An account of Norman Lewis, whose remarkable memoir of post-World War II Naples form the basis for this haunting evocation of a ravaged land, and later a city of infinite charm. Lewis entered Naples as part of an invasion of Nazi-occupied Italy. His memories of a ravaged land and his return many years later are recalled with magnificent warmth and wit. It includes archival war footage with clips from movies set in Naples to evoke a city that was as much a victim of the war as any individual, but that has come back to life with all the charisma of Vesuvius, its very own volcano.
Latest Ranking on Cumulative Box Office Lists
|All Time Domestic Box Office (Rank 12,901-13,000)
|All Time Worldwide Box Office (Rank 16,901-17,000)
|All Time Domestic Highest Grossing Limited Release Movies (Rank 5,501-5,600)
See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.
December 6th, 2017
It was another stellar weekend at the box office, at least as far as the theater average chart was concerned. The Shape of Water earned an average of $83,282 in two theaters. This is the fourth best of the year so far. Call Me by Your Name was right behind with an average of $73,890 in four theaters. This is by far the best result of the year for a holdover, more than doubling Lady Bird’s sophomore stint. However, Lady Bird expanded its theater count during its second weekend of release, while Call Me by Your Name did not. The Disaster Artist was close behind with an average of $63,755 in 19 theaters. You could argue this was the best result of the week, because the film was playing in many more theaters than the two films above it. Wonder Wheel was well back with an average of $28,111 in five theaters. Normally this would be an amazing start, but this week it won’t make an impact and it could fade away by the end of the year. Finally, Darkest Hour was the final film in the $10,000 club earning an average of $27,093 in four theaters during its second weekend of release.
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