Ned Kelly (2003)
| Theatrical Performance | ||
| Domestic Box Office | $86,959 | Details |
| International Box Office | $6,284,940 | Details |
| Worldwide Box Office | $6,371,899 | |
| OpusData ID: 81810100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $43,704 (50.3% of total gross) |
| Legs: | 1.99 (domestic box office/biggest weekend) |
| Domestic Share: | 1.4% (domestic box office/worldwide) |
| Theater counts: | 22 opening theaters/22 max. theaters, 2.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $167,476 |
Movie Details
| Domestic Releases: | March 26th, 2004 (Limited) by Universal |
| International Releases: | March 27th, 2003 (Wide) (Australia) |
| Video Release: | July 27th, 2004 by Universal Home Entertainment |
| MPA Rating: | R for violence and brief nudity. |
| Running Time: | 110 minutes |
| Source: | Based on Factual Book/Article |
| Genre: | Multiple Genres |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Universal Pictures, StudioCanal, Working Title Films, Endymion Films, WTA Group |
| Production Countries: | Australia, United Kingdom, United States, France |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 26, 2004 | 58 | $43,704 | 22 | $1,987 | $43,704 | 1 | |
| Apr 2, 2004 | 84 | $15,262 | -65% | 18 | $848 | $74,864 | 2 |
| Apr 9, 2004 | 107 | $2,334 | -85% | 4 | $584 | $86,959 | 3 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 26, 2004 | 63 | $59,602 | 22 | $2,709 | $59,602 | 1 | |
| Apr 2, 2004 | 81 | $25,023 | -58% | 18 | $1,390 | $84,625 | 2 |
| Apr 9, 2004 | 96 | $2,334 | -91% | 4 | $584 | $86,959 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 3/27/2003 | $1,571,260 | 352 | 352 | 352 | $1,572,737 | 4/1/2020 | |||
| Rest of World | $4,712,203 | |||||||||
| International Total | $6,284,940 | 4/1/2020 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Heath Ledger | Ned Kelly | |
| Orlando Bloom | Joe Byrne | |
| Naomi Watts | Julia Cook | |
| Geoffrey Rush | Supt. Hare |
Supporting
| Joel Edgerton | Aaron Sherritt | |
| Laurence Kinlan | Dan Kelly | |
| Philip Barantini | Steve Hart | |
| Kerry Condon | Kate Kelly | |
| Kris McQuade | Ellen Kelly | |
| Rachel Griffiths | Mrs. Scott |
Production and Technical Credits
| Gregor Jordan | Director | |
| John Michael McDonagh | Screenwriter | |
| Klaus Badelt | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Metrics
| Opening Weekend: | $43,704 (50.3% of total gross) |
| Legs: | 1.99 (domestic box office/biggest weekend) |
| Domestic Share: | 1.4% (domestic box office/worldwide) |
| Theater counts: | 22 opening theaters/22 max. theaters, 2.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $167,476 |
Movie Details
| Domestic Releases: | March 26th, 2004 (Limited) by Universal |
| International Releases: | March 27th, 2003 (Wide) (Australia) |
| Video Release: | July 27th, 2004 by Universal Home Entertainment |
| MPA Rating: | R for violence and brief nudity. |
| Running Time: | 110 minutes |
| Source: | Based on Factual Book/Article |
| Genre: | Multiple Genres |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Universal Pictures, StudioCanal, Working Title Films, Endymion Films, WTA Group |
| Production Countries: | Australia, United Kingdom, United States, France |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 26, 2004 | 58 | $43,704 | 22 | $1,987 | $43,704 | 1 | |
| Apr 2, 2004 | 84 | $15,262 | -65% | 18 | $848 | $74,864 | 2 |
| Apr 9, 2004 | 107 | $2,334 | -85% | 4 | $584 | $86,959 | 3 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 26, 2004 | 63 | $59,602 | 22 | $2,709 | $59,602 | 1 | |
| Apr 2, 2004 | 81 | $25,023 | -58% | 18 | $1,390 | $84,625 | 2 |
| Apr 9, 2004 | 96 | $2,334 | -91% | 4 | $584 | $86,959 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 3/27/2003 | $1,571,260 | 352 | 352 | 352 | $1,572,737 | 4/1/2020 | |||
| Rest of World | $4,712,203 | |||||||||
| International Total | $6,284,940 | 4/1/2020 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Heath Ledger | Ned Kelly | |
| Orlando Bloom | Joe Byrne | |
| Naomi Watts | Julia Cook | |
| Geoffrey Rush | Supt. Hare |
Supporting
| Joel Edgerton | Aaron Sherritt | |
| Laurence Kinlan | Dan Kelly | |
| Philip Barantini | Steve Hart | |
| Kerry Condon | Kate Kelly | |
| Kris McQuade | Ellen Kelly | |
| Rachel Griffiths | Mrs. Scott |
Production and Technical Credits
| Gregor Jordan | Director | |
| John Michael McDonagh | Screenwriter | |
| Klaus Badelt | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.