot point: | Government Corruption, Political, Political Assassination, Secret Agent |
| Subgenre: | Political Thriller |
| Time period setting: | 1970s |
| Source: | Based on Factual Book/Article |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Hive Media , Gemstone Pictures |
| Production Countries: | Republic of Korea |
| Languages: | Korean |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 24, 2020 | 42 | $16,514 | 2 | $8,257 | $17,126 | 1 | |
| Jan 31, 2020 | 43 | $15,973 | -3% | 2 | $7,987 | $43,739 | 2 |
| Feb 7, 2020 | 34 | $57,161 | +258% | 22 | $2,598 | $113,527 | 3 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jan 24, 2020 | - | $3,768 | 2 | $1,884 | $4,380 | 1 | ||
| Jan 25, 2020 | - | $7,205 | +91% | 2 | $3,603 | $11,585 | 2 | |
| Jan 26, 2020 | - | $5,541 | -23% | 2 | $2,771 | $17,126 | 3 | |
| Jan 27, 2020 | - | $2,488 | -55% | 2 | $1,244 | $19,614 | 4 | |
| Jan 28, 2020 | - | $4,118 | +66% | 2 | $2,059 | $23,732 | 5 | |
| Jan 29, 2020 | - | $2,398 | -42% | 2 | $1,199 | $26,130 | 6 | |
| Jan 30, 2020 | - | $1,636 | -32% | 2 | $818 | $27,766 | 7 | |
| Jan 31, 2020 | - | $3,264 | +100% | -13% | 2 | $1,632 | $31,030 | 8 |
| Feb 1, 2020 | - | $7,811 | +139% | +8% | 2 | $3,906 | $38,841 | 9 |
| Feb 2, 2020 | - | $4,898 | -37% | -12% | 2 | $2,449 | $43,739 | 10 |
| Feb 3, 2020 | - | $1,928 | -61% | -23% | 2 | $964 | $45,667 | 11 |
| Feb 4, 2020 | - | $5,693 | +195% | +38% | 2 | $2,847 | $51,360 | 12 |
| Feb 5, 2020 | - | $2,567 | -55% | +7% | 2 | $1,284 | $53,927 | 13 |
| Feb 6, 2020 | - | $2,439 | -5% | +49% | 2 | $1,220 | $56,366 | 14 |
| Feb 7, 2020 | - | $14,372 | +489% | +340% | 22 | $653 | $70,738 | 15 |
| Feb 8, 2020 | - | $24,172 | +68% | +209% | 22 | $1,099 | $94,910 | 16 |
| Feb 9, 2020 | - | $18,617 | -23% | +280% | 22 | $846 | $113,527 | 17 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 24, 2020 | 42 | $27,154 | 2 | $13,577 | $27,766 | 1 | |
| Jan 31, 2020 | 43 | $28,600 | +5% | 2 | $14,300 | $56,366 | 2 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| South Korea | 1/22/2020 | $15,469,247 | 1,659 | 1,659 | 4,648 | $29,746,662 | 4/4/2026 | |||
| Rest of World | $5,096,778 | |||||||||
| International Total | $34,843,440 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Byung-hun Lee | Kim Gyu-pyeong | |
| Lee Sung-Min | President Park | |
| Kwak Do-won | Park Yong-gak | |
| Lee Hee-Joon | Kwak Sang-cheon |
Production and Technical Credits
| Min-ho Woo | Director | |
| Min-ho Woo | Screenwriter | |
| Lee Ji-min | Screenwriter | |
| Choong-sik Kim | Story Creator | |
| Go Rak-sun | Cinematographer | |
| Ji-eun Jung | Editor | |
| Jo Yeong-wook | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.