Natchez (2026)
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| Theatrical Performance | ||
| Domestic Box Office | $204,945 | Details |
| OpusData ID: 761530100 More info... | ||
| Further financial details... | ||
Synopsis
After generations of showcasing its antebellum homes and hoop-skirted docents, Natchez, Mississippi, is now reckoning with a romanticized past, an uncertain future and the debt it owes to the descendants of slavery. A cinematic portrait of a tourist town at a crossroads, NATCHEZ follows an array of historic homeowners, activists and tour guides as they tell their versions of the past, and clash over who gets to tell America’s story.
Metrics
| Opening Weekend: | $17,016 (8.3% of total gross) |
| Legs: | 6.44 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/16 max. theaters, 6.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $204,945 |
Movie Details
| Domestic Releases: | November 7th, 2025 (Oscar Qualifying Run) by Oscilloscope Pictures January 30th, 2026 (Limited) by Oscilloscope Pictures |
| MPA Rating: | Not Rated (Rated 11/10/2025) |
| Running Time: | 86 minutes |
| Filming location (state or county): | Mississippi, United States |
| Geographical setting: | Mississippi |
| Plot point: | Tourism Industry |
| Social setting: | Slavery |
| Subgenre: | Social and Cultural Documentary |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 7, 2025 | - | $9,026 | 1 | $9,026 | $9,026 | 1 | |
| Jan 30, 2026 | - | $17,016 | 1 | $17,016 | $17,016 | 13 | |
| Feb 6, 2026 | - | $8,474 | -50% | 3 | $2,825 | $46,577 | 14 |
| Feb 13, 2026 | - | $13,985 | +65% | 10 | $1,399 | $66,617 | 15 |
| Feb 20, 2026 | - | $31,827 | +128% | 15 | $2,122 | $105,454 | 16 |
| Feb 27, 2026 | - | $16,401 | -48% | 10 | $1,640 | $133,623 | 17 |
| Mar 6, 2026 | - | $8,589 | -48% | 8 | $1,074 | $149,213 | 18 |
| Mar 13, 2026 | - | $9,079 | +6% | 13 | $698 | $163,139 | 19 |
| Mar 20, 2026 | - | $9,392 | +3% | 10 | $939 | $177,969 | 20 |
| Mar 27, 2026 | - | $4,285 | -54% | 9 | $476 | $184,297 | 21 |
| Apr 3, 2026 | - | $3,133 | -27% | 6 | $522 | $190,875 | 22 |
| Apr 10, 2026 | - | $745 | -76% | 3 | $248 | $192,142 | 23 |
| Apr 24, 2026 | - | $2,961 | 2 | $1,481 | $195,248 | 25 | |
| May 1, 2026 | - | $1,019 | -66% | 2 | $510 | $196,063 | 26 |
| May 15, 2026 | - | $858 | 1 | $858 | $198,532 | 28 | |
| Jun 26, 2026 | - | $1,189 | 2 | $595 | $204,387 | 34 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 7, 2025 | 41 | $12,025 | 1 | $12,025 | $12,025 | 1 | |
| Jan 30, 2026 | 41 | $26,078 | 1 | $26,078 | $38,103 | 13 | |
| Feb 6, 2026 | 49 | $14,529 | -44% | 5 | $2,906 | $52,632 | 14 |
| Feb 13, 2026 | 55 | $20,995 | +45% | 11 | $1,909 | $73,627 | 15 |
| Feb 20, 2026 | 41 | $43,595 | +108% | 16 | $2,725 | $117,222 | 16 |
| Feb 27, 2026 | 45 | $23,154 | -47% | 13 | $1,781 | $140,624 | 17 |
| Mar 6, 2026 | 44 | $13,436 | -42% | 11 | $1,221 | $154,060 | 18 |
| Mar 13, 2026 | 42 | $14,517 | +8% | 13 | $1,117 | $168,577 | 19 |
| Mar 20, 2026 | 45 | $11,435 | -21% | 10 | $1,144 | $180,012 | 20 |
| Mar 27, 2026 | 44 | $7,730 | -32% | 12 | $644 | $187,742 | 21 |
| Apr 3, 2026 | 48 | $3,655 | -53% | 6 | $609 | $191,397 | 22 |
| Apr 10, 2026 | 57 | $890 | -76% | 3 | $297 | $192,287 | 23 |
| Apr 24, 2026 | 57 | $2,757 | 2 | $1,379 | $195,044 | 25 | |
| May 1, 2026 | 48 | $2,630 | -5% | 4 | $658 | $197,674 | 26 |
| Jun 26, 2026 | - | $1,747 | 3 | $582 | $204,945 | 34 |
Production and Technical Credits
| Suzannah Herbert | Director | |
| Suzannah Herbert | Screenwriter | |
| Pablo Proenza | Screenwriter | |
| Suzannah Herbert | Producer | |
| Darcy McKinnon | Producer | |
| Sam Pollard | Executive Producer | |
| Cindy Meehl | Executive Producer | |
| Carrie Lozano | Executive Producer | |
| Lois Vossen | Executive Producer | |
| Ted Haddock | Executive Producer | |
| Jacqueline Glover | Executive Producer | |
| Mari Nakachi | Executive Producer | |
| Ruth Ann Harnisch | Executive Producer | |
| Bill Harnisch | Executive Producer | |
| Noah Collier | Cinematographer | |
| Pablo Proenza | Editor | |
| James Newberry | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
After generations of showcasing its antebellum homes and hoop-skirted docents, Natchez, Mississippi, is now reckoning with a romanticized past, an uncertain future and the debt it owes to the descendants of slavery. A cinematic portrait of a tourist town at a crossroads, NATCHEZ follows an array of historic homeowners, activists and tour guides as they tell their versions of the past, and clash over who gets to tell America’s story.
Metrics
| Opening Weekend: | $17,016 (8.3% of total gross) |
| Legs: | 6.44 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/16 max. theaters, 6.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $204,945 |
Movie Details
| Domestic Releases: | November 7th, 2025 (Oscar Qualifying Run) by Oscilloscope Pictures January 30th, 2026 (Limited) by Oscilloscope Pictures |
| MPA Rating: | Not Rated (Rated 11/10/2025) |
| Running Time: | 86 minutes |
| Filming location (state or county): | Mississippi, United States |
| Geographical setting: | Mississippi |
| Plot point: | Tourism Industry |
| Social setting: | Slavery |
| Subgenre: | Social and Cultural Documentary |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 7, 2025 | - | $9,026 | 1 | $9,026 | $9,026 | 1 | |
| Jan 30, 2026 | - | $17,016 | 1 | $17,016 | $17,016 | 13 | |
| Feb 6, 2026 | - | $8,474 | -50% | 3 | $2,825 | $46,577 | 14 |
| Feb 13, 2026 | - | $13,985 | +65% | 10 | $1,399 | $66,617 | 15 |
| Feb 20, 2026 | - | $31,827 | +128% | 15 | $2,122 | $105,454 | 16 |
| Feb 27, 2026 | - | $16,401 | -48% | 10 | $1,640 | $133,623 | 17 |
| Mar 6, 2026 | - | $8,589 | -48% | 8 | $1,074 | $149,213 | 18 |
| Mar 13, 2026 | - | $9,079 | +6% | 13 | $698 | $163,139 | 19 |
| Mar 20, 2026 | - | $9,392 | +3% | 10 | $939 | $177,969 | 20 |
| Mar 27, 2026 | - | $4,285 | -54% | 9 | $476 | $184,297 | 21 |
| Apr 3, 2026 | - | $3,133 | -27% | 6 | $522 | $190,875 | 22 |
| Apr 10, 2026 | - | $745 | -76% | 3 | $248 | $192,142 | 23 |
| Apr 24, 2026 | - | $2,961 | 2 | $1,481 | $195,248 | 25 | |
| May 1, 2026 | - | $1,019 | -66% | 2 | $510 | $196,063 | 26 |
| May 15, 2026 | - | $858 | 1 | $858 | $198,532 | 28 | |
| Jun 26, 2026 | - | $1,189 | 2 | $595 | $204,387 | 34 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 7, 2025 | 41 | $12,025 | 1 | $12,025 | $12,025 | 1 | |
| Jan 30, 2026 | 41 | $26,078 | 1 | $26,078 | $38,103 | 13 | |
| Feb 6, 2026 | 49 | $14,529 | -44% | 5 | $2,906 | $52,632 | 14 |
| Feb 13, 2026 | 55 | $20,995 | +45% | 11 | $1,909 | $73,627 | 15 |
| Feb 20, 2026 | 41 | $43,595 | +108% | 16 | $2,725 | $117,222 | 16 |
| Feb 27, 2026 | 45 | $23,154 | -47% | 13 | $1,781 | $140,624 | 17 |
| Mar 6, 2026 | 44 | $13,436 | -42% | 11 | $1,221 | $154,060 | 18 |
| Mar 13, 2026 | 42 | $14,517 | +8% | 13 | $1,117 | $168,577 | 19 |
| Mar 20, 2026 | 45 | $11,435 | -21% | 10 | $1,144 | $180,012 | 20 |
| Mar 27, 2026 | 44 | $7,730 | -32% | 12 | $644 | $187,742 | 21 |
| Apr 3, 2026 | 48 | $3,655 | -53% | 6 | $609 | $191,397 | 22 |
| Apr 10, 2026 | 57 | $890 | -76% | 3 | $297 | $192,287 | 23 |
| Apr 24, 2026 | 57 | $2,757 | 2 | $1,379 | $195,044 | 25 | |
| May 1, 2026 | 48 | $2,630 | -5% | 4 | $658 | $197,674 | 26 |
| Jun 26, 2026 | - | $1,747 | 3 | $582 | $204,945 | 34 |
Production and Technical Credits
| Suzannah Herbert | Director | |
| Suzannah Herbert | Screenwriter | |
| Pablo Proenza | Screenwriter | |
| Suzannah Herbert | Producer | |
| Darcy McKinnon | Producer | |
| Sam Pollard | Executive Producer | |
| Cindy Meehl | Executive Producer | |
| Carrie Lozano | Executive Producer | |
| Lois Vossen | Executive Producer | |
| Ted Haddock | Executive Producer | |
| Jacqueline Glover | Executive Producer | |
| Mari Nakachi | Executive Producer | |
| Ruth Ann Harnisch | Executive Producer | |
| Bill Harnisch | Executive Producer | |
| Noah Collier | Cinematographer | |
| Pablo Proenza | Editor | |
| James Newberry | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.